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Skip to contentSkip to site index Search & Section Navigation Section Navigation SEARCH Music SUBSCRIBE FOR $1/WEEKLog in Sunday, March 3, 2024 Today’s Paper SUBSCRIBE FOR $1/WEEK Music|Disgraced but Embraced: Pop Culture Pariahs Are Making Big Comebacks https://www.nytimes.com/2024/03/02/arts/music/disgraced-but-embraced-shane-gillis-ye-canceled.html * Share full article * * Advertisement SKIP ADVERTISEMENT Supported by SKIP ADVERTISEMENT Critic’s Notebook DISGRACED BUT EMBRACED: POP CULTURE PARIAHS ARE MAKING BIG COMEBACKS Shane Gillis hosted “S.N.L.,” the show that rebuffed him. Ye topped the Billboard chart after making antisemitic remarks. Has the mainstream given up on banishing bad actors? * Share full article * * * Read in app The comedian Shane Gillis hosted “Saturday Night Live,” five years after he was fired from the show before ever appearing on it.Credit...Will Heath/NBC, via Getty Images By Jon Caramanica March 2, 2024 Last weekend, the comedian Shane Gillis hosted “Saturday Night Live,” five years after he was fired from the show before ever appearing on it, when old podcast appearances in which he’d used slurs were brought to light. During his opening monologue, Gillis showed how he had evolved since then, which is to say, only slightly. In a tame bit about his parents, he fondly recalled spending time with his mother when he was younger, noting sweetly, “Every little boy is just their mom’s gay best friend.” For the past two weeks, Ye — formerly Kanye West — has sat at the top of the Billboard albums chart with “Vultures 1,” his collaborative album with the singer Ty Dolla Sign. In late 2022, Ye began a public stream of antisemitic invective that, for a while, effectively imploded his career, leading to the dissolution of his partnerships with Adidas and the Gap. He seemed, for a time, persona non grata. But he, too, has returned to something approaching old form, with a single, “Carnival,” that went to No. 3 on the Hot 100, and a series of arena listening sessions that have been the hallmark of his album rollouts in recent years. Image Ye debuted his latest album, a collaboration with Ty Dolla Sign, at a series of arena listening events.Credit...The New York Times Cancellation was always an incomplete concept, more a way of talking about artists with contentious and offensive personal histories than an actual fact of the marketplace. Except in the most extreme cases, moral failure has never been an automatic disqualifier when it comes to artistic work. Advertisement SKIP ADVERTISEMENT What changed in the years since the beginning of the #MeToo movement is the presumption that strong enough discursive pushback might indeed lead to actual banishment. That proved to be true in the wake of #MeToo, in which powerful men like Charlie Rose, Bryan Singer and Matt Lauer were effectively cast out of public life after allegations of sexual misconduct. (And it should be noted: Most of those facing banishment, or the threat thereof, have been men. Roseanne Barr is perhaps the most high-profile woman to meet that fate, following racist and antisemitic public statements.) The sense that bad actors could be weeded out at the root was satisfying liberal fantasy, though. What’s happened instead is the emergence of a class of artists across disciplines — call them the disgraced — who have found ways to thrive despite pockets of public pushback. Their success suggests several possibilities about cultural consumption: Audiences that don’t care about an artist’s indiscretions can be more sizable than the ones that do; those who publicly agitate on these matters might be privately relenting; or that perhaps some audiences may have a tolerance — or maybe even an appetite — for offense. Subscribe to The Times to read as many articles as you like. Jon Caramanica is a pop music critic for The Times and the host of the “Popcast” podcast. He also writes the men's Critical Shopper column for Styles. He previously worked for Vibe magazine, and has written for the Village Voice, Spin, XXL and more. More about Jon Caramanica * Share full article * * * Read in app Advertisement SKIP ADVERTISEMENT SITE INDEX SITE INFORMATION NAVIGATION * © 2024 The New York Times Company * NYTCo * Contact Us * Accessibility * Work with us * Advertise * T Brand Studio * Your Ad Choices * Privacy Policy * Terms of Service * Terms of Sale * Site Map * Canada * International * Help * Subscriptions Enjoy unlimited access to all of The Times. See subscription options