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FEATURED TAGS

 * ambieart


DRAWING IS FUN

The only thing worse than creating is not creating. I don't remember who said
this quote but it wasn't me.
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ambersartgig
Postato il 30 Settembre, 2024 Postato il Lunedì, 30 Settembre 2024 Postato il
Lunedì Settembre 30th Postato alle 22:48 Postato Lunedì il 30th di Settembre
2024 alle 22:48
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 * 



 * #digital art
 * #art
 * #drawing
 * #artwork
 * #ambersartgig
 * #digital drawing
 * #digital commisions
 * #oc art
 * #oc

ambersartgig pappikapon
Postato il 30 Luglio, 2024 Postato il Martedì, 30 Luglio 2024 Postato il Martedì
Luglio 30th Postato alle 17:48 Postato Martedì il 30th di Luglio 2024 alle 17:48
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pappikapon

im sorry for no new art recently!! i thought today would be a good day to share
some yume art!!



not romantic*!!!! little yap past the cut

Continua a leggere

 * #artists on tumblr
 * #so cute
 * #OhMYGOOOOOODDD
 * #Adorbs :3

ambersartgig
Postato il 30 Luglio, 2024 Postato il Martedì, 30 Luglio 2024 Postato il Martedì
Luglio 30th Postato alle 17:25 Postato Martedì il 30th di Luglio 2024 alle 17:25
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 * #digital art
 * #art
 * #drawing
 * #oc
 * #artwork
 * #ambersartgig
 * #oc art
 * #digital drawing
 * #my ocs

ambersartgig nesart
Postato il 27 Luglio, 2024 Postato il Sabato, 27 Luglio 2024 Postato il Sabato
Luglio 27th Postato alle 17:36 Postato Sabato il 27th di Luglio 2024 alle 17:36
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aishishii



rapidpunches:


> SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHES’ STYLE
> 
> I’m NOT an expert but I have some working experience I can share. You need
> experience to become great. Here is my set of instructions, tips, and notes
> towards making a 12-page comic.
> 
> My method is to work backwards. Personally I work “backwards” because the end
> is the only wholly necessary page or set of panels in the story. Everything in
> between is open to editing and hacking as the most important moments are
> emphasized and chosen.
> 
> I even plan/draw the end page first. The end is the last page a reader sees-
> so spend your freshest energies on making it as epic, memorable, poignant, and
> beautiful as #$%^&.
> 
> If you draw the pages from 1 to 12 sequentially you run the risk of fresh to
> burnt out- an uneven distribution of drawing skill. (treat the first page and
> the 2-page splash as you would the last).
> 
> Roughly… the steps to making your comic is
> 
>  1. WRITE
>  2. PLAN THUMBNAILS
>  3. DRAW
> 
> …BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
> 
>  * How does it end?
>    
>  * Does the protag succeed or fail?
>    
>  * What is the turning point of their story?
>    
>  * What the protag do that led them there?
>    
>  * Where does it start?
>    
>  * Who is this protag?
> 
> EXAMPLE:
> 
>  * Guy gets mauled by a bear.
>    
>  * This is a fail on the guy’s half.
>    
>  * The bear must eat something or he’ll starve to death.
>    
>  * It’s the guy’s fault the bear can’t find other food. He caused the
>    avalanche that buried all the cabins.
>    
>  * The guy is yodeling in an avalanche zone.
>    
>  * The guy is some guy.
>    
> 
> CREATING “THE BEAT SHEET”
> Take the above stuff and reorder it to make sense.
> 
>  1. This guy yodels.
>     
>  2. Echoes roll.
>     
>  3. Snow slides down.
>     
>  4. Avalanche buries the mountain.
>     
>  5. Cabins are engulfed.
>     
>  6. This bear has no access to cabin food and garbage.
>     
>  7. Bear eats this guy.
>     
> 
> Expand. Blow up important beats for emphasis. Keep less important beats brief.
> 
>  1.  This guy is hiking in the snowy mountains.
>      
>  2.  He comes across an avalanche warning sign.
>      
>  3.  There is nobody around but him.
>      
>  4.  A dumb expression forms over his face and he yodels.
>      
>  5.  Echoes roll but nothing nearby is moved.
>      
>  6.  At the top of the mountain the snow drifts twitch.
>      
>  7.  Guy, satisfied, hikes away from there still yodeling.
>      
>  8.  Frozen snow cracks.
>      
>  9.  Snow puffs billow and great slabs of ice crash down the mountain side.
>      
>  10. Guy sees this and hightails it to safer ground.
>      
>  11. Animals, people, are all panicking and getting pushed over by the rushing
>      snow.
>      
>  12. Cabins are destroyed.
>      
>  13. The guy takes cover by an outcropping of rocks, fastens himself securely
>      to the rock face, and waits for the avalanche to die down.
>      
>  14. Avalanche dies down.
>      
>  15. A lone bear shambles over from the other side of the mountain.
>      
>  16. The bear goes to where a cabin used to be (only roof tiles are left).
>      Bear sniffs a dish satellite.
>      
>  17. Bear forlornly eats a food wrapper.
>      
>  18. Bear tries to dig.
>      
>  19. Guy comes down from the rocks he as climbing and sees bear.
>      
>  20. Bear stops digging and sees him.
>      
>  21. Guy runs.
>      
>  22. Bear chases him down.
>      
>  23. Bear eats the guy.
>      
> 
> BEAT SHEET COMPLETED!!!
> 
>  * After the beat sheet, write up all the sound effects and speech bubbles and
>    conversation/dialogue you want to be in your comic.
>  * Since comics are a visual medium, highest priority is given to the beats.
>    If a story can’t be told with the art without the dialogue– you messed up
>    and it’s time to rethink your life choices.
>  * Try to keep all your text chunks as short as a tweet. Professionally you
>    don’t want more than 25 words per speech bubble and no more than 250 words
>    per page.
>  * Next is translating the beats to pages…
> 
> STRUCTURE OVERVIEW:
> 
> [1] point of entry, in media res, hero intro
> 
> [2][3] conflict. establish conflict, setting, and mood by the third page.
> [4][5] rising action/false resolution to conflict/investigation
> 
> [6][7] turning point/plot twist/epiphany (this one epic image, to page spread
> is pivotal, spend a lot of effort into creating this)
> 
> [8][9] aftermath/“darkness before dawn”/struggle
> [10][11] recovery/“rise and conquer”/“fall”
> 
> [12] resolution/final end/cliffhanger
> 
> [front cover][interior]
> [interior][back cover]
> 
> ——————–
> 
> My maximum per page is nine panels but I’ve seen pages that have way more. I
> like to have about 3 to 4 panels per row or less but I’ve seen the “rules”
> broken before. Advanced comic book artists manipulate time with the number of
> panels and the size of each panel.
> 
> remember, DIAGONALS!!! open up an issue of batman, superman, spider man,
> deadpool or whatever youre reading theyre everywhere.
> 
> ———-
> 
> …DRAW IN THIS ORDER:
> 
>  * Page 12,
>    
>  * Page 6 and 7 (this is typically one large image that takes up the space of
>    two pages),
>    
>  * Page 1,
>    
>  * and then the rest.
>    
> 
> ONLY “DEVIATION” ALLOWED:
> 
>  * Page 12 and 1*
>    
>  * Page 6 and 7,
>    
>  * and then the rest.
>    
> 
> *Draw the first and last page as a spread in situations where the beginning of
> the story mirrors the end of the story.
> 
> Cover is dead last.
> 
> ———-
> 
> (If at the very end you find out you need more pages and it’s absolutely
> unavoidable and totally necessary you have to add them in fours. Try to stick
> to 12 pages for this crash course.)
> 
> ——————–
> 
> FURTHER NOTES:
> 
>  * Plan and draw the pages in spreads (the twos) since this is how it will
>    appear in print and when you submit them to an editor for review guess
>    what, the pages with an exception to the first and last will be reviewed as
>    spreads.
>    
>  * You at most only need one establishing panel of the setting and environment
>    (scene) per page.
>    
>  * Forget “true to life” perspective outside of the establishing panel).
>    Practice diagonal composition of objects and subjects within panels. For
>    dynamism.
>    
>  * You don’t have to present the text all in one go (one paragraph or bubble).
>    You can and should break up paragraphs, sentences, and if you need to
>    single out words– to make smaller, more easily managed bubbles to scatter
>    through the panel.
>    
>  * Less important moments have smaller panels and or lesser detail. More
>    details (or more word bubbles) slow down time. More drawn detail also
>    creates a concentration of values (it’s darker and sometimes combines
>    together as one shape or mass)
>    
>  * Know your light sources. Control the blacks. Control the values.
> 
> TIPS | COFFEE? :3 | dA | IG |  ♡ |  ❤ |  ⋆
> 
> (more coming soon 11/22/2016)

ambersartgig
Postato il 27 Luglio, 2024 Postato il Sabato, 27 Luglio 2024 Postato il Sabato
Luglio 27th Postato alle 15:11 Postato Sabato il 27th di Luglio 2024 alle 15:11
 * 
 * 



 * #digital art
 * #art
 * #drawing
 * #oc
 * #artwork
 * #ambersartgig
 * #oc art
 * #digital drawing
 * #digital commisions

ambersartgig uroko
Postato il 26 Luglio, 2024 Postato il Venerdì, 26 Luglio 2024 Postato il Venerdì
Luglio 26th Postato alle 0:04 Postato Venerdì il 26th di Luglio 2024 alle 0:04
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uroko





A Rainy Day at Renge-ji / 梅雨の蓮華寺

ambersartgig
Postato il 25 Luglio, 2024 Postato il Giovedì, 25 Luglio 2024 Postato il Giovedì
Luglio 25th Postato alle 16:22 Postato Giovedì il 25th di Luglio 2024 alle 16:22
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HELP NEEDED FOR A FRIEND

Donate to Donate to Casey's Fresh Start Away from Toxicity, organized by casey
osborne
Hello! My name is Casey Osborne. I'm twenty years old and the son o… casey
osborne needs your support for Donate to Casey's Fresh Start
gofundme.com

My friend is in a not so good spot, and is being forced to live with a man who
is being tried for CP crimes, and absolutely wants to get out of there.

 * #please help
 * #gofundme
 * #go fund him
 * #child abuse
 * #emotional abuse
 * #moving
 * #support
 * #emergency
 * #tw child abuse
 * #fundraising

ambersartgig marinememes
Postato il 24 Luglio, 2024 Postato il Mercoledì, 24 Luglio 2024 Postato il
Mercoledì Luglio 24th Postato alle 15:22 Postato Mercoledì il 24th di Luglio
2024 alle 15:22
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 * 


allwillbecomeclear





Shark News!! Fossil of an ancient shark that swam in the age of dinosaurs solves
centuries-long mystery

🦈🦈🦈🦈🦈🦈🦈🦈🦈🦈🦈🦈🦈

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