kursnanikumalasari.alluproerny.com Open in urlscan Pro
173.231.220.254  Malicious Activity! Public Scan

Submitted URL: http://kursnanikumalasari.alluproerny.com/signin?country.x=US&locale.x=en_US%3E
Effective URL: http://kursnanikumalasari.alluproerny.com/signin?country.x=US&locale.x=en_US
Submission Tags: phishing malicious Search All
Submission: On September 17 via api from US — Scanned from DE

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The librarian was very willing that I should take the box and examine it at
leisure. I never looked inside it myself, he said, but Ive always been meaning
to. I am pretty sure that is the box which our old Master once said ought never
to have been accepted by the college. He said that to Martin years ago; and he
said also that as long as he had control over the library it should never be
opened. Martin told me about it, and said that he wanted terribly to know what
was in it; but the Master was librarian, and always kept the box in the lodge,
so there was no getting at it in his time, and when he died it was taken away by
mistake by his heirs, and only returned a few years ago. I cant think why I
havent opened it; but, as I have to go away from Cambridge this afternoon, you
had better have first go at it. I think I can trust you not to publish anything
undesirable in our catalogue. I took the box home and examined its contents, and
thereafter consulted the librarian as to what should be done about publication,
and, since I have his leave to make a story out of it, provided I disguised the
identity of the people concerned, I will try what can be done. The materials
are, of course, mainly journals and letters. How much I shall quote and how much
epitomize must be determined by considerations of space. The proper
understanding of the situation has necessitated a little not very arduous
research, which has been greatly facilitated by the excellent illustrations and
text of the Barchester volume in Bells Cathedral Series . When you enter the
choir of Barchester Cathedral now, you pass through a screen of metal and
coloured marbles, designed by Sir Gilbert Scott, and find yourself in what I
must call a very bare and odiously furnished place. The stalls are modern,
without canopies. The places of the dignitaries and the names of the prebends
have fortunately been allowed to survive, and are inscribed on small brass
plates affixed to the stalls. The organ is in the triforium, and what is seen of
the case is Gothic. The reredos and its surroundings are like every other.

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