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Kids First Saturdays: Calligraphy and Zine Making - The Polygon Gallery

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August 29, 2020


KIDS FIRST SATURDAYS: CALLIGRAPHY AND ZINE MAKING

The following instructions will introduce you to calligraphy, which is one of
the activities that will be used to create your own zine publication during our
in-gallery Kids First programming on Saturday, September 5th 2020.

Registration for Kids First programming can be done by emailing
s.bernard@thepolygon.ca.  Our new Covid-19 plan ensures a safe experience for
all.

INSPIRATION

For the next several months, we will discover the artistic practice of 8 artists
from the Third Realm: Contemporary Art From Asia exhibition, that will be shown
in all gallery spaces starting on September 4th 2020.

We continue our exploration this week with the work of FX Harsono, an Indonesian
artist of Chinese descent, who is currently exploring personal issues of
cultural identity and self by creating paintings, performance and video work.



These two still images come from a video piece titled Writing in the Rain,
created in 2011. Harsono begins by writing his name in Chinese characters on a
clear wall, to express his identity as well as the cultural significance of
calligraphy in Chinese culture. As the video continues, rain begins to fall and
erases the text he has written, and the artist continues writing as a way of
demonstrating the persistence necessary to retain cultural identity when one is
not part of the dominant culture.



Image still from FX Harsono’s video, Writing in the Rain (2011), courtesy
FarEastFarWest collection.

For anyone visiting the gallery from September 4th to November 8th 2020,
download and print this ‘Seek and Find’ document before your visit, to help you
look closer at the artworks in the exhibition. Or, use your personal device to
look at the sheet as you go through the exhibit with your family.

 

STEP 1: GATHER MATERIALS AND LEARN THE ‘FOUR TREASURES’ OF CHINESE CALLIGRAPHY

 *   Water colour paper (Western calligraphy) and/or rice paper (East Asian
   calligraphy)
 *   Small or medium writing brush (East Asian calligraphy) made with either
   goat or wolf/weasel hair
 *   Brush pen (Modern, Western calligraphy)
 *   Container with water
 *   Liquid ink with container and/or ink stick and ink stone
 *   Paper towels and/or newspapers and/or newsprint
 *   Optional: paper weight and brush holder

The ‘Four Treasures’ of Chinese calligraphy are the writing brush (筆 or “bǐ”),
the ink stick (墨 or “mò”), the paper (紙 or “zhĭ”) and the ink stone (硯 or
“yàn”).



The bristles of the brush can be made of goat hair (white), of rabbit hair
(dark), of wolf/weasel hair (amber), or a combination of these to create a mixed
brush. Brushes also vary in length and softness, which allows you to use the
brushes for different purposes, either writing or painting. Brushes finally need
to be cleaned and hung to dry when not in use.

The art of calligraphy also requires the brush to be held in a specific manner
in order to write properly, and requires much practice in order for the
technique to be mastered over time.



Traditional East Asian ink is made by burning wood and/or oil and by collecting
the leftover soot to be pressed into hardened sticks. These solid sticks are
then ground into powder using the ink stone, which becomes ink when mixed with
water.

The quality of ground ink is different than purchased, liquid ink, and this can
improve the variety of choices when making ink and wash paintings.





Paper is also a material that comes in different sizes and qualities, from
rolled, unprocessed rice paper that is very absorbent, to flattened, processed
paper that is stiffer and more resistant to water absorption.



STEP 2: USE A SOFT-  OR A STIF-HAIR WRITING BRUSH TO WRITE YOUR NAME ON RICE
PAPER

In the West, when learning to write the English language, people often start by
learning the alphabet using block letters. Block letters are made up of basic
shapes and lines such as vertical and horizontal lines, diagonal lines and
curved or circular lines.



In many countries of the East such as China, language is based on a character
system where each symbol is also built using a fixed set of basic shapes and
lines. When learning Chinese calligraphy, students must first learn how to draw
the following basic strokes that make up all Chinese characters when combined in
different ways. Try using this set of basic strokes to write the letters of your
name on several sheets of practice paper.





 

Chinese characters are also written while following a certain order in how the
brushstrokes are composed, beginning from left to right, then top to bottom in
the second column.

By using the following diagram when ordering your letters, you can transform
English words into something visually resembling how Chinese characters look.
For example, short names like ‘John’ or ‘Tina’ fit this strategy, as seen below.
For longer names, try creating more than one ‘character’ of four letters while
keeping the same order to the letters in each.

Once you have had enough practice using the newsprint or computer paper, try
your hand at writing on the rice paper. Rice paper is much more sensitive to the
absorption of ink and you will have to work quicker with the brush. You may have
to try over several times before you are happy with the results.

 



STEP 3: USE A BRUSH PEN TO WRITE YOUR NAME ON WET WATER COLOUR PAPER

Use a clean calligraphy brush to wet the entire surface of a thick piece of
water colour paper. Due to the prepared nature of the paper, it will keep its
shape even when very wet. Then use a commercial brush pen to write your name on
the surface of the paper.



What happens to the ink? Try writing your name several times as the paper dries
to see how the dripping effect changes over time. You can also try using
calligraphy ink with the writing brush to write your name, or to add drawing
details to the paper.

STEP 4: BIND YOUR DIFFERENT WRITING AND DRAWING EXAMPLES INTO A SMALL
PUBLICATION OR ZINE.

Once you’ve finished making your different writing samples, flatten the paper
between sheets of paper towel wedged in a few books, or dry your paper in the
sun.

Binding the pages involves using a pre-printed 8.5 X 11 inch cover page that has
been folded down the middle. Depending on which items you want to include, you
can staple several pages of rice paper, one sheet of water colour paper, and a
few pages of telephone book pages treated with an ink and wash painting. The
pages should be cut to size prior to binding them to the cover with the help of
an office stapler.



STEP 5: SHARE YOUR WORK

If you share your work online, be sure to tag @polygongallery as we would love
to see how your name looks depending on the different materials used to write
it.

Join us on Saturday, September 5th, in order to write your name using different
calligraphy materials, to try your hand at ink and wash painting, and to learn
how to bind all these images into a zine publication. Hope to see you this week!

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KIDS FIRST SATURDAYS: CALLIGRAPHY AND ZINE MAKING