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© 2022


October 20 - November 6, 2022

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 * Credits
   
   Monologues by 
   Lee Cataluna, 
   Fatima Dyfan, 
   Lisa Loomer, 
   Dael Orlandersmith, 
   Sarah Ruhl, 
   Mary Hall Surface, 
   V (formerly Eve Ensler),
   and “Anonymous”
   Directed by Molly Smith

 * Location
   
   Arlene and Robert Kogod Cradle

 * Run Time
   
   1 hour 15 minutes

> what does bodily autonomy mean?

In June 2022, reproductive rights took a giant leap backwards when the U.S.
Supreme Court overturned Roe v. Wade. In the United States, we can drive when we
turn 16, and vote when we turn 18. But we no longer have the bodily autonomy to
make the choices that will impact us the most.

In My Body No Choice, Molly Smith’s final directorial venture for Arena Stage,
eight of America’s most exciting female playwrights share what choice means to
them, through the telling of fiction and non-fiction stories rooted in personal
experience; theirs or a friend’s. Because this is a time when women need to tell
their stories.  Read the full press release here.


Support for My Body No Choice is provided by The Artistic Director Fund and Sue
Henry and Carter Phillips.


SPECIAL PERFORMANCES

AUDIO DESCRIBED

Saturday, October 29, 1:30 p.m.


WE WANT TO HEAR YOUR STORY

As an important part of this production, Arena Stage invites all women, trans,
and non-binary individuals from all over the United States to share their
stories about choices and their bodies, in videos of up to 2 minutes in length.
Up to 18 videos will be showcased on Arena Stage’s digital media properties,
extending the experience of My Body No Choice long after the lights have come
down and the run has ended. Get the details and submit your story.

SUBMIT YOUR STORY


PLAYWRIGHTS

MOLLY SMITH

Conceiver and Director

LEE CATALUNA

Playwright

FATIMA DYFAN

Playwright

LISA LOOMER

Playwright

DAEL ORLANDERSMITH

Playwright

SARAH RUHL

Playwright

MARY HALL SURFACE

Playwright

V (formerly Eve Ensler)

Playwright

“ANONYMOUS”

Playwright





MOLLY SMITH

Conceiver and Director



Molly Smith has served as artistic director since 1998. Her more than 30
directing credits at Arena Stage include large-scale musicals, like Catch Me If
You Can, Anything Goes, Disney’s Newsies, Carousel, Fiddler on the Roof,
Oklahoma!, My Fair Lady, The Music Man, Cabaret, South Pacific; new plays, like
Celia and Fidel, Sovereignty, The Originalist, Camp David, Legacy of Light, The
Women of Brewster Place, How I Learned to Drive; and classics like Mother
Courage and Her Children, A Moon for the Misbegotten, The Great White Hope, and
All My Sons. Her directorial work has also been seen Off-Broadway at 59E59 in
New York, Portland Center Stage, Canada’s Shaw Festival, The Court Theatre, The
Old Globe, Asolo Repertory, Berkeley Repertory, Trinity Repertory, Toronto’s
Tarragon Theatre, Montreal’s Centaur Theatre and Perseverance Theater in Juneau,
Alaska, which she founded and ran from 1979-1998. Molly has been a leader in new
play development for over 40 years. She is a great believer in first, second and
third productions of new work and has championed projects, including Dear Evan
Hansen; Next to Normal; Passion Play, a cycle; and How I Learned to Drive. She
led the re-invention of Arena Stage, focusing on the architecture and creation
of the Mead Center for American Theater and positioning Arena Stage as a
national center for American artists through its artistic programming. During
her time with the company, Arena Stage has workshopped more than 100
productions, produced 39 world premieres, staged numerous second and third
productions, and been an important part of nurturing nine projects that went on
to have a life on Broadway. In 2014, Molly made her Broadway debut directing The
Velocity of Autumn, following its critically acclaimed run at Arena Stage. She
was awarded honorary doctorates from American University and Towson University.
In 2018, she was honored as Person of the Year by the National Theatre
Conference and inducted into the Washington DC Hall of Fame. In 2020, she was
awarded the Director of Distinction in Cairo, Egypt, from the Academy of Arts.
During the COVID-19 pandemic in 2020, she developed the concept for two online
films, May 22, 2020 and The 51st State, overseeing the production direction as
well as directing pieces within the films. She also spearheaded a variety of
other new online content, including a weekly talk show Molly’s Salon, during the
live performance hiatus.



LEE CATALUNA

Playwright



Lee Cataluna is hard at work on a piece for Arena Stage’s Power Plays series,
writing about the bloody riot that followed the surprising results in the
election of Hawaii’s last king. Her play Heart Strings, which tells a story
about a chosen family using traditional Hawaiian string figures, is currently in
production at Atlantic Theater. Lee’s other work includes Sons of Maui for San
Francisco Playhouse, What the Stars See at Night for La Jolla Playhouse, and
Home of the Brave for La Jolla Playhouse’s POP Tour. She was born on Maui, is
part Native Hawaiian, and has an MFA in Creative Writing from UC Riverside.
www.leecataluna.com



FATIMA DYFAN

Playwright



Fatima Dyfan (she/her/hers) graduated from Georgetown University with a BA in
Government and African American Studies with a minor in Theater & Performance
Studies in 2021. Fatima explores mixed medium writing that illuminates life. She
served as the Executive Producer of GU’s Black Theatre Ensemble for two years.
With them, she directed Ntozake Shange’s for colored girls... and ended her
collegiate career with a performance art thesis exploring autobiographical
notions of black womanhood. She was able to work the piece as a Playwright in
the Playwright’s Arena at Arena Stage from 2020-2021. She is currently spending
a year at Woolly Mammoth Theatre as the New Work Fellow through the Miranda
Family Fellowship. She is a performer, poet, and creative spirit who believes in
healing, community, care, and the immense power of imagination.



LISA LOOMER

Playwright



Lisa Loomer’s plays include Roe, Living Out, The Waiting Room, Distracted,
Homefree, Café Vida, Expecting Isabel, Two Things You Don’t Talk About at
Dinner, Birds, Bocón!, Maria! Maria Maria Maria, and Broken Hearts. Her work has
been produced at Roundabout, Vineyard Theatre, Second Stage, INTAR, The Public,
Mark Taper Forum, Arena Stage, South Coast Repertory, Kennedy Center, Seattle
Repertory, Denver Center, La Jolla, Trinity Repertory, Williamstown Theatre
Festival, Missouri Repertory, and in Mexico, Israel, Egypt, and Germany.
Screenwriting credits include Girl, Interrupted and pilots for HBO, CBS, FOX,
and Showtime. She has received awards from the American Theatre Critics (twice),
Kennedy Center Fund for New American Plays, Lurie Foundation, Edgerton
Foundation, Susan Smith Blackburn Prize, Jane Chambers Playwriting Award
(twice), an Imagen Award, and an Ovation Award. She’s currently writing the
books for the musicals Real Women Have Curves and Like Water for Chocolate.



DAEL ORLANDERSMITH

Playwright



Dael Orlandersmith’s plays include Stoop Stories, Black n’ Blue Boys/Broken Men,
Horsedreams, Bones, The Blue Album, Yellowman, The Gimmick, Monster, and
Forever. Ms. Orlandersmith was a Pulitzer Prize finalist and Drama Desk Award
nominee for Yellowman and the winner of the Susan Smith Blackburn Prize for The
Gimmick. Dael is the recipient of a New York Foundation for the Arts grant, The
Helen Merrill Award for Emerging Playwrights, a Guggenheim, along with several
other awards and honors. Her play Forever was commissioned and performed at the
Mark Taper Forum/Kirk Douglas Theatre, followed by performances at the Long
Wharf Theatre, New York Theatre Workshop, and Portland Center Stage. Her play
Until the Flood was done at The Repertory Theatre of St. Louis, followed by
Rattlestick Theater, Milwaukee Rep, Portland Center Stage, ACT Seattle, Arcola
Theatre in London, the Druid at the Galway Arts Festival, the Traverse at
Edinburgh Festival, the Schaubruhner Theatre in Berlin, and at the Spoleto
Festival in Charleston, SC. Ms. Orlandersmith is working on a commission for
Rattlestick Theater called Watching the Watcher. She recently opened New Age at
Milwaukee Rep directed by Jade King Carroll and Antonio’s Song/I Was Dreaming of
a Son co-written with Antonio Suarez Edwards and directed by Mark Clement. She
is also working on a new work with writer/performer David Cale called You Don’t
Know the Lonely One, and is working on a new piece called Spiritas. In 2020, Ms.
Orlandersmith received the Doris Duke Award.



SARAH RUHL

Playwright



Sarah Ruhl is an award-winning American playwright, author, essayist, and
professor. Her plays include The Oldest Boy; Dear Elizabeth; Stage Kiss; In the
Next Room, or the vibrator play (Pulitzer Prize finalist, 2010); The Clean House
(Pulitzer Prize finalist, 2005; Susan Smith Blackburn Prize, 2004); Passion Play
(Pen American Award, Fourth Freedom Forum Playwriting Award from the Kennedy
Center); Dead Man’s Cell Phone (Helen Hayes Award for Best New Play); Melancholy
Play; Demeter in the City (nine NAACP Image Award nominations); Scenes From
Court Life; How to Transcend a Happy Marriage; For Peter Pan on Her 70th
Birthday; Eurydice; Orlando; and Late: a cowboy song. Her plays have been
produced on Broadway and across the country as well as internationally, and
translated into fourteen languages. Originally from Chicago, Ms. Ruhl received
her M.F.A. from Brown University, where she studied with Paula Vogel. She is the
recipient of a Helen Merrill Emerging Playwrights Award, a Whiting Writers’
Award, a PEN Center Award for mid-career playwrights, a Steinberg Distinguished
Playwright Award, and a Lilly Award. She is a member of 13P and New Dramatists
and won the MacArthur Fellowship in 2006. She teaches at Yale School of Drama
and lives in Brooklyn with her family. sarahruhlplaywright.com



MARY HALL SURFACE

Playwright



Mary Hall Surface is a DC-based playwright, director, producer, and teaching
artist. She was proud to be a playwright for both of Arena’s 2020 film projects,
May 22, 2020 and The 51st State. A nine-time Helen Hayes Award nominee,
including four for the Charles MacArthur Award for Outstanding New Play, she
received the 2002 Outstanding Director of a Musical for her Perseus Bayou. Her
plays have been produced across the US, Europe, Japan, Taiwan, and Canada,
including eighteen Kennedy Center productions. Her 2018 direction of Thornton
Wilder's The Skin of Our Teeth (Constellation Theatre Company) was recognized by
The Wall Street Journal as one of the outstanding regional theater productions
of the year. She is the proud founding artistic director of DC's Atlas
INTERSECTIONS Festival, where she curated over 600 all-arts performances and
events from 2009–2015. She currently delights in presenting creative and
reflective writing workshops inspired by art through the National Gallery of
Art, the Smithsonian Associates, and museums nationwide, as well as through her
own new Writers’ Studio on Italy’s Amalfi Coast. www.maryhallsurface.com



V (formerly Eve Ensler)

Playwright



V (formerly Eve Ensler) is the Tony Award-winning playwright and author of the
Obie Award-winning theatrical phenomenon The Vagina Monologues (translated into
48 languages and performed in 140 countries), along with many other plays. She
is the author of a number of books including her latest bestsellers The
Apology (translated into more than 15 languages) and In the Body of the World,
as well as the New York Times bestseller I am an Emotional Creature. She starred
on Broadway in The Good Body, and most recently Off-Broadway at Manhattan
Theatre Club in the critically acclaimed In the Body of the World. During the
COVID-19 pandemic she helped create That Kindness: Nurses in Their Own Words, a
tribute to nurses presented by Brooklyn Academy of Music in accordance with
theaters all across the country. Film credits include The Vagina Monologues
(HBO), What I Want My Words to Do to You (Executive Producer, PBS), and Mad Max:
Fury Road (Consultant). She is founder of V-Day— the 23-year-old global activist
movement which has raised over 120 million dollars to end violence against all
women (cisgender and transgender), those who hold fluid identities, nonbinary
people, girls, and the planet—and founder of One Billion Rising, the largest
global mass action to end gender-based violence in over 200 countries, as well
as a co-founder of City of Joy. She writes regularly for The Guardian.



“ANONYMOUS”

Playwright



“Anonymous” is a D.C. Metro-based artist who is honored to have her work at
Arena Stage, and honored to be in the company of extraordinary sister
playwrights. She has chosen to remain anonymous to highlight how private and
personal our choices are. She has chosen to have her voice heard to highlight
the need for all women to speak their truths in their own ways at this critical
juncture in human history. Pain is personal and powerful. Pain is both private
and political.




CAST

FELICIA P. FIELDS

Dael Orlandersmith’s Monologue

SHANARA GABRIELLE

Mary Hall Surface’s Monologue

TORI GOMEZ

Lisa Loomer’s Monologue

JOY JONES

“Anonymous” Monologue

JENNIFER MENDENHALL

Sarah Ruhl’s Monologue

TONI RAE SALMI

Lee Cataluna’s Monologue

DEIDRE STAPLES

Fatima Dyfan’s Monologue

DANI STOLLER

V’s Monologue





FELICIA P. FIELDS

Dael Orlandersmith’s Monologue



Felicia P. Fields is an acclaimed actress, singer, performer, and creator whose
career spans a plethora of credits from theaters around the globe, including the
Goodman Theatre’s Crowns, Blues in the Night, Intimate Apparel, The Rose
Tattoo, The Amen Corner, Ma Rainey’s Black Bottom, as well as A Christmas Carol
at the first African American female to play The Ghost of Christmas Present. She
has performed in Hairspray and the first cycle of the tour of Love, Loss, and
What I Wore. Other credits include Nunsense, Sunset Boulevard, Swinging on a
Star, Some Like It Hot, Richard II, It Ain’t Nothing But the Blues, Low Down
Dirty Blues, A Civil War Christmas, Hot Mikado, Show Boat, Ain’t
Misbehavin’, Dreamgirls, Little Shop of Horrors, Seven Guitars and Hello,
Dolly!. Ms. Fields earned a Tony Award nomination for her portrayal of Sofia
in The Color Purple on Broadway and the first national tour. Her performance
also earned her a 2006 Theatre World Award, a Clarence Derwent Award, two
Broadway.com awards, an NAACP nomination and a Denver Post Ovation Award. She
has received a Black Theatre Alliance Award and nominations, many Jeff Award
nominations, and the Jeff Award for Best Actress in a Musical for her
performance in Sophisticated Ladies.



SHANARA GABRIELLE

Mary Hall Surface’s Monologue



Shanara Gabrielle is happy to be back working on this project that falls at the
heart of her passion for art and activism. At Arena Stage, she has served as
Artistic Associate, Associate Director on Enlightenment and Dear Jack, Dear
Louise, and has appeared on stage in Junk, and numerous workshops. In DC,
Shanara’s worked as an actor and director at Signature Theatre, Shakespeare
Theatre Company, Olney Theatre, Imagination Stage, Solas Nua, Taffety Punk, and
more, as well as produced Working In DC with AFL-CIO on BLM Plaza. Across the
country, Shanara appeared at Guthrie Theater, Actors Theatre of Louisville, St.
Louis Rep, and many more. Webster Conservatory B.F.A., proud recipient of
Princess Grace Foundation Award, and union member of AEA, SDC, SAG-AFTRA.
Instagram: @shanaragabrielle www.shanaragabrielle.com



TORI GOMEZ

Lisa Loomer’s Monologue



Tori Gomez is excited to be making her Arena Stage debut in My Body No Choice!
She is a junior musical theatre major at The Catholic University of America.
Most recent credits include Amy in Little Women (NextStop Theatre Company), Eve
in Children of Eden (Catholic University), and Laertes in Hamlet (Catholic
University). Tori would like to thank her friends, family, and teachers for all
the love and support they’ve shown her in her life and career. She is honored to
be a part of such an important project, and hopes you enjoy the show! Instagram:
@tori.gom



JOY JONES

“Anonymous” Monologue



Joy Jones has previously been seen in Arena Stage’s Seven Guitars, Jubilee, A
Raisin in the Sun, and Mary T & Lizzy K. Other DC-area credits include The
Upstairs Department (Signature Theatre) and The Hard Problem, Cloud
9, Belleville, and Invisible Man (Studio Theatre). Off-Broadway, she appeared in
workshops at The Public and Playwrights Horizons. Her selected regional credits
include Disgraced (Virginia Stage), Invisible Man (Huntington
Theatre), Ruined and Tantalus (Denver Center), The
Champion (TheatreSquared), and Pericles (PlayMakers Repertory). Her recent TV
appearances are We Own This City, Blue Bloods, and Monsterland. Joy has an
Acting MFA from UNC-Chapel Hill and a Helen Hayes Award for Outstanding Ensemble
for Invisible Man (Studio Theatre). Her film Dream Flightis in
pre-production.  Instagram: @joyjonesig thejoyjones.com



JENNIFER MENDENHALL

Sarah Ruhl’s Monologue



Jennifer Mendenhall is a long time DC theater artist and a Woolly Mammoth
company member since 1987. She has appeared at Round House Theatre, Mosaic
Theater, Scena Theatre, Forum Theatre, Theater J, Studio Theatre, Theater
Alliance, Kennedy Center, Shakespeare Theatre, Arena Stage, Humana Festival,
Florida Stage, among others. #poolparty, her play about the history of
discrimination in swimming pools, and a family denied membership at a community
pool, was produced by Ally Theatre in 2018. As audio book narrator Kate Reading,
she has recorded hundreds of books of all genres. Her awards include Helen
Hayes, Theatre Lobby, Audie, Earphone, Publishers Weekly, American Library
Association. www.katereadingaudiobooks.com



TONI RAE SALMI

Lee Cataluna’s Monologue



Toni Rae Salmi is making her Arena Stage debut. DC credits include American
Spies and Other Homegrown Fables (Hub Theatre), Perfect Arrangement (Source
Theatre Festival), The Spitfire Grill (Theater Alliance), The Tempest (Taffety
Punk Theatre Company), and Junie B. Jones and A Little Monkey
Business (Imagination Stage, Helen Hayes Award nomination). Directing credits
include David Henry Hwang’s Bondage and Use All Available Doors by Tristan
Willis (Pinky Swear Productions), and Measure for Measure (Cincinnati
Shakespeare Company). Toni Rae has also worked with The Kennedy Center,
Baltimore Center Stage, and Avant Bard Theatre. For Marci who chose to give me
life, and Nora who chose to give me love.



DEIDRE STAPLES

Fatima Dyfan’s Monologue



Deidre Staples is excited to make her Arena Stage debut. She last appeared as
Nell Shaw in John Proctor is the Villain at Studio Theatre. Selected acting
credits include: Daphne’s Dive at Signature Theatre (understudy); The Skin of
Our Teeth at Everyman Theatre; Twelfth Night, The Crucible, and Around the World
in 80 Days with the National Players, Tour 70; and The Wolves at Studio Theatre
(understudy). She wrote and performed White-ish at the Atlas Intersections
Festival, Nu Sass Productions, and the Aurora Theatre in Atlanta, GA. BFA,
Howard University. deidrestaples.com



DANI STOLLER

V’s Monologue



Dani Stoller is a Brooklyn-born playwright and actor. My Body No Choice is her
Arena Stage debut. Her previous DC acting credits include shows at the Folger
Theatre, Studio Theatre, Olney Theatre Center, Keegan Theatre, Signature
Theatre, 1st Stage, and The Kennedy Center. Her play Easy Women Smoking Loose
Cigarettes received its world premiere at Signature Theatre in 2019 and The Joy
That Carries You, which Dani co-wrote with Awa Sal Secka, had its world premiere
at the Olney Theatre Center in 2022. Her play Girlhood will be premiering this
fall at Round House Theatre as part of its TPC Commission. Her play Just
Great (an adaptation of The Great Gatsby) was recently published and is
available through Playscripts.




CREATIVE

CATHERINE GIRARDI

Lighting Designer

MEGUMI KATAYAMA

Sound Designer

JOSEPH PINZON

Casting Director

KAREN CURRIE

Rehearsal Stage Manager

RACHAEL DANIELLE ALBERT

Stage Manager





CATHERINE GIRARDI

Lighting Designer





Catherine Girardi is a local D.C. designer, a proud former Lighting Fellow at
Arena Stage, and has previously designed Our War, as well as assisting on many
productions. Area credits include: Assassins and Eurydice (NextStop Theatre
Company), Seussical (Imagination Stage), The Burn and Failure: A Love Story (The
Hub Theatre), Smoky Mirrors and A Circus Carol (Sweet Spot Aerial Productions).
Regional credits include The North Pool and The Complete History of Comedy
abridged (Cincinnati Playhouse in the Park), A Christmas Carol, Tommy, Ain’t
Misbehavin’ (The Clarence Brown Theatre), Of Gravity and Light (Ballet Des
Moines), Rex Wheeler’s Symphonic Dances and Tom Mattingly’s Figure in the
Distance and Jahreszeiten (Richmond Ballet). Catherine holds an MFA from The
University of Tennessee-Knoxville. Member of USA 829.



MEGUMI KATAYAMA

Sound Designer



Megumi Katayama is making her Arena Stage debut! Her New York credits
include Nosebleed (LCT 3), For Colored Girls Who Have Considered Suicide/ When
the Rainbow Is Enuf (The Public), The Life (City Center Encores!), Our Brother’s
Son (Signature), Generation Rise (Ping Chong and Company/New Victory). Regional
credits include 72 Miles to Go… (Alley Theatre), Sister Act (Geva Theatre
Center), Dinner and Cake, The Skin of Our Teeth, An Almost Holy
Picture (Everyman Theatre), Pride and Prejudice (Long Wharf), El Huracán (Yale
Rep/The Sol Project), Pass Over (Studio Theatre), Rooted (Cincinnati Playhouse
in the Park), Mary’s Wedding (Kansas City Rep), Chautauqua Theater Company,
Skylight Music Theatre, Virginia Stage Company, Dorset Theatre Festival, and
more. MFA Yale School of Drama. Member of IATSE USA 829.



JOSEPH PINZON

Casting Director



Joseph Pinzon is the founder and creative producer of the contemporary circus
company Short Round Productions and its award-winning show Filament. With over
25 years of performing experience, he has worked internationally with renowned
companies such as Cirque Éloize, Compagnia Finzi Pasca, Cirque du Soleil, and
The 7 Fingers. He holds an MS in Arts Leadership from USC, a BA in Psychology
from UCLA, and graduated from the National Circus School in Montreal with a
specialization in aerial techniques. He was the casting and resident director
for Chamäleon Productions (Berlin) and Constellation Immersive (CAA’s
experiential affiliate). He is also a member of the Creative & Independent
Producer Alliance and a founding board member of the American Circus Alliance.
You can see him causing chaos on season 6 of Nailed It! on Netflix, where
(spoiler alert) he is a part of the series’ first three-way tie.



KAREN CURRIE

Rehearsal Stage Manager



Karen Currie is thrilled to be making her Arena Stage debut. Other area credits
include The Joy That Carries You, A.D. 16,Mary Stuart, Once, and In the
Heights at Olney Theatre Center; Digging Up Dessa, OLIVERio, Mockingbird,
and Orphie and the Book of Heroes at The Kennedy Center; Easy Women Smoking
Loose Cigarettes, Heisenberg, Jesus Christ Superstar, The Fix, Cabaret, Saturday
Night, Sycamore Trees, and The Happy Time at Signature Theatre; As You Like
It at Folger Theatre; and over 20 at Theater J including Trayf, The
Christians, Another Way Home, G-d’s Honest Truth, Yentl, Freud’s Last
Session, After the Revolution, The Whipping Man, and The Religion Thing. Her NYC
credits include The Last Session with Spellbound Theatreworks. Karen holds an
M.A. from American University.



RACHAEL DANIELLE ALBERT

Stage Manager





Rachael Danielle Albert is excited to be stage managing Molly Smith’s final
endeavor as Artistic Director at Arena Stage. Favorite credits include: American
Prophet, Change Agent, Ken Ludwig’s Dear Jack, Dear Louise, Junk, Native
Gardens, among others. Selected regional credits include: Hi, Are You
Single, Fairview, Describe the Night, and Botticelli in the
Fire (Woolly Mammoth); The Wolves (Studio Theatre); Seize the King, Up Here,
and Ether Dome (La Jolla Playhouse); The Odd Couple, Sylvia, and Souvenir (New
London Barn Playhouse); and The Last Days of Judas Iscariot (Stage 773). During
quarantine, Rachael entered the brave new world of digital theatre, as the
livestream stage manager for Amir Nizar Zuabi’s new play This Is Who I Am,
produced by Woolly Mammoth and PlayCo, in partnership with The Guthrie, A.R.T.,
and OSF. Showcaller: ArchiteX. Founding member: Oakland Theater Project. MFA:
University of California, San Diego. BFA: University of Michigan. Proud AEA
member.




PROGRAM

Download the My Body No Choice Program Program PDF


MY BODY NO CHOICE IN THE NEWS

Washington Post

How one D.C. theater is advocating for abortion rights

Read Article External link.

NPR

'My Body No Choice' — Arena Stage advocates for reproductive rights

Read Article External link.

DC Theater Arts

‘My Body No Choice’ to be Molly Smith’s last show as artistic director at Arena

Read Article External link.

Arena Stage Announces Longtime Leader Molly Smith’s Final Show

Arena Stage Announces Longtime Leader Molly Smith’s Final Show

Read Article External link.

METRO WEEKLY

Fall Arts Preview 2022: My Body No Choice at Arena Stage

Read more External link.

WTOP

October entertainment guide 2022: My Body No Choice at Arena Stage

Read more External link.

DCIST

Theater Season In Full Swing: Catch These Shows Opening Around D.C. In October

Read Article External link.

PLAYBILL

Arena Stage's My Body No Choice to Feature Monologues by Sarah Ruhl, Dael
Orlandersmith, V, and More

Read Article External link.

THE WASHINGTON BLADE

A diverse fall theater season underway in D.C.

Read Article External link.

WASHINGTON POST

This fall, theaters whet our appetites with an impressive buffet

Read Article External link.



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