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POPULAR THIS WEEK

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HEAVEN KNOWS

PinkPantheress

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HOUDINI

Dua Lipa

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IGOR

Tyler, The Creator

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DRAMA - THE 4TH MINI ALBUM

aespa

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TO PIMP A BUTTERFLY

Kendrick Lamar

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BLONDE

Frank Ocean

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1989 (TAYLOR'S VERSION)

Taylor Swift

TRENDING REVIEWS

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ZACH BRYAN

Zach Bryan • Album

I’LL STOP SLEEPING.

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I’m the last person to listen to a country record but in seeing such a positive
reception for this album I had to check it out. Man, I am so impressed by what
transpired here on this album. Unlike my prior impressions of what modern pop
country has become, this project is one that has so much emotional depth,
intriguing lyrical themes and just awesome performances all around. As a casual
to Bryan’s music, I just think a decently accessible country artist that
embrace’s elements of heartland rock and folk in a way that’s tasteful certainly
makes these songs beautiful. The instrumentation is crisp yet not too overblown
to really give Bryan the room he needs to captivate with his impassioned vocal
performances and stellar songwriting. To me it’s intimate and incredibly raw
with emotion. I’m just imagining seeing this guy performing live, casually
sitting on a stool with a guitar and lightly puffing on a cigaratte in between
songs. These tracks surely resonate in a way that can convert even the biggest
country music hater to a steady appreciating bystander. It’s a great record that
has me looking forward to more. Also, great music for the current autumn season.
Favorite tracks: Overtime, Summertime’s Close, East Side of Sorrow, Ticking,
Holy Roller, El Dorado, I Remember Everything, Tourniquet, Tradesman, Oklahoman
Son




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50 likes, 21 comments

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BEWARE OF THE MONKEY

MIKE • Album

MIKE’S BEST ALBUM YET.

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I haven’t been super duper high on his stuff in the past, as I usually find Mike
to be a carbon copy of the styles that the more recent Earls and Mavis have been
emulating. But this record grew on me and definitely stands as his best project
in my eyes. I think the stellar production here really compliments his garbled
and often lumbering flows, of which typically don’t appeal to me as much as his
contemporaries. It finally clicks for me and I thoroughly enjoyed this project.
His sound here is more diverse yet accessible, with also some of the catchiest
samples and lyrics I’ve heard to date from the dude. I also find his bars to be
the most clever and compelling that I’ve ever heard in his music. A combination
of great instrumentals and focused yet expressive performances make this among
his best in my book. Favorite tracks: nuthin i can do is wrng, As 4 Me, Light
(if u can’t see), What Do I Do?, Swoosh 23, Tapestry, Concrete

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11 likes, 3 comments

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SINCE I LEFT YOU

The Avalanches • Album

AN ABSOLUTE DREAM.

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The original version of this record on Musicboard for some reason is harder to
find than the entrance to Narnia but with that being said, this record is
absolute fantastic. It honestly deserves all the hype that it rightfully gets.
It’s a plunderphonics and sampledelia essential, one that masterfully
incorporates all of its samples into expertly composed arrangements. Vocal
sections are chopped, manipulated and repurposed in ways that are fresh and new.
These rhythms are incredibly groovy, danceable and instill a sense of nostalgia
whenever I listen to these tracks. And while this project is technically a
concept record with a narrative surrounding a long lost love story, I find that
understanding its message isn’t necessary to get the full enjoyment here. The
production is THAT good to feel like your own interpretation of life and its
many ups and downs in an extravagant sonic fashion. It’s one of those
must-listens that I highly highly recommend. Also shoutout @s1eepmask for
spurning this revisit, a definitive classic. Favorite tracks: ALL

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GOSH


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34 likes, 4 comments

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LP! (OFFLINE!)

JPEGMAFIA • Album

NO ONE TOLD ME THIS IS THE REAL VERSION

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A few months ago I listened to JPEGMAFIA’s “LP!” and absolutely loved it. I
didn’t realize it wasn’t the full project though, and after going through “LP!
(OFFLINE!)”, I see what I was missing. This is seriously one of the best albums
I’ve ever heard and I can’t stop playing it over and over, front to back. Songs
like “Trust!” and “End Credits!” get me so pumped and ready for the day. On the
online version, one of my favorite songs, “REBOUND!” is missing some verses and
another one of the best songs here “Hazard Duty Pay!” is left off entirely. I
assume it’s because Mr. Mafia uses tons of crazy samples and can’t get the
rights for all of them. Also several of the songs are just renamed for some
reason. In my opinion, the central masterpiece of this album has to be “The
GHOST of RANKING DREAD!”. Every time I hear it, it’s like ascending to Heaven.
Easily one of the most creative songs I’ve ever heard from Peggy and the ending
goes insanely fucking hard (max volume recommended). Peggy is quickly becoming
one of my favorite producers in all of hip-hop. His work on “We Buy Diabetic
Test Strips” and “Scaring the Hoes” this year was impressive beyond words and I
can’t wait to see what he does next. Hopefully we’ll see him work more with
Danny and Billy and maybe even Freddie Gibbs. Favorites: Trust!, Dirty!, Nemo,
End Credits!, Hazard Duty Pay!, God Don’t Like Ugly!, What Kinda Rappin’ Is
This?, Thot’s Prayer, Are You Happy?, REBOUND!, Og!, Dikembe!, TIRED, NERVOUS &
BROKE!, 🔥, Nice, Bmt, The GHOST of RANKING DREAD!, Dam! Dam! Dam!, Untitled
Dislikes: The fact it’s not longer




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OHHEYIMSEAN


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70 likes, 13 comments

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RED (TAYLOR'S VERSION)

Taylor Swift • Album

AVERAGE (EITHER VERSION)

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Taylor Swift's "Red (Taylor's Version)" album (as well as its lame source
material album from a decade earlier) disappointed me big time. Maybe not as
much with its own self, but more with all the hype and praise that everyone
bathed this record in. It was made out to be some godly masterpiece of all time.
But as it turned out, it was nowhere near that. In fact, it almost hit the mark
of average. Almost. Firstly, Swift’s intention of re-recording her earlier work,
to regain control, might seem like a noble cause and all that. But if you look
at such effort non-biasly, stuff like that looks if not pathetic - at least like
a missed opportunity. Plus it’s the main reason this album lacks freshness and
impact of the original (which, in its own right, was more meh, than not). Yeah,
doubling the playlist might be a smart idea, but still 30 fucking tracks? That’s
just lol. One thing is certain, the production quality had improved. Well, duh.
It got a decade of upgrade applied, no need to expect any less. Yet, just
because it sounds a bit more polished, it don’t mean it can breathe new life
into the older songs. It's like putting a new coat of paint on a dull wall, in a
long run - questionable idea. And if this, supposedly bigger and better, version
of the older album feels redundant and unnecessary enough already, one must not
forget that Taylor’s talent as a songwriter and performer is far from ideal to
begin with. No matter how widely it may be recognised as divine. One aspect
about her songs that makes em at least not annoying is truthfulness. No matter
how basic and unpolished her vocal abilities might sound, she can captivate with
her amateur poetry-like lyrics, and you believe most of the things she says /
sings. After all, she been doing same kind of music for over a decade, and
hasn’t shown any progress or development. That even farther establishes this
“re-recording” - pointless, for it doesn’t really do enough to showcase her
growth and evolution as an artist. It's one major step backward in her
discography, lacking the excitement and innovation that I have come to expect
from it. Overall, this album simply doesn't live up to the hype and leaves much
to be desired. Surely, Swift may have a massive following, but there’s always
big herds of sheep following one person, so it shouldn’t be a surprise. This
particular release of hers only serves as a reminder that even the most
celebrated artists can produce underwhelming stuff.




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MISTA_HYDE


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18 likes, 10 comments

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SEXYY RED

Artist

GO GIRL GIVE US NOTHING!

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I've heard and seen her all over the place this year she just came out of
nowhere and I know way more about her than I need to. Especially her bizarre
insistence on being ignorant in choosing to discriminate against some who
probably have listened to some of her music. She sounds very off beat on every
song I've heard her on and like she just learned how to rap that day. I don't
get the appeal besides her ignorant and erratic behavior that seems to be
crammed down everyone's throat online whether you want to see it or not. But
besides that her music sounds like if AI tried to create what they thought a
modern female rapper is supposed to sound like. I see her fifteen minutes of
fame being up soon unless she makes some drastic changes to her music and stops
relying so heavily on tasteless shock value for attention.

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ORANGESKIES314

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19 likes, 8 comments

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QUEER EXCELLENCE

Openly queer artists that I would consider great

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31 likes, 23 comments

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GIVE ME UR UNDERGROUND UNDERGROUND RECCS!!!!

I need some more interesting stuff to listen to later, my ears are getting bored
lately

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RADIOHEAD RANKING

I was wrong

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FAV ALBUMS

no particular order

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