www.tillyandthebuttons.com Open in urlscan Pro
2a00:1450:4001:810::2013  Public Scan

Submitted URL: http://www.tillyandthebuttons.com//2015//04//
Effective URL: https://www.tillyandthebuttons.com/2015/04/
Submission: On August 22 via api from US — Scanned from DE

Form analysis 2 forms found in the DOM

https://www.tillyandthebuttons.com/search

<form action="https://www.tillyandthebuttons.com/search" class="gsc-search-box" target="_top">
  <table cellpadding="0" cellspacing="0" class="gsc-search-box">
    <tbody>
      <tr>
        <td class="gsc-input">
          <input autocomplete="off" class="gsc-input" name="q" size="10" title="search" type="text" value="">
        </td>
        <td class="gsc-search-button">
          <input class="gsc-search-button" title="search" type="submit" value="Search">
        </td>
      </tr>
    </tbody>
  </table>
</form>

<form aria-live="polite" class="needsclick klaviyo-form klaviyo-form-version-cid_1 go3725832945 kl-private-reset-css-Xuajs1" data-testid="klaviyo-form-UYjFer" novalidate=""
  style="display: flex; flex-direction: row; box-sizing: border-box; width: 100%; overflow: visible; max-width: 320px; margin: 0px auto; border-radius: 0px; border-style: none; border-width: 1px; border-color: rgb(0, 0, 0); background-color: rgb(185, 223, 224); background-repeat: no-repeat; background-position-y: 50%; padding: 10px; flex: 1 1 0%;">
  <div class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; flex-direction: column; width: 100%; margin: 0px; padding: 0px; min-height: 252px; justify-content: center;">
    <div data-testid="form-row" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; flex-direction: row; align-items: stretch; position: relative;">
      <div component="[object Object]" data-testid="form-component" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; justify-content: flex-start; padding: 10px 6px; position: relative; flex: 1 0 0px;">
        <div class="kl-private-reset-css-Xuajs1 go3176171171" id="rich-text-41938721" style="width: 100%;">
          <p style="text-align:center;font-size:14px;font-family:Arial, 'Helvetica Neue', Helvetica, sans-serif;font-weight:400;"><span class="ql-font-montserrat"
              style="color:rgb(0, 0, 0);font-size:16px;font-family:Montserrat, 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:bold;">Join the party!</span><span class="ql-font-montserrat"
              style="color:rgb(0, 0, 0);font-size:16px;font-family:Montserrat, 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:400;"> ✂️</span></p>
        </div>
      </div>
    </div>
    <div data-testid="form-row" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; flex-direction: row; align-items: stretch; position: relative;">
      <div component="[object Object]" data-testid="form-component" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; justify-content: flex-start; padding: 10px 0px 20px; position: relative; flex: 1 0 0px;">
        <div class="kl-private-reset-css-Xuajs1 go3176171171" id="rich-text-41938722" style="width: 100%;">
          <p style="text-align:center;font-size:14px;font-family:Arial, 'Helvetica Neue', Helvetica, sans-serif;font-weight:400;"><span class="ql-font-montserrat"
              style="background-color:rgba(255, 255, 255, 0);font-size:14px;font-family:Montserrat, 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:400;">Sign up to get </span><span class="ql-font-montserrat"
              style="background-color:rgba(255, 255, 255, 0);font-size:14px;font-family:Montserrat, 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:bold;">10% off</span><span class="ql-font-montserrat"
              style="background-color:rgba(255, 255, 255, 0);font-size:14px;font-family:Montserrat, 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:400;"> your first order of sewing patterns or workshops!</span></p>
        </div>
      </div>
    </div>
    <div data-testid="form-row" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; flex-direction: row; align-items: stretch; position: relative;">
      <div component="[object Object]" data-testid="form-component" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; justify-content: flex-start; padding: 0px 6px; position: relative; flex: 1 0 0px;">
        <div class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; flex-grow: 1; flex-direction: column; align-self: flex-end;"><input id="email_41938723" class="needsclick go683610011 kl-private-reset-css-Xuajs1" type="email"
            autocomplete="email" name="email" tabindex="0" placeholder="Email" aria-label="Email" aria-invalid="false" options="[object Object]"
            style="box-sizing: border-box; border-radius: 0px; padding: 0px 0px 0px 16px; height: 50px; text-align: left; color: rgb(52, 49, 46); font-family: Montserrat, &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; font-size: 18px; font-weight: 400; letter-spacing: 0px; background-color: rgb(255, 255, 255); border: 1px solid rgb(255, 255, 255);">
          <div class="needsclick  kl-private-reset-css-Xuajs1" style="width: 100%; position: relative;"></div>
        </div>
      </div>
    </div>
    <div data-testid="form-row" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; flex-direction: row; align-items: stretch; position: relative;">
      <div component="[object Object]" data-testid="form-component" class="needsclick  kl-private-reset-css-Xuajs1" style="display: flex; justify-content: flex-start; padding: 10px 6px; position: relative; flex: 0 1 auto; margin: 0px auto;"><button
          class="needsclick go2534619395 kl-private-reset-css-Xuajs1" type="button" tabindex="0"
          style="background: rgb(244, 175, 188); border-radius: 0px; border-style: none; border-color: rgb(27, 27, 27); border-width: 2px; color: rgb(52, 49, 46); font-family: Montserrat, &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; letter-spacing: 0px; line-height: 1; white-space: normal; padding: 0px 10px; text-align: center; word-break: break-word; align-self: flex-end; cursor: pointer; pointer-events: auto; height: 42px;">COUNT
          ME IN</button></div>
    </div>
  </div><input type="submit" tabindex="-1" value="Submit" style="display: none;">
</form>

Text Content

 * LEARN TO SEW
   * EXTRA PATTERN SUPPORT
   * FABRIC TIPS
   * FITTING HELP
   * SEWING TOOLS
   * DESIGN DETAILS + HACKS
   * SEWING BUSINESS + LIFESTYLE
 * SHOP
   * SEWING PATTERNS
   * BOOKS
 * ONLINE WORKSHOPS
   * MAKE FRIENDS WITH A SEWING MACHINE
   * MAKE FRIENDS WITH AN OVERLOCKER
   * LEARN TO SEW A BUTTON-FRONT DRESS OR BLOUSE
   * LEARN TO SEW KNICKERS
   * LEARN TO SEW SKIRTS
   * SEW AN EASY DRESS
   * SEW YOUR OWN KNOCKOUT DRESS
   * LEARN TO SEW JERSEY TOPS
   * SEW YOUR OWN SHIRT OR SHIRT DRESS
   * LEARN TO SEW SWIMWEAR
 * ABOUT
   * JOIN OUR EMAIL LIST
   * BEHIND THE SCENES
   * YOUR MAKES
   * TILLY'S MAKES
   * WORK WITH US
   * WHOLESALE
   * FAQ
   * CONTACT
 * LET’S GET SOCIAL
   * INSTAGRAM
   * YOUTUBE
   * FACEBOOK
   * TWITTER
   * PINTEREST
   * TIKTOK
   li>






30 APRIL 2015


HOW TO SEW ONE-STEP BUTTONHOLES





Ready to sew some buttonholes? Some people find buttonholes scary, but once you
know how to do it I think they’re much simpler than sewing a zip closure. I’m
going to walk you through how to sew one-step automatic buttonholes in this
post, and offer some troubleshooting tips to help you have a stress-free button
stitching experience.

Read up on making four-step buttonholes if your sewing machines makes this type
instead. Your manual will tell you which kind you can sew on your machine.

Sewing machines do vary, so have a quick read through the buttonhole
instructions in your manual too in case your machine works differently to mine.
And no matter how many times you’ve sewn buttonholes before, it’s always a good
idea to test a sample on a double scrap of interfaced fabric before attacking
your real garment :)

Right, let’s do this!







Your machine should come with a buttonhole foot that looks something like this.
Place one of the buttons you’re using for your project into the holder at the
back of the buttonhole foot. Push the holder closed so it’s gripping the button
tightly, making sure the button is lying flat. This will tell your machine the
size of your buttons and thus how long to make each buttonhole.

If your buttons are rounded or particularly thick, leave a little extra space as
your buttonhole will need to be bigger (check exactly how much space you need by
sewing a test buttonhole).

What if you're sewing a buttonhole that won't actually have a button? For
example, if you're making a drawstring hole on a hoodie or pair of pyjama
bottoms. You can either find a button that's the right size and use that as a
stand in for the hole size, or measure the opening in the gauge so it's the
correct size.

Mark the buttonholes on the right opening of the garment in chalk pencil or
washable pen.

And before you tackle your real garment, sew a test buttonhole on a mock up of
the area of your garment that you're going to sew the buttonholes on - usually
two layers of fabric, one of which is interfaced.




Attach the buttonhole foot to your sewing machine, with the button holder at the
back. Position the fabric underneath the foot so the needle is just above the
bottom end of the buttonhole marking. Pull the needle thread through the
buttonhole foot and to the left – you can hold onto this thread for the first
few seconds of sewing so it doesn’t get caught in the stitching. Once it’s in
position, lower your presser foot. This bit is super important for one-step
buttonholes: there’s a little lever to the left of the needle – pull this
down as far as it will go.




Turn your machine on and select the automatic buttonhole stitch (check your
manual if you’re not sure which one this is). Start sewing, and the machine will
automatically sew all four sides of the buttonhole and stop stitching when it’s
done. Hurrah! Once your machine comes to a stop, you can move on to the next
buttonhole.




Occasionally automatic buttonholes like to go crazy and do their own thing, such
as sewing much longer sides than you actually need. Troubleshooting tips:

1. Check that the button is lying flat and wedged tightly in the holder on the
foot;

2. Check that the lever to the left of the needle is pulled down all the way;

3. Take care that nothing is going to get in the way of the foot or lever;

4. Make sure you keep sewing until the end of each buttonhole sequence (when the
machine stops stitching by itself) before starting the next one;

5. To be extra certain the machine knows you’re starting a new buttonhole,
between each buttonhole you could reset the stitch type to another one and then
back to the automatic buttonhole stitch. Or turn the machine off and on again ;)




Before opening up the buttonhole, it's a good idea to use a product like Fray
Check to seal the threads and avoid excessive fraying.

Once it's dry, open up each buttonhole by inserting a seam ripper into one end
and carefully tearing to the middle. Then insert the seam ripper into the other
end of the buttonhole and tear towards the middle until the whole thing is open.
If you are worried about accidentally ripping through the side of the
buttonhole, you could insert a pin into either end as a buffer. Trim the frays
and you’re done!

Now you can sew lovely buttonholes on your Arielle skirt, Rosa shirt or
dress, Mathilde blouse or Mimi blouse. Enjoy!



PS. If you’d like to watch a video lesson on making buttonholes, check out my
online workshop, Sew Your Own Shirt or Shirt Dress.

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: arielle, buttonholes, mathilde blouse, mimi blouse



28 APRIL 2015


HOW TO FINISH A FACING WITH BIAS BINDING




Today I’m going to show you how to finish a facing with bias binding. If you’re
making the Arielle skirt (which I'm demonstrating here) or the Sonny jacket and
leaving it unlined, bias binding will give you a pretty finish on the inside of
the garment - it's a lovely alternative to finishing with zigzag stitch or an
overlocker.



You can make your own bias binding out of leftover fabric,  or you can buy it
ready-made. It's up to you to decide how wide you want your binding to be - just
bear in mind that, whether you buy it or make it with a bias binding tool, the
finished binding will end up half the width when attached to the facing.




Start by unfolding one side of the binding and align the raw edge with one of
the inside edges of the facing, right sides together. Pin it in place. As it's
cut on the bias - in other words, at a 45 degree angle to the straight grain of
fabric - it should naturally stretch a little, which will help it get around
curves. You can leave a little bias binding overhang at each end of the facing.




Stitch the binding to the facing along the channel of the fold line nearest the
edge of the facing.




From the right side, press the binding away from the facing and towards the seam
allowances. Now fold the binding over to the wrong side of the facing and press
in place, ensuring that the raw edge of the fabric is covered by the folded edge
of the binding – you may need to trim down the seam allowance on the facing a
little first, depending on how wide your bias binding is, and how accurately you
sewed it!




From the right side of the facing, edgestitch the binding close to the seam
line, through all layers. Pause every so often with the needle down to check
that the other side of the binding is getting caught in the stitching.





Give it a final press, and you’re done!

P.S. If you liked this, you might also be interested in How to Understitch like
a Pro.


*****
Author: Tilly Walnes

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: arielle, bias binding



23 APRIL 2015


ATTACHING THE LINING TO THE ARIELLE SKIRT




For the most part, the Arielle sewing pattern is simple to construct. The
fiddliest part is attaching the lining to the facing. This is because it has
curved inside corners - we opted for curved corners over right angle corners as
they would have been even more fiddly! Don’t worry though - I’m going to walk
you through it in detail in this post. If you’re a beginner, or the idea of
sewing the lining fills you with dread, you can skip it! Simply finish the
inside edge of the facing with zigzag stitch, an overlocker or bias binding.
Easy peasy! I’ll show you how to attach bias binding in the next post.

Still here? Wanna attach the lining? Good stuff, let’s do this!




Stitch the pleats, side seams and hem on the lining pieces following the
instructions that accompany the pattern. A bit of pattern geekery in case you’re
interested – the pleats on the lining create volume in the same way that the
darts on the main skirt pieces do, but with more ease for movement. The front
lining also has volume created by a shaped seam at the curved corner – a pleat
would have been awkward to sew at this corner. This all adds up to a lovely 3D
shape over your lovely lady curves.

Okay, so you’ve sewn the lining and are ready to attach it to the facing. The
reason this is a little fiddly is because the raw edges of the inner curve of
the facing and the outer curve of the lining are different lengths. That’s
because they have seam allowances – what you’re really joining are the stitching
lines 15mm (5/8in) inside the raw edges, which do match up. We're going to do a
few things to make it easier to join these curves together...





First, snip the notches (marked on the pattern) so they are just shy of 15mm
(5/8in). This is so we don't lose them in the next step...




Trim the seam allowances down by 5mm (1/4in), all the way round the inner edge
of the facing and the top and side edges of the lining.





Now we’re going to clip and notch the curves to help the seam allowances open
out and fit together. Again, take care not to lose your original notches – you
could mark them with pins first so you remember which ones they are. Clip short
snips into the inside curves of the facing, and cut triangular shaped notches
into the outside curves of the lining, being careful not to make them longer
than 10mm (3/8in) so they don’t go over the stitching line.




With the facing right side up, flip the lining on top of it, wrong side up. Pin
the top edge of the lining to the lower inside edge of the facing, right sides
together, matching up the side seams and notches.





Now pin one side of the lining to one inside edge of the facing, right sides
together, matching the lining hem with the “end of lining” notch near the bottom
of the facing. The fabric won’t lie flat at the curved corners because of the
seam allowance thing I explained earlier. Just remember that you're aiming to
match up the stitching lines, which are now 10mm / 3/8in inside the raw edges,
rather than the raw edges themselves – ease the curves together carefully, and
use plenty of pins to hold them together. The clips and notches that you snipped
earlier should open up the seam allowances, which will help. Pin together the
other side of the lining and facing in the same way.




Here’s one I prepared earlier!




Okay, so we’re going to be good and baste (tack) the curves together before
stitching them for real to make sure they go together nicely. Set your machine
to a longer stitch length – I'd go for 3mm rather than 4mm as slightly shorter
basting will navigate the tight curves more neatly. Baste just the curved
corners together, using a 10mm (3/8in) seam allowance – usually it’s a good idea
to baste inside the stitching line so the real stitches don’t end up on top of
the basting, but in this case it’s important to baste on the real stitching line
so the curves go together accurately.

If the curves look dodgy, you can quickly unpick the basting and try again. If
they look good, great! Let’s sew them together for real. Reset the stitch length
to 2-2.5mm and, using a 10mm (3/8in) seam allowance, stitch the whole of the
pinned seams together, from one “end of lining” notch to the other.




Trim the seam allowances and press them towards the facing – including the part
of the facing below the lining. Now you can understitch the seam allowances to
the facing so they don’t flip back towards the lining and create a bulky look.
To understitch, simply sew a line through the facing and seam allowances close
to the seam line. Your stitching will be visible from the right side of the
facing, so use a matching colour. If you sew with the facing… erm… facing up and
to the left of the needle, shift your needle 2mm to the left (many machines have
a stitch option for this), and line up the seam line with the central groove of
the presser foot. As you sew, keep the seam line aligned with the middle of the
foot and you should end up with lovely neat stitching exactly parallel to the
edge of the facing.



The understitching should end up looking something like this from the wrong
side...




... and this from the right side.



And that’s it! You can now follow the rest of the steps in the instructions to
sew the rest of your skirt. I hope this helps – let me know if you have any
questions about this part. In the next post, I’ll show you how to finish the
facing with bias tape instead, if you don’t fancy adding the lining.

I can’t wait to see your finished Arielle skirts! Don’t forget to send us a pic
☺

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: arielle, lining, sewing pattern



21 APRIL 2015


FITTING THE ARIELLE SKIRT




Got your Arielle sewing pattern? Chosen your fabric? Let’s talk about how to sew
a skirt that fits you.

The good news is that Arielle is an easy style to fit – the skirt has only three
main pieces, and is shaped with darts that are simple to adjust. The skirt is
designed without a separate waistband to give a sexy, streamlined shape. Some of
our curvier pattern testers said they were pleasantly surprised at how
flattering the skirt is on their waist and booty (that booty booty!).





Taking your measurements
The first step to a great-fitting skirt is to take accurate measurements. Wrap a
flexible tape measure around your natural waist and then around the widest part
of your hips, breathing normally (no cheating!) and keeping the tape measure
level to the floor. Compare these measurements to the Body Measurements chart in
the pattern instructions to pick out your pattern size. If a measurement lands
between two sizes, go for the larger one – you can always take the skirt in
later at the pinning stage.




Grading between sizes
If your waist is a different pattern size to your hips, you can redraw the side
seams on the pattern pieces from your waist size (marked on the pattern by the
waist notch) to your hip size (marked by the hip notch). On the back skirt
piece, redraw the side seam between your waist and hip size – in this example
you can see I’ve drawn between a size 4 waist and size 5 hip.





Now lay the right front skirt piece over the back skirt piece, matching both
pieces at the original side seam lines of your waist size. Trace your new side
seam onto the right front skirt piece. Repeat on the left front skirt piece.
(Don't worry that your new lines on the right front and left front pieces don't
touch your hip size line - the size lines on the left front and right front
skirt pieces are nested differently to make the button and overlap lines clear
to see. As long as you've traced the line from the back skirt, you should be
sorted.)

For the darts, simply go with the darts in your waist size.

For the facings, simply pick the same size as your waist – you don’t need to
change the facings to match your hips, as they really only cover your waist and
the front opening of the skirt.





If you're making the lining, you will need to alter the lining pieces to match
the skirt. Lay the back lining piece over the back skirt, matching up the hip
notches. Trace your new skirt side seam onto the back lining. Then trace this
line from the back lining onto the left front and right front lining side seams.
For the outer edge of the left front and right front lining (marked on the
pattern), choose the same size as your waist. The outer edges of the lining will
match up with the inner edges of the facing, so again they should be unaffected.




Lengthening or shortening
The long version of the skirt is 62.5cm (24½in) from (high) waist to hem; the
short version 45.5cm (18in). Since the lower part of the skirt is straight, you
can easily redraw the hemline without the “lengthen/shorten” lines that you
might see on other patterns. If you want to make the skirt longer or shorter,
redraw the hemline at the level you want it on the three skirt pieces.

Lengthen or shorten the front facing pieces - and the lining if you’re making it
– by the same amount you lengthened or shortened the skirt. If you’re making the
lining, you’ll also need to raise or lower the “end of lining” notches on the
front facings by the same amount.



Toiling, pinning or baste fitting
T&TB patterns are dressmaking templates designed for average UK body proportions
- yet not many of us are “average”! Taking accurate measurements and making any
changes you need to the pattern are a good start to sewing a garment to fit your
body, yet since we’re all different shapes, you might need to make some other
changes to how the fabric fits your curves. (This is one of the reasons why
asking someone else how a pattern fits them is unlikely to be helpful when it
comes to fitting yourself, even if you have the same bust, waist and hip
measurements.)




It’s generally a good idea to make a toile (or “muslin”) – a mock up of a
garment in cheap fabric – so you can tweak the shape before cutting into your
nice fabric. Choose fabric that is similar in weight and body or drape to the
fabric that you’re going to use on the “real” garment – read more about making a
toile. For the Arielle skirt, since it’s relatively simple to fit, you can
probably get away with doing a pin fitting or baste fitting on the main skirt
pieces cut in your real fabric.





Cut out the right front skirt, left front skirt and back skirt, and pin or baste
(tack) the darts and side seams (see the pattern instructions). Try the toile or
skirt on inside out, pinning the right front skirt over the left front skirt
along the button lines (marked on the pattern). If you’re planning on wearing
the skirt with a t-shirt or sweater tucked in, put that on too.




Do the side seams feel too loose or too tight at the waist or hips? Do the darts
look like they’re in the right place? How does the skirt feel to wear? Can you
walk comfortably? Can you sit down comfortably? Adjust the pins or the baste
stitching on the darts and the side seams to a fit that feels good for you. For
example, if you have a small lower back and curvaceous booty, you may need to
take the top of the darts in; or if you are finding it hard to walk, you could
let the side seams out at the bottom of the skirt.





Once you’re happy with how it’s fitting you, draw your new darts and stitching
lines onto the wrong side of the skirt or toile in chalk pencil or washable pen
- or simply follow the pin lines when stitching it together. Transfer any
changes back to the pattern pieces so you’ve got them for next time you make it.
You’ll also need to make the same adjustments to the facing and lining. For
example, if you took each side seam in by 1cm at the waist, redraw the facing
side seams 1cm in at the waist too.





And that's it! In the next post I'll walk you through attaching the lining to
the facing...

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: arielle, fitting tips



16 APRIL 2015


FABRIC SHOPPING FOR THE ARIELLE SEWING PATTERN





Hello everybody, it’s Vanessa here. Thanks for all the love for our new sewing
pattern, the Arielle skirt. We’re so glad that you’re excited about it as we
are! Today I want to share some thoughts on designing and choosing fabric for
your skirt.

First, a note about the design. When Tilly first developed the sewing pattern,
she was inspired by - and I quote - "Edwardian skirts and sexy sailors". Bien
sur! ;) Crazy inspiration sources aside, the side-button skirt is a classic
style that looks decidedly modern - take a look at our Arielle board for some
Pinspiration.

One of the beautiful things about Arielle is her versatility - you can make the
skirt for any season, from a wide range of fabrics. We recommend medium-weight
woven fabrics that hold the shape of the skirt, but not so thick that they risk
making the darts chunky. The kinds of fabric types you might pick include denim,
sateen, gabardine, brocade, suiting, pincord, lighter weight canvas or wools.
Medium-weight cottons – the kinds that are often used to make quilts and other
homewares – would work too, but avoid lighter weight, drapey cottons such as
lawn and voile. Arielle is a close-fitting skirt so if you find a denim, cotton
or sateen with a touch of stretch (but still woven, not knit fabric) then you’re
onto a winner! Fortunately all these kinds of fabrics are usually a pleasure to
handle. They do what they’re told, press beautifully and don’t fray like mad.
Nothing daunting :)

I’ve had lots of fun window shopping on the internet for suggestions. Here are a
few lovely things that I’ve found. Please bear in mind that we haven’t seen or
handled these fabrics in person, so we recommend you order a sample to get a
feel for the material before purchasing. Okay, on to my picks!




Love spots as much as we do? Indulge in your pixelated passions with either of
these beautiful fabrics – a lovely medium weight stretch cotton and a delicious
pincord.




Medium weight cotton or lighter weight cotton canvas are also great choices,
particularly for those who like a bold pattern as they take dye very well. We’re
swooning over the idea of wearing this print with a black turtleneck! This Kokka
canvas is an interesting one too. Definitely check out Monaluna for canvas too,
such as this Jacks canvas (there may also be llamas...).




Take our fashion tip for Summer 2015 - the 1970s denim skirt is coming back, big
time! We used a plain stretch denim for our pattern photos, or how about this
beautiful Japanese cross-hatch denim? Add some bright brass buttons and you’ve
got this chic revival nailed (we recommend anchor buttons, naturally). This
striped chambray denim also looks really lovely.





While prints are tempting, never underestimate solid colour fabrics! We’ve found
this great variety of stretch cotton in various shades. Or channel your inner
Clueless and go for this yummy lightweight tweed wool.

Here’s the full list of supplies that you need, including how much fabric to
get.

If you feel like making your skirt a bit more fancy, you can add the optional
lining. Choose lining fabric and buttons that compliment, contrast or highlight
your main fabric and I promise you will smile every time you see your skirt,
inside or out. How about placing the buttonholes and buttons in pairs to make
your skirt a bit different? Or stitching ribbon to the outside of the skirt like
this one? Going the extra mile with these little touches is part of what makes
homemade clothes such a pleasure, both to make and to wear. Take a look at the
Arielle Pinterest board for some more ideas.

We are so excited to see what you come up with and hope you enjoy making the
Arielle sewing pattern as much as we have. You can order your pattern here.
Don’t forget to send us a picture of your finished skirt! What fabric are you
thinking of making it in?

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest




14 APRIL 2015


INTRODUCING THE ARIELLE SEWING PATTERN!





MEET OUR NEW SEWING PATTERN – THE ARIELLE SKIRT!


Arielle [“ah-ree-ehl”] is an asymmetric pencil or mini skirt with an adorable
button opening to one side. Long darts and a high waistline create a flattering,
figure-hugging shape. Choose from modern mini or sultry knee length, finished
either with a speedy facing or optional luxury lining.







The easy-to-use sewing pattern will take you through the steps to making the
Arielle skirt, with jargon-busting instructions, clearly labelled pieces so you
can see which bits go together, and photos showing you how to sew each part.

Order the printed version and we’ll send you a beautiful pattern in the post. We
ship around the world, or from next week you can order the pattern from one of
our lovely stockists. You can also order a digital pattern which you’ll receive
by email instantly to download, print and assemble at home.

The pattern comes in eight different sizes – take a look at our sizing chart.
It’s easy to tailor the skirt to fit your unique shape, or to lengthen or
shorten the hemline to your preference – I’ll show you how in an upcoming blog
post :)







HOW EASY IS THE SKIRT TO MAKE?


If you’re a confident beginner, the unlined version is an easy peasy make with
straightforward construction – stitching darts, sewing side seams, attaching a
facing, and hemming. The most challenging part is sewing the buttonholes – fear
not, I’ve got a blog post lined up which will show you that making buttonholes
isn’t half as scary as it may sound!

If you’re a more experienced stitcher or if you fancy taking your sewing prowess
up a notch, you may want to add the lining. The reason the lined version is a
little more advanced is firstly because slippery fabric can be harder to work
with; and secondly because the process of attaching the lining to the curved
facing is a little fiddly. We’ve got your back though - the pattern instructions
include tips on sewing the lining, and I’ve got a blog post lined up to take you
through that step in more detail.








Some of you may recognise the skirt from an earlier incarnation called
“Marielle” which I designed for Sewing World magazine in early 2013. Since then,
we’ve had countless emails asking for the pattern, so we tweaked the design,
changed it to T&TB sizing, and added the mini skirt variation and lining
variation. Oh and changed the name – we’ve already got various pattern names
beginning with M (Mathilde, Miette, Mimi) so I dropped the first letter and it
magically became named after Arielle Gamble, the lovely and talented lady who
designs our pattern envelopes and booklets (she also designed Love at First
Stitch!).






We've got blog posts lined up on steps that you might have questions about -
choosing fabric, fitting the skirt, attaching the lining, finishing the facing
with bias tape, how to sew buttonholes, and button sewing tips. If you need
extra help, there are also lots of tips on cutting fabric, basic construction,
finishing seams and the like both in my book and in the Learn to Sew section of
this site (see the menu bar), or if there's anything else you're struggling
with, let us know. Watch this space over the next few weeks for the blog posts,
and revisit them at any time on the Arielle page.

Speaking of instructions, if you don't usually read pattern instructions,
promise me you’ll read the ‘Cutting Your Fabric’ section – or at least the notes
on the pattern pieces themselves about laying the pattern pieces face up on the
wrong side of the fabric. This way the right front and left front pieces will
end up the correct way round so the skirt will button up right over left (as
womenswear traditionally does). :)



WAIT - THERE'S MORE!







Have you seen our new DIY Dressmaker bag? Laura designed this beauty. It’s
strong and spacious, with an easy-to-carry landscape format (I love landscape
format bags) and webbing straps that won’t cut into your shoulders – perfect for
fabric shopping! The bag is made from a sustainable crop in a Fair Trade
registered factory in India and screen printed in the UK using water-based ink.





Well, we’re sitting here with envelopes, stamps and a Destiny’s Child soundtrack
at the ready to pack and ship your order!

Order your Arielle sewing pattern and DIY Dressmaker bag

[Photography: Fanni Williams / Hair and make up: Elbie van Eeden / Model:
Stephanie Lewis / Pattern graphic design: Arielle Gamble / Special thanks to all
the lovely pattern testers for your discerning eyes and invaluable feedback!]

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: arielle, sewing pattern

Newer Posts Older Posts Home

Subscribe to: Posts (Atom)


Hello! I'm Tilly from Tilly and the Buttons. This blog is where we share sewing
tips and inspiration, plus news about Tilly and the Buttons books, sewing
patterns and online workshops. Enjoy!



SEARCH THE BLOG





Join the party! ✂️

Sign up to get 10% off your first order of sewing patterns or workshops!


COUNT ME IN




PREVIOUSLY...

 * ►  2024 (8)
   * ►  June (2)
   * ►  March (5)
   * ►  February (1)

 * ►  2023 (24)
   * ►  October (2)
   * ►  July (2)
   * ►  June (4)
   * ►  May (3)
   * ►  April (3)
   * ►  March (4)
   * ►  February (4)
   * ►  January (2)

 * ►  2022 (57)
   * ►  December (2)
   * ►  November (3)
   * ►  October (4)
   * ►  September (5)
   * ►  August (5)
   * ►  July (4)
   * ►  June (6)
   * ►  May (4)
   * ►  April (8)
   * ►  March (7)
   * ►  February (4)
   * ►  January (5)

 * ►  2021 (57)
   * ►  December (5)
   * ►  November (4)
   * ►  October (4)
   * ►  September (6)
   * ►  August (4)
   * ►  July (6)
   * ►  June (5)
   * ►  May (4)
   * ►  April (6)
   * ►  March (5)
   * ►  February (4)
   * ►  January (4)

 * ►  2020 (72)
   * ►  December (5)
   * ►  November (8)
   * ►  October (4)
   * ►  September (7)
   * ►  August (4)
   * ►  July (7)
   * ►  June (4)
   * ►  May (7)
   * ►  April (6)
   * ►  March (4)
   * ►  February (9)
   * ►  January (7)

 * ►  2019 (69)
   * ►  December (5)
   * ►  November (4)
   * ►  October (5)
   * ►  September (6)
   * ►  August (9)
   * ►  July (6)
   * ►  June (9)
   * ►  May (5)
   * ►  April (4)
   * ►  March (8)
   * ►  February (4)
   * ►  January (4)

 * ►  2018 (72)
   * ►  December (7)
   * ►  November (9)
   * ►  October (8)
   * ►  September (4)
   * ►  August (5)
   * ►  July (7)
   * ►  June (6)
   * ►  May (5)
   * ►  April (4)
   * ►  March (7)
   * ►  February (5)
   * ►  January (5)

 * ►  2017 (58)
   * ►  December (5)
   * ►  November (4)
   * ►  October (3)
   * ►  September (4)
   * ►  August (4)
   * ►  July (5)
   * ►  June (3)
   * ►  May (7)
   * ►  April (4)
   * ►  March (6)
   * ►  February (8)
   * ►  January (5)

 * ►  2016 (87)
   * ►  December (7)
   * ►  November (9)
   * ►  October (5)
   * ►  September (7)
   * ►  August (5)
   * ►  July (8)
   * ►  June (11)
   * ►  May (6)
   * ►  April (9)
   * ►  March (8)
   * ►  February (8)
   * ►  January (4)

 * ▼  2015 (84)
   * ►  December (6)
   * ►  November (3)
   * ►  October (11)
   * ►  September (5)
   * ►  August (8)
   * ►  July (10)
   * ►  June (6)
   * ►  May (4)
   * ▼  April (8)
     * How to Sew One-Step Buttonholes
     * How to Finish a Facing with Bias Binding
     * Attaching the Lining to the Arielle Skirt
     * Fitting the Arielle Skirt
     * Fabric Shopping for the Arielle Sewing Pattern
     * Introducing the Arielle sewing pattern!
     * Behind the Scenes...
     * Tiny Bows Sweater
   * ►  March (6)
   * ►  February (8)
   * ►  January (9)

 * ►  2014 (122)
   * ►  December (11)
   * ►  November (15)
   * ►  October (9)
   * ►  September (9)
   * ►  August (9)
   * ►  July (9)
   * ►  June (8)
   * ►  May (11)
   * ►  April (8)
   * ►  March (14)
   * ►  February (10)
   * ►  January (9)

 * ►  2013 (129)
   * ►  December (10)
   * ►  November (9)
   * ►  October (9)
   * ►  September (8)
   * ►  August (9)
   * ►  July (9)
   * ►  June (9)
   * ►  May (10)
   * ►  April (16)
   * ►  March (9)
   * ►  February (19)
   * ►  January (12)

 * ►  2012 (112)
   * ►  December (9)
   * ►  November (9)
   * ►  October (8)
   * ►  September (8)
   * ►  August (10)
   * ►  July (9)
   * ►  June (13)
   * ►  May (13)
   * ►  April (10)
   * ►  March (9)
   * ►  February (6)
   * ►  January (8)

 * ►  2011 (127)
   * ►  December (5)
   * ►  November (7)
   * ►  October (12)
   * ►  September (8)
   * ►  August (10)
   * ►  July (10)
   * ►  June (16)
   * ►  May (11)
   * ►  April (10)
   * ►  March (12)
   * ►  February (12)
   * ►  January (14)

 * ►  2010 (44)
   * ►  December (12)
   * ►  November (7)
   * ►  October (3)
   * ►  September (4)
   * ►  August (4)
   * ►  July (3)
   * ►  June (3)
   * ►  May (1)
   * ►  April (3)
   * ►  March (1)
   * ►  February (2)
   * ►  January (1)




BLOG VIEWS

32,635,898



OUR ONLINE WORKSHOPS:

































This work by Tilly and the Buttons is licensed under a Creative Commons
Attribution-NonCommercial-NoDerivs 3.0 Unported License. In addition to the
licence guidelines, please do not use more than one image without permission.

Tilly and the Buttons is a registered trade mark no. 014788962.




Diese Website verwendet Cookies von Google, um Dienste anzubieten und Zugriffe
zu analysieren. Deine IP-Adresse und dein User-Agent werden zusammen mit
Messwerten zur Leistung und Sicherheit für Google freigegeben. So können
Nutzungsstatistiken generiert, Missbrauchsfälle erkannt und behoben und die
Qualität des Dienstes gewährleistet werden.Weitere InformationenOk