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Precise geolocation means that there are no restrictions on the precision of a user’s location; this can be accurate to within several meters. specialFeatureOptins 0OnOff -------------------------------------------------------------------------------- ACTIVELY SCAN DEVICE CHARACTERISTICS FOR IDENTIFICATION Vendors can: * Create an identifier using data collected via actively scanning a device for specific characteristics, e.g. installed fonts or screen resolution. * Use such an identifier to re-identify a device. specialFeatureOptins 1OnOff -------------------------------------------------------------------------------- Save Preferences and Exit About this tool(Opens in a new window) LOGIN SUBSCRIBE NOW SIGN UP TO THE JC NEWSLETTER SUPPORT US * home * news * community * let's talk * let's eat * life & culture * family & education * judaism * archive * social & personal * jobs * HOME * NEWS * POLITICS * ISRAEL * WORLD * COMMUNITY * LET'S TALK * LET'S EAT * RECIPES * THE FRESSER * LIFE & CULTURE * TRAVEL * SPORT * FAMILY & EDUCATION * JUDAISM * ARCHIVE * SOCIAL & PERSONAL * JOBS LOGIN SIGN UP TO THE JC NEWSLETTER SUBSCRIBE NOW SUPPORT US SIGN UP TO THE JC NEWSLETTER EMAIL ADDRESS * Sign up here David Baddiel OPPENHEIMER LIKED TO PRETEND HE WASN’T JEWISH — LIKE THE FILM Yet again, a major movie has cast a non-Jew to play a famous Jew. This may be part of a deeper erasure of Jews — and antisemitism — going on under the surface of storytelling Cillian Murphy as J. Robert Oppenheimer (Photo: Universal Studios) July 27, 2023 10:30 * * * * Another day, another film/TV show/play in which a famous Jew is played by a non-Jew. I have talked and written about this many times — about how it’s a question not of acting but of context: minority casting being presently dominated by the notion of authenticity, the question is why that doesn’t apply to Jews, and what that means for how people see Jews — so I shan’t rehearse it again. But there is another, more complex issue thrown up by the casting in Oppenheimer. Any biopic on such a serious subject as the creation of the atomic bomb needs to delve deep into the psychological underpinnings of the narrative. My sense of a possible omission in that regard was alerted reading Peter Bradshaw in the Guardian saying that the film “doesn’t quite get to grips with the antisemitism Oppenheimer faced”. Which is interesting, as it was certainly a central issue in the physicist’s life and career. He entered Harvard just as the university established a quota system to limit Jewish entry. While in Berkeley, he attempted to secure a position for his colleague Robert Serber but was told “one Jew in the department is enough”. Meanwhile, Einstein is played by the also not-Jewish Tom Conti. Forget for a minute how much outrage would usually be inspired by casting arguably the most iconic member of a minority not from that minority, and consider why Albert and J Robert were meeting in America. It’s because of course in 1933, Einstein, who had been lecturing in the US, was unable to return to a Germany under Nazi Rule. His books were being burnt, and his cottage had been stolen to become a centre for the Hitler Youth. Point being, the context of Oppenheimer is inseparable from antisemitism — both on the micro-level, in American society, and the macro, the existential threat posed by Nazi Germany. When I discussed the movie on Twitter — where the bringing up of the issue of non-Jews continually being cast as Jews tends to lead to scores of responses saying “it’s called acting, mate” and “oh I suppose only murderers can play murderers now” — the writer Naomi Alderman chose to respond, very insightfully, by pointing out the vast amount of Jewish physicists whose work was vital to the discovery of nuclear fission, and therefore to the Manhattan Project. American atomic scientist Julius Robert Oppenheimer (1904 - 1967) arrives in Paris to give a series of lectures at the Faculty of Science. (Photo by Central Press/Getty Images) It’s too many to list in this article, but beyond Oppenheimer and Einstein, she mentions Enrico Fermi (Jewish wife, fled Italy), Hans Bethe, (Jewish mother, Jewish fiancée, fled Germany), Otto Frisch, Neils Bohr (Jewish mother), Lise Meitner and many others. “I mean it’s not everyone but good luck doing it without them,” she concludes. Something is going on there. Obviously, a lot of great scientists at the time happened to be Jewish refugees. But in a time of intense peril, the vulnerable, I think, dream of magical power. It is not coincidental that the creators of Superman, born during the war and originally a fighter of Nazis, were Jewish. The atomic bomb is not a magical weapon but it must have seemed so, in its initial stages, the idea of being able to destroy this terrible existential threat, in one go, with your own existential-destroying reality. This is not to say — let me be clear — that the Jews are to blame for Hiroshima and Nagasaki. That blame lies with the American government and military at the time, keen to end the war but also to send a message to the Soviets of their nuclear capability. But even physics has an emotional undercurrent, and the emotional undercurrent for J Robert and Albert Einstein and the other Jews involved in trying to make this weapon before the Nazis did, was fear and desperation. Which is why Alderman is correct to say, “I don’t really understand how it’s possible to make a movie about the Manhattan Project without talking about Jewishness.” Oppenheimer does include scenes where mentions of J Robert’s heritage are present and correct, but the film lacks, perhaps because of the casting — and this is where authenticity casting, whatever you feel about it, has some artistic value — any profound sense of that ethnicity being key to who he was, the secret driver of his work at Los Alamos. This may be because there is, from some of our storytellers presently, a fatigue, I think, a boredom, with Jews, and the strange incessant way that Western history has, often to their misfortune, placed them at the centre of itself. This boredom is what leads to Jewish erasure, and that erasure is doubled down upon by the complacent casting of non-Jews as these great and complex Jewish figures of history. I’ve called Oppenheimer J Robert in this article, because his first name was in fact Julius. He, however, insisted it stood for nothing, because he didn’t want people to think he was Jewish, or that Jewishness mattered much to him — and there is a sense in which Oppenheimer the movie has gone along with that. But to do so is to miss, perhaps, the deepest undercurrent of the story. Read more: The real Oppenheimer's complicated relationship with Judaism David Baddiel’s show ‘Talking Books’ is at the Assembly Rooms, Edinburgh Festival August 2nd-12th READ NEXT Hannah Gillott THE REAL OPPENHEIMER'S COMPLICATED RELATIONSHIP WITH JUDAISM While he tried his best to assimilate, J Robert Oppenheimer's faith was a constant theme throughout his career David Rose AN URGENT SOLUTION IS NEEDED TO RESOLVE ISRAEL'S GROWING POLITICAL CRISIS The situation is Israel is becoming more dangerous by the day as Bibi pushes through his judicial reforms Karen E H Skinazi I’M DECLUTTERING FOR PEACE OF MIND I get Marie Kondo’s way of thinking: hold on to what makes you happy and when you let go of things were once meaningful, honour them Victoria Sterman WE’RE HELPING OUR UNEMPLOYED ‘HIDDEN ARMY’ INTO WORK Joblessness is a bigger problem than we are led to believe - and the Jewish community is not immune to this. But Resource is here to assist Dominic Green IS IT TIME TO END UNITED STATES AID TO ISRAEL? The optics of the US-Israel alliance are popular. But does it still reflect reality? July 27, 2023 10:30 * * * * LET'S TALK MORE Anshel Pfeffer Broken Bibi is powerless as Israel tears itself apart Tanya Gold When is a Jew not a Jew? When they are German and Gentile The JC Leader Compromise is the only way forward for Israel Nathan Abrams Welcome to Jewrassic Park — Spielberg’s first Nazi parable Ian Austin Skewed priorities harm the prospects of peace HAVE THE JC DELIVERED TO YOUR DOOR Subscribe Now * * * SUBSCRIBE TO OUR NEWSLETTERS Subscribe Now * News * Israel * Let's Talk * Let's Eat * Life & Culture * Family & Education * Judaism * Archive * Social & Personal * Jobs SUPPORT US DONATE NOW ©2023 The Jewish Chronicle * About us * Advertising * Terms & Conditions * Cookie Policy * FAQs * Privacy policy * Contact us