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NYFA.ORG - NYFA CURRENT

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Posted September 15, 2020

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WE’VE MOVED!


VISIT NYFA.ORG/BLOG TO VIEW THE NYFA BLOG.

We are so grateful for your readership, and hope that you’ll bookmark our new
blog page for more tools, tips, and resources from NYFA! 


Keep up-to-date on the latest from NYFA and sign up for NYFA’s bi-weekly
newsletter, NYFA News, to receive announcements about future NYFA events and
programs.


Image: Andrew Brischler (Painting ’15), NEW (Orange), 2014, oil and acrylic on
canvas over panel



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Posted September 9, 2020

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INTRODUCING | 2020 CANADIAN WOMEN ARTISTS’ AWARD RECIPIENTS DESTINIE ADELAKUN
AND SARA JIMENEZ


THE CANADIAN WOMEN ARTISTS’ AWARD IS OFFERED BY NYFA WITH FUNDING FROM THE
CANADIAN WOMEN’S CLUB OF NEW YORK.

The New York Foundation for the Arts (NYFA) has announced interdisciplinary
artists Destinie Adelakun and Sara Jimenez as its 2020 Canadian Women Artists’
Award recipients. The $5,000 award is designed to provide financial support to
women-identifying emerging or early career artists working in any discipline,
and can be used in any manner the recipient deems necessary to further their
artistic goals. The award program is supported by funding granted to NYFA by the
Canadian Women’s Club (CWC) of New York as a way to continue its philanthropic
work when it disbanded. This year, in response to the impact of the COVID-19
pandemic on the creative community, the CWC and NYFA decided to award two
prizes.

“We’re proud to partner with the Canadian Women’s Club to offer this award, and
are especially grateful to recognize not one but two artists,” said Michael L.
Royce, Executive Director, NYFA. “Destinie Adelakun and Sara Jimenez are
exceptionally talented cross-disciplinary artists, and we are excited to hear
more from them as they continue to push their careers forward,” he added.

Destinie Adelakun is a Lagos, Nigeria-born, Nagpur, India-raised Canadian artist
whose work extends from mixed-media, painting, and photography to film and
sculpture, and explores topics ranging from African history, mythology, and
spirituality. She utilizes individuals in her work as a personification of
principles and ideas, and a way to re-illustrate African and Indian mythological
tales. Adelakun, who received a BFA degree in Fashion Production from The London
College of Fashion, celebrates women of the African diaspora and plays with the
adornment that embodies the creative direction of the work. She has collaborated
with noted art world icons such as Renee Cox, Mickalene Thomas, and Taha Clayton
to name a few, and curated several art shows in the New York region before
recently transitioning to showing her own art and photography work. She
currently lives and works in New York, NY.

Said Adelakun upon receiving a 2020 Canadian Women Artists’ Award: “As a
biracial daughter of the diaspora, life has thrown countless battles on my path
to success. I recently became a mother during this global pandemic, and just
when I felt overwhelmed and buried by the challenges of life I received this ray
of opportunity. This award means that I have the opportunity to continue to
create work. It is an opportunity for me to allow other young women of color,
especially mothers, to see that creativity and achievement doesn’t end after
childbirth. This award and its recognition will elevate my career to a whole new
level, and it’s an affirmation to continue working and believing in myself.”

Sara Jimenez explores the material embodiment of deep transcultural memories. As
an interdisciplinary Filipinx-Canadian artist, she is interested in
materializing existing global narratives around concepts of origins and home,
loss and absence. She works in collage, sculpture, installation, and performance
to create visual metaphors that allude to mythical environments and forgotten
artifacts. Jimenez is a collector and alchemist: among other things, she
collects familial narratives, abandoned objects, debris, compost, colonial texts
and photos, maps, and textiles. Through material experimentation, she combines
and rearranges elements from her collections to complicate pre-existing
narratives of place, lineage, and temporality. Her work has been exhibited at
the Pinto Art Museum (Philippines), El Museo del Barrio, Brooklyn Museum, and
others, and she has performed at numerous venues including The Dedalus
Foundation, The Noguchi Museum, and Dixon Place. Upcoming, Jimenez will have
solo shows at Irvine Fine Arts Center and The Center for Chinese Contemporary
Art in Manchester, England, and will participate in the 2021 Cornell Biennial
curated by Tim Murray. Jimenez received her BA degree from the University of
Toronto and her MFA degree from Parsons the New School for Design. She teaches
at Parsons, New York University, and Borough of Manhattan Community College and
mentors graduate students at the Vermont College of Fine Art and School of
Visual Arts. Jimenez is based in Brooklyn, NY.

Said Jimenez upon receiving a 2020 Canadian Women Artists’ Award: “I am
incredibly honored to receive this award. It is humbling and moving to be gifted
resources to pursue my vision and share it with the world. I want my work to be
of service to the public and to shift the paradigm of visual culture.”

Lorraine Bell, Board Director Bridgemarq Real Estate Services, Hot Docs
Foundation USA, the University of Toronto Associates, Inc., and former Canadian
Women’s Club member, spoke about the rationale behind giving two awards in 2020:
“I know the financial struggles that artists face during the best of times can
be difficult, but layer a global pandemic onto that and it can be overwhelming.
So the decision to award two worthy Canadian recipients in 2020 was made and we
are thrilled with the selections of artists Adelakun and Jimenez.”

Find out about additional awards and grants here. Sign up for our free bi-weekly
newsletter NYFA News to receive announcements about future NYFA events and
programs.

Images from top: Destinie Adelakun and Sara Jimenez, Photo Credits: Sheridon
Poyer and Sara Jimenez; Destinie Adelakun, ADE - Oshun and Oya’s crown, 2020;
and Sara Jimenez, Cenotaph, 2018



TAGS

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awardcanadianwomenartistsawarddestinieadelakundestinie adelakunsara
jimenezsarajimenezcanadian artistcanadianartistartist
awardartistawardcwccanadian womens clubcanadianwomensclubcanadian women
artistscanadianwomenartists

Posted August 27, 2020

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REGISTER NOW | ONLINE COURSE: BUILD AND DEVELOP YOUR FUNDRAISING STRATEGIES


A DEEP DIVE INTO PROPOSAL WRITING, DEVELOPING YOUR NETWORKS, AND INDIVIDUAL
GIVING THIS SEPTEMBER AND OCTOBER VIA ZOOM.

Interested in upping your fundraising game this fall? Join New York Foundation
for the Arts (NYFA) and Asylum Arts as we offer an online course on developing
and building fundraising strategies for your career and art practice. The
course, which will provide deep-dives into proposal writing, developing your
networks, and individual giving, is designed for artists of all disciplines and
will be accessible anywhere you have internet access through Zoom. It will be
taught by Rebecca Guber, Founder and Director of Asylum Arts.

The September and October course will focus on two topics: “Proposal Writing:
How to Work Smarter, Not Harder, On Getting What You Want” and “Developing Your
Networks and Individual Fundraising.” Each topic is comprised of a webinar and
an interactive workshop, and artists can register for one or both depending on
their individual needs. In order to provide personalized feedback, interactive
workshops will be capped at 25 participants; those registering for an
interactive workshop must first take the webinar on that topic. 

Cost:

 * $25 for one webinar
 * $75 for one webinar and the corresponding interactive workshop
 * $125 for the full course of two webinars and two interactive workshops

Guber, who brings 20 years of expertise in the art world to the course, has been
called a “kind, knowledgeable presenter” and her previous proposal writing
workshop was reviewed as a “lively, informative overview” by participant Laura
Maria Censabella. “Even after being in the ‘business’ for a while, I learned
some things I can be doing better,” said Censabella.

Read on for more details on each and how to register.


PROPOSAL WRITING: HOW TO WORK SMARTER, NOT HARDER, ON GETTING WHAT YOU WANT

Webinar: Wednesday, September 23, 2020, 1:00 PM - 2:30 PM EDT
Interactive Workshop: Wednesday, September 30, 2020, 1:00 PM - 2:30 PM EDT

Many opportunities for artists require written proposals, which can seem like a
skill far away from your artistic process. This topic is geared towards
individual artists seeking grant or residency program opportunities or who are
looking to pitch projects via written materials.

The September 23 webinar will cover: 

 * How to present your best self and work in written proposals.
 * Different types of proposals that artists may encounter.
 * Common elements of a proposal and best practices.
 * How to be most efficient with your research and proposal writing.
 * What happens during the review process.

The September 30 interactive workshop will provide:

 * In-depth explanation of the different types of project budgets.
 * How to use budgets to tell the story of your project.
 * Pitfalls and challenges of budgets.
 * Key aspects of strong artist statements.
 * Feedback on your artist statement.

For more detailed information and to register for “Proposal Writing: How to Work
Smarter, Not Harder, On Getting What You Want,” click here.


DEVELOPING YOUR NETWORKS AND INDIVIDUAL FUNDRAISING

Webinar: Wednesday, October 21, 1:00 PM - 2:30 PM EDT
Interactive Workshop: Wednesday, October 28, 2020, 1:00 PM - 2:30 PM EDT

This topic is for individual artists and those who run companies/organizations
who would like to incorporate individual giving into their fundraising model,
and better activate and cultivate their existing networks. 

The October 21 webinar will cover:

 * Fundamentals of individual giving.
 * Why people give.
 * Cultivation and relationship-building techniques.
 * How to ask for money.
 * How artists can leverage their networks to increase support for their work.

The October 28 interactive workshop will provide:

 * An in-depth look into the topics covered in the October 21 webinar.
 * Ways to identify your existing network and opportunities for growth.
 * Tips for speaking compellingly about your creative projects as a way to gain
   support.
 * Role-play and practice asking for funding

For more detailed information and to register for “Developing Your Networks and
Individual Fundraising,” click here.


INTERESTED IN TAKING THE FULL COURSE? 

For more detailed information and to register for “Proposal Writing: How to Work
Smarter, Not Harder, On Getting What You Want” and “Developing Your Networks and
Individual Fundraising,” click here.

Presenter’s Bio: Rebecca Guber is the Director and Founder of Asylum Arts, a
global network of over 600 emerging Jewish artists. She was previously the
founder and Director of the Six Points Fellowship. Guber has built a community
of artists exploring Jewish ideas and identity through fellowship commissions
for new work, grants, international retreats, and professional development. Over
the last 12 years, her projects have been the largest direct funder of emerging
Jewish artists, distributing over 1.5 million dollars for new projects. Artists
supported through her efforts have produced readings, workshops, and
performances and have been featured in hundreds of articles and blog posts,
including major press, radio, and national TV. Guber has also worked at the
Lower Manhattan Cultural Council, the Museum of Jewish Heritage, and founded the
Shpatzirin Festival. She has reviewed many thousands of proposals over her 20
years in the art world and has facilitated many review panels. Guber hates
jargon, and loves proposals that are unusual, interesting, and paint a clear
picture. 

Questions? Email learning@nyfa.org. 

This program is presented by NYFA Learning. Sign up here to receive NYFA News, a
bi-weekly organizational email for upcoming awards, resources, and professional
development. NYFA Learning also offers the monthly Immigrant Artist Program
(IAP) Newsletter if you are interested in opportunities, professional
development, events, and tips and advice specific to immigrant artists.

Image: NYFA Online Learning: Proposal Writing: How to Work Smarter, Not Harder,
on Getting What You Want!, September 2019, Courtesy NYFA



TAGS

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workshopsonlineworkshopsonlinecoursesonline coursesindividual
givingindividualgivingproposalwritingproposal writingnetworkingarts
entrepreneurshipartsentrepreneurshipworkshopwebinarartist professional
developmentartistprofessionaldevelopmentcreative
careerscreativecareersannouncementsinstagramrebecca guberrebeccaguber

Posted August 25, 2020

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BUSINESS OF ART | LITERARY SUBMISSIONS 101




TOP TIPS FOR GETTING YOUR WORK SEEN BY EDITORS AND PUBLISHERS.



When it comes to getting your work published, writing is only half of the job.
Submitting your work to publications is also a big part of being a writer, and
it requires some strategizing. Not sure where to begin? We compiled a series of
tips from previous NYFA Current articles, plus updated best practices, and some
very helpful advice from former #ArtistHotline guest chat participants Elisa
Gabbert and Lincoln Michel. So take a deep breath, gather your courage, and take
note of the tips below before starting to submit your work!


STEP 1 - DOING THE RESEARCH

It might sound obvious, but we will say it one more time for the people in the
back: you must read and familiarize yourself with the publications you’re
considering sending your work to. What kind of work do they typically publish?
Do any of their published works stand out to you? Who is their audience? When do
they usually have open calls? 

If you’re not sure how to begin this research, a good place to start is by
following the steps of your main inspirations. Where have they published before?
Have they written about their process anywhere? Do they talk about it in
interviews? Interact with them on social media, but don’t expect them to take
you by the hand and answer all of your questions, especially if unsolicited.
Every now and then writers will feel like engaging on Instagram or Twitter,
either creating threads or soliciting questions. Take advantage of these
moments, but don’t be invasive. You can also follow hashtags like #pubtip and
#querytip, used by writers, agents, and editors to share snippets of advice for
aspiring writers. Another great way to understand where your heroes currently
are and how they got there, is by reading the “Thank Yous” and “Acknowledgments”
in their publications. 


STEP 2 - GETTING ORGANIZED

Step number one means you’ll collect a lot of information, which can quickly
become unparsable. Before that happens, we suggest preparing a spreadsheet where
you can organize all the publications you believe are a good match. Here’s a
sample spreadsheet with some basic information you should have on hand for
tracking your submissions. You might have to submit several times before getting
a yes (and that’s totally normal), so make sure to track your “yes” and “no”
responses and feedback received (if any) for future applications.

Feeling overwhelmed? Prioritize your submissions. What is your dream venue? If
it’s a super-selective place, they’ll probably require a more extensive
publication history. Focus on building this history first, perhaps applying to
smaller names in the industry, and then aiming for the powerhouses. The most
important thing here is to make sure this process doesn’t compromise your
writing time. Here are a few tips on how to balance your time between submitting
work and making it. 


STEP 3 - SELECTING MATERIALS

Your “favorite-ever-thing-you-have-ever-written” is probably great, but it still
might not be the best fit for a particular open call. When choosing what
materials to send out, ask yourself the following question: does this work fit
seamlessly with the other stories, essays, or poems this platform typically
publishes? Choose objectively.

Along with your writing, open calls may ask for other supporting materials. The
main one, and arguably, the most feared, is the cover letter. According to
Lincoln Michel, writers don’t need to worry so much about them, focusing on
keeping them short, direct, and simple. It’s still important to know who you’re
writing to, though. Show you did your research by matching the style of the
publishing venue, Elisa Gabbert advises. CVs, references, and bios are other
common files requested. Learn how to prepare them with these older, but golden
tips from BinderCon. In terms of design, err on the side of cleanliness. Stick
to the basics unless formatting is a big part of your text (for example, if
you’re writing concrete poetry). 

Last but not least, follow the guidelines! Remember, one very important thing
must happen before an editor even gets to read your submission: you must make it
out of the slush pile. Due to competitiveness or likely lack of time on the side
of jurors, you might receive a rejection simply because you did not follow
simple rules like sticking to the word count or labeling your files correctly. 


STEP 4 - DEALING WITH THE NOS

Rejection is normal and does not necessarily mean your work is not good enough.
Maybe your manuscript got lost in the slush pile—it happens to the best of us—or
maybe it was not a good fit for the platform at that particular moment. 

Use rejections as a teachable moment. Ask for feedback if possible, but don’t be
offended if editors are not able to answer. If you do get a response, don’t feel
pressured to internalize all critiques or to revamp your work completely. Know
your writing and your value as a writer so you can process useful commentary and
disregard the rest. Follow the advice of Gabbert and develop a network of
trusted peers (folks in the industry, friends) that can be your beta-readers and
be ready to accept and learn from honest criticism. 


- LUIZA TEIXEIRA-VESEY, DESIGNER/MARKETING OFFICER

This article draws inspiration from #ArtistHotline, an initiative dedicated to
creating an ongoing online conversation around the professional side of artistic
practice. Our goal is to help artists discover the resources needed, online and
off, to develop sustainable careers. You can follow NYFA at @nyfacurrent on
Twitter, Instagram, and Facebook. Find Elisa Gabbert and Lincoln Michel tweeting
at @egabbert and @TheLincoln.

Have an arts career question? You can contact NYFA staff directly by
emailing source@nyfa.org.

Image: Gil Avineri (Fellow in Printmaking/Drawing/Book Arts Fellow ’14); Ghastly
Spread Between; 2009; color pencil, ink, acrylic, photo,collage on paper



TAGS

business of artbusinessofartartisthotlineartist professional
developmentartistprofessionaldevelopmentnyfa sourcenyfasourcewritersliterary
artsliteraryartsbinderconelisa gabbertelisagabbertlincoln
michellincolnmichelluiza veseyluizaveseyinstagrampublishing

Posted August 24, 2020

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MONDAY MOTIVATION | ARE YOU A GOOD STORYTELLER?


KICK OFF YOUR WEEK WITH MONDAY MOTIVATION!


TIP OF THE WEEK

In a busy, competitive job market, it’s common to hear that we must always be
objective. Applications should take advantage of bullet points, numbers, and
facts, that’s true. That doesn’t mean, however, that they have to be boring. The
way you talk about this data is also important to make sure you capture the
attention of recruiters. Practice telling concise stories with a beginning,
middle, and end that highlight relevant aspects of your career. Not sure where
to begin? Here are a few tips from the Columbia University School of
Professional Studies.  



THIS WEEK’S HIGHLIGHTED JOBS:

Production Assistant
Whitney Museum of American Art
New York, NY

Art Gallery Preparator
L.A. Louver
Venice, CA

Advisor for Cultural Affairs and Creative Industries
Consulate General of Finland in New York
New York, NY

Advertising Associate
Artforum Magazine
New York , NY

Marketing Director
Buffalo International Film Festival
Buffalo, NY


THIS WEEK’S HIGHLIGHTED OPPORTUNITIES:

Call for Sculpture
Annmarie Sculpture Garden & Arts Center
Solomons, MD

The Plywood Protection Project - Open Call
worthless studios
New York, NY  

90th Annual Juried Open Show
National Art League
Douglaston, NY

Call for Submissions for a Grant from FST StudioProjects Fund
FST StudioProjects Fund
New York, NY


- LUIZA TEIXEIRA-VESEY, DESIGNER/MARKETING OFFICER

Find more jobs and opportunities on NYFA Classifieds.

This post is part of a regular blog series, NYFA Creative Careers. Let us know
what careers you’d like to learn more about by visiting us on Twitter:
@nyfacurrent and using the hashtag #NYFAClassifieds.

Image: Jiatong Lu (Fellow in Photography ’19), [I]The missing memory(I), 2017,
Inkjet print, red string; Photography Credit: Jiatong Lu




TAGS

mondaymotivationmonday motivationnyfa classifiedsnyfaclassifiedscreative
careerscreativecareersbusiness of artbusinessofartjob searchopen callinstagram

Posted August 20, 2020

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CONVERSATIONS | MUSAH SWALLAH, RUPY C. TUT, AND JASON WYMAN


“SHARING THE IMPACT OF PERSONAL NARRATIVES AND CHALLENGES ON THE WORK BEING
PRESENTED AND POINTING TO THE SMALLER NARRATIVES THAT THE WORK IS VISUALLY AND
SYMBOLICALLY BUILT ON KEEPS THE AUDIENCE ENGAGED, AND OFFERS TO SHARE THE
LAYERED EXISTENCE OF IMMIGRANT ARTISTS.” – RUPY C. TUT

Visual artist Musah Swallah (IAP Newark ’18) recently collaborated with Rupy C.
Tut (IAP Oakland ’19) and Jason Wyman (IAP Oakland Mentor ’18 and ’19) on a
virtual studio tour and conversation about his art. The event was a great
success, and the trio has much wisdom to impart on showcasing one’s artwork in a
live, online setting.

NYFA: Tell us about your process of coming together to collaborate on this
project.

Musah Swallah: Our participation in the NYFA Immigrant Artist Mentoring program
is what brought us together to collaborate on this project. Check-ins from NYFA
program organizers such as Judy Cai regarding updates on my artistic career
allowed us to stay connected and eventually collaborate on this project.

Jason Wyman: In 2019, I was a Mentor Artist in NYFA’s Immigrant Artist Mentoring
Program in Oakland, CA. There, I met artist Rupy C. Tut. At the end of the
program, I asked if any mentee would be interested in co-designing some sort of
virtual convening of the immigrant artists in NYFA’s programs nationally, and
Rupy stepped up.

Over the fall of 2019, Rupy and I—in collaboration with Judy Cai and Felicity
Hogan—designed a series of Video Roundtables on topics including values
clarification, opportunity identification, and decision making. We began these
virtual conversations in February 2020 as COVID-19 started appearing in New York
and shelter-in-place orders spread across the country, including the San
Francisco Bay Area.

Rupy and I offered to continue convening immigrant artists nationally, centering
on the question, “How do we support each other during this pandemic?” Musah
attended one of our open sessions, and on the call he mentioned that he wouldn’t
be able to showcase the art he created during his residency because COVID-19
made art openings impossible. Rupy and I offered to support Musah in hosting a
virtual studio tour and artist talk.  

NYFA: Do you have advice on how to put an online show together? For example,
what platforms to use, length of time, ways of organizing, what works to show
and the ones you shouldn’t, etc?

JW: My main piece of advice is to ask yourself, “what do I want to get out of
showing my work online?” Musah wanted to share the paintings he created during
his residency (and some from before his residency) with his community. This
helped us focus the online show because we knew what works would be shown and
who would be in attendance.

For Musah’s show, we determined that about 60 minutes would be best and a
platform like Zoom would be the easiest. Zoom allowed us the opportunity to have
both a gallery view of Musah’s whole community, but also a presentation view so
we could show his artwork. We showed photographs of work and live views of the
physical works. This allowed us to be able to both look at the pieces at a
distance and see elements like paint strokes and materials up close.

Rupy C. Tut: I believe that the key to putting on an online artist talk/show is
audience engagement and meaningful storytelling. In the context of immigrant
artists, sharing the impact of personal narratives and challenges on the work
being presented and pointing to the smaller narratives that the work is visually
and symbolically built on keeps the audience engaged, and offers to share the
layered existence of immigrant artists.

Communication can be a barrier within the art world for immigrant artists,
especially when referencing cultures, traditions, and art forms that represent
non-Eurocentric parts of the world. To address this barrier, I suggested guiding
questions that can allow enough depth to share aspects of the rich cultural
roots of the immigrant artist and their artwork, but also allow for a
perspective on how their current work relates very crucially to the issues at
hand in the larger global community. Guiding prompts can include sharing a
unique origin story, purpose for approaching an opportunity or work, the
evolution of thought on their journey, challenges and accomplishments, as well
as impact on the future of their artistic practice.

NYFA: Rupy and Musah, as immigrant artists, what lessons or experiences can you
share that might be useful for our readers to hear about? 

MS: My advice for immigrant artists is to be patient, focus on your craft, and
understand that regardless of the challenges you face, you will persevere. It is
important that you persevere as an immigrant artist in order to share your story
and the stories of those you represent in your art with the world. In order to
persevere you need to find a niche—a community of like-minded artists who will
offer support and advice when you need it the most. As an immigrant artist you
will experience discrimination, but don’t let that hold you back. Use it as
inspiration. Use your art as a form of activism and bring to light the
injustices you and others face as immigrants. Be patient, humble, and keep
practicing your craft.

RCT: The most important lesson I have learned as an immigrant artist is the
importance of my unique voice in my work and the presentation of my work as
authentic to my individual mix of cultures and identities. I think immigrant
artists have an individual voice that is also sometimes inclusive of family and
community-centric values. The art world sometimes deludes us into diluting our
stories to offer a version more “fitted” to the language and positionality of
our surrounding art world pockets. I would advise immigrant artists to stay
clear of this delusion and to avoid changing the core of their creative
narratives to tailor to opportunities that fulfill a false sense of acceptance.
Authentic work leads to a more successful life-long creative journey.


- INTERVIEW CONDUCTED BY ALICIA EHNI, PROGRAM OFFICER AND KYLE LOPEZ, REDC
FELLOW

This post is part of the ConEdison Immigrant Artist Program Newsletter #131.
Subscribe to this free monthly e-mail for artist’s features, opportunities, and
events. Learn more about NYFA Immigrant Artist Mentoring Program.

Image: Musah Swallah, Photo Credit: Fatoumata Magassa; Rupy C. Tut, Photo
Credit: Lara Kaur; Jason Wyman, Photo Credit: Courtesy of the artist



TAGS

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programimmigrantartistprogramimmigrant artist mentoring
programimmigrantartistmentoringprogramalicia ehnialiciaehnikyle
lopezkylelopezjason wymanjasonwymanrupy c tutrupyctutmusahswallahmusah
swallahnyfa learningnyfalearninginstagram

Posted August 20, 2020

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APPLY NOW | NYFA FISCAL SPONSORSHIP


PARTNER WITH NYFA FISCAL SPONSORSHIP TO LAUNCH YOUR NEXT PROJECT. APPLICATIONS
ARE DUE SEPTEMBER 30, 2020.

NYFA Fiscal Sponsorship supports artists across disciplines by providing
resources to help them develop creative projects, build organizations, and craft
sustainable careers. NYFA understands how important fundraising is to the growth
of your career, and this program helps you flourish.

What is Fiscal Sponsorship?  

NYFA Fiscal Sponsorship is a fundraising and administrative tool. It allows your
project or emerging non-profit organization to use NYFA’s 501c3 charitable
tax-exempt status to fundraise for your activities. Fiscal sponsorship offers:

 * Access to government, foundation, and corporate grants that are traditionally
   restricted to 501c3 organizations.
 * The ability to offer all individual donors the benefit of a tax deduction.
 * Consultation services with NYFA staff at no additional cost. 
 * Fiduciary oversight and financial record-keeping.
 * A project profile page for fundraising on NYFA.org.
 * Monthly “Community Conversations” with other project directors to help expand
   your network and resources.
 * Crowdfunding opportunities through Seed&Spark.

Services Brought to You by NYFA

NYFA’s staff of artists, filmmakers, and administrators have expertise in
finance, project management, and more. We are dedicated to providing you with
individualized support to help you make your project or organization a success
on your own terms. Our program offers remote consultations on topics such as: 

 * Grant research and proposals
 * Fundraising strategies
 * Project management
 * Board development
 * Marketing materials

Eligibility

The next no-fee application deadline is September 30, 2020. To apply, you must
meet these basic eligibility requirements:

 * Your project/organization is arts-based.
 * Your project includes a public benefit component.
 * Your project is non-profit in nature.
 * You understand that this is not a grant program.

Are you an arts collective or individual artist with a project? View our
application guidelines page.

To learn more about whether to apply as an artist project or emerging
organization, read our FAQ section.

NYFA Fiscal Sponsorship’s quarterly no-fee application deadlines are September
30, December 31, March 31, and June 30. We also accept Out-of-Cycle Review
applications year-round. Reach out to us at sponsorship@nyfa.org for more
information. Sign up for NYFA’s free bi-weekly newsletter to receive updates on
future programs.

Image: Future Pointe Dance led by Guy Thorne, Elephant Grass, 2017; Photo
Credit: Adrian Elim



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Posted August 17, 2020

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MONDAY MOTIVATION | HIRING? ADD A SALARY RANGE


KICK OFF YOUR WEEK WITH MONDAY MOTIVATION!


TIP OF THE WEEK

Based on a LinkedIn Study, job seekers first look for the compensation package
and then qualifications after a job title has caught their eye. Therefore, a
critical piece of information is missing for job seekers when the salary range
is not included. They use the salary range and qualifications to assess if they
are right for the job before ever applying. Including a salary range will help
attract more of the right candidates.


THIS WEEK’S HIGHLIGHTED JOBS:

Creative Forces Community Engagement Metrics and Evaluation Manager
Americans for the Arts
Washington, DC

Studio Manager, Technology and Applied Composition
San Francisco Conservatory of Music
San Francisco, CA

Lead Metal Fabricator
Pacific Studio
Tucson, AZ

Mana Fine Arts Art Handler and Driver
Mana Fine Arts
Jersey City, NJ

Director of Curatorial Affairs
Oklahoma Contemporary Arts Center
Oklahoma City, OK


THIS WEEK’S HIGHLIGHTED OPPORTUNITIES:

Downtown Grand Rapids Inc. Seeks Winter Public Art Installation
Downtown Grand Rapids Inc.
Grand Rapids, MI

Open Call: Public Art Billboard Series + Exhibition
SaveArtSpace + The Untitled Space + Art4Equality
New York, NY

I Like Your Work Fall Open Call Juried By Pennylane Shen
I Like Your Work
Columbus, OH

New Fellowship Opportunities in Caribbean Art and Critical Race Theory
Clark Art Institute
Williamstown, MA


- MARY-KATE GROHOSKI, SALES MANAGER

Find more jobs and opportunities on NYFA Classifieds.

This post is part of a regular blog series, NYFA Creative Careers. Let us know
what careers you’d like to learn more about by visiting us on Twitter:
@nyfacurrent and using the hashtag #NYFAClassifieds.

Image: Sasha Wortzel (Fellow in Video/Film ’18), Happy Birthday, Marsha, 2017,
HD Video



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Posted August 10, 2020

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MONDAY MOTIVATION | SET BOUNDARIES


KICK OFF YOUR WEEK WITH MONDAY MOTIVATION!


TIP OF THE WEEK

Remote work has been making the lines between personal and professional life
even more blurred. Avoid burnout by upping your time management skill game and
remember: more hours spent working does not necessarily mean more productivity.
Set non-negotiable working hours and budget time for periodic brakes. If
possible, delimit a clear workspace within your household (it can be a
particular part of your dining table, for example) to set clear, physical
boundaries between work and private life. Struggling to stick to your time
management plans? Try techniques and apps like the Pomodoro or Flowtime.


THIS WEEK’S HIGHLIGHTED JOBS:

Preparator
Pace Gallery
East Hampton, NY

Executive Assistant
Rauschenberg Foundation
New York, NY

Media Assistant
David Kordansky Gallery
Los Angeles, CA

Visitor Experience Assistant
The Newark Museum of Art
Newark, NJ

Director of Development
Headlands Center for the Arts
Sausalito, CA  


THIS WEEK’S HIGHLIGHTED OPPORTUNITIES:

2020-2021 Yellow Fish Festival VI: Open Call
Yellow Fish Durational Performance Art Festival
Brooklyn, NY

Chelsea Gallery Open Call
Field Projects
New York, NY

Works Created During the “Lockdown” Period
The WAH Center
Brooklyn, NY

Membership Program for Artists & Photographers 
Solas Studio
New York, NY


- LUIZA TEIXEIRA-VESEY, DESIGNER/MARKETING OFFICER

Find more jobs and opportunities on NYFA Classifieds.

This post is part of a regular blog series, NYFA Creative Careers. Let us know
what careers you’d like to learn more about by visiting us on Twitter:
@nyfacurrent and using the hashtag #NYFAClassifieds.

Image: Sangram Majumdar (Fellow in Painting ’18); sun, flower2; 2018; oil on
canvas



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Posted August 4, 2020

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ANNOUNCING | 2020 JGS FELLOWSHIP FOR PHOTOGRAPHY RECIPIENTS


THE JGS FELLOWSHIP FOR PHOTOGRAPHY IS A $7,000 CASH GRANT OPEN TO NEW YORK STATE
PHOTOGRAPHY ARTISTS LIVING AND WORKING OUTSIDE OF NEW YORK CITY.

The New York Foundation for the Arts (NYFA) has announced Zana Briski, Widline
Cadet, Ahndraya Parlato, Joshua Rashaad McFadden, and Jeannette Rodríguez Píneda
as the recipients of the JGS Fellowship for Photography, a $7,000 unrestricted
cash grant open to New York State photography artists living and working outside
of New York City. The support for this funding is provided by Joy of Giving
Something (JGS), a not-for-profit organization dedicated to the photographic
arts.

Zana Briski (Margaretville, NY) is a London-born Academy Award-winning director
and artist whose deepest love is the earth and its creatures. She has traveled
to over 80 countries, including India where she spent 10 years photographing,
filming, and teaching photography to the adult children of prostitutes in the
brothels of Calcutta. Her resulting film, Born Into Brothels, won an Academy
Award, an Emmy Award, and received numerous other accolades. Her current
project, Reverence, is a traveling exhibit that brings viewers face-to-face with
insects as individual sentient beings.

Widline Cadet (Syracuse, NY) is a Haitian-born artist whose practice draws from
personal history and examines race, memory, erasure, migration, immigration, and
Haitian cultural identity from within the United States. She uses photography,
video, and installations to construct a visual language that explores notions of
visibility and hyper visibility, black feminine interiority, and selfhood.

Ahndraya Parlato (Rochester, NY) is a Hawaiian-born photographer whose most
recent project, Who Is Dead and Who Is Changed, is forthcoming from Mack Books
in 2021. She’s also authored East of the Sun, West of the Moon with Gregory
Halpern (Études Books, 2014) and A Spectacle and Nothing Strange (Kehrer Verlag,
2016). She was previously recognized with a NYSCA/NYFA Artist Fellowship in
Photography, a Magenta Foundation Emerging Photographer Award, and a Light Work
Grant. Parlato was also a nominee for the ICP Infinity Award, the Paul Huf Award
from the FOAM Museum in Amsterdam and the SECCA Award from the San Francisco
Museum of Modern Art.

Joshua Rashaad McFadden (Rochester, NY) is a visual artist and assistant
professor of photography at Rochester Institute of Technology in his hometown of
Rochester, NY. His work primarily explores African American male identity,
masculinity, notions of the father figure, and the photographic archive. His
practice provides a frame of reference that articulates the many personalities
of Black men. McFadden also focuses his lens on social justice issues such as
police brutality and has documented protests across the United States. He was
named one of the top emerging talents in the world by LensCulture and was
recognized with the first place International Photography Award (IPA) for “After
Selma,” a series that conveys McFadden’s response to numerous recent incidents
of police brutality, among other accolades.

Jeannette Rodríguez Píneda (Kingston, NY) is a Dominican-American mixed media
artist who uses antiquarian emulsion-based photographic processes as a means of
questioning faded intergenerational narratives. Her work explores the act of
remembering soils called home, choosing to understand the gaze of the present as
the past. She teaches radical printed matter and time-based media for many
intergenerational arts programs including Groundswell, Queens Museum, Recess,
Storm King Arts Center, The Studio Museum in Harlem, and the Whitney Museum of
American Arts.

“As a recent grad school graduate, being awarded the JGS Fellowship for
Photography means the world to me. The timing is especially important
considering the current state of the world and the hardships and uncertain
futures that artists are facing right now,” said Cadet. “This fellowship will go
a long way in supporting my artistic practice by relieving me of some of my
everyday financial burdens and granting me time to focus on doing what I love
and make work,” she added.

Said Joy of Giving Something, Inc. (JGS): “The Joy of Giving Something, Inc. was
made possible by the sale of master photographs collected by Howard Stein and
then donated to JGS. We are very pleased to partner with NYFA to use our
resources to help continue this legacy and support the next generation of
accomplished artists working in photography and we congratulate and wish all the
recipients our best.”

Michael L. Royce, Executive Director, NYFA, remarked: “We are thrilled to
recognize Zana Briski, Widline Cadet, Ahndraya Parlato, Joshua Rashaad McFadden,
and Jeannette Rodríguez Píneda with JGS Fellowships for Photography, which are
supported through the generosity of the Joy of Giving Something, Inc. We hope
this award will help them to push their practices forward and continue sharing
their unique creative perspectives with the world in addition to providing some
financial relief in these challenging times.”

Find out about our additional awards and grants here and visit NYFA Source, a
free directory of over 12,000 opportunities, grants, and services for individual
artists nationwide. Sign up for our free bi-weekly newsletter NYFA News to
receive announcements about future NYFA events and programs.

Image: Widline Cadet, Seremoni Disparisyon #1.20 (Ritual [Dis]Appearance #1.20),
2020, archival pigment print



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Posted August 3, 2020

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MONDAY MOTIVATION | SET AN EXAMPLE


KICK OFF YOUR WEEK WITH MONDAY MOTIVATION!


TIP OF THE WEEK

Are your interview answers sounding too generic during your rehearsal? Throw in
a few objective work examples to each of them. Don’t just say how great you are
at project management, teamwork, or conflict resolution; prove it! Tell the
story about how you addressed (and succeeded) in such situations. Think of
typical work interview questions, practice a work example for each, and use them
strategically.


THIS WEEK’S HIGHLIGHTED JOBS:

Senior Development Officer
National Civil Rights Museum
Memphis, TN

Art Fabricator
Matt Gagnon Studio
Los Angeles, CA

Online Learning Instructor: Business Advisor for Artists and Artisans
Artisan’s Asylum
Somerville, MA

Grants and Programs Coordinator
Bronx Council on the Arts, Inc.
Bronx, NY

Adult Studio Art Instructor
One River School of Art + Design
Englewood, NJ


THIS WEEK’S HIGHLIGHTED OPPORTUNITIES:

Open Call - Governors Island Residency Initiative in Response to COVID-19
Lower Manhattan Cultural Council
New York, NY

Write About Music for an Independent Magazine
Dynaco Magazine
Los Angeles, CA

Wachtmeister Award
Virginia Center for the Creative Arts (VCCA)
Amherst, VA

Art Consulting and Administrative Services Available
S. Ayers Art
Detroit, MI


- MARY-KATE GROHOSKI, SALES MANAGER

Find more jobs and opportunities on NYFA Classifieds.

This post is part of a regular blog series, NYFA Creative Careers. Let us know
what careers you’d like to learn more about by visiting us on Twitter:
@nyfacurrent and using the hashtag #NYFAClassifieds.

Image: Leonor Caraballo-Farman (Fellow in Digital/Electronic Arts ’11), Rhodium
Pendant, 2010, black rhodium



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Posted Juli 27, 2020

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MONDAY MOTIVATION| TEST YOURSELF AND YOUR TECHNOLOGIES


KICK OFF YOUR WEEK WITH MONDAY MOTIVATION!


TIP OF THE WEEK

You probably heard many times that you should schedule a practice interview with
a mentor or a friend before the big day comes, and that’s still true in the age
of virtual interviews. But there’s one more thing to consider while we’re social
distancing: your technology! Test your equipment and install all necessary
updates, download any software required for the meeting, and double-check your
internet connection in advance. Still, you may encounter some last-minute
issues. If you do, don’t panic! Consider it an opportunity to demonstrate your
troubleshooting skills while under pressure.


THIS WEEK’S HIGHLIGHTED JOBS:

Assistant to the Head Preparator
P.P.O.W
New York, NY

Staff Accountant (FT)
Hoff-Barthelson Music School
Scarsdale, NY

Client Service Administrators
Bonhams
Los Angeles, CA

Art Handler
Cadogan Tate Miami Limited
Plantation, FL

Cataloguer
William A. Smith, Inc.
Plainfield, NH


THIS WEEK’S HIGHLIGHTED OPPORTUNITIES:

Shall Make Shall Be
Frank-Ratchye STUDIO for Creative Inquiry, CMU
Pittsburgh, PA  

Sculpture Grants
National Sculpture Society
New York, NY

Artist in the Community Artist-in-Residence
Currier Museum of Art
Manchester, NH

Radcliffe Institute Fellowships Available
Radcliffe Institute for Advanced Study
Cambridge, MA  


- LUIZA TEIXEIRA-VESEY, DESIGNER/MARKETING OFFICER

Find more jobs and opportunities on NYFA Classifieds.

This post is part of a regular blog series, NYFA Creative Careers. Let us know
what careers you’d like to learn more about by visiting us on Twitter:
@nyfacurrent and using the hashtag #NYFAClassifieds.

Image: Steven Montgomery (Fellow in Crafts ’09); Test Site; 2007; painted,
glazed ceramic



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Posted Juli 20, 2020

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COVID-19 | NYFA CLASSIFIEDS ANNOUNCES 50% DISCOUNT


DISCOUNTED RATE TO GO INTO EFFECT BEGINNING MONDAY, AUGUST 3.

New York Foundation for the Arts (NYFA) empowers working artists and emerging
arts organizations across all disciplines at critical stages in their creative
lives and professional/organizational development. We aim to be a resource to
artists, arts administrators, and students everywhere, especially when so many
in our creative community are reeling from lost jobs, opportunities, and income
as a result of the coronavirus crisis.

As part of NYFA’s ongoing effort to provide relief to our creative community
during the COVID-19 crisis, NYFA Classifieds fees will be discounted by 50%
starting Monday, August 3. Jobs, spaces, and opportunities listings will remain
complimentary through August 2, 2020. If you have a pre-paid bundle with NYFA,
each single listing you have pre-paid for will count for two listings at our 50%
discount. 

The 50% discount will be ongoing for the foreseeable future in order to provide
our creative community with as many potential earned income opportunities as
possible. As always, the NYFA Classifieds team will be vetting listings closely
for value to our audience before they are approved to go live on our site. 

Referred to as the ultimate career development tool, NYFA Classifieds is the
largest national online opportunities board in the arts and culture industry.
It’s the go-to site for artists, arts administrators, and museum professionals
seeking jobs and internships, opportunities and services, and event listings and
studio spaces. When you advertise with NYFA, you are helping to support the
arts. Learn more about NYFA and the resources we provide to the international
creative community here.

If you know of companies, organizations, or individuals who are seeking to hire,
encourage them to list with NYFA Classifieds.

While listings are heavily discounted to post at this time, please consider
supporting NYFA’s mission by donating here. A donation of any kind will make a
measurable impact.

Find jobs and opportunities on NYFA Classifieds.

If you need resources, please check our Emergency Grants page on NYFA’s website.
We are updating it regularly as new funding comes in. You can find more articles
on arts career topics by visiting the Business of Art section of NYFA.org. Sign
up for NYFA News and receive artist resources and upcoming events straight to
your inbox.

Image Detail: Nicole Maloof (Finalist in Printmaking/Drawing/Book Arts ’17);
From Midnight to Dawn; 2017; pen, crayon, and watercolor on watercolor monotype



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Posted Juli 20, 2020

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MONDAY MOTIVATION | THE VALUE OF TRANSFERABLE SKILLS


KICK OFF YOUR WEEK WITH MONDAY MOTIVATION!


TIP OF THE WEEK

The COVID-19 pandemic has significantly impacted the job market, creating
scarcity in certain positions and industries. What to do when you don’t have
direct professional experience in the industries that are currently hiring?
Trust the value of your transferable skills! Expertise in things like project
management, writing, or web design, for example, can make you a great candidate
for any available position.


THIS WEEK’S HIGHLIGHTED JOBS:

Notebook Editorial Manager
MUBI
New York, NY

Part-Time Marketing Coordinator
Point Line Projects
Pittsburgh, PA  

Managing Director
Garden Theatre
Winter Garden, FL

Artistic Director
Goodspeed Musicals
East Haddam, CT

Gallery Manager
Matthew Brown Los Angeles
Los Angeles, CA


THIS WEEK’S HIGHLIGHTED OPPORTUNITIES:

2020 Foundwork Artist Prize - $10,000 Juried Grant
Foundwork
N/A  

Esther Rolle Centennial Exhibition at the Ali Cultural Arts Center
City of Pompano Beach/Ali Cultural Arts Center
Pompano Beach, FL

Global Conversation 2020 (UN75)
F.99
New York, NY

Inspired By: Iconic Images Re-Imagined
Annmarie Sculpture Garden & Arts Center
Solomons, MD  


- LUIZA TEIXEIRA-VESEY, DESIGNER/MARKETING OFFICER

Find more jobs and opportunities on NYFA Classifieds.

This post is part of a regular blog series, NYFA Creative Careers. Let us know
what careers you’d like to learn more about by visiting us on Twitter:
@nyfacurrent and using the hashtag #NYFAClassifieds.

Image: Dana Stirling (Finalist in Photography ’19), Ladies are Roses, 2017,
Mixed Media



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Posted Juli 20, 2020

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ANNOUNCING | KEEP NYS CREATING PROJECT GRANT RECIPIENTS


THE KEEP NYS CREATING PROGRAM IS HELPING TO SUPPORT 42 PROJECTS FROM ACROSS NEW
YORK STATE.

New York Foundation for the Arts (NYFA), in partnership with New York State
Council on the Arts (NYSCA), is proud to announce the recipients of the Keep NYS
Creating Project Grant. The program was established to help artists in Western
New York, Finger Lakes, Southern Tier, Central New York, North Country, Mohawk
Valley, Capital District, Mid-Hudson, and Long Island continue their creative
projects that have been interrupted due to the COVID-19 pandemic. It is made
possible by NYSCA, with the support of the National Endowment for the Arts.

The Keep NYS Creating Project Grant was open to artists who previously applied
to the NYSCA/NYFA Artist Fellowship program in 2018, 2019, and/or 2020 who work
in the categories of Architecture/Environmental Structures/Design, Choreography,
Craft/Sculpture, Digital/Electronic Arts, Fiction, Folk/Traditional Arts,
Interdisciplinary Work, Music/Sound, Nonfiction Literature, Painting,
Photography, Playwriting/Screenwriting, Poetry, Printmaking/Drawing/Book Arts,
and/or Video/Film.

The grant will enable 2D, 3D, and installation artist Elisa Pritzker
(Mid-Hudson) to design a print a full color catalog of an installation that was
unveiled ABClatino Art Space in Poughkeepsie, NY in March 2020 and has since
gone unseen due to COVID-19. It will enable poet Jacob Rakovan (Finger Lakes) to
perform a cycle of poems that were recently awarded the Thornwillow Press
Patron’s Prize, bringing the work to new audiences. Painter Suzanne Onodera
(Southern Tier) will use the grant to complete a project that illustrates the
emotional landscape of the paternal and maternal sides of her Japanese American
family who were and were not incarcerated under Executive Order 9066 during
World War II. 

For Onodera, receiving the Keep NYS Creating Project Grant “feels as though you
can take that extra mile in the pursuit of your work, that someone out there
believes in your vision, and most importantly: that you can keep creating.” 


KEEP NYS CREATING PROJECT GRANT RECIPIENTS

 * Julie Ann Bero-Emerson, Finger Lakes
 * Tiffany Bradley, Mid-Hudson 
 * Anita Brown, Mid-Hudson 
 * Adrian D. Carr, North Country 
 * Veena Chandra, Capital District 
 * Natasha Chuk, Capital District 
 * Robert M. Doyle, Finger Lakes 
 * Boryana Dimitrova Dragoeva, Central New York 
 * Walter Early, North Country 
 * Seth Faergolzia, Western New York
   
 * Matthew Friday, Mid-Hudson
 * Jeremiah Jamel Gaines, Mid-Hudson
 * Frederic Glover, North Country
 * Phil Hastings, Western New York
 * Annie Hayes, Southern Tier
 * Christine N Heller, Mohawk Valley
 * Kenneth J Jackson, Long Island
 * Maria Kozak, Mohawk Valley
 * Colin Lyons, Souther Tier
 * Timothy Manley, Long Island
 * Patricia Maurides, Long Island
 * Lacey McKinney, Central New York
 * Shayok Mukhopadhyay, Mid-Hudson
 * Onel Naar, Long Island
 * Byron Nilsson, Mohawk Valley
 * Suzanne Onodera, Southern Tier
 * Elisa Pritzker, Mid-Hudson
 * Jacob Rakovan, Finger Lakes
 * Aidan Ryan, Western New York
 * Jamie Leigh Sampson, Western New York
 * Marianne Schultz, Capital District
 * Rachel Shelton, Western New York
 * Madeline Silber, Mohawk Valley
 * Rebecca Soderholm, North Country
 * Jeffrey Alan Starr, Capital District
 * Becca Van K, Mid-Hudson
 * Kathryn Walat, Capital District
 * Anna Warfield, Southern Tier
 * Matthew E. Wilson, Long Island
 * Hannah Wnorowski, Central New York
 * Rebecca Ruige Xu, Central New York
 * Annemarie Zwack, Finger Lakes

If you need resources, please check our Emergency Grants page on NYFA’s website.
We are updating it regularly as new funding comes in. You can find more articles
on arts career topics by visiting the Business of Art section of NYFA.org. Sign
up for NYFA News and receive artist resources and upcoming events straight to
your inbox.

The Keep NYS Creating Project Grant is made possible by the New York State
Council on the Arts, with the support of the National Endowment for the Arts.

Image: Lacey McKinney (Central New York), Reconfiguration 16, 2020, oil and
acrylic on panel



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