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MORE WRITING OPPORTUNITIES

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LIBRARY OF THE DAMNED





“This is a dangerous time for readers and the public servants who provide access
to reading materials. Readers, particularly students, are losing access to
critical information, and librarians and teachers are under attack for doing
their jobs.” 
Deborah Caldwell-Stone, director of the American Libraries Association’s Office
for Intellectual Freedom


The Literary Community comes together each year in the last full week of
September to honor our freedom to read and share ideas—even unpopular
ideas. Banned Books Week spotlights historic and current attempts to censor
literature in schools and libraries.


Every year Flagstaff Writer's Connection joins the American Library Association
to celebrate banned books by reading them, and making the public more aware of
the problem of censorship. Despite this annual event, book banning has become
more prevalent in the last few years. This year, I will be bringing you daily
articles about the epidemic of book banning on our Facebook Page. 


You are invited to take part in this celebration by reading part of a banned
book and submiting your recording to the National Virtual Read Out where your
recording will appear on their YouTube channel


You might be surprised at some of the books that have been banned in the past.
Here is a short list:

   
 * The Call of the Wild by Jack London
 * The Grapes of Wrath by John Steinbeck
 * All Quiet on the Western Front by Erich Maria Remarque
 * Animal Farm and 1984 by George Orwell
 * As I Lay Dying by William Faulkner
 * The Giver by Lois Lowry
 * Harry Potter by J. K. Rowling
 * A Farewell to Arms by Ernest Hemingway
 * To Kill a Mockingbird by Harper Lee
 * The Color Purple by Alice Walker
 * Beloved by Toni Morrison
 * Lord of the Flies by William Golding
 * Brave New World by Aldous Huxley
 * Fahrenheit 451 by Ray Bradbury (Some people have an underdeveloped sense of
   irony.)

Think of how much poorer your life would have been if the censorship of these
books had been successful.




HERE ARE SOME LISTS OF BANNED BOOKS:

Top 10 Most Challenged Books of 2023
10 Classics
50 Books that were Banned
Banned and Challenged Classics
33 Must Read Banned Books




LEARN MORE ABOUT BANNED BOOKS WEEK:

Banned Books Week Org
Banned Books Week on Facebook
American Library Association
Support the Right to Read
Bookmans of Flagstaff









By C. Alex Smith on September 22, 2024 No comments:
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Labels: Banned, Censorship, Challenged, Excerpt, Libraries, School



WRITING WILD!
















WRITE WILD: A FREE WRITING EVENT


Join fellow writers to experience the ancient ruins of Walnut Canyon, respond to
writing prompts, and share your writing if desired.


June 27, 2024
9:30-10:00 Rim Walk (Optional)
10 a.m.-11:30 Writing Together
11:30 Brown Bag Lunch and Exploration of history of peoples who lived in the
canyon from C. E. 600-1400. (Optional)
RSVP: Barbara@WisdomSeekersAZ.com




Walnut Canyon National Monument
3 Walnut Canyon Rd., Flagstaff
Meet at Picnic Area


$20 Park Entrance Fee per vehicle, Senior Pass, or Car Pooling Available





Bring a hat, sunscreen, water, and laptop or pen & paper.

By C. Alex Smith on June 17, 2024 No comments:
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Labels: Free, Free Writing, Nature Writing, Prompts, workshop



TRADITIONAL VS. SELF-PUB PART II






In Part I we discussed the differences between Traditional Publishing and Self
Publishing. This post will take a more monetary approach.


WHAT DOES THE PUBLISHING COMPETITION LOOK LIKE?



BASED ON A POST FROM DEAN TALBOT IN FEB 2022 4 MILLION BOOKS ARE PUBLISHED
GLOBALLY EACH YEAR. THAT'S:
 * 11,000 BOOKS A DAY
 * 457 BOOKS AN HOUR
 * 8 BOOKS A MINUTE

2023 STATS REVEAL THAT THE AMERICAN SLICE OF THIS PIE IS COMPRISED OF:
 * 10,000 BOOKS FROM THE MAJOR NORTH AMERICAN PUBLISHING HOUSES
 * 500,000 SELF-PUBLISHED TITLES FROM THE US (1370 BOOKS A DAY).
 * MARKET REVENUE FOR 2023 WAS AROUND $14.16 BILLION.
 * FOR THE FIRST TIME IN HISTORY MORE THAN HALF OF BOOK SALES WERE MADE ONLINE.

> 

CLEARLY, THE APPETITE FOR READING AND STORYTELLING REMAINS AS STRONG AS EVER.






NOW LET'S CONSIDER HOW EACH TYPE OF PUBLISHING PAYS

Unfortunately, this is like comparing apples and oranges. The two types of
publishing use different methods to make their money. Traditional publishing is
all about copies sold. The biggest money maker in self publishing is Kindle
Unlimited which pays authors based on words read.




TRADITIONAL

Sometimes authors get an advance of $5,000-$10,000. Other times there is no
advance. The advance is the publisher's best guess how much your book will earn
in a year. You must earn enough from the book to pay off the advance before you
get any royalties from the book. Most books don't ever "earn out" of their
advance. Those that do, don't usually earn out until they are over a year old
and considered the publisher's "backlist." Frontlist books are less than a year
old and the publisher is still actively promoting those books.




Once you have earned out your advance, you receive royalties calculated off the
retail price of the book as follows:
>  1. Usually around 20-25% for ebook and audio book.
>  2. 5-7.5% for trade paperback.
>  3. 5% for mass market paperback.
>  4. Around 10-15% for hardcover.


Don't forget, the agent will see the check first and take 15% of the royalties
off the top. Whatever's left is yours.


Most publishers expect one book a year from their authors.



SELF-PUBLISHED

First you have to invest in your book. According to Miblart an average novel of
80,000 words would have the following expenses if published in digital format
only in 2024:
 * Self-editing – $0-$15
 * Developmental editing – $2,400
 * Copyediting – $1,600
 * Line editing – $3,200
 * Book formatting – $0-200
 * Custom book cover – $35-700
 * Illustrated book cover – $120-380 (if applicable)
 * Illustrations – $10-$150 (if applicable)
 * Proofreading – $1,600
 * ISBN – $125
 * Marketing – $0-$10,000


Self-publishing takes place on an online platform. Here’s what to expect from
the best self-publishing sites:
 1. Amazon KDP: Up to 70% royalties for books between $2.99 and $9.99. 35% if
    below $2.99.
 2. Kindle Unlimited thru KDP Select: Approximately $1,000 for every 10,000
    pages read.
 3. Apple Books: Up to 70% royalties for most books.
 4. Google Play Books: Up to 70% royalties for most books.
 5. Barnes & Noble: Up to 70% royalties for ebooks. 55% for prints.
 6. Kobo: Up to 70% royalties for books priced more than $2.99. 45% if below
    $2.99.
    
    

Most self-published authors do better if they release several books a year,
particularly if the books are connected to each other in a series.

















SO, IN THEORY, IF WE COMPARE THE TWO



So if a self-published author can sell a decent amount of books, they can make
more than a traditionally-published author. That's always been the case.
Self-published authors on average make less money because they have difficulty
getting their books into marketing chanels monopolized by major publishing
houses. Or at least that's how it has been. But wait--things have recently
changed.




HOW MUCH DO AUTHORS MAKE IN EACH TYPE OF PUBLISHING?

It's hard to compare traditional and self-published incomes based on books sold
because that's not always the way self-published authors get paid. However, you
can look at the average income for both groups.

The Authors Guild, the leading professional organization for writers in the
United States, in collaboration with 36 other organizations including Penguin
Random House, Hachette Book Group, Ingram, B&N Press, PEN America, African
American Literature Book Club, and many others, has conducted the most
comprehensive author income study to date in the United States. Though this is
not a scientific, double-blinded study--the participants were volunteers and not
randomly selected--it does give us some insight into a professional author's
income.

"A total of 5,699 published authors participated, and the survey sample was
meticulously divided, with representation from both traditionally published and
self-published authors, making it the most representative author income survey
to date as well."






TRADITIONAL

Among all those who completed the survey, 80% considered themselves professional
authors, but only 35% considered themselves full time.

For full-time authors whose books are in commercial markets (i.e, excluding
academic, scholarly, and educational books), the median book income was $15,000
and median author-related income was $25,000. Book income includes advances,
royalties, and fees from licensing and subsidiary rights. Other author-related
incomes includes work such as editing, blogging, teaching, speaking, book
coaching, copy writing and journalism. That means half of all full-time authors
continue to earn below minimum wage in many states from all their writing
related work, and well below the federal minimum wage of just $7.25/hour from
their books alone.

A significant racial and sexual disparity still exists for authors. For example,
full-time Black authors earned a median of only $2,412 from their books, as
compared to a median of $10,985 for white authors. Black authors median total
earning is $15,250 and white authors $20,000. 38% of white authors are
traditionally published compared to only 28% of black authors.


The median book income for all authors was only $2,000 for 2022, and the median
total writing-related income was $5,000.




SELF-PUBLISHED

The median income for full-time self-published authors in 2022 was $12,800 from
books and $15,000 total from all writing-related activities. Full-time
self-published authors who had been publishing since at least 2018 reported a
mean income of $24,000 compared to $13,700 in 2018, a 76% increase. Longevity
significantly increases self-pub income.




Kindle Unlimited was particularly effective for self-published authors, who
earned 67 percent more book income from that platform than traditionally
published authors make on book-earnings alone.

Audiobooks are dramatically underused by both traditional and self-published
authors, with 55 percent of traditionally published and 64 percent of
self-published authors having no books published in audiobook form.

Full-time authors of romance and romantic suspense had the highest median gross
income from their books, out-earning mystery, thriller, and suspense writers by
over three times and literary fiction authors by a staggering nine times.






BOOK PROMOTION

Though author incomes are still low, experienced self-published authors have
nearly doubled their earnings since 2018, with the help of effective marketing
efforts.


While social media and blogging were typically rated least effective, TikTok was
a particularly effective platform for romance and romantic suspense authors as
well as authors of African American fiction, poetry, YA fiction, new adult and
erotic fiction.






BUT HOW MANY BOOKS DOES THE AVERAGE AUTHOR IN BOTH CATEGORIES SELL?

I started this journey looking for the average number of copies sold in both
categories of publishing. I discovered that information is almost impossible to
access and it is likely irrelevant anyway as the two types of publishing pay
using different units of measurement. However, I thought I should finish up with
my best attempt at answering the original question.








TRADITIONAL

Kristen McLean, lead industry analyst from NPD BookScan, tried to come up with
more accurate numbers. She included the frontlist sales for the top 10
publishers by unit volume in the U.S. Trade market (Penguin Random House, Simon
& Schuster, Hachette Book Group, HarperCollins, Scholastic, Disney, Macmillan,
Abrams, Sourcebooks, and John Wiley). Frontlist books are less than a year old,
the book converts to the backlist on its 366th day in print. Collectively,
45,571 unique ISBNs appear for these publishers in frontlist sales data for the
last 52 weeks thru week ending 8-24-2022.





NPD BookScan looks at ISBNs not books. 












 * Remember every book published in multiple formats (trade paperback,
   hardcover, mass market, audiobook, new cover, movie tie-in, etc.), has a new
   ISBN and the units sold is artificially decreased in terms of how NPD tracks
   it. In other words, if my book sells 1,000 copies in paperback, audio book,
   and ebook each, I would think the book sold 3,000 copies. BookScan sees that
   as three different books only selling 1000 copies each. 
 * Most self publishers don’t bother with ISBN for ebooks so they aren't even
   represented in these numbers.




Copies Sold

“More than”

No. of Books out of 45,571 Titles in 2022

Percentage of Books Sold in a Year

>100,000

100,000

163

0.4%

50,000-99.999

>50,000

320

0.7%

20,000-49,999

>20,000

1015

2.2%

10,000-19,999

>10,000

1572

3.4%

5,000-9,999

>5,000

2518

5.5%

1,000-4,999

>1,000

9863

21.6%

12-999

<1,000

23,419

51.4%

<12

<12

6701

14.7%



From this graph we can see the actual number of print books from traditional
publishers that sold less than 12 copies is actually closer to 15%, not the 50%
that the DOJ lawyer in the Penguin Random House antitrust case claimed. BUT 66%
of print books from a traditional publisher sold less than 1,000 copies over
it's first year, and less than 2% sold more than 50,000 copies. So the average
traditionally published book sells less than 1,000 copies!


Ms. McLean did the same analysis on the 487K new books published in 2022 which
would include small presses and independently published titles. She found that
98% of books sold less than 5,000 copies. She admits, though, that data does not
include direct sales from publishers. It does not include sales by authors at
events, or through their websites. It does not include eBook sales which are
tracked by a separate tool, and it doesn't include any of the reading going on
through platforms like Substack, Wattpad, Webtoons, Kindle Direct, or library
lending platforms like OverDrive or Hoopla.


But that's not the end of the story. Print books are about 50% of the market
right now. So if an author sold 1000 print copies, they may well have sold 1,000
or so ebook copies with the higher royalty for a total of 2,000 copies. All the
numbers in the above graph can be assumed to be doubled.





That means that the major publishing houses are surviving off of the top 8-10%
of new best sellers plus the 70% of sales coming from their backlist (books more
than a year old). Publishers have managed to survive in this worsening
marketplace by shifting more and more marketing responsibility to authors.
Publishers still fulfill important roles in helping craft books to succeed and
making books available in hundreds or thousands of sales channels, but whether
the books move in those channels depends primarily on how authors support their
own books.



SELF-PUBLISHED



In the old days DIY authors had limited access to distribution channels,
publishing data, and book professionals like editors or cover artists. Vanity
publishing arose as an industry for those who couldn't get their books into the
traditional publishing houses. But vanity publishers had a reputation for
publishing without regard for quality. They mainly made money off of the
desperation of unpublished authors.



Self-published authors have had to endure a lasting perception of poor quality
from those days as well as the very valid criticism that some self-publishing
authors, eager to rush to market, overlook essential steps like editing. They
flood the market with poor quality books that cause reader dissatisfaction.


> But, oh, how times have changed! Fast forward a few decades and
> self-publishers not only have access to what traditional publishers do, but in
> many areas, including outreach, they can outperform them. --Shannon Clark,
> SelfPublishing.com


PROMOTION IS KEY

The thin margins in the industry, high complexities of the business, intense
competition, severe supply-chain disruptions, churning of new technologies like
AI, and rapid growth of other media lead to constant turmoil in bookselling and
publishing.

> Crucially, self-publishing provides authors with greater control over
> marketing strategies, enabling them to tailor their approach to their specific
> audience. This control can be a boon for those who intimately understand their
> followers’ preferences and behaviours, ultimately increasing the chances of a
> book’s success.--Suswati Basu

Whether you are self-publishing or traditionally published, the success of your
book relies on what you do to promote it.

> With self-published books competing with those from traditional publishing
> houses, authors needed to be more strategic and creative in their marketing
> approach to stand out.--Joel Mark Harris of Ghost Writers and Co.

If you want to make more than minimum wage as an author, you're going to have to
embrace marketing.





Need Help Marketing Your Book?

Join the 

Pub Club.




Did you know Flagstaff Writers Connection hosts a free, online group to help
you build platform, get published, and market books?




Members meet monthly for support, accountability, and education. Members take
turns presenting a topic related to the business of being a writer. Both
traditional publication and self-publication are discussed. Handouts and
worksheets are kept in a Drive File accessible anytime.

Email PubClub@FlagWriter.com to join.









By C. Alex Smith on May 27, 2024 No comments:
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Labels: Agent, Author Income, ISBN, Legacy Publish, Marketing, NPD, Pub Club,
Publish, Publisher, Query, Self-Publish, Traditionally Publish



TRADITIONAL VS. SELF-PUBLISHING PART I



 






HOW MANY COPIES DOES AN AVERAGE BOOK SELL?

I attended the Oklahoma Writers Federation Inc. Conference early in May. One of
the lectures compared Traditional Publication to Self Publication and gave some
rather shocking numbers revealed in the 2022 Penguin Random House/Simon
& Shuster vs DOJ monopoly case. For those of you who don't keep up on modern
courtroom drama that doesn't involve an ex-president, here is a brief
description of the case from Rachel Neumeier:



> > 
> 
> In 2022, Penguin Random House wanted to buy Simon & Schuster. The two
> publishing houses made up 37 percent and 11 percent of the market share
> according to the filing, and combined they would have condensed the Big Five
> publishing houses into the Big Four. But the government intervened and brought
> an antitrust case against Penguin to determine whether that would create a
> monopoly.
> 
> 
> 
> The judge ultimately ruled that the merger would create a monopoly and blocked
> the $2.2 billion purchase. But during the trial, the head of every major
> publishing house and literary agency got up on the stand to speak about the
> publishing industry and give numbers, giving us an eye-opening account of the
> industry from the inside. …

> I think I can sum up what I’ve learned like this: The Big Five publishing
> houses spend most of their money on book advances for big celebrities like
> Britney Spears and franchise authors like James Patterson and this is the bulk
> of their business. They also sell a lot of Bibles, repeat best sellers
> like Lord of the Rings, and children’s books like The Very Hungry Caterpillar.
> These two market categories (celebrity books and repeat bestsellers from the
> backlist) make up the entirety of the publishing industry and even fund their
> vanity project: publishing all the rest of the books we think about when we
> think about book publishing (which make no money at all and typically sell
> less than 1,000 copies).

During the trial the DOJ’s lawyer collected data on 58,000 titles published in
the last year and discovered that 90 percent of them sold fewer than 2,000
copies and 50 percent sold less than a dozen copies.

> 

Wait. What? A dozen copies? That's family and friends. I could sell that if I
self-published. Sure, I would have to spend money up front on an editor and book
art for the cover, perhaps even someone to help me format the text. But I came
to the conference to pitch to agents. Not an inexpensive endeavor. Needless to
say, I freaked out when I heard these stats.


Spoiler Alert: In case you are also freaking out, those numbers are likely
incorrect. No publishing house could survive if half their titles only sold a
dozen or so copies. And none of the people who analyze book sales for a living
can figure out where the lawyer got the 58,000 book number. What slice of the
book industry was he looking at? It was said to be "all frontlist books
published in a year by every publisher" but Kristen McLean, lead industry
analyst from NPD BookScan, said on a reply in the Countercraft Substack that
number should be more like 487,000 titles. 


Okay, competing with half a million titles a year is also a freak out number.


Looking at these numbers, I realized I should know this stat. How many books
does the average traditionally published book sell and how many books does the
self-published book have to sell to make the same amount of money as a
traditionally published author? Is it really worth it to go through the
query/editor/publisher process? What are the differences in Self-Pub and
Traditional Pub?


Unfortunately, those stats are more difficult to discover than the numbers on
our nuclear arsenal. So the remainder of this post and the next week's post will
be my best shot at coming close to answering those questions.




TRADITIONAL VS. SELF-PUBLICATION

First lets look at the major differences between traditional publication and
self-publication.


Next week I'll discuss the monetary differences between the two types of
publication.




Need Help Marketing Your Book?

Join the 

Pub Club.




Did you know Flagstaff Writers Connection hosts a free, online group to help you
build platform, get published, and market books?




Members meet monthly for support, accountability, and education. Members take
turns presenting a topic related to the business of being a writer. Both
traditional publication and self-publication are discussed. Handouts and
worksheets are kept in a Drive File accessible anytime.

Email PubClub@FlagWriter.com to join.














By C. Alex Smith on May 21, 2024 No comments:
Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: Agent, Legacy Publish, Marketing, Pub Club, Publish, Publisher, Query,
Self-Publish, Traditionally Publish

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