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Titleart is vitalMoku HangaworkshopsAtelierstallertusca wkshpLa Ceiba
GraficaCVactual CVcertificateLast exhibitionMaizBuy artLinksCONTACT
Paintings, graphic art, photography, tattoo art, digital artBoxes, eggs, altars,
utilitarian art




   Title
   art is vital
   
   Moku Hanga
   workshops
   Ateliers
   taller
   tusca wkshp
   La Ceiba Grafica
   CV
   actual CV
   certificate
   Last exhibition
   Maiz
   Buy art
   
   Links
   CONTACT
   Paintings, graphic art, photography, tattoo art, digital art
   Boxes, eggs, altars, utilitarian art
 * 
   Search
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SECTION 1




ART IS VITAL FOR OUR DEVELOPMENT AS HUMAN BEINGS.


IT NURTURES AND REGENERATES


THAT PART OF US THAT MAKES US LIVE.


EVERYONE WOULD AGREE THAT


WE CANNOT LIVE WITHOUT MUSIC, RIGHT?


THIS APPLIES TO OTHER ART GENRES AS WELL...




"Ceiba Pentandra" 77x41 cm watercolor and graphite 2012



MOKU HANGA

HAVING STUDIED 4 YEARS AT THE YOSHIDA HANGA ACADEMY IN TOKYO, I HAVE BEEN
TEACHING MOKU HANGA INTERNATIONALLY AT UNIVERSITIES, ART INSTITUTIONS AND
SCHOOLS

IN THE VISUAL ARTS WORLD, WITHIN THE GRAPHIC ARTS, WE HAVE TECHNIQUES SUCH AS
ETCHING, LITHOGRAPHY, WOODCUT, SERIGRAPHY, PHOTOGRAPHY, AND NOW COMPUTER
GRAPHICS. A LOT OF THE WORK DONE BY PICASSO FOR INSTANCE, WAS DONE WITH ETCHING.
HOWEVER, IN THE WESTERN WORLD LITTLE IS KNOWN ABOUT OTHER WELL DEVELOPED AND
RICH TECHNIQUES FROM ASIA, SUCH AS MOKU HANGA, THE JAPANESE WOOD BLOCK PRINTING
TECHNIQUE, BETTER KNOWN AS UKIYO-E THROUGH THE WORKS OF HOKUSAI, HIROSHIGE,
YOSHIDA OR KUNISADA. NEVERTHELESS, THIS TECHNIQUE HAS CONTINUED UP TO THIS
DAY,MOSTLY IN JAPAN, WITH CONTEMPORARY ART. THE YOSHIDA HANGA ACADEMY, WITH A
4-GENERATION FAMILY HISTORY IN THE FIELD, OFFERED FOR MANY YEARS,TO SELECTED
ARTISTS, THE POSSIBILITY TO LEARN THIS TRADITIONAL JAPANESE ART TECHNIQUE.I WAS
LUCKY TO BE ACCEPTED IN THEIR SHOP AND I STUDIED THERE FROM 1985 TO 1989YEARS
LATER, IN 2005, LITHOGRAPHER PER ANDERSON AND I, CO-FOUNDED AND DEVELOPED ¨LA
CEIBA GRÁFICA¨,WITH THE HELP OF A NUMBER OF LOCAL ARTISTS.IT IS NOW MEXICO'S
MOST DYNAMIC GRAPHIC ARTS CENTER WITH A RESIDENCY PROGRAM.THERE, I BEGUN TO
¨ADAPT THE JAPANESE TECHNIQUE TO MEXICO¨. SOMETIMES, WHEN YOU ATTEMPT TO DO
SOMETHING OUTSIDE ITS CONTEXT, IT CAN BE QUITE DIFFICULT. NOT FINDING THE RIGHT
INGREDIENTS AND MATERIALS POSES BIG DRAWBACKS AND THIS IS WHY THE MOKU HANGA
TECHNIQUE IS ALMOST INEXISTENT IN OTHER PARTS OF THE WORLD. FOR EXAMPLE, THE
TORTILLAS ONE FINDS IN SWEDEN ARE NOT REAL TORTILLAS, THEY ARE MADE WITH
ALTERNATE INGREDIENTS. NEVERTHELESS, AFTER A FEW YEARS RESEARCHING THE MATTER, I
ACHIEVED TECHNICAL SUCCESS OUTSIDE JAPAN AND HAVE TAUGHT THE TECHNIQUETO
NUMEROUS GROUPS IN MEXICO AND THE U.S. NOW I CAN DO IT IN EUROPE AS WELL.




INTRODUCING A TRADITIONAL JAPANESE

WOOD-BLOCK PRINTING WORKSHOP

 




FRANÇAIS

 

M.V. A ÉTUDIÉ LA GRAVURE SUR BOIS, LA TECHNIQUE TRADITIONNELLE JAPONAISE PENDANT
4 ANS A TOKYO À LA YOSHIDA HANGA ACADEMY. ACTUELLEMENT IL L’ENSEIGNE À DES
UNIVERSITÉS, ÉCOLES ET INSTITUTS D’ART DANS PLUSIEURS PAYS.

VOILÁ LE DEROULEMENT D'UN COURS




ESPAÑOL

 

M.V. ESTUDIÓ EL MOKU HANGA O GRABADO EN MADERA - LA TÉCNICA TRADICIONAL JAPONESA
DURANTE 4 AÑOS EN TOKIO, EN LA YOSHIDA HANGA ACADEMY. ACTUALMENTE IMPARTE CURSOS
EN UNIVERSIDADES, ESCUELAS E INSTITUCIONES DE ARTE EN VARIOS PAÍSES.

HE AQUÍ UN CURSO INTENSIVO

 




MOKU HANGA / KOZO PAPER MAKING WORKSHOP

WITH STEVE MILLER AT THE UNIVERSITY OF ALABAMA





LA CEIBA GRÁFICA

WITH A CONCEPT OF SELF-SUFFICIENCY AND NATURE-FRIENDLINESS WE HAVE MADE A HEAVEN
FOR ARTISTS BUT ALSO FOR THOSE WHO WANT TO DO THEIR ART WITHOUT HAVING GONE
THROUGH THE INSTITUTIONALIZED CHANNELS.THE GOVERNMENT LOANED OUR ASSOCIATION AN
ABANDONED BUILDING WHICH WE SAVED, CLEANED AND RESTORED. WE HAVE CREATED
WORKSHOPS AND HAVE BEEN TEACHING CLASSIC GRAPHIC ART TECHNIQUES, SHOWING PEOPLE
HOW TO SOLVE PROBLEMS FROM SCRATCH AND TO EMPOWER THEM WITH KNOWLEDGE: HOW TO
MAKE THEIR OWN PAPER, THEIR BRUSHES, THE PIGMENTS... IF AN ART INSTITUTION, BE
IT A UNIVERSITY OR AN ART GROUP IN EUROPE, THE U.S. OR ANYWHERE IN THE WORLD IS
INTERESTED IN HAVING THE MOKU HANGA TECHNIQUE TAUGHT IN THEIR PREMISES, I AM
AVAILABLE TO TALK ABOUT A PLAN. I NOW RESIDE IN STOCKHOLM BUT DISTANCES NOW ARE
NOT WHAT THEY USED TO BE. I FLUENTLY SPEAK ENGLISH, FRANÇAIS, ESPAÑOL, SOME
JAPANESE AND SOME SWEDISH.




CURRICULUM VITAE



1965

 

 

2023

 

 



CV

(SEE SHORT VERSION BELOW)

I WAS BORN IN PARIS IN 1959 AND GREW UP IN MEXICO. LATER ON I STUDIED IN THE
U.S., FRANCE AND JAPAN. WITH LITHOGRAPHER AND INVENTOR PER ANDERSON I
CO-DESIGNED AND CO-CREATED THE GRAPHIC ARTS CENTER LA CEIBA GRÁFICA IN COATEPEC,
VER., MEXICO HTTP://WWW.LACEIBAGRAFICA.ORG WHERE I OPENED THE FIRST MOKU HANGA
(JAPANESE WOOD-BLOCK PRINTING) WORKSHOP IN THE COUNTRY (SEE WORKSHOPS). I
DEVELOPED THE TECHNOLOGICAL MEANS TO DO IT IN MEXICO WITHOUT IMPORTING GOODS
FROM JAPAN. I WAS ALSO IN CHARGE OF MANAGING ART STUDENT GROUPS OF VARIOUS
KINDS. FOR THE LAST 10 YEARS, WITH PER ANDERSON AND METAL PRINTER AND DIRECTOR
RAFAEL RUIZ, I HAVE BEEN DEVELOPING THIS INSTITUTION, NOW THE MOST IMPORTANT
GRAPHIC ARTS CENTER WITH ART RESIDENCIES IN MEXICO.

I PRESENTLY LIVE IN SWEDEN WITH MY FAMILY.



LANGUAGES:

I fluently speak Spanish, English, French, some Japanese and some Swedish



STUDIES:

1981-2017: Tai Chi Chuan and Qi gong (in chronological order) with masters Huang
Wen-chih in Olympia, Wa., U.S., Charles Li in Paris, France, Serges Dreyer in
Toulouse, France, Akiko Nakamura in Yokohama-Shi, Japan, Jose Luis Vallejo in
Xalapa, Mexico and Sai ying Lin in New York, U.S. www.taichiqigong.me and
www.taichiqigong.strikingly.com

2016: Wood-turning with Joseph Deronzier, Giez, Haute-Savoie, France
http://www.leclat-du-bois.com

1998 Restoration of antique furniture at the "Art Conservation Studio" in charge
of Frederick Sager from the Metropolitan Museum of Art, N.Y.
https://www.linkedin.com/in/frederick-j-sager-111-73b69545

1996: Lithography with Per Anderson in Coatepec, Ver., Mexico
http://www.laceibagrafica.org/ing/index21.html

1990-95: Sculpture and woodworking at "El Palo" shop, Xalapa, Ver., Mexico

1985-89: Wood-Block printing (moku hanga, Ukiyo-E technique) at the Yoshida
Hanga Academy, Tokyo, Japan https://en.wikipedia.org/wiki/Yoshida_family_artists
and http://ryusei.nobody.jp/academy%2030kai%20kinenten.htm

1979: Photography at Los Angeles City College, Los Angeles, Ca.
https://www.facebook.com/LACCPhotographyDepartment/

Humanities at The Evergreen State College, Olympia, Wa. http://evergreen.edu

1976-79: High school at the Area “H” Alternative School, Los Angeles, Ca.
https://www.facebook.com/AHASTimeline/

1974-76: Etching at the ‘El Izote’ Studio, Xalapa, Ver., Mexico



ONE-MAN EXHIBITIONS:

2010: Galería Ramón Alva de la Canal, Xalapa, Ver. Mexico (large format digital
photographs)
https://www.uv.mx/galeriarac/general/bienvenido-a-la-pagina-web-de-la-galeria-universitaria-ramon-alva-de-la-canal/

2010: Galería de Arte Contemporáneo, Xalapa, Ver. Mexico (wood-block prints, an
introduction to the japanese technique)
http://www.mexicoescultura.com/recinto/58262/galeria-de-arte-contemporaneo-de-xalapa.html

2006: La Foto Gallery, los Angeles, Ca. U.S. (photographs and sculptures)

2006: Museo Casa Diego Rivera/Instituto de la Culture de Guanajuato, México
(altars)

2005: Galería Ramón Alva de la Canal, Xalapa, Ver. Mexico (lithography and
objects) https://www.facebook.com/galeriarac/?rf=174918699223250

2003-4: Pinacoteca Diego Rivera, Xalapa, Ver. Mexico (altars)

2002: Galería Ramón Alva de la Canal, Xalapa, Ver. Mexico (boxes)

1999: Mexican Cultural Institute, New York (boxes and altars)
https://www.facebook.com/MCINY/

1999: Mexican Cultural Institute, Paris, France (boxes)
http://next.paris.fr/es/principales-lugares-de-cultura/centros-culturales-extranjeros/institut-culturel-du-mexique-instituto-cultural-de-mexico/rub_8245_stand_34709_port_19052

1987: Galería de Artes Plásticas, Xalapa, Ver., Mexico

1986: Chikiudo Gallery, Ginza, Tokyo, Japan (watercolors)

1975: Preparatoria Juárez Gallery, Xalapa, Ver., Mexico

1974: Galería número Uno de la Universidad Veracruzana, Xalapa, Ver., Mexico

1970: Annecy Castle Museum, Annecy, France http://patrimoines.agglo-annecy.fr

1970: Stadtische Galerie Schlob, Oberhausen, Germany
http://www.ludwiggalerie.de/de/ludwiggalerie/

1969: Kunsthalle Art Museum, Reklinghausen, Germany
http://www.kunsthalle-recklinghausen.com/index.php?id=282

1968: Galería Victor Fosado, Mexico
http://www.ebay.com/itm/Artista-mexicano-de-1968-Serigrafia-Firmada-Martin-Vinaver-surrealista-saltado-Caballo-/261646326304/?_ul=PY



GROUP EXHIBITIONS:

2018: Pucéart, MAÍZ MAÏS, espace Saint-rémi Bordeaux, France
https://uploads.strikinglycdn.com/files/46b4274e-32db-431e-8216-3ee6e9f607ae/CataloguePuceart2018%202.pdf

2018: Galleri Svea, Stockholm, Sweden

2017: Museo de la Ciudad de Querétaro, Mexico

http://adninformativo.mx/disfruta-este-viernes-la-expo-la-ceiba-grafica-estampas-una-decada/

2017: Galleri Svea, Stockholm, Sweden

2015: 7th International Lithographic Symposium, Tidaholm, Sweden
https://www.facebook.com/pg/stone.lithography/photos/?tab=album&album_id=867591763277865

2014: The White Gallery, Lakeville, Connecticut, U.S.
http://www.thewhitegalleryart.com

2010: Philagrafika International Printmaker’s Open Forum
http://www.philagrafika2010.org/node/256

2010: Midwives Gallery, Philadelphia, Pa. E.U.
http://midwivescollective.blogspot.se (lithographs at the 2010 Philagrafika
yearly U.S. show/symposium) http://u-in-u.com/philagrafika/2010/

2010: Museo Erasto Cortés, Puebla, Pue. Mexico “Wings over a floating world”
kites printed with moku hanga, the japanese wood block printing technique and a
moku hanga workshop offered at the museum by Martin Vinaver
http://www.puebla.travel/es/museos/item/museo-taller-erasto-cortes-juarez

2009: Galería IVEC, Veracruz, Ver. México “Plástica Veracruzana Contemporánea”

2003-9: Various shows throughout Mexico with La Ceiba Gráfica (lithography)

2002: Galería del Ágora, Xalapa, Ver. IV Foro de Artistas Veracruzanos

2002: Galería del Ágora, Xalapa, Ver. in support of people with aniridia

2001: El Chopo Museum, México, D.F. "Ichigo Ichie" http://www.chopo.unam.mx

2001: Galería de Arte Contemporáneo (IVEC) Xalapa, Ver. "Laberinto"

2000: Centre Culturel de Margency, France
http://www.fdmjc95.org/structure/cercle-culturel-de-margency

1999: Mexican Cultural Institute, Washington, DC.
http://www.instituteofmexicodc.org

1999: Associated American Artists, New York "Review/Preview"

1998: Galería de Arte Mexicano, Mexico City, Mexico
http://www.galeriadeartemexicano.com

1998: Associated American Artists, New York ‘On Paper’

1997: Susgrehanna Art Museum, Harrisburg, Pa. ‘The richness of diversity:
contemporary puerto rican and mexican artists’

1997: Brewster Arts LTD, Art Miami ’97 Miami Convention Center, Miami, Fla.

1996: Brewster Arts LTD, New York (miniatures)

1994: Petit Palais annual exhibition, Paris, France (through the Inter Art Gaymu
Gallery, Paris)

1994: Galería Juan Martin, Mexico City, Mexico and a tour in several other
galleries and Cultural Centers of Mexico (painted ostrich eggs)
https://www.galeriajuanmartin.com

1989: 9th Sculpture Exhibition, Kanazawa, Japan

1989: Kabutoya Gallery, Ginza, Japan
https://eventseeker.com/venue/666552-gallery-kabutoya-tokyo

1989: Galería Juan Martin, Mexico City, Mexico (tools)

1989: Galería Juan Martin, Mexico City, Mexico (self portraits)

1989: Tokyu Hands 6th Hands Grand Prix, Tokyo, Japan

1988: Kabutoya Gallery, Ginza, Tokyo, Japan

1988: Galería Juan Martin, Mexico City, Mexico (masks)

1988: Galería Quiroga, Mexico City, Mexico

1987: Galería A.P. Facultad de artes Plásticas, Xalapa, Ver. México

1987: Galería Sloane-racotta, Mexico City, Mexico

1987: Pinacoteca Universitaria J.A.X.C., Universidad Autónoma de Puebla, Pue.,
Mexico

1987: Galería Ramón Alva de la Canal, Xalapa, Ver., Mexico

1987: Virginia Breier Gallery, San Francisco, Ca. U.S.

1987: Exposición Laguna Verde, Agora, Xalapa, Ver., Mexico

1986: 6th Sculpture Exhibition, Kanazawa, Japan

1985: Kanda Gallery, Fussa, Japan

1985: 5th Sculpture Exhibition, Kanazawa, Japan

1984: 4th Sculpture Exhibition, Kanazawa, Japan

1984: Trienal de fotografía, Mexico City, Mexico

1971: 80 drawings at the Rouen Art Festival, Rouen, France

1970: Ferdinand Roten Gallery, Baltimore, U.S.



COMISSIONS AND PUBLICATIONS:

2002: CD cover illustrations for "Marimba Dúos" by Miguel González and Juan
Martínez, Xalapa, Ver., México.

2000: CD cover illustrations for J.S. Bach El clave bien temperado, a guitar
transcription and performance by Alfredo Sánchez and XOC

Marimba Duos by Miguel González, Juan Martínez, Diego Espinoza and José
Rodríguez

1997: Production, playwriting and acting for the franco-mexican theater play:
‘Quetzalcóatl, el regreso’ or ‘La femme aux piments rouges’ with Jean Claude
Leportier, Catherine Cremer, Djahel Vinaver and Martin Vinaver. Directed by
Alain Schons. Provence, France

1991: Illustrations for the magazine ‘La Tarantula’, Xalapa, Ver., Mexico

1983: Maquette for a documentary film on ancient french country houses, Paris,
France

1981-2: Illustrations for 3 books for the S.E.P. (the mexican government’s
education bureau), Mexico

1973: 3 covers for the magazine ‘Técnica Pesquera’, Mexico City, Mexico

1972: A drawing in the book ‘Les Maitres de l’Art Naif’ by Oto Bihalji-Merin,
Brussels, La Connaissance Publishing, Belgium

1972: Novel ‘La Vida de Dos Novios’ text and illustrations by Martin Vinaver,
John Muir Publications, Santa Fe, NM.
http://trove.nla.gov.au/work/21991093?selectedversion=NBD591640

1971: The making of the poster for the Rouen art Festival, Rouen, France

1970: The making of the poster for the Museum of the City of Veracruz, Mexico



GRANTS AND PRIZES:

1997: For the production of the franco-mexican theater play: ‘Quetzalcóatl, el
regreso’ or ‘La femme aux piments rouges’ we received

a mexican grant from the Fondo Nacional para la Cultura y las Artes (FONCA)
http://fonca.cultura.gob.mx and a french grant from the government of Provence.

2000: Won the New York martial arts Tai chi chuan championship with the 42
movement competition sequence.

2003-4: Grant from the Instituto de Cultura de Veracruz (IVEC)
http://www.ivec.gob.mx for the making of sculptures “altars”. They were later
shown at the

Pinacoteca Diego Rivera gallery in Xalapa, Ver., Mexico



ARTWORK IN MUSEUM COLLECTIONS:

Instituto de Artes Graficas de Oaxaca, (IAGO) wood block prints (moku-hanga) and
lithographs http://institutodeartesgraficasdeoaxaca.blogspot.se

Museo Erasto Cortés, Puebla, Pue. wood block prints (moku-hanga)
http://www.puebla.travel/es/museos/item/museo-taller-erasto-cortes-juarez

La Ceiba Gráfica, Coatepec, Ver. Lithographs, wood block prints (moku-hanga) and
sculptures http://www.laceibagrafica.org/ing/index21.html

Museo Nacional de la Estampa, Mexico City, Mexico (lithographs)
http://www.museonacionaldelaestampa.bellasartes.gob.mx/



WORKSHOPS GIVEN:

2014: Moku hanga (japanese Wood block printing) at the Fine Art Sudio Services,
Lakeville, CT U.S.A.

2011: Moku hanga (japanese Wood block printing) at CASA (San Agustín Etla Arts
Center), Oaxaca, Mexico
http://www.academictoursoaxaca.com/oaxaca/san_agustin_etla.php

2011: Moku hanga at PBI (Paper and Book Intensive) art sabbatical, Ox-Bow,
Saugatuck, MI. U.S. http://www.paperbookintensive.org/2011/classes.html

2010-14: Monthly moku hanga workshops at La Ceiba Gráfica, Coatepec, Ver.
Mexico. http://www.laceibagrafica.org/ing/index21.html



WORK EXPERIENCE:

I am an artist but I have worked in other areas as well:

Having been raised in a farm, I know about agriculture, cattle raising,
beekeeping, driving trucks and tractors, etc.

2020-21: gardening and repairs at Aktiv Fastighets Förvaltning i Nacka AB

2014-2015: Construction work: Carpentry, painting, demolition, Stockholm,
Sweden.

With Contender AB, Veterankraft and independently

2002-2017 Have been administering a 12–apartment building since 2002
www.ballenaemplumada.strikingly.com

2006-2013: Managing and teaching art and self-sufficiency to groups in a graphic
arts institution:
http://www.laceibagrafica.org/ing/index21.html www.laceibagrafica.org

2009-2013: Teaching art workshops in Mexico and the U.S., at:
http://talleresyax.blogspot.se/p/moku-hanga-grabado-en-madera-con-la.html http://www.casa.oaxaca.gob.mx/index.php/en/
and at: http://www.paperbookintensive.org/2011/classes.html

2000: Transformed an old, cold and dark garage into a well lit and well isolated
attractive room with a swimming pool with current, 3 double pain windows and a
wooden florr and ceiling with attractive lighting. Princeton, New Jersey, U.S.

1998-1999: Coordination and mounting of art exhibitions in Mexico, Japan, France
and the U.S.

1998-1999: Coaching people with dissabilities through art in Harlem, New York

1984-2017: Teaching Tai chi chuan and Qi gong for the past 33 years to a variety
of groups, from private to corporate www.taichichuanqigong.me and
www.taichichuan.strikingly.com

1992: I designed and built my house with the traditional European/Middle-Eastern
pounded earth technique www.indara.strikingly.com

1997-1998: High-end carpentry work at Bill Rybak’s Studio, 459 W 15th St. N.Y.
doing window-display paraphernalia for stores like Cole Haan and Sacks Fifth
Avenue

1997: Antique restoration furniture at the Art Conservation Studio in charge of
Frederik Sager, New York.



My CV in short:



I was raised and worked in a farm in Mexico, studied high school and college in
the U.S. did a 4-year apprenticeship in Japan on traditional wood-block
printing, studied biodynamic beekeeping with permaculture guidelines, began my
studies of Tai chi chuan in Paris 35 years ago and have not stoped since.

I am a:

painter, sculptor, printer, photographer, writer, inventor, designer, farmer,
beekeeper, house builder and apartment building administrator, carpenter,
gardener, general repairman, Tai chi and qigong instructor, father, husband and
a world citizen conscious of the environment.

As an artist I have had 17 one-man shows, more than 43 group shows, have artwork
in 4 museums and art institutions, have taught countless times Japanese
wood-block printing workshops in Mexico and the U.S. and have co-designed with
lithographer, paper maker and inventor Per Anderson, the most important
self-sustainable graphic arts center in Mexico, where I conducted research and
opened the first Japanese wood-block printing workshop in the country.

I have taught for over 33 years Tai chi chuan and Qigong and have worked in a
number of other related activities.

I won the 2000 New York martial arts Tai chi chuan championship with the 42
movement competition sequence.

I presently live in Sweden with my family, working for a company, doing
gardening and as a general repairman. I teach Tai chi and Qi gong to individuals
through Skype, so they can learn from the comfort of their homes.

I speak Spanish, French, English, some Japanese and some Swedish.



martinvinaver@gmail.com

(+33) 605732711




CERTIFICATE

TOUCH TO READ




LAST EXHIBITION

AT SVEA GALLERY, STOCKHOLM, SWEDEN



group show 2018 in France


WOULD YOU LIKE TO HANGE A PICTURE ON YOUR WALL?

MAYBE YOUR LIVING ROOM IS NOT AS PINK AS THIS ONE...

...or as white as this one,

But you could certainly have one of my paintings in your bedroom or living
room...




I CAN OFFER YOU:


- PHOTOGRAPHS


- MIXED MEDIA DIGITAL IMAGES


- CUSTOM-MADE IMAGES MADE FROM YOUR OWN TATOO


- A CUSTOM-MADE URN IF YOU WANT TO GET READY FOR THE AFTER-LIFE


- OLMEC-INFLUENCED CELTS MADE OF HARD WOODS - IT'S ONE OF MY SPECIALTIES


- AN INK-WATERCOLOR, MIXED MEDIA ORIGINAL ON PAPER - TO BE SHOWN HERE SOON



 

NOT EVERYTHING ON THE MENU IS IN THIS SECTION, SO CHOOSE

ANOTHER ITEM TO SEE MORE...

 

 



LINKS TO MY OTHER ACTIVITIES

TOUCH IMAGES TO OPEN LINKS

Art as Urns

Tai chi chuan

a foundation for body and mind

Short stories in Spanish

Mexico's most important graphic-arts center

Ecological bee hives

TOXCATL

A beautiful place to meditate, to restore the soul,

for artists to work...

House design and construction

Apartments upkeep and administration

Wood work and painting



CONTACT

MARTINVINAVER@GMAIL.COM

(+33) 605732711 - FRANCE

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