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 1. Home
 2. TV
 3. Features

Nov 5, 2021 8:00am PT


LEE PACE SHARES EXCLUSIVE PHOTOS OF HIS DESERT PILGRIMAGE FOR SCI-FI SERIES
‘FOUNDATION’



By Danielle Turchiano

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DANIELLE TURCHIANO

Senior Features Editor, TV

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Courtesy of Lee Pace

Anyone who follows actor Lee Pace on Instagram knows that he likes to capture
special moments in his life and career. But what you might not know is that when
he truly wants to mark something unique, he uses a film camera to do it.

“When I look at the pictures that my parents took of us growing up before they
got a digital camera, there’s something about, you pull out the camera on a
special day. You pull up the camera on someone’s birthday, at the wedding, or
the day that you’re just like, ‘I love everyone here and I want to remember this
day and everyone here,'” Pace tells Variety. “I love my iPhone and the pictures
I can take on it, but it feels kind of ubiquitous. There’s a ‘marking a special
moment’ when I pull out that film camera that it’s more than just how the
picture looks, it’s how I feel I’ve approached that day.”






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Three years ago when Pace performed on Broadway in “Angels in America,” he began
carrying a Leica Minilux around to take backstage photos. It is a passion he has
kept going since, although he has now switched to a Contax T2 for the
behind-the-scenes images he shot during production of his latest television
drama, Apple TV Plus’ “Foundation.”



The eighth episode of “Foundation,” titled “The Missing Piece,” in particular,
was an experience Pace knew he needed to document. In that episode, his
character, Brother Day, goes on a pilgrimage in desert, seeking a vision in
salt. Pace spent three days filming the section in the desert itself. He was on
location in Malta for parts of the shoot, as well as Fuerteventura and Lanzarote
in the Canary Islands. He shares many of his personal photos from that time
exclusively with Variety below.

“There’s such a magic to moviemaking on location — there’s magic in front of the
green screen, of course — but when you’re on location I feel like there is a
respect for performance,” Pace says.

“The goal is to get as far away from Lee and as close to the character as
possible, so any way that can happen, I’m grateful for,” he continues. “And
being in a faraway location, it helps. We didn’t have cell phone reception out
there, the trailer was that I got ready and was miles and miles away, and we
were in wilderness. The production team did a very good job about keeping as low
a footprint as possible, which is very important to me when you go into a
natural space — to leave it better than you found it.”









Pace utilizes the timer function on his camera to set up shots and then step
into them, but he also often hands his camera off to crew members on set to
shoot photos of and for him, to gain a greater perspective on what they are
working on together. Some of his photos end up in color and some in black and
white, depending on “what roll finds its way into the camera that day,” he says
with a laugh.

It might have been sheer luck that he was able to capture so much of Brother
Day’s physical desert transformation in color then, but it’s a good thing he did
because it serves as a stark reminder of how extreme things get for his
character.

“I wanted the character to look like he should be dead,” Pace says. “It’s like
his sheer force of will has put one foot in front of the other. Yes, it hurts
but it doesn’t matter. Yes, he has lied, but it doesn’t matter. He is durable
beyond belief. His pain, all of that stuff, none of it matters. It’s just this
force of determined force of will — that’s the Emperor.”

Another piece of the production process Pace is particularly excited to have
captured is the moment when, right after they completed the last shot in the
desert, director Roxann Dawson and producer David Kob presented him with a
pizza.

“I got very cranky by the end of it,” he admits of the shoot. “We’re in the
middle of nowhere and where they got this pizza, I don’t know, but I have never
been so happy to stuff my face in my life!”













“Foundation” streams new episodes Fridays on Apple TV Plus.

READ MORE ABOUT:

 * Foundation,
 * Lee Pace

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PERSONALISED ADVERTISING AND CONTENT, ADVERTISING AND CONTENT MEASUREMENT,
AUDIENCE RESEARCH AND SERVICES DEVELOPMENT 740 PARTNERS CAN USE THIS PURPOSE

Personalised advertising and content, advertising and content measurement,
audience research and services development

 * USE LIMITED DATA TO SELECT ADVERTISING 587 PARTNERS CAN USE THIS PURPOSE
   
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   Advertising presented to you on this service can be based on limited data,
   such as the website or app you are using, your non-precise location, your
   device type or which content you are (or have been) interacting with (for
   example, to limit the number of times an ad is presented to you).
   
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 * CREATE PROFILES FOR PERSONALISED ADVERTISING 480 PARTNERS CAN USE THIS
   PURPOSE
   
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   Information about your activity on this service (such as forms you submit,
   content you look at) can be stored and combined with other information about
   you (for example, information from your previous activity on this service and
   other websites or apps) or similar users. This is then used to build or
   improve a profile about you (that might include possible interests and
   personal aspects). Your profile can be used (also later) to present
   advertising that appears more relevant based on your possible interests by
   this and other entities.
   
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 * USE PROFILES TO SELECT PERSONALISED ADVERTISING 473 PARTNERS CAN USE THIS
   PURPOSE
   
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   Advertising presented to you on this service can be based on your advertising
   profiles, which can reflect your activity on this service or other websites
   or apps (like the forms you submit, content you look at), possible interests
   and personal aspects.
   
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 * USE PROFILES TO SELECT PERSONALISED CONTENT 184 PARTNERS CAN USE THIS PURPOSE
   
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   Content presented to you on this service can be based on your content
   personalisation profiles, which can reflect your activity on this or other
   services (for instance, the forms you submit, content you look at), possible
   interests and personal aspects, such as by adapting the order in which
   content is shown to you, so that it is even easier for you to find
   (non-advertising) content that matches your interests.
   
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 * MEASURE ADVERTISING PERFORMANCE 680 PARTNERS CAN USE THIS PURPOSE
   
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   Information regarding which advertising is presented to you and how you
   interact with it can be used to determine how well an advert has worked for
   you or other users and whether the goals of the advertising were reached. For
   instance, whether you saw an ad, whether you clicked on it, whether it led
   you to buy a product or visit a website, etc. This is very helpful to
   understand the relevance of advertising campaigns.
   
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   Object to Legitimate Interests Remove Objection

 * USE LIMITED DATA TO SELECT CONTENT 107 PARTNERS CAN USE THIS PURPOSE
   
   Switch Label
   
   Content presented to you on this service can be based on limited data, such
   as the website or app you are using, your non-precise location, your device
   type, or which content you are (or have been) interacting with (for example,
   to limit the number of times a video or an article is presented to you).
   
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   Object to Legitimate Interests Remove Objection

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