musicmap.info Open in urlscan Pro
35.214.190.162  Public Scan

URL: https://musicmap.info/
Submission Tags: falconsandbox
Submission: On November 18 via api from US — Scanned from NL

Form analysis 1 forms found in the DOM

<form class="form-inline small-side-pane-form">
  <div class="form-group">
    <div class="btn-group bootstrap-select"><button type="button" class="btn dropdown-toggle btn-default" data-toggle="dropdown" data-id="genres-searchbox" title="ACID HOUSE"><span class="filter-option pull-left">ACID HOUSE</span>&nbsp;<span
          class="bs-caret"><span class="caret"></span></span></button>
      <div class="dropdown-menu open">
        <div class="bs-searchbox"><input type="text" class="form-control" autocomplete="off"></div>
        <ul class="dropdown-menu inner mm-scrollbar mmscrollbar _mCS_8 mCS_no_scrollbar" role="menu">
          <div id="mCSB_8" class="mCustomScrollBox mCS-dark mCSB_vertical mCSB_inside" style="max-height: 0px;" tabindex="0">
            <div id="mCSB_8_container" class="mCSB_container mCS_y_hidden mCS_no_scrollbar_y" style="position:relative; top:0; left:0;" dir="ltr">
              <li class="dropdown-header " data-optgroup="1"><span class="text">All genres</span></li>
              <li data-original-index="0" data-optgroup="1" class="selected"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ACID HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="1" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ACID JAZZ / JAZZDANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="2" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ALTERNATIVE ROCK / INDIE II</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="3" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">AMBIENT</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="4" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">AMBIENT BREAKS &amp; ILLBIENT</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="5" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">AMBIENT HOUSE / CHILL-OUT</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="6" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">AMBIENT TECHNO &amp; IDM (INTELLIGENT DANCE MUSIC)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="7" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">AMERICAN &amp; BRITISH FOLK REVIVAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="8" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">AMERICANA / ALTERNATIVE COUNTRY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="9" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ANARCHO-PUNK, CRUST PUNK &amp; D-BEAT / DISCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="10" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ASIAN POP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="11" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BAKERSFIELD</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="12" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BASSLINE &amp; UK FUNKY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="13" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(MERSEY)BEAT / BRITISH INVASION</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="14" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BEBOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="15" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BIT MUSIC / VGM (CHIPTUNE &amp; 8-BIT)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="16" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BLACK METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="17" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BLUEGRASS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="18" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BOOGIE / ELECTROFUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="19" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BOOGIE WOOGIE / PIANO BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="20" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BREAKBEAT GARAGE &amp; GRIME</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="21" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BREAKBEAT HARDCORE (RAVE II)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="22" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BRILL BUILDING POP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="23" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BRITISH BLUES &amp; BLUES ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="24" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BRITPOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="25" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BROKEN BEATS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="26" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">BUBBLEGUM &amp; TEENYBOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="27" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CHEMICAL BREAKS &amp; BIG BEAT</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="28" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CHICAGO BLUES / CITY BLUES / URBAN BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="29" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CHICAGO HOUSE &amp; GARAGE HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="30" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CHICAGO JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="31" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CHICAGO SOUL &amp; DETROIT SOUL (MOTOWN)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="32" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CLASSIC COUNTRY / HILLBILLY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="33" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CLASSIC METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="34" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CLASSIC TRANCE &amp; ACID TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="35" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CONTEMPORARY COUNTRY / NEOTRADITIONALISTS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="36" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">COOL JAZZ &amp; WEST COAST JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="37" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">COUNTRY BLUES / FOLK BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="38" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">COUNTRY POP &amp; COUNTRY ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="39" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">CROSSOVER THRASH</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="40" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DANCE POP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="41" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DANCEHALL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="42" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DANCE-PUNK &amp; NU RAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="43" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DARK AMBIENT / DARK INDUSTRIAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="44" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DARKCORE &amp; DARKSTEP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="45" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DARKWAVE &amp; COLDWAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="46" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DEATH METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="47" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DEEP FUNK / RARE GROOVE &amp; NU FUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="48" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DEEP HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="49" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DETROIT TECHNO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="50" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DIGITAL HARDCORE &amp; BREAKCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="51" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DIGITAL MINIMALISM / LOWERCASE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="52" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DISCO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="53" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DISCOPOP / POST-DISCO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="54" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DOO WOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="55" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DOOM METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="56" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DREAM POP &amp; SHOEGAZE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="57" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DUB</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="58" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">DUBSTEP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="59" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">EARLY FUNK &amp; P-FUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="60" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">EAST COAST GANGSTA RAP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="61" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">EDM TRAP / TRAPSTEP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="62" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTRO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="63" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTRO HOUSE &amp; DUTCH HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="64" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTRO POP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="65" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTRO SWING</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="66" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTROCLASH</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="67" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTRO-INDUSTRIAL / AGGREPPO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="68" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ELECTRONIC BODY MUSIC</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="69" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">EMO-ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="70" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">EUROTRANCE &amp; VOCAL TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="71" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">EXTREME METAL (BLACK I &amp; SPEED)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="72" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FIDGET HOUSE &amp; COMPLEXTRO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="73" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FLORIDA BREAKS (&amp; FUNKY BREAKS)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="74" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FOLK ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="75" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FREE JAZZ / AVANT-GARDE (JAZZ)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="76" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FREESTYLE &amp; BREAKDANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="77" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FRENCH HOUSE &amp; FUNKY HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="78" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FUSION / JAZZ ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="79" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FUTURE BASS / FUTURE GARAGE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="80" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">FUTUREPOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="81" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(EARLY) GABBER</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="82" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(WEST COAST) GANGSTA RAP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="83" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GARAGE &amp; POST-PUNK REVIVALS / NU-RAWK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="84" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GARAGE ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="85" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GHETTO HOUSE, GHETTOTECH &amp;JUKE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="86" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GLAM METAL / HAIR METAL / POP METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="87" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GLAM ROCK / GLITTER ROCK / SHOCK ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="88" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GLITCH / CLICKS 'N' CUTS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="89" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GLITCH HOP &amp; WONKY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="90" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GOA TRANCE &amp; PSYTRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="91" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GO-GO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="92" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GOLDEN AGE RAP (&amp; HARDCORE RAP)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="93" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GOTHIC ROCK &amp; DEATHROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="94" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GRINDCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="95" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">GRUNGE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="96" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HAPPY HARDCORE &amp; BOUNCY TECHNO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="97" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARD BOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="98" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARD ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="99" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARDCORE TECHNO / RAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="100" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARDSTEP &amp; TECHSTEP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="101" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARDSTYLE (&amp; JUMPSTYLE)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="102" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARDTECHNO (SCHRANZ II)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="103" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HARDTRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="104" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HEARTLAND ROCK &amp; A.O.R. (ADULT ORIENTED ROCK)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="105" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HILL COUNTRY BLUES &amp; TRANCE BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="106" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HI-NRG / EURODISCO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="107" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HIP HOUSE &amp; EURODANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="108" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HONKY TONK / HARDCORE COUNTRY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="109" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">HORROR PUNK &amp; PSYCHOBILLY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="110" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">IBIZA HOUSE / TRANCE &amp; DREAM HOUSE / TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="111" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">INDIE FOLK &amp; FREAKFOLK / NEW WEIRD AMERICA</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="112" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">INDIE POP (TWEE)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="113" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">INDIETRONICA &amp; CHILLWAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="114" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(AVANT-GARDE) INDUSTRIAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="115" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">INDUSTRIAL ROCK / INDUSTRIAL METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="116" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">INDUSTRIAL TECHNO &amp; SCHRANZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="117" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">INTELLIGENT / AMBIENT DRUM 'N' BASS &amp; JAZZSTEP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="118" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">JANGLE POP / INDIE ROCK (&amp; PAISLEY UNDERGROUND)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="119" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">JAZZ RAP / NATIVE TONGUE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="120" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">JUMP BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="121" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">JUMP UP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="122" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">KRAUTROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="123" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">LIQUID FUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="124" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">LOUISIANA BLUES / SWAMP BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="125" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">LOUNGE / EXOTICA / SPACE AGE POP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="126" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">LOVER'S ROCK &amp; UK REGGAE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="127" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MATH ROCK &amp; MATHCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="128" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MEMPHIS SOUL / DEEP SOUL / SOUTHERN SOUL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="129" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MENTO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="130" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">METALCORE / NEW WAVE OF AMERICAN HEAVY METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="131" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MIAMI BASS &amp; BOUNCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="132" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MICROHOUSE / MINIMAL HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="133" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MINIMAL TECHNO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="134" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MINIMAL WAVE / SYNTH &amp; MINIMAL INDUSTRIAL (REVIVAL)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="135" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MINIMALISM</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="136" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MODERN GOSPEL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="137" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MOOMBAHTON</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="138" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MUSIQUE CONCRETE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="139" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">MUZAK / ELEVATOR MUSIC</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="140" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NASHVILLE / COUNTRYPOLITAN</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="141" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEO SOUL / NU SOUL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="142" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEO-TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="143" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEUROFUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="144" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW AGE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="145" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW BEAT</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="146" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW JACK SWING / SWINGBEAT</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="147" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW ORLEANS &amp; DIXIELAND JAZZ REVIVALS</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="148" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW ORLEANS JAZZ &amp; DIXIELAND JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="149" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW PROG / NU PROG / POST PROG (ROCK)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="150" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NEW WAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="151" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NO WAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="152" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NOISE MUSIC</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="153" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NOISE ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="154" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NORDIC JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="155" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NRG, HARD NRG &amp; (UK) HARD HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="156" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NU JAZZ / ELECTRO JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="157" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NU METAL &amp; RAP METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="158" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NU SKOOL BREAKS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="159" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NU STYLE (GABBER) / MAINSTREAM HARDCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="160" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NU-DISCO &amp; FUNKTRONICA</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="161" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">NWOBHM (NEW WAVE OF BRITISH HEAVY METAL)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="162" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">OLD SKOOL JUNGLE &amp; OLD SKOOL DRUM 'N' BASS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="163" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">OLD SKOOL RAP PIONEERS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="164" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ORIGINAL HARDCORE (PUNK)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="165" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PHILLY SOUL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="166" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(EARLY) POP ROCK &amp;POWER POP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="167" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POST-BRITPOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="168" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POST-DUBSTEP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="169" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POST-GRUNGE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="170" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POST-HARDCORE, EMO(CORE) &amp; SCREAMO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="171" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POST-PUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="172" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POST-ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="173" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">POWER METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="174" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PROGRESSIVE COUNTRY &amp; OUTLAW COUNTRY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="175" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PROGRESSIVE HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="176" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PROGRESSIVE METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="177" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PROGRESSIVE RAP / NU SKOOL RAP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="178" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PROGRESSIVE ROCK, ART ROCK &amp; SYMPHONIC ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="179" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PROGRESSIVE TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="180" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PSYCHEDELIC / ACID ROCK &amp; PSYCHEDELIA</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="181" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PUB ROCK &amp; PROTO PUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="182" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">PUNK ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="183" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">RAGGA</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="184" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">RAGTIME &amp; STRIDE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="185" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">RAP ROCK, RAPCORE &amp; FUNK METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="186" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(ROOTS) REGGAE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="187" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">REGGAE FUSION &amp; BHANGRAMUFFIN</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="188" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">REGGAETÓN &amp; LATIN RAP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="189" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">RELIPOP &amp; -ROCK / CONTEMPORARY CHRISTIAN MUSIC</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="190" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(EARLY) RHYTHM 'N' BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="191" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ROCK 'N ROLL &amp; ROCKABILLY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="192" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">ROCKSTEADY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="193" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SCHLAGER</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="194" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SINGER/SONGWRITER</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="195" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SKA</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="196" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SKA REVIVAL (2-TONE), SKA PUNK &amp; SKACORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="197" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SKATE PUNK &amp; POP PUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="198" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SKIFFLE (REVIVAL)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="199" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SMOOTH JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="200" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SOFT ROCK / ADULT CONTEMPORARY (A.C.)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="201" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SOUL BLUES (SOUTHERN SOUL II)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="202" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SOUL JAZZ / JAZZ FUNK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="203" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SOUTHERN ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="204" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(DIRTY) SOUTH RAP, CRUNK &amp; SNAP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="205" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SPEEDCORE, FRENCHCORE &amp; TERRORCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="206" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(NEGRO) SPIRITUALS &amp; WORKSONGS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="207" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">STONER METAL / ROCK &amp; SLUDGE METAL / ROCK</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="208" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SURF ROCK / INSTRUMENTAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="209" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SWING / BIG BAND</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="210" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SYMPHONIC METAL &amp; GOTHIC METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="211" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SYNTH / ELECTRONICA</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="212" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SYNTHCORE &amp; CRUNKCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="213" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SYNTHPOP &amp; NEW ROMANTICS</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="214" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">SYNTHWAVE &amp; VAPORWAVE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="215" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">TECH HOUSE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="216" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">TECH TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="217" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(FREE)TEK(K)NO</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="218" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">(ELECTRIC) TEXAS BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="219" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">TEXAS BLUESROCK &amp; MODERN ELECTRIC BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a>
              </li>
              <li data-original-index="220" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">THIRD STREAM / PROGRESSIVE JAZZ &amp; MODAL JAZZ</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="221" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">THRASH METAL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="222" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">TRADITIONAL GOSPEL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="223" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">TRAP &amp; DRILL</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="224" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">TRIP HOP</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="225" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">UK GARAGE (2-STEP &amp; SPEED GARAGE)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="226" data-optgroup="1">
                <a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">UK HARDCORE &amp; FREEFORM / TRANCECORE &amp; ACIDCORE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="227" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">UPLIFTING TRANCE / EPIC TRANCE</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="228" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">URBAN BREAKS (NU R&amp;B II)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="229" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">URBAN COUNTRY</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="230" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">URBAN SOUL / POP (NU R&amp;B I)</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="231" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">VAUDEVILLE / CLASSIC BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="232" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">WEST COAST BLUES</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
              <li data-original-index="233" data-optgroup="1"><a tabindex="0" class="opt  " style="" data-tokens="null"><span class="text">WESTERN SWING</span><span class="glyphicon glyphicon-ok check-mark"></span></a></li>
            </div>
            <div id="mCSB_8_scrollbar_vertical" class="mCSB_scrollTools mCSB_8_scrollbar mCS-dark mCSB_scrollTools_vertical" style="display: none;">
              <div class="mCSB_draggerContainer">
                <div id="mCSB_8_dragger_vertical" class="mCSB_dragger" style="position: absolute; min-height: 30px; top: 0px;">
                  <div class="mCSB_dragger_bar" style="line-height: 30px;"></div>
                </div>
                <div class="mCSB_draggerRail"></div>
              </div>
            </div>
          </div>
        </ul>
      </div><select id="genres-searchbox" class="selectpicker" data-live-search="true" tabindex="-98">
        <optgroup label="All genres">
          <option data-code="hou02">ACID HOUSE</option>
          <option data-code="jaz14">ACID JAZZ / JAZZDANCE</option>
          <option data-code="alt07">ALTERNATIVE ROCK / INDIE II</option>
          <option data-code="dtp06">AMBIENT</option>
          <option data-code="dtp11">AMBIENT BREAKS &amp; ILLBIENT</option>
          <option data-code="dtp09">AMBIENT HOUSE / CHILL-OUT</option>
          <option data-code="tec03">AMBIENT TECHNO &amp; IDM (INTELLIGENT DANCE MUSIC)</option>
          <option data-code="rnr03">AMERICAN &amp; BRITISH FOLK REVIVAL</option>
          <option data-code="cou11">AMERICANA / ALTERNATIVE COUNTRY</option>
          <option data-code="pwv03">ANARCHO-PUNK, CRUST PUNK &amp; D-BEAT / DISCORE</option>
          <option data-code="pop09">ASIAN POP</option>
          <option data-code="cou05">BAKERSFIELD</option>
          <option data-code="brb10">BASSLINE &amp; UK FUNKY</option>
          <option data-code="gld01">(MERSEY)BEAT / BRITISH INVASION</option>
          <option data-code="jaz06">BEBOP</option>
          <option data-code="dtp07">BIT MUSIC / VGM (CHIPTUNE &amp; 8-BIT)</option>
          <option data-code="met11">BLACK METAL</option>
          <option data-code="cou04">BLUEGRASS</option>
          <option data-code="rnb10">BOOGIE / ELECTROFUNK</option>
          <option data-code="blu03">BOOGIE WOOGIE / PIANO BLUES</option>
          <option data-code="brb09">BREAKBEAT GARAGE &amp; GRIME</option>
          <option data-code="hct03">BREAKBEAT HARDCORE (RAVE II)</option>
          <option data-code="pop01">BRILL BUILDING POP</option>
          <option data-code="blu09">BRITISH BLUES &amp; BLUES ROCK</option>
          <option data-code="pop10">BRITPOP</option>
          <option data-code="brb08">BROKEN BEATS</option>
          <option data-code="pop02">BUBBLEGUM &amp; TEENYBOP</option>
          <option data-code="brb05">CHEMICAL BREAKS &amp; BIG BEAT</option>
          <option data-code="blu06">CHICAGO BLUES / CITY BLUES / URBAN BLUES</option>
          <option data-code="hou01">CHICAGO HOUSE &amp; GARAGE HOUSE</option>
          <option data-code="jaz02">CHICAGO JAZZ</option>
          <option data-code="rnb04">CHICAGO SOUL &amp; DETROIT SOUL (MOTOWN)</option>
          <option data-code="cou01">CLASSIC COUNTRY / HILLBILLY</option>
          <option data-code="met01">CLASSIC METAL</option>
          <option data-code="tra01">CLASSIC TRANCE &amp; ACID TRANCE</option>
          <option data-code="cou10">CONTEMPORARY COUNTRY / NEOTRADITIONALISTS</option>
          <option data-code="jaz07">COOL JAZZ &amp; WEST COAST JAZZ</option>
          <option data-code="blu01">COUNTRY BLUES / FOLK BLUES</option>
          <option data-code="cou07">COUNTRY POP &amp; COUNTRY ROCK</option>
          <option data-code="hcp02">CROSSOVER THRASH</option>
          <option data-code="pop11">DANCE POP</option>
          <option data-code="jam08">DANCEHALL</option>
          <option data-code="con06">DANCE-PUNK &amp; NU RAVE</option>
          <option data-code="inl06">DARK AMBIENT / DARK INDUSTRIAL</option>
          <option data-code="dnb02">DARKCORE &amp; DARKSTEP</option>
          <option data-code="inl07">DARKWAVE &amp; COLDWAVE</option>
          <option data-code="met09">DEATH METAL</option>
          <option data-code="rnb09">DEEP FUNK / RARE GROOVE &amp; NU FUNK</option>
          <option data-code="hou04">DEEP HOUSE</option>
          <option data-code="tec01">DETROIT TECHNO</option>
          <option data-code="hct07">DIGITAL HARDCORE &amp; BREAKCORE</option>
          <option data-code="dtp13">DIGITAL MINIMALISM / LOWERCASE</option>
          <option data-code="rnb07">DISCO</option>
          <option data-code="pop07">DISCOPOP / POST-DISCO</option>
          <option data-code="rnb02">DOO WOP</option>
          <option data-code="met08">DOOM METAL</option>
          <option data-code="alt03">DREAM POP &amp; SHOEGAZE</option>
          <option data-code="jam05">DUB</option>
          <option data-code="dnb08">DUBSTEP</option>
          <option data-code="rnb06">EARLY FUNK &amp; P-FUNK</option>
          <option data-code="rap08">EAST COAST GANGSTA RAP</option>
          <option data-code="brb11">EDM TRAP / TRAPSTEP</option>
          <option data-code="brb01">ELECTRO</option>
          <option data-code="hou09">ELECTRO HOUSE &amp; DUTCH HOUSE</option>
          <option data-code="pop13">ELECTRO POP</option>
          <option data-code="jaz17">ELECTRO SWING</option>
          <option data-code="pop12">ELECTROCLASH</option>
          <option data-code="inr09">ELECTRO-INDUSTRIAL / AGGREPPO</option>
          <option data-code="inr04">ELECTRONIC BODY MUSIC</option>
          <option data-code="con02">EMO-ROCK</option>
          <option data-code="tra06">EUROTRANCE &amp; VOCAL TRANCE</option>
          <option data-code="met07">EXTREME METAL (BLACK I &amp; SPEED)</option>
          <option data-code="hou10">FIDGET HOUSE &amp; COMPLEXTRO</option>
          <option data-code="brb03">FLORIDA BREAKS (&amp; FUNKY BREAKS)</option>
          <option data-code="gld02">FOLK ROCK</option>
          <option data-code="jaz10">FREE JAZZ / AVANT-GARDE (JAZZ)</option>
          <option data-code="brb02">FREESTYLE &amp; BREAKDANCE</option>
          <option data-code="hou06">FRENCH HOUSE &amp; FUNKY HOUSE</option>
          <option data-code="jaz11">FUSION / JAZZ ROCK</option>
          <option data-code="dnb10">FUTURE BASS / FUTURE GARAGE</option>
          <option data-code="inr10">FUTUREPOP</option>
          <option data-code="hct04">(EARLY) GABBER</option>
          <option data-code="rap04">(WEST COAST) GANGSTA RAP</option>
          <option data-code="con03">GARAGE &amp; POST-PUNK REVIVALS / NU-RAWK</option>
          <option data-code="rnr05">GARAGE ROCK</option>
          <option data-code="hou08">GHETTO HOUSE, GHETTOTECH &amp;JUKE</option>
          <option data-code="met04">GLAM METAL / HAIR METAL / POP METAL</option>
          <option data-code="gld06">GLAM ROCK / GLITTER ROCK / SHOCK ROCK</option>
          <option data-code="dtp12">GLITCH / CLICKS 'N' CUTS</option>
          <option data-code="rap11">GLITCH HOP &amp; WONKY</option>
          <option data-code="tra04">GOA TRANCE &amp; PSYTRANCE</option>
          <option data-code="rnb08">GO-GO</option>
          <option data-code="rap02">GOLDEN AGE RAP (&amp; HARDCORE RAP)</option>
          <option data-code="inl03">GOTHIC ROCK &amp; DEATHROCK</option>
          <option data-code="hcp03">GRINDCORE</option>
          <option data-code="alt04">GRUNGE</option>
          <option data-code="hct05">HAPPY HARDCORE &amp; BOUNCY TECHNO</option>
          <option data-code="jaz08">HARD BOP</option>
          <option data-code="gld04">HARD ROCK</option>
          <option data-code="hct02">HARDCORE TECHNO / RAVE</option>
          <option data-code="dnb03">HARDSTEP &amp; TECHSTEP</option>
          <option data-code="hct09">HARDSTYLE (&amp; JUMPSTYLE)</option>
          <option data-code="tec08">HARDTECHNO (SCHRANZ II)</option>
          <option data-code="tra07">HARDTRANCE</option>
          <option data-code="gld08">HEARTLAND ROCK &amp; A.O.R. (ADULT ORIENTED ROCK)</option>
          <option data-code="blu12">HILL COUNTRY BLUES &amp; TRANCE BLUES</option>
          <option data-code="pop06">HI-NRG / EURODISCO</option>
          <option data-code="hou03">HIP HOUSE &amp; EURODANCE</option>
          <option data-code="cou03">HONKY TONK / HARDCORE COUNTRY</option>
          <option data-code="pwv07">HORROR PUNK &amp; PSYCHOBILLY</option>
          <option data-code="tra03">IBIZA HOUSE / TRANCE &amp; DREAM HOUSE / TRANCE</option>
          <option data-code="con07">INDIE FOLK &amp; FREAKFOLK / NEW WEIRD AMERICA</option>
          <option data-code="pop08">INDIE POP (TWEE)</option>
          <option data-code="con05">INDIETRONICA &amp; CHILLWAVE</option>
          <option data-code="inl02">(AVANT-GARDE) INDUSTRIAL</option>
          <option data-code="inl08">INDUSTRIAL ROCK / INDUSTRIAL METAL</option>
          <option data-code="tec04">INDUSTRIAL TECHNO &amp; SCHRANZ</option>
          <option data-code="dnb05">INTELLIGENT / AMBIENT DRUM 'N' BASS &amp; JAZZSTEP</option>
          <option data-code="alt01">JANGLE POP / INDIE ROCK (&amp; PAISLEY UNDERGROUND)</option>
          <option data-code="rap05">JAZZ RAP / NATIVE TONGUE</option>
          <option data-code="blu05">JUMP BLUES</option>
          <option data-code="dnb04">JUMP UP</option>
          <option data-code="inl01">KRAUTROCK</option>
          <option data-code="dnb07">LIQUID FUNK</option>
          <option data-code="blu08">LOUISIANA BLUES / SWAMP BLUES</option>
          <option data-code="dtp02">LOUNGE / EXOTICA / SPACE AGE POP</option>
          <option data-code="jam06">LOVER'S ROCK &amp; UK REGGAE</option>
          <option data-code="hcp05">MATH ROCK &amp; MATHCORE</option>
          <option data-code="rnb03">MEMPHIS SOUL / DEEP SOUL / SOUTHERN SOUL</option>
          <option data-code="jam01">MENTO</option>
          <option data-code="hcp06">METALCORE / NEW WAVE OF AMERICAN HEAVY METAL</option>
          <option data-code="rap03">MIAMI BASS &amp; BOUNCE</option>
          <option data-code="hou07">MICROHOUSE / MINIMAL HOUSE</option>
          <option data-code="tec05">MINIMAL TECHNO</option>
          <option data-code="inl11">MINIMAL WAVE / SYNTH &amp; MINIMAL INDUSTRIAL (REVIVAL)</option>
          <option data-code="dtp03">MINIMALISM</option>
          <option data-code="gos04">MODERN GOSPEL</option>
          <option data-code="hou11">MOOMBAHTON</option>
          <option data-code="dtp01">MUSIQUE CONCRETE</option>
          <option data-code="dtp04">MUZAK / ELEVATOR MUSIC</option>
          <option data-code="cou06">NASHVILLE / COUNTRYPOLITAN</option>
          <option data-code="rnb12">NEO SOUL / NU SOUL</option>
          <option data-code="tra09">NEO-TRANCE</option>
          <option data-code="dnb06">NEUROFUNK</option>
          <option data-code="dtp08">NEW AGE</option>
          <option data-code="hct01">NEW BEAT</option>
          <option data-code="rnb11">NEW JACK SWING / SWINGBEAT</option>
          <option data-code="jaz05">NEW ORLEANS &amp; DIXIELAND JAZZ REVIVALS</option>
          <option data-code="jaz01">NEW ORLEANS JAZZ &amp; DIXIELAND JAZZ</option>
          <option data-code="con04">NEW PROG / NU PROG / POST PROG (ROCK)</option>
          <option data-code="pwv06">NEW WAVE</option>
          <option data-code="pwv05">NO WAVE</option>
          <option data-code="inr05">NOISE MUSIC</option>
          <option data-code="alt02">NOISE ROCK</option>
          <option data-code="jaz16">NORDIC JAZZ</option>
          <option data-code="hou05">NRG, HARD NRG &amp; (UK) HARD HOUSE</option>
          <option data-code="jaz15">NU JAZZ / ELECTRO JAZZ</option>
          <option data-code="met13">NU METAL &amp; RAP METAL</option>
          <option data-code="brb07">NU SKOOL BREAKS</option>
          <option data-code="hct10">NU STYLE (GABBER) / MAINSTREAM HARDCORE</option>
          <option data-code="rnb14">NU-DISCO &amp; FUNKTRONICA</option>
          <option data-code="met05">NWOBHM (NEW WAVE OF BRITISH HEAVY METAL)</option>
          <option data-code="dnb01">OLD SKOOL JUNGLE &amp; OLD SKOOL DRUM 'N' BASS</option>
          <option data-code="rap01">OLD SKOOL RAP PIONEERS</option>
          <option data-code="hcp01">ORIGINAL HARDCORE (PUNK)</option>
          <option data-code="rnb05">PHILLY SOUL</option>
          <option data-code="pop04">(EARLY) POP ROCK &amp;POWER POP</option>
          <option data-code="con01">POST-BRITPOP</option>
          <option data-code="dnb09">POST-DUBSTEP</option>
          <option data-code="alt08">POST-GRUNGE</option>
          <option data-code="hcp04">POST-HARDCORE, EMO(CORE) &amp; SCREAMO</option>
          <option data-code="pwv04">POST-PUNK</option>
          <option data-code="alt09">POST-ROCK</option>
          <option data-code="met03">POWER METAL</option>
          <option data-code="cou08">PROGRESSIVE COUNTRY &amp; OUTLAW COUNTRY</option>
          <option data-code="hou12">PROGRESSIVE HOUSE</option>
          <option data-code="met02">PROGRESSIVE METAL</option>
          <option data-code="rap06">PROGRESSIVE RAP / NU SKOOL RAP</option>
          <option data-code="gld05">PROGRESSIVE ROCK, ART ROCK &amp; SYMPHONIC ROCK</option>
          <option data-code="tra05">PROGRESSIVE TRANCE</option>
          <option data-code="gld03">PSYCHEDELIC / ACID ROCK &amp; PSYCHEDELIA</option>
          <option data-code="pwv01">PUB ROCK &amp; PROTO PUNK</option>
          <option data-code="pwv02">PUNK ROCK</option>
          <option data-code="jam09">RAGGA</option>
          <option data-code="gos03">RAGTIME &amp; STRIDE</option>
          <option data-code="alt05">RAP ROCK, RAPCORE &amp; FUNK METAL</option>
          <option data-code="jam04">(ROOTS) REGGAE</option>
          <option data-code="jam10">REGGAE FUSION &amp; BHANGRAMUFFIN</option>
          <option data-code="jam11">REGGAETÓN &amp; LATIN RAP</option>
          <option data-code="gos05">RELIPOP &amp; -ROCK / CONTEMPORARY CHRISTIAN MUSIC</option>
          <option data-code="rnb01">(EARLY) RHYTHM 'N' BLUES</option>
          <option data-code="rnr02">ROCK 'N ROLL &amp; ROCKABILLY</option>
          <option data-code="jam03">ROCKSTEADY</option>
          <option data-code="pop14">SCHLAGER</option>
          <option data-code="pop03">SINGER/SONGWRITER</option>
          <option data-code="jam02">SKA</option>
          <option data-code="jam07">SKA REVIVAL (2-TONE), SKA PUNK &amp; SKACORE</option>
          <option data-code="alt06">SKATE PUNK &amp; POP PUNK</option>
          <option data-code="rnr01">SKIFFLE (REVIVAL)</option>
          <option data-code="jaz12">SMOOTH JAZZ</option>
          <option data-code="pop05">SOFT ROCK / ADULT CONTEMPORARY (A.C.)</option>
          <option data-code="blu11">SOUL BLUES (SOUTHERN SOUL II)</option>
          <option data-code="jaz09">SOUL JAZZ / JAZZ FUNK</option>
          <option data-code="gld07">SOUTHERN ROCK</option>
          <option data-code="rap07">(DIRTY) SOUTH RAP, CRUNK &amp; SNAP</option>
          <option data-code="hct06">SPEEDCORE, FRENCHCORE &amp; TERRORCORE</option>
          <option data-code="gos01">(NEGRO) SPIRITUALS &amp; WORKSONGS</option>
          <option data-code="met10">STONER METAL / ROCK &amp; SLUDGE METAL / ROCK</option>
          <option data-code="rnr04">SURF ROCK / INSTRUMENTAL</option>
          <option data-code="jaz03">SWING / BIG BAND</option>
          <option data-code="met12">SYMPHONIC METAL &amp; GOTHIC METAL</option>
          <option data-code="dtp05">SYNTH / ELECTRONICA</option>
          <option data-code="hcp07">SYNTHCORE &amp; CRUNKCORE</option>
          <option data-code="pwv08">SYNTHPOP &amp; NEW ROMANTICS</option>
          <option data-code="dtp14">SYNTHWAVE &amp; VAPORWAVE</option>
          <option data-code="tec06">TECH HOUSE</option>
          <option data-code="tec07">TECH TRANCE</option>
          <option data-code="tec02">(FREE)TEK(K)NO</option>
          <option data-code="blu04">(ELECTRIC) TEXAS BLUES</option>
          <option data-code="blu10">TEXAS BLUESROCK &amp; MODERN ELECTRIC BLUES</option>
          <option data-code="jaz04">THIRD STREAM / PROGRESSIVE JAZZ &amp; MODAL JAZZ</option>
          <option data-code="met06">THRASH METAL</option>
          <option data-code="gos02">TRADITIONAL GOSPEL</option>
          <option data-code="rap09">TRAP &amp; DRILL</option>
          <option data-code="brb04">TRIP HOP</option>
          <option data-code="brb06">UK GARAGE (2-STEP &amp; SPEED GARAGE)</option>
          <option data-code="hct08">UK HARDCORE &amp; FREEFORM / TRANCECORE &amp; ACIDCORE</option>
          <option data-code="tra08">UPLIFTING TRANCE / EPIC TRANCE</option>
          <option data-code="rap10">URBAN BREAKS (NU R&amp;B II)</option>
          <option data-code="cou09">URBAN COUNTRY</option>
          <option data-code="rnb13">URBAN SOUL / POP (NU R&amp;B I)</option>
          <option data-code="blu02">VAUDEVILLE / CLASSIC BLUES</option>
          <option data-code="blu07">WEST COAST BLUES</option>
          <option data-code="cou02">WESTERN SWING</option>
        </optgroup>
      </select>
    </div>
    <button id="genres-navigate-button" type="button" class="btn btn-default"><span class="icon icon-chevron-right" aria-hidden="true"></span></button>
  </div>
</form>

Text Content

PRIVACY POLICY AND COOKIES

Musicmap uses cookies to gather data which is solely being used for statistical
purposes. It does not collect personal data, only anonymous data. These cookies
are used to give you a more personalized experience and to gather data regarding
music taste. Musicmap is ad-free and will never work with personalized ads.
Musicmap also uses cookies for social media if you use any of the share buttons
to allow integration with these media. By clicking on the accept button, you
allow musicmap to collect data and to store cookies. Read more here.

Accept
Decline


ENTER THE


STORE

musicmap
art prints
now for sale !

Visit our brand new web store here!







© 2020 musicmap | all rights reserved | privacy policy | about
 * 

 * 
 * 
 * 
 * 
 * 
 * 
 * 
 * 
 * 
 * 
 * 
 * 

 * 

Loading...
DOWNTEMPO INDUSTRIAL RAP BLUES JAZZ JAMAICAN COUNTRY POP METAL INDUSTRIAL RHYTHM
‘N’ BLUES BREAKBEAT HARDCORE (TECHNO) DRUM ‘N’ BASS TRANCE HOUSE TECHNO PUNK /
WAVE GOSPEL HARDCORE (PUNK) ROCK ‘N’ ROLL GOLDEN AGE ALTERNATIVE CONTEMPORARY
(ELECTRONIC) DANCE (MUSIC) / EDM ELECTRONIC MUSIC BLUE NOTE RHYTHM MUSIC POP &
ROCK MUSIC BREAKBEAT DANCE FOUR-TO-THE-FLOOR DANCE ROCK HEAVY MUSIC INDUSTRIAL
METAL ROCK ‘N’ ROLL GOLDEN AGE WAVE PUNK / HARDCORE ALTERNATIVE CONTEMPORARY POP
COUNTRY RHYTHM ‘N’ BLUES BLUES GOSPEL JAZZ JAMAICAN RAP BREAKBEAT DRUM ‘N’ BASS
HARDCORE TECHNO HOUSE TRANCE DOWNTEMPO INDUSTRIAL & GOTHIC HEAVY (R ‘N’ R) /
CLASSIC ROCK NEW ROCK PUNK ROCK / INDIE ROCK MUSIC (R & B) & PIONEERS / REGGAE /
HIP HOP MUSIC / JUNGLE TECHNO / AMBIENT & GOTHIC CUBAN LATIN WORLD - POP & OTHER
FOLK CLASSICAL UTILITY WORLD > 2010 2000 1990 1980 1970 1960 1950 1940 1930 1920
1910 1900 1890 1880 2010 2000 1990 1980 1970 1960 1950 1940 1930 1920 1910 1900
1890 1880 2020 2020 SKATE PUNK & POP PUNK POST-ROCK POST- GRUNGE JANGLE POP /
INDIE ROCK GRUNGE RAP ROCK / FUNK METAL NOISE ROCK ALTERNATIVE ROCK / INDIE II
DREAM POP & SHOEGAZE POST-HARDCORE, EMO & SCREAMO SYNTHCORE & CRUNKCORE
CROSSOVER THRASH ORIGINAL HARDCORE (PUNK) METALCORE / NWOAHM GRINDCORE MATH ROCK
& MATHCORE NEW WAVE PUNK ROCK POST-PUNK PUB ROCK & PROTO PUNK HORROR PUNK &
PSYCHOBILLY NO WAVE ANARCHO-PUNK, CRUST, & D-BEAT SYNTHPOP & NEW ROMANTICS GLAM
/ GLITTER / SHOCK ROCK PROGRESSIVE, ART- & SYMPHONIC ROCK HARD ROCK (MERSEY)BEAT
/ BRITISH INVASION FOLK ROCK PSY / ACID ROCK & PSYCHEDELIA HEARTLAND ROCK &
A.O.R. SOUTHERN ROCK GARAGE ROCK SURF ROCK AMERICAN & BRITISH FOLK REVIVAL
ROCKABILLY & ROCK ‘N’ ROLL SKIFFLE (REVIVAL) EMO ROCK GARAGE & POST-PUNK REVIVAL
/ NU RAWK INDIETRONICA & CHILLWAVE NEW / NU / POST-PROG DANCE-PUNK & NU RAVE
INDIE FOLK & FREAKFOLK POST- BRITPOP HI-NRG / EURODISCO DANCE POP BRITPOP
BUBBLEGUM & TEENYBOP ELECTROPOP (EARLY) POP ROCK & POWER POP BRILL BUILDING POP
& CROONERS SINGER/ SONGWRITER SOFT ROCK / ADULT CONTEMPORARY ELECTROCLASH DISCO
POP / POST-DISCO INDIE POP ASIAN POP SCHLAGER SYMPHONIC & GOTHIC METAL DEATH
METAL NU METAL & RAP METAL STONER & SLUDGE METAL CLASSIC METAL NWOBHM EXTREME
METAL PROGRESSIVE METAL BLACK METAL POWER METAL GLAM / HAIR / POP METAL THRASH
METAL DOOM METAL ELECTRONIC BODY MUSIC (EBM) FUTUREPOP ELECTRO-INDUSTRIAL /
AGGREPPO (AVANT-GARDE) INDUSTRIAL KRAUTROCK GOTHIC ROCK & DEATHROCK DARKWAVE &
COLDWAVE INDUSTRIAL ROCK / METAL MINIMAL WAVE / SYNTH & INDUSTRIAL (REVIVAL)
NOISE MUSIC DARK AMBIENT / DARK INDUSTRIAL CLASSIC COUNTRY / HILLBILLY WESTERN
SWING BLUEGRASS NASHVILLE / COUNTRYPOLITAN PROGRESSIVE & OUTLAW URBAN COUNTRY
CONTEMPORARY / NEOTRADITIONAL AMERICANA / ALTERNATIVE HONKY TONK / HARDCORE
BAKERSFIELD COUNTRY POP & ROCK RHYTHM ‘N’ BLUES DOO WOP DISCO NEW JACK SWING /
SWINGBEAT CHICAGO & DETROIT SOUL (MOTOWN) NEO / NU SOUL GO-GO PHILLY SOUL DEEP
FUNK & NU FUNK EARLY FUNK & P-FUNK MEMPHIS / DEEP / SOUTHERN SOUL BOOGIE /
ELECTROFUNK URBAN SOUL / POP (NU R&B I) NU DISCO & FUNKTRONICA NEW ORLEANS &
DIXIELAND JAZZ SWING / BIG BAND NEW ORLEANS & DIXIELAND REVIVALS COOL & WEST
COAST JAZZ SOUL JAZZ / JAZZ-FUNK HARD BOP FREE JAZZ / AVANT-GARDE FUSION / JAZZ
ROCK ELECTRO SWING CHICAGO JAZZ THIRD STREAM & MODAL JAZZ ACID JAZZ / JAZZDANCE
NU JAZZ / ELECTRO JAZZ NORDIC JAZZ SMOOTH JAZZ BEBOP BOOGIE WOOGIE / PIANO BLUES
JUMP BLUES (ELECTRIC) TEXAS BLUES BRITISH BLUES & BLUES ROCK SOUL BLUES
(SOUTHERN SOUL II) VAUDEVILLE / CLASSIC BLUES CHICAGO / CITY / URBAN BLUES HILL
COUNTRY & TRANCE BLUES COUNTRY / FOLK BLUES WEST COAST BLUES LOUISIANA / SWAMP
BLUES TEXAS BLUES ROCK & MODERN ELECTRIC RAGTIME & STRIDE TRADITIONAL GOSPEL
(NEGRO) SPIRITUALS & WORKSONGS RELIPOP & -ROCK / CCM MODERN GOSPEL OLD SKOOL RAP
PIONEERS GOLDEN AGE RAP (& HARDCORE RAP) (WEST COAST) GANGSTA RAP MIAMI BASS &
BOUNCE JAZZ RAP / NATIVE TONGUE EAST COAST GANGSTA RAP TRAP & DRILL (DIRTY)
SOUTH RAP, CRUNK & SNAP PROGRESSIVE / NU SKOOL RAP GLITCH HOP & WONKY URBAN
BREAKS (NU R & B II) PROGRESSIVE TRANCE NEO-TRANCE EUROTRANCE & VOCAL CLASSIC &
ACID TRANCE GOA TRANCE & PSYTRANCE IBIZA & DREAM TRANCE / HOUSE UPLIFTING / EPIC
TRANCE HARDTRANCE CHICAGO HOUSE & GARAGE HOUSE HIP HOUSE & EURODANCE DEEP HOUSE
ELECTRO HOUSE & DUTCH HOUSE MOOMBAHTON ACID HOUSE FRENCH & FUNKY HOUSE
MICROHOUSE / MINIMAL HOUSE GHETTO HOUSE, GHETTOTECH & JUKE FIDGET HOUSE &
COMPLEXTRO NRG, HARD NRG & (UK) HARD HOUSE PROGRESSIVE HOUSE DETROIT TECHNO
MINIMAL TECHNO (FREE-) TEK(K)NO INDUSTRIAL TECHNO & SCHRANZ TECH HOUSE TECH
TRANCE AMBIENT TECHNO & IDM HARDTECHNO HARDCORE TECHNO / RAVE NEW BEAT NU STYLE
/ MAINSTREAM BREAKBEAT HARDCORE GABBER HARDSTYLE HAPPY HARDCORE & BOUNCY TECHNO
DIGITAL HARDCORE & BREAKCORE TRANCECORE & ACIDCORE SPEED- & TERRORCORE
INTELLIGENT & JAZZSTEP JUMP UP DUBSTEP DARKCORE & DARKSTEP HARDSTEP & TECHSTEP
NEUROFUNK POST- DUBSTEP OLD SKOOL JUNGLE & DRUM ‘N’ BASS LIQUID FUNK FUTURE BASS
& FUTURE GARAGE FREESTYLE & BREAKDANCE FLORIDA BREAKS NU SKOOL BREAKS UK GARAGE
(2-STEP & SPEED) ELECTRO CHEMICAL BREAKS & BIG BEAT BROKEN BEATS TRIP HOP
BREAKBEAT GARAGE & GRIME EDM TRAP / TRAPSTEP BASSLINE & UK FUNKY AMBIENT BREAKS
& ILLBIENT GLITCH / CLICKS ‘N’ CUTS AMBIENT HOUSE / CHILL-OUT NEW AGE AMBIENT
SYNTH / ELECTRONICA MUSIQUE CONCRÈTE MINIMALISM BIT MUSIC (CHIPTUNE) MUZAK /
ELEVATOR MUSIC LOUNGE / SPACE AGE POP DIGITAL MINIMALISM / LOWERCASE SYNTHWAVE &
VAPORWAVE MENTO SKA (ROOTS) REGGAE RAGGA DUB SKA PUNK & SKACORE ROCKSTEADY
LOVERS ROCK & UK REGGAE DANCEHALL REGGAE FUSION & BHANGRAMUFFIN REGGAETÓN &
LATIN RAP (AVANT-GARDE) INDUSTRIAL KRAUTROCK GOTHIC ROCK & DEATHROCK DARKWAVE &
COLDWAVE INDUSTRIAL ROCK / METAL NOISE MUSIC MINIMAL WAVE / SYNTH & INDUSTRIAL
(REVIVAL) FUTUREPOP ELECTRO-INDUSTRIAL / AGGREPPO ELECTRONIC BODY MUSIC (EBM)
DARK AMBIENT / DARK INDUSTRIAL * * * * * * * * * * * * * * ELECTRONIC SOUND TIN
PAN ALLEY POP MUSIC JUG BANDS & SKIFFLE UTILITY MUSIC FOLK MUSIC CLASSICAL MUSIC
WORLD CUBAN WORLD LATIN WORLD -POP & OTHER CONTRADANZA PUNTO & GUAJIRA TROVA &
FEELING HABANERA SON DANZÓN BOLERO RUMBA MAMBO & CHACHACHA CUBOP CANCION NUEVA
TROVA SALSA TIMBA . . . BAILE-FUNK BOMBA, PLENA & MERENGUE BOOGALOO BOSSA NOVA
CALYPSO CHACÓN CUMBIA HUAYNO & CHICA MILONGA SAMBA SOCA & PUNTA TANGO TROPICALIA
ZOUK . . . TEXMEX & CONJUNTO NORTEC TECNOBREGA & -RUMBA CHICANO ROCK CHALGA
BALKAN BEAT / POP BHANGRA INDIAN RAGA HIGHLIFE AFROBEAT WORLDBEAT ARABIAN POP
POP RAÏ CAJUN . . . MEDIEVAL // RENAISSANCE // BAROQUE // CLASSICAL ROMANTIC //
MODERN // CONTEMPORARY CELTIC // NORDIC // AFRICAN // ASIAN // EUROPEAN
NORTH-AMERICAN // LATIN // APPALACHIAN // ... SYMPHONY // CHAMBER // OPERA //
SOLO // VOCAL RELIGOUS MUSIC: HYMNS, PSALMS, CHANTS MILITARY MUSIC AND MARCH
MUSIC ENTERTAINMENT MUSIC: CABARET / VAUDEVILLE / MUSICAL SOUNDTRACKS: FILM, TV,
GAME, & PLAY MUSIC PUNK XL (POST-) DISCO XL PSY XL & GAZE ROOTS ROCK PROGRESSIVE
ROCK XL MAINSTREAM POP FUNK SOUL CLASSIC JAZZ MODERN JAZZ EASY-LISTENING URBAN
LOUNGETRONICA UK GARAGE & UK BASS RAVE XL GABBER XL ELECTRO XL HARD DANCE
ELECTRO HOUSE XL SYNTH & WAVE XL PROGRESSIVE ELECTRONIC AMBIENT DANCE POST-JAZZ
SYNTH & WAVE XL B C D A E F G H I J A B C D E F G H I J
×
musicmap The Genealogy and History of Popular Music Genres from Origin till
Present (1870-2016)


INTRODUCTION


SYNOPSIS - WHAT IS MUSICMAP?

Musicmap attempts to provide the ultimate genealogy of popular music genres,
including their relations and history. It is the result of more than seven years
of research with over 200 listed sources and cross examination of many other
visual genealogies. Its aim is to focus on the delicate balance between
comprehensibility, accuracy and accessibility. In other words: the ideal
genealogy is not only complete and correct, but also easy to understand despite
its complexity. This is a utopian balance that can never be achieved but only
approached. By choosing the right amount of genres, determining forms of
hierarchy and analogy and ordering everything in a logical but authentic manner,
a satisfactory balance can be obtained. Said balance is always the main subject
of discussion in music genre genealogies and the capital reason why an absolute
visual reference has been absent thus far (and probably always will be).
Musicmap is a platform in search for the perfect balance of popular music genres
to provide a powerful tool for educational means or a complementary framework in
the field of music metadata and automatic taxonomy.

The main conceptual methods of musicmap to achieve a satisfactory equilibrium
consist of grouping closely related genres together (“sibling genres”), color
coding much larger genre groups (“super-genres”), and introducing a deeper layer
of lesser influential subgenres. Hereby the total amount of the intermediate or
main genres could be reduced to 234. This is deliberately far from the possible
total amount of genres (approximately 600 or more, some sources claim over 1000)
to enable easy orientation and good overview.

Special attention was given to inter-categorical relationships, with a different
style for primary links (parent genres), secondary links (other influences) and
anti-links (backlashes) to make the chart more accurate. Horizontal timelines
provide clear information about which year each genre emerged, although for most
genres this is disputable, which is why the timelines are faded in the
background and surplus information is added in separate genre descriptions.
These descriptions provide the subtleties that cannot be made visually clear in
order to completely understand the sociological, semantic and technical context
of their respective genres. Out of respect for the power of music and to
increase readability, all genre names are capitalized.

Musicmap combines the advantages of large mega genealogies (>500 genres) with
those of synoptic overviews (<50 genres) by working with different levels of
detail on its visual genealogy, referred to as the “Carta”. The upper level
displays only the super-genres. The lower level forms the principal subject of
the aforementioned balance, where the main genres are listed.


PURPOSE - WHAT IS IT FOR?

Musicmap is a first-phase experiment to achieve near perfect overview of all
popular music genres. This process is never-ending, always incomplete, and
requires further input from the international community. The current version
(1.0) provides a starting platform that should already cover a great deal of the
following main goals:

 1. To inform anyone, regardless of age and education, about the basic knowledge
    of music genres.
    
    
    Musicmap believes that knowledge about music genres is a universal right and
    should be part of basic education, alongside other forms of art. Because
    this subject is often not found in school curricula (due to its complexity
    and a certain disdain for alternative/underground/”low-level” culture), the
    need for its coverage is high. In contrast to (online) encyclopedia the
    genre descriptions are less technical/objective and slightly more
    contextual/subjective, without taking a biased stance. The aim is to evoke
    interest and to understand the difference between genres, not to describe
    them independently in an encyclopedic manner. Combined with a large focus on
    visual design, musicmap hopes to reach more people this way than written
    literature otherwise could, without losing the essence and accuracy of the
    content.

 2. To inspire people to explore the world of music, and discover music outside
    of their comfort zone.
    
    
    Thanks to a tremendous amount of links and a deliberate compact placement of
    music genres, people are motivated to track down other genres within areas
    they would normally not look. With only a minimal degree of separation, all
    music genres can eventually be linked to each other. Each genre features a
    playlist of at least nine example songs from nine different artists,
    facilitating music exploration. Over the course of time these lists can
    either be extended or even replaced by community-generated playlists.

 3. To improve existing music genre databases and to provide a complementary and
    necessary framework for automatic music taxonomy.
    
    
    Numerous international companies and academic researchers are currently
    looking for ways to analyze music databases and implement metadata in order
    to bring structure to these enormous archives. With the ever growing
    capacity of electronic music delivery (EMD) systems such as iTunes, Spotify,
    Soundcloud, Shazam, Tical, Beatport, Google Play, etc., the need increases
    for an algorithm-based architecture where automatic taxonomy becomes
    unavoidable and often preferred based on genre. Researchers try to develop
    adequate algorithms that analyze any given audio signal, break it down into
    its various components, and process a singular outcome: a tag in the form of
    genre. However, these components need to be checked against a legitimate
    backbone structure: a complementary framework of music genres like musicmap.
    Many well-known music websites, players, apps, catalogues, and databases
    already use a predetermined categorization of music genres. Unfortunately,
    these categorizations are often imbalanced and inaccurate, with very large
    genres and obscure subgenres nested on the same level, or even mentioning of
    two genres that are actually the same. The primary contributor of this
    imbalance is the translation of an organic, dynamic and sociocultural
    reality (genres) into a structured, static and mathematical artificiality
    (hierarchical categories). Musicmap believes that a top-down, hierarchical
    structure is not impossible and likes to improve on these structures,
    provided that certain cautions are met to prevent pigeonholing (see more on
    the Theory page and at #5).

 4. To initiate a dialogue or start a platform (WIKI) in order to achieve a
    near-perfect and up-to-date overview
    
    
    This overview can then be used in connection with databases (playlists) in
    the form of mobile apps, car apps, hi-fi media stations, and other
    multimedia to find and explore music. Implementation of this should be used
    with extreme caution as genre categorization of artists and albums is a
    gross oversimplification of the truth, and a diminishing of artistic
    expression. Musicmap is meant for exploring and discovering hard-to-find
    music by providing basic cornerstones (genres) as orientation points in an
    otherwise vast and incomprehensible musical universe. One must look at the
    collection of all popular music as a vast ocean in which drowning is easily
    possible without the rescue of a safety net: a music genre that provides a
    way of orientation. Where am I in the world of music and where do I want to
    go?

 5. To motivate the use of genres while discouraging pigeonholing
    
    
    Despite popular belief, music genres are not categories. The sum of all
    popular music is far larger than the sum of all popular music genres. It is
    also of little importance to know of each and every song or album to which
    genre it belongs. Integral classification (whether automatic-algorithmically
    as mentioned before or manually-peer reviewed) however, is not impossible
    provided that dynamic tagging (meaning one song can belong to different
    genres at the same time) is carefully implemented. Nevertheless, the concept
    of music genres itself serves as a vital instrument of communication: a
    language. What records do I seek or what music is played at that location?
    Obviously, it is of great importance that everyone speaks the same language.
    Otherwise genres are only prejudicial instead of beneficial. The general
    debate about genres is often polarized, with lovers (creating countless
    subgenres) or haters (who believe that genres are completely meaningless).
    Musicmap tries to promote a nuanced middle ground based on common sense and
    historical / social reality.

 6. To reduce discrimination and prejudice based on genre
    
    
    Disdain for certain music genres is often based on ignorance. There are so
    many links in the world of popular music that even the most outlying genres
    have become kin and precarious to separate. Though the internal differences
    might be great, each and every genre teaches us something about music
    history and popular sociology that is worth knowing. Even the borders
    between popular music and other music worlds (e.g. folk, world) are often
    targeted for criticism and difficult to uphold, meaning that the internal
    connections are more abundant and stronger than one might believe.


COMPASS - HOW TO USE THE CARTA?

The Carta is like a real world map, only the vertical axis represents time
(top=past, bottom=future) and the horizontal axis represents the corresponding
super-genre. To navigate, simply drag the map where you want to go or zoom in
and out. Like a real world map, musicmap is a spherical projection, which
implies that the left side crosses over to the right side.

When zoomed out, only the super-genres will appear and the main genres and their
relationships are hidden. There are even more genre names than visible on the
Carta, but these are often subject to debate, too similar to already existing
genres, meaningless umbrella terms, or simply very small and obscure, quickly
leading to over-classification.

If you lose track of date, you can easily check your chronologic context without
zooming out by hovering over a thicker horizontal line, which represents the
start of a new decade. This will show you the starting year of the corresponding
decade. Thinner horizontal lines are placed biannually.

Hovering over a genre of interest will highlight all relations from and towards
that genre (influences and derivatives) to easily track remote links. Some
genres are marked with a small family tree symbol, indicating that there are
several substantial subgenres in which the genre further can be divided, or that
the genre itself is in fact a combination of several subgenres. Some genres are
marked with an asterisk, indicating that they belong to two different
super-genres which are not located next to each other.

Two or more genres can be located so close to each other that they morph into a
continuous zone (very similar genres or “sibling genres”). Sibling genres often
share great areas of overlapping, making it hard to separate them. While
strictly speaking being different genres, they are mentioned on the Carta as a
single entity (using “&”). This as opposed to synonymous genres or genres with
negligible differences, where “/” is used instead.

EARLY FUNK & P-FUNK primary origin secondary origin multiple influences (only
the most important are shown) INTELLIGENT TECHNO / IDM contains subgenres
anti-influence / counterreaction multiple origins (only the most important are
shown) interrupted line (crosses over to other side) A A hybrid genre (also
belongs to non-adjacent supergenre) * * [example of two different genres as
shown on the Carta, with explanation of possible links. Notice the use of “/”,
indicating synonyms and “&”, indicating a combination of two (or more) different
but closely related genres into a sibling genre group.]

When you click on any main music genre, a specific genre panel will pop up, with
much additional information as shown on the picture below. To collapse the
panel, simply click the minimize button on the left side of the panel. These
panels can be customized in the future to implement additional features or
external links.

1986 (alternative) | POP INDIE POP (TWEE) College communities in the US had a
sustained culture of amateur Singer/Songwriter during the seventies and
eighties. In 1979, a third lesser known wave of Folk Rock emerged in the
southern states and mixes with related Country Rock. This wave, known as College
Pop, becomes more poppy, lo-fi PLAYLIST TITLE BAR WITH GENRE NAME YEAR OF ORIGIN
SUPER-GENRE TAG DESCRIPTION TEXT PLAYLIST WITH EXAMPLE SONGS CONNECTIVITY BAR ?
MINIMIZE BUTTON

Each genre panel consists of the following elements, from top to bottom:

 1. TITLE BAR WITH GENRE NAME
    
    The most common name is being used as title with sometimes an alias. Lesser
    used synonyms are listed in the description, as well as common subgenres.
    The order of / and & is important, for instance “Ska-Punk / Two-Tone, &
    Ska-Core”, implies that Ska-Punk and Two-Tone are (more or less) synonymous
    whereas Ska-Core is something else (though closely related).

 2. YEAR OF ORIGIN
    
    The exact year of origin is very disputable or sometimes even uncertain.
    Musicmap tries to ignore singular avant-garde pioneers and lists the year
    that at least two or more different artists release work within the genre.
    As a general rule of thumb, the listed year of origin comes after the very
    first experimentations shaping the genre and before the genre becomes known
    to the general public. When the genre name mentions two distinct genres with
    proximate but different years of origin, the point in between is taken. When
    the situation is more complex (proto-phases, timespans, different waves),
    more accurate information can be found in the description. When you click on
    the date, the Carta will take you to the genre’s location.

 3. SUPER-GENRE TAG
    
    This mentions the parent super-genre. Certain genres might belong to two
    different super-genres (hybrid genre). When one super-genre is strongly
    favored over the other, the latter will be written in lowercase and between
    parentheses, though it still would be acceptable to regard this one as a
    parent genre. This is referred to as a “slave super-genre” (lowercase) as
    opposed to “master super-genres” (caps). The order is of no importance. Only
    master super-genres are taken into account for the genre lists of each
    super-genre.

 4. DESCRIPTION TEXT
    
    The description focuses briefly on the historical and sociological context.
    Furthermore, it tries to list the characteristics of the genre without
    becoming too technical. The whole aim of the description is to explain each
    genre in a manner anyone can understand and to pinpoint the necessary
    nuances such as temporal framework and the influences of following genres in
    later phases (which cannot be made visually clear on the Carta). Related
    subgenres are listed when applicable. Keywords are written in bold, as an
    attempt to reach the very essence of the genre.

 5. PLAYLIST WITH EXAMPLE SONGS
    
    For each genre, nine to twelve prime examples of songs are listed. Whenever
    the genre name lists two or more distinct genres, the examples will be
    divided among these genres. These examples are not always the most
    well-known songs of their respective artists or the first within the genre,
    but rather fitting references for the genre characteristics. Although it is
    perfectly possible to place the same artist in two different genres, this
    never occurs on musicmap to allow a greater diversity of artist examples.
    Songs are deliberately chosen instead of albums or artists, as these rarely
    can be fitted into one genre category.

 6. CONNECTIVITY BAR
    
    Functionality bar with links, functions, and possible future
    implementations.



×


ABSTRACT


RESEARCH BOUNDARIES

To begin our journey through the world of popular music, we must first answer
the question: “What exactly defines popular music?” Despite popular belief that
this is a highly subjective matter, a broad consensus has been reached of its
definition. Etymologically speaking, “music of the people (=populos)”, would not
make us much wiser. The encyclopedic definition (Encyclopædia Britannica)
states: “any commercially oriented music principally intended to be received and
appreciated by a wide audience, generally in literate, technologically advanced
societies dominated by urban culture.” Meaning that the right way to interpret
the term, is music which finds the most appeal of all large music groups, due to
its commercial nature. Indeed, there is in fact quite a large gap in record
sales, concerts, downloads, and popularity in general between the group of
popular music and so-called non-popular music. But this is not the only
important part of the definition: popular music thrives in western and urban
cultures due to the simple fact that these people have the financial and social
means (social security, networking) to start music careers. These means can also
be used for marketing and publicity, further widening the gap with other,
non-popular music. The smaller appeal of non-popular music can also be explained
by its older age; popular music consists mostly of (relatively) young and new
music genres, sparking more interest than the ones who have been around for
centuries.

Non-popular music can be divided into four groups; four vast worlds with a rich
history of their own: Classical Music, Folk Music, World Music, and Utility
Music. Popular Music is the fifth, and arguably the largest of all music worlds.
Although many parts of this fifth world are well documented and its (oral)
history is often told in literature and documentaries, a structural analysis of
the whole is – due to its complexity – lacking, especially compared to the other
worlds.

CLASSICAL MUSIC FOLK MUSIC WORLD MUSIC POPULAR MUSIC WORLD POP: world genres
with significant popularity or pop crossovers with world music WORLD FOLK:
contemporary folk genres / world genres rooted in folk genres UTILITY MUSIC
CLASSICAL UTILITY MUSIC: classical film soundtracks / classical background music
or muzak [The musical universe, with popular music as the largest yet not the
oldest of its different worlds]

The other music worlds are not studied and analyzed in musicmap, as their music
genres do not apply as popular music. This includes all kinds of orchestra
music, chamber music, experimental classical music, historic and contemporary
folk music, a gargantuan amount of world music genres, and all kinds of utility
music: marches, military music, fanfare music, background film scores,
amusement, musicals, vaudeville, and so on. Take note: these music worlds are
visualized in a different order on the Carta than shown here to avoid too
elaborate connection paths and too much visual clutter.

Sometimes certain types of world music get influenced by Rock/Pop/Dance music
and crossover to World-Pop. It happens that these genres gain a large
international appeal, especially when featured in films. However, these genres
are also excluded from the Musicmap, as they have too many relationships (links)
with other (read: non-popular) world music, and little influence on regular
popular music. Certain crossovers between Folk and Popular music however (such
as Folk Rock), are included, due to significant influence on other popular music
genres.

It can be argued that the difference between World and Folk music is
challenging, harboring a fair amount of overlapping. In essence, World music is
contemporary music performed and created all around the world, but falling just
short in influence to become popular music, for example RaÏ, Afrobeat and
Highlife. However, these world music genres are often evolutions of much older
geographically linked Folk music. In other words: World music is often the
contemporary evolution of historical Folk music.


THE DEFINITION OF GENRE

The history of Popular Music hardly qualifies as an exact science. It is a
retrospective analysis of events that focuses on the underlying forces or common
symptoms in the overwhelming production of music records, ignoring nuances and
side-effects to grasp a comprehensible structure. This is because (popular)
music is far from a static phenomenon: it is a constantly evolving,
transforming, giant organism. Almost never has a music genre suddenly emerged as
a shocking revolution without any trace or evolution in the past. All of them
have naturally evolved, mutated, merged, or become (theoretically) extinct. Only
the past can be examined of this natural, organic network.

Herein one often finds network nodes or concentrations of artists having
multiple traits in common and thus forming a genre. More correctly speaking:
certain albums or a collection of songs by different artists, since the majority
of music artists cannot be classified within the constraints of a single genre.
Many artists attempt to create a unique and distinctive sound, crossing over
into near and distant genres, while also evolving in sound during the course of
their albums. This is why in case-specific literature, the same artist can be a
given example for different genres; which means that often artists are located
on the connection between two (or more) nodes instead of right on the node
(genre) itself.

The traits that define a genre are more than a similar sound or summary of
technical elements; subculture, fashion, geography, mentality and period of time
all qualify as possible trademarks of which a genre in retrospect might be
recognized. In other words, music genres can be seen as a concentration in the
musical network, as the common denominator of a large enough group of music (not
necessarily artists) connected by a specific instrumentation, technique,
mentality/ideology, sound, place and/or time. By taking only the most important
concentrations into account, a two-dimensional, comprehensible genealogy can be
created. Genre definitions must be regarded independently of language. Changing
the language of the vocals does not create something new (which is why e.g.
French Rap is not listed as a genre), though geographical differences might
influence the constraints of the genre.

The amount of popular music genres is staggering, reaching easily over 600. Many
genres however, can either be seen as a subgenre of a larger genre or as very
similar to another one (sibling genres). Metaphorically speaking, these genres
are either smaller nodes connected to bigger network nodes or they are nodes
located in high proximity to other nodes. There is no objective way to determine
the true amount of genres. Musicmap is not the result of a parametrically based
algorithm. The amount and selection of mentioned genres are determined on their
importance and uniqueness by academic research. They are carefully selected by
comparing as many genealogies as possible and examining their context and
relevance in literature. There is no mathematical threshold involved to identify
a genre, certainly not in the amount of practicing artists (which would also be
a flawed approach for aforementioned reasons). Some genres can be extremely
small (e.g. Old Skool Rap, Gothic Rock, Grunge, Musique Concrète) yet form an
important link and source of inspiration for other genres. Other genres can be
huge, yet their offshoots or subgenres vary too little to become a separately
mentioned genre (e.g. Disco, Singer/Songwriter, Death Metal, Psytrance).

The name for a genre is often coined by a music journalist as an attempt to
summarize underlying currents in past events, sometimes many years after the
date of origin when the boundaries of the common denominator characteristics
have finally become clear. The urge to do so in a concentrative manner (a noun
or genre name) can lead to unfortunate results, i.e. something “new” or
“progressive” in the eighties can hardly sustain this feat in present times. In
other occasions, artists themselves come up with a name to describe their style,
often compared to already existing genres. Another possible origin is by mixing
records from two different genres, either consecutively or simultaneously. When
the crowd starts to welcome these mixes, new records get made to approximate
this combination and a new genre becomes born. More often than not, genre names
are poorly chosen and reveal little information about the true nature of the
genre. There is however no debate about which genre is which: once denounced,
the genre name stays infinitely.

Because of the large focus on retrospective analysis, it is important to take
all music genres from 2010 until now with a grain of salt, because their
definitions are still forming. The ink is still wet; there is no telling where
it might run.

Musicmap does not display any end time of music genres, only the (approximate)
year of origin. A music genre after all, cannot die. It is never impossible to
recreate a specific genre, even though the sociologic circumstances have been
changed. Sometimes a return to one particular genre of the past happens on a
larger scale, with updated equipment, sound and small alterations: a revival.
Revivals form a big part of popular music in the last two decades, marking a
possible saturation point of styles, and the perfect starting point for a
summary of popular music genres thus far.

Last but not least; genres can never succeed in describing music correctly. Just
like any language is inadequate to express emotions, so are genres imperfect
tools to describe music. Yet, they are still far better than nothing, and very
useful when mastered.



×


METHODOLOGY


SUPER-GENRES: A FRAMEWORK FOR A COMPLEX DATABASE

More than 230 music genres is still too abundant to create a comprehensible
structure that allows easy orientation. The need for a covering framework is an
issue that will be addressed in this chapter. Certain (though few) visual
genealogies choose not to implement such framework, and do not (or vaguely)
display clusters of related music genres. When dealing with rather detailed
genealogies such as musicmap, omitting a visual framework would seriously harm
any practical use the map might have. Fortunately, this framework already exists
as almost all genres belong to greater, well-known “areas” in the musical
network, what we will call super-genres. Super-genres are simply the parent
genre of any given genre; a higher-level, overarching family.

A number of super-genres are so large that they might be divided into smaller
groups, roughly the size of other super-genres. We will call these the primary
genre clusters, represented by the primary colors: Blue Note (blue), Rock
(yellow), and Electronic Dance Music (EDM) or Dance (red). For Blue Note (Blues,
Jazz, & Gospel/Pioneers) the clustering is debatable, as the difference between
its super-genres is much larger than within Rock and Dance. However, there are
plenty of common characteristics to unite these super-genres as one family:
period and country of origin, the use of “blue guitar notes”, instrument set-up,
and a strong mutual influence. Rock music already forms a strong family, of
which the subdivision instead of the clustering is debatable. Some Rock
super-genres are already well-defined (Hardcore, Alternative, Classic or Golden
Age Rock). The other Rock super-genres become transparent as the remaining
periods of time, either before or after previously mentioned super-genres. For
the last genre cluster, EDM/Dance, there is hardly any debate: these
super-genres both form a strongly connected family while they are also clearly
separate entities with their own identity and subculture. Lately, the term EDM
has received a new and narrower meaning as mainstream-friendly dance music,
which has provoked aversion for the term. But it is recommended to maintain
EDM’s original definition, which is exactly what it stands for.

gospel & pioneers trance house techno hard- core drum ‘n’ bass break- beat
jamaican rap industrial metal country rhythm ‘n’ blues pop down- tempo blues
jazz rock ‘n’ roll golden age punk / wave alt / indie hard- core contemporary
ROCK DANCE / EDM BLUE NOTE folk music amusement music electro-acoustic sound
world music classical music religious music CLASSICAL UTILITY MUSIC: classical
film soundtracks / classical background music or muzak [Blueprint of the larger
underlying currents or genre families in the history of popular music, forming
the different super-genres Straight lines resemble more important evolutions
than dotted lines. Double arrows implicate strong mutual influences.]

The correct determination of the different super-genres is very important, but
much less difficult than determining the correct number of genres. The same
super-genres return in various lists, summaries, other genealogies, literature,
although sometimes with other names or a slightly different combination of
genres. The boundaries of these super-genres are not rigid, after all. Just like
smaller, regular genres, super-genres should be considered as fluid
concentrations in the musical universe, fading over into each other.

It is very plausible that UK Garage & UK Bass will rip itself loose as an
immortal and distinct super-genre in time, just like Metal did from Rock. It is
however too loose momentarily and a little bit too soon to tell. It is still
possible that it will fade out with remnants dispersing back into Breakbeat,
Drum ‘n’ Bass or other super-genres. If not, UK Garage should seriously be
considered as the 24th super-genre, depending on future evolutions and how its
interaction with contemporary Hip-Hop music (Trap, Ghettotech, Wonky) will turn
out. And with Future Bass being more eclectic than anything else, it is hard to
predict what that future will hold. For now, these genres will be placed between
Breakbeat and Drum ‘n’ Bass, which is where they originated.


STRUCTURING METHODS

There are two ways of structuring the popular music network (combining the
various super-genres and genres and presenting them in a graphical manner):
top-down or bottom-up method.

The bottom-up method starts from the determined amount of music genres and
places them in a two-dimensional space. Their coordinates are based on the
genre-defining characteristics and thus similar genres are located close to each
other. Once again, parametrically based programming to create this chart is nigh
impossible as the characteristics (parameters) are too broad, not entirely
measurable, and even variable in importance (weight). The benefit from this
method is that super-genres will eventually emerge as amorphous zones,
overlapping and connecting other super-genres at various points. This is a more
realistic visualization of the musical genre network, though still limited by
two-dimensional constraints.

The top-down method starts by laying out the super-genres, usually in a
chronologic order. This creates a two-dimensional space where the horizontal
axis determines the super-genre and the vertical axis determines the time. The
result is a rigid structure with adjacent super-genres in which each genre is
placed on a point (or collection of points) that automatically dictates the
corresponding super-genre and year of origin.

TOP DOWN VISUALISATION BOTTOM UP VISUALISATION [top-down method and rigid
structure (left) versus bottom-up method and amorphous structure (right)]

The Musicmap is based on the top-down method instead of the bottom-up for
various reasons.

Firstly, a true bottom-up method creates an amorphous structure in which
chronological order is impossible, unless shaping the form as such, in which
case it actually becomes rigid. Chronological order is important, not only to
create a better overview and faster navigation, but also to witness the deviant
phenomena: At which point (of time) are there booming events? When does a
super-genre cease to perpetuate new styles? And so on.

Secondly, the bottom-up method is rather theoretical when it comes to music
genres. At one point or another one will always rely on top-down to check the
comprehensiveness: are all types of Jazz included? How many genres in Techno are
there? Mainly because literature that covers all popular music at once is very,
very scarce. Academic literature comes mostly in the form of specialization into
one or a few super-genres, thus favoring the top-down method.

Thirdly, a rigid structure allows expansion in the vertical axis. This means it
can be updated with new genres and adapted to accommodate future genres, hereby
greatly increasing flexibility and sustainability. A rigid structure can also
easily expand in the horizontal direction, meaning that super-genres can be made
broader if need be (to allow corrections, subdivisions and so on). An amorphous
structure will enclose certain super-genres, preventing expansion in the future,
or correcting if needed.

An amorphous structure is better at creating shorter network connections, where
all the genres have more strategic positions and the relations between genres
becomes more transparent. On top of that, an amorphous structure is also
possible of correctly placing hybrid genres: genres that belong to two or more
different super-genres. In a rigid structure, these can be serious handicaps,
preventing accurate placement of such genres and hindering an accurate amount of
links or relationships between genres. Fortunately, there are ways to work
around these obstacles and minimalize their negative impact. Placement on the
horizontal axis of super-genres is very critical as the most related
super-genres should appear next to each other, allowing as many hybrid genres as
possible to be correctly placed. By creating a circular plane, thus connecting
the outermost left and right super-genres, more hybrid genres can be placed and
shorter connections can be drawn. Hybrid genres belonging to non-adjacent
super-genres are placed in either their dominant super-genre or one that makes
the most sense, but both their super-genres are mentioned as tags in the
description. This is a flaw of the Carta, but a small one that still allows the
many advantages of a rigid structure.

Finally, a rigid structure allows implementing in existing music databases,
although this must be approached with caution. It provides the possibility of
transferring its categories (super-genres, and then genres) to a hierarchical
database.


EXPANDING ON VISUALIZATIONS AND HYPOTHESES

In this chapter we will discuss possible hypotheses surrounding music genres and
their classification, and certain deductions that can be made from the visual
concept of the carta. All these theories are conceived for entertaining and
philosophical purposes, and definitely not to prove a certain point. If
anything, they are supposed to be the subject of discussion, rather than the
outcome.

 1. THE MUSIC GLOBE
    
    The concept of a rigid, two-dimensional Carta, but connected on the sides by
    bending the plane to a cylindrical form, leads to other interesting
    projections and visualizations. Because there are so few genres in the
    beginning of time (19th century, early 20th century), and the amount of new
    genres has dramatically decreased in the last two decades, it’s only a small
    step away of looking at the Carta as a real projection of a sphere, thus
    seeing the world of popular music as a three-dimensional, planet-like
    structure: the Music Globe. On this globe, the “north pole” represents the
    origin of all genres (the past), where the “south pole” represents the
    (theoretical) endpoint (the future). The equator is right in between, at the
    point in time where the most different genres emerged, around the 80s or
    90s.

 2. CONVERGENCE AND DIVERGENCE OF GENRES
    
    By beholding a globe, we can also make projections of the two poles that
    strikingly capture two different concepts: divergence and convergence. The
    “north pole” represents the point in time from which all genres originated.
    This is a gross oversimplification of the truth, ignoring the influence of
    Folk, Classical, Military music and so on. However, with the exception of
    Musique Concrète and its Downtempo super-genre, all popular music genres can
    be traced back to Spirituals and Worksongs. Like in certain other music
    genealogies, all genres diverge from a single point of origin, spreading
    wider and wider while time passes. The “south pole” represents the future
    and the endpoint of music styles. This means two things: first, new genres
    will cease to emerge due to a total saturation of music genres. At this
    point, all popular revivals and successful crossovers have been invented and
    a lack of new music instruments inhibits the creation of a new super-genre.
    Secondly, all super-genres have grown closer and closer to each other due to
    an increase in globalization, (social) networking, and multimedia usage.
    This culminates in a hypothetical hyper-eclectic “monster-genre” that draws
    influences from any other genre, until it becomes a mass-produced
    jack-of-all-trades that is so generic that it might well not exist at all.

 3. GENRE TRIANGLE OR CIRCLE
    
    Connection of the super-genres on the horizontal axis, enables a visual
    juxtaposition in the form of a triangle or circle. The concept of a circle
    obviously emphasizes the continuation, and is simply an alternative design
    that might be used to create an entire genealogy, though without the concept
    of time (unless divergent for each super-genre with concentric timelines).
    The triangle emphasizes the three primary music clusters, while the other
    super-genres are intermediates. This is a radical hypothesis that indicates
    that the clusters are superior to other super-genres. It also implies that
    the other super-genres (the ones in between) can be seen as fusion genres of
    these clusters, with the exception of Pop and Downtempo.
    
    primary origin
 4. FLOATING CONTINENTS
    
    A final visualization, expanding on the theme of a world map, is the concept
    of super-genres as floating continents. This concept catches the dynamic
    boundaries of the super-genres. Even things from the past (the northern part
    of the continents) that are supposed to be fixed, can shift in the light of
    new genre definitions and classifications. This is an important phenomenon
    in the world of music genre theory. It has happened before that genre
    definitions change and old categories make place for new ones after thorough
    research or appearance of new genres (for example Jazz and the early
    Hardcore/House/Techno explosion have witnessed such transformation). These
    continents can either drift further away from each other, or bump into each
    other.



×


MUSICMAP PRIVACY POLICY AND HOW WE USE COOKIES

Like many websites we use cookies to store and then retrieve small bits of
information on your computer when you visit. This information is used to make
the site work as you expect it to. It is not personally identifiable to you, but
it can be used to give you a more personalised web experience.

Some of the information stored is put there by other companies whose software we
have added to the site, and this can also impact your experience of other
websites you may visit after leaving ours.

If you continue to use this site without taking action to prevent the storage of
this information, you are effectively agreeing to this use.

If you want to learn more about the general uses of cookies, including how to
stop them being stored by your computer, please visit Cookiepedia - all about
cookies.

Below is a list of the different types of cookies used on this site, and an
explanation of what they are used for. If you would like any more information,
please get in touch.


 * STRICTLY NECESSARY COOKIES
   
   These cookies are necessary for the website to function. They are usually
   only set in response to actions made by you which amount to a request for
   services, such as logging in or filling in forms.
   
   You can set your browser to block or alert you about these cookies, but some
   parts of the site will not then work. These cookies do not store any
   personally identifiable information.


 * PERFORMANCE COOKIES
   
   These cookies allow us to count visits and traffic sources so we can measure
   and improve the performance of our site. They help us to know which pages are
   the most and least popular and see how visitors move around the site.
   
   All information these cookies collect is aggregated and therefore anonymous.
   If you do not allow these cookies we will not know when you have visited our
   site, and will not be able to monitor its performance.


 * FUNCTIONALITY COOKIES
   
   These cookies enable the website to provide enhanced functionality and
   personalisation. They may be set by us or by third party providers whose
   services we have added to our pages.
   
   If you do not allow these cookies then some or all of these services may not
   function properly.


 * TARGETING COOKIES
   
   These cookies may be set through our site by our advertising partners. They
   may be used by those companies to build a profile of your interests and show
   you relevant adverts on other sites.
   
   They do not store any personally identifiable information, but are based on
   uniquely identifying your browser and internet device. If you do not allow
   these cookies, you will experience less targeted advertising.




SUPER-GENRES

×
 * INDUSTRIAL & GOTHIC
 * (HEAVY) METAL
 * ROCK: ROCK 'N' ROLL (R'N'R)
 * ROCK: GOLDEN AGE
 * ROCK: PUNK (ROCK) / (NEW) WAVE
 * ROCK: HARDCORE (PUNK)
 * ROCK: ALTERNATIVE / INDIE (ROCK)
 * ROCK: CONTEMPORARY (ROCK)
 * POP (MUSIC)
 * COUNTRY
 * RHYTHM 'N' BLUES (R&B)
 * BLUE NOTE: GOSPEL & PIONEERS
 * BLUE NOTE: BLUES
 * BLUE NOTE: JAZZ
 * JAMAICAN (MUSIC) / REGGAE
 * RAP / HIP-HOP MUSIC
 * EDM / DANCE: BREAKBEAT
 * EDM / DANCE: DRUM 'N' BASS / JUNGLE
 * EDM / DANCE: HARDCORE (TECHNO)
 * EDM / DANCE: TECHNO
 * EDM / DANCE: HOUSE
 * EDM / DANCE: TRANCE
 * DOWNTEMPO / AMBIENT


 

×

 


  GENRES




SEARCH

×

Search any keyword, genre synonym, subgenre, artist name, or song name listed in
the genre and super-genre descriptions and playlists.



 



 


NAVIGATE

×

Browse genres alphabetically or search any genre name on the Carta. Then click
on the arrow button to navigate towards your selection on the Carta.

ACID HOUSE 
All genresACID HOUSEACID JAZZ / JAZZDANCEALTERNATIVE ROCK / INDIE
IIAMBIENTAMBIENT BREAKS & ILLBIENTAMBIENT HOUSE / CHILL-OUTAMBIENT TECHNO & IDM
(INTELLIGENT DANCE MUSIC)AMERICAN & BRITISH FOLK REVIVALAMERICANA / ALTERNATIVE
COUNTRYANARCHO-PUNK, CRUST PUNK & D-BEAT / DISCOREASIAN POPBAKERSFIELDBASSLINE &
UK FUNKY(MERSEY)BEAT / BRITISH INVASIONBEBOPBIT MUSIC / VGM (CHIPTUNE &
8-BIT)BLACK METALBLUEGRASSBOOGIE / ELECTROFUNKBOOGIE WOOGIE / PIANO
BLUESBREAKBEAT GARAGE & GRIMEBREAKBEAT HARDCORE (RAVE II)BRILL BUILDING
POPBRITISH BLUES & BLUES ROCKBRITPOPBROKEN BEATSBUBBLEGUM & TEENYBOPCHEMICAL
BREAKS & BIG BEATCHICAGO BLUES / CITY BLUES / URBAN BLUESCHICAGO HOUSE & GARAGE
HOUSECHICAGO JAZZCHICAGO SOUL & DETROIT SOUL (MOTOWN)CLASSIC COUNTRY /
HILLBILLYCLASSIC METALCLASSIC TRANCE & ACID TRANCECONTEMPORARY COUNTRY /
NEOTRADITIONALISTSCOOL JAZZ & WEST COAST JAZZCOUNTRY BLUES / FOLK BLUESCOUNTRY
POP & COUNTRY ROCKCROSSOVER THRASHDANCE POPDANCEHALLDANCE-PUNK & NU RAVEDARK
AMBIENT / DARK INDUSTRIALDARKCORE & DARKSTEPDARKWAVE & COLDWAVEDEATH METALDEEP
FUNK / RARE GROOVE & NU FUNKDEEP HOUSEDETROIT TECHNODIGITAL HARDCORE &
BREAKCOREDIGITAL MINIMALISM / LOWERCASEDISCODISCOPOP / POST-DISCODOO WOPDOOM
METALDREAM POP & SHOEGAZEDUBDUBSTEPEARLY FUNK & P-FUNKEAST COAST GANGSTA RAPEDM
TRAP / TRAPSTEPELECTROELECTRO HOUSE & DUTCH HOUSEELECTRO POPELECTRO
SWINGELECTROCLASHELECTRO-INDUSTRIAL / AGGREPPOELECTRONIC BODY
MUSICEMO-ROCKEUROTRANCE & VOCAL TRANCEEXTREME METAL (BLACK I & SPEED)FIDGET
HOUSE & COMPLEXTROFLORIDA BREAKS (& FUNKY BREAKS)FOLK ROCKFREE JAZZ /
AVANT-GARDE (JAZZ)FREESTYLE & BREAKDANCEFRENCH HOUSE & FUNKY HOUSEFUSION / JAZZ
ROCKFUTURE BASS / FUTURE GARAGEFUTUREPOP(EARLY) GABBER(WEST COAST) GANGSTA
RAPGARAGE & POST-PUNK REVIVALS / NU-RAWKGARAGE ROCKGHETTO HOUSE, GHETTOTECH
&JUKEGLAM METAL / HAIR METAL / POP METALGLAM ROCK / GLITTER ROCK / SHOCK
ROCKGLITCH / CLICKS 'N' CUTSGLITCH HOP & WONKYGOA TRANCE & PSYTRANCEGO-GOGOLDEN
AGE RAP (& HARDCORE RAP)GOTHIC ROCK & DEATHROCKGRINDCOREGRUNGEHAPPY HARDCORE &
BOUNCY TECHNOHARD BOPHARD ROCKHARDCORE TECHNO / RAVEHARDSTEP & TECHSTEPHARDSTYLE
(& JUMPSTYLE)HARDTECHNO (SCHRANZ II)HARDTRANCEHEARTLAND ROCK & A.O.R. (ADULT
ORIENTED ROCK)HILL COUNTRY BLUES & TRANCE BLUESHI-NRG / EURODISCOHIP HOUSE &
EURODANCEHONKY TONK / HARDCORE COUNTRYHORROR PUNK & PSYCHOBILLYIBIZA HOUSE /
TRANCE & DREAM HOUSE / TRANCEINDIE FOLK & FREAKFOLK / NEW WEIRD AMERICAINDIE POP
(TWEE)INDIETRONICA & CHILLWAVE(AVANT-GARDE) INDUSTRIALINDUSTRIAL ROCK /
INDUSTRIAL METALINDUSTRIAL TECHNO & SCHRANZINTELLIGENT / AMBIENT DRUM 'N' BASS &
JAZZSTEPJANGLE POP / INDIE ROCK (& PAISLEY UNDERGROUND)JAZZ RAP / NATIVE
TONGUEJUMP BLUESJUMP UPKRAUTROCKLIQUID FUNKLOUISIANA BLUES / SWAMP BLUESLOUNGE /
EXOTICA / SPACE AGE POPLOVER'S ROCK & UK REGGAEMATH ROCK & MATHCOREMEMPHIS SOUL
/ DEEP SOUL / SOUTHERN SOULMENTOMETALCORE / NEW WAVE OF AMERICAN HEAVY
METALMIAMI BASS & BOUNCEMICROHOUSE / MINIMAL HOUSEMINIMAL TECHNOMINIMAL WAVE /
SYNTH & MINIMAL INDUSTRIAL (REVIVAL)MINIMALISMMODERN GOSPELMOOMBAHTONMUSIQUE
CONCRETEMUZAK / ELEVATOR MUSICNASHVILLE / COUNTRYPOLITANNEO SOUL / NU
SOULNEO-TRANCENEUROFUNKNEW AGENEW BEATNEW JACK SWING / SWINGBEATNEW ORLEANS &
DIXIELAND JAZZ REVIVALSNEW ORLEANS JAZZ & DIXIELAND JAZZNEW PROG / NU PROG /
POST PROG (ROCK)NEW WAVENO WAVENOISE MUSICNOISE ROCKNORDIC JAZZNRG, HARD NRG &
(UK) HARD HOUSENU JAZZ / ELECTRO JAZZNU METAL & RAP METALNU SKOOL BREAKSNU STYLE
(GABBER) / MAINSTREAM HARDCORENU-DISCO & FUNKTRONICANWOBHM (NEW WAVE OF BRITISH
HEAVY METAL)OLD SKOOL JUNGLE & OLD SKOOL DRUM 'N' BASSOLD SKOOL RAP
PIONEERSORIGINAL HARDCORE (PUNK)PHILLY SOUL(EARLY) POP ROCK &POWER
POPPOST-BRITPOPPOST-DUBSTEPPOST-GRUNGEPOST-HARDCORE, EMO(CORE) &
SCREAMOPOST-PUNKPOST-ROCKPOWER METALPROGRESSIVE COUNTRY & OUTLAW
COUNTRYPROGRESSIVE HOUSEPROGRESSIVE METALPROGRESSIVE RAP / NU SKOOL
RAPPROGRESSIVE ROCK, ART ROCK & SYMPHONIC ROCKPROGRESSIVE TRANCEPSYCHEDELIC /
ACID ROCK & PSYCHEDELIAPUB ROCK & PROTO PUNKPUNK ROCKRAGGARAGTIME & STRIDERAP
ROCK, RAPCORE & FUNK METAL(ROOTS) REGGAEREGGAE FUSION & BHANGRAMUFFINREGGAETÓN &
LATIN RAPRELIPOP & -ROCK / CONTEMPORARY CHRISTIAN MUSIC(EARLY) RHYTHM 'N'
BLUESROCK 'N ROLL & ROCKABILLYROCKSTEADYSCHLAGERSINGER/SONGWRITERSKASKA REVIVAL
(2-TONE), SKA PUNK & SKACORESKATE PUNK & POP PUNKSKIFFLE (REVIVAL)SMOOTH
JAZZSOFT ROCK / ADULT CONTEMPORARY (A.C.)SOUL BLUES (SOUTHERN SOUL II)SOUL JAZZ
/ JAZZ FUNKSOUTHERN ROCK(DIRTY) SOUTH RAP, CRUNK & SNAPSPEEDCORE, FRENCHCORE &
TERRORCORE(NEGRO) SPIRITUALS & WORKSONGSSTONER METAL / ROCK & SLUDGE METAL /
ROCKSURF ROCK / INSTRUMENTALSWING / BIG BANDSYMPHONIC METAL & GOTHIC METALSYNTH
/ ELECTRONICASYNTHCORE & CRUNKCORESYNTHPOP & NEW ROMANTICSSYNTHWAVE &
VAPORWAVETECH HOUSETECH TRANCE(FREE)TEK(K)NO(ELECTRIC) TEXAS BLUESTEXAS
BLUESROCK & MODERN ELECTRIC BLUESTHIRD STREAM / PROGRESSIVE JAZZ & MODAL
JAZZTHRASH METALTRADITIONAL GOSPELTRAP & DRILLTRIP HOPUK GARAGE (2-STEP & SPEED
GARAGE)UK HARDCORE & FREEFORM / TRANCECORE & ACIDCOREUPLIFTING TRANCE / EPIC
TRANCEURBAN BREAKS (NU R&B II)URBAN COUNTRYURBAN SOUL / POP (NU R&B I)VAUDEVILLE
/ CLASSIC BLUESWEST COAST BLUESWESTERN SWING


ACID HOUSE ACID JAZZ / JAZZDANCE ALTERNATIVE ROCK / INDIE II AMBIENT AMBIENT
BREAKS & ILLBIENT AMBIENT HOUSE / CHILL-OUT AMBIENT TECHNO & IDM (INTELLIGENT
DANCE MUSIC) AMERICAN & BRITISH FOLK REVIVAL AMERICANA / ALTERNATIVE COUNTRY
ANARCHO-PUNK, CRUST PUNK & D-BEAT / DISCORE ASIAN POP BAKERSFIELD BASSLINE & UK
FUNKY (MERSEY)BEAT / BRITISH INVASION BEBOP BIT MUSIC / VGM (CHIPTUNE & 8-BIT)
BLACK METAL BLUEGRASS BOOGIE / ELECTROFUNK BOOGIE WOOGIE / PIANO BLUES BREAKBEAT
GARAGE & GRIME BREAKBEAT HARDCORE (RAVE II) BRILL BUILDING POP BRITISH BLUES &
BLUES ROCK BRITPOP BROKEN BEATS BUBBLEGUM & TEENYBOP CHEMICAL BREAKS & BIG BEAT
CHICAGO BLUES / CITY BLUES / URBAN BLUES CHICAGO HOUSE & GARAGE HOUSE CHICAGO
JAZZ CHICAGO SOUL & DETROIT SOUL (MOTOWN) CLASSIC COUNTRY / HILLBILLY CLASSIC
METAL CLASSIC TRANCE & ACID TRANCE CONTEMPORARY COUNTRY / NEOTRADITIONALISTS
COOL JAZZ & WEST COAST JAZZ COUNTRY BLUES / FOLK BLUES COUNTRY POP & COUNTRY
ROCK CROSSOVER THRASH DANCE POP DANCEHALL DANCE-PUNK & NU RAVE DARK AMBIENT /
DARK INDUSTRIAL DARKCORE & DARKSTEP DARKWAVE & COLDWAVE DEATH METAL DEEP FUNK /
RARE GROOVE & NU FUNK DEEP HOUSE DETROIT TECHNO DIGITAL HARDCORE & BREAKCORE
DIGITAL MINIMALISM / LOWERCASE DISCO DISCOPOP / POST-DISCO DOO WOP DOOM METAL
DREAM POP & SHOEGAZE DUB DUBSTEP EARLY FUNK & P-FUNK EAST COAST GANGSTA RAP EDM
TRAP / TRAPSTEP ELECTRO ELECTRO HOUSE & DUTCH HOUSE ELECTRO POP ELECTRO SWING
ELECTROCLASH ELECTRO-INDUSTRIAL / AGGREPPO ELECTRONIC BODY MUSIC EMO-ROCK
EUROTRANCE & VOCAL TRANCE EXTREME METAL (BLACK I & SPEED) FIDGET HOUSE &
COMPLEXTRO FLORIDA BREAKS (& FUNKY BREAKS) FOLK ROCK FREE JAZZ / AVANT-GARDE
(JAZZ) FREESTYLE & BREAKDANCE FRENCH HOUSE & FUNKY HOUSE FUSION / JAZZ ROCK
FUTURE BASS / FUTURE GARAGE FUTUREPOP (EARLY) GABBER (WEST COAST) GANGSTA RAP
GARAGE & POST-PUNK REVIVALS / NU-RAWK GARAGE ROCK GHETTO HOUSE, GHETTOTECH &JUKE
GLAM METAL / HAIR METAL / POP METAL GLAM ROCK / GLITTER ROCK / SHOCK ROCK GLITCH
/ CLICKS 'N' CUTS GLITCH HOP & WONKY GOA TRANCE & PSYTRANCE GO-GO GOLDEN AGE RAP
(& HARDCORE RAP) GOTHIC ROCK & DEATHROCK GRINDCORE GRUNGE HAPPY HARDCORE &
BOUNCY TECHNO HARD BOP HARD ROCK HARDCORE TECHNO / RAVE HARDSTEP & TECHSTEP
HARDSTYLE (& JUMPSTYLE) HARDTECHNO (SCHRANZ II) HARDTRANCE HEARTLAND ROCK &
A.O.R. (ADULT ORIENTED ROCK) HILL COUNTRY BLUES & TRANCE BLUES HI-NRG /
EURODISCO HIP HOUSE & EURODANCE HONKY TONK / HARDCORE COUNTRY HORROR PUNK &
PSYCHOBILLY IBIZA HOUSE / TRANCE & DREAM HOUSE / TRANCE INDIE FOLK & FREAKFOLK /
NEW WEIRD AMERICA INDIE POP (TWEE) INDIETRONICA & CHILLWAVE (AVANT-GARDE)
INDUSTRIAL INDUSTRIAL ROCK / INDUSTRIAL METAL INDUSTRIAL TECHNO & SCHRANZ
INTELLIGENT / AMBIENT DRUM 'N' BASS & JAZZSTEP JANGLE POP / INDIE ROCK (&
PAISLEY UNDERGROUND) JAZZ RAP / NATIVE TONGUE JUMP BLUES JUMP UP KRAUTROCK
LIQUID FUNK LOUISIANA BLUES / SWAMP BLUES LOUNGE / EXOTICA / SPACE AGE POP
LOVER'S ROCK & UK REGGAE MATH ROCK & MATHCORE MEMPHIS SOUL / DEEP SOUL /
SOUTHERN SOUL MENTO METALCORE / NEW WAVE OF AMERICAN HEAVY METAL MIAMI BASS &
BOUNCE MICROHOUSE / MINIMAL HOUSE MINIMAL TECHNO MINIMAL WAVE / SYNTH & MINIMAL
INDUSTRIAL (REVIVAL) MINIMALISM MODERN GOSPEL MOOMBAHTON MUSIQUE CONCRETE MUZAK
/ ELEVATOR MUSIC NASHVILLE / COUNTRYPOLITAN NEO SOUL / NU SOUL NEO-TRANCE
NEUROFUNK NEW AGE NEW BEAT NEW JACK SWING / SWINGBEAT NEW ORLEANS & DIXIELAND
JAZZ REVIVALS NEW ORLEANS JAZZ & DIXIELAND JAZZ NEW PROG / NU PROG / POST PROG
(ROCK) NEW WAVE NO WAVE NOISE MUSIC NOISE ROCK NORDIC JAZZ NRG, HARD NRG & (UK)
HARD HOUSE NU JAZZ / ELECTRO JAZZ NU METAL & RAP METAL NU SKOOL BREAKS NU STYLE
(GABBER) / MAINSTREAM HARDCORE NU-DISCO & FUNKTRONICA NWOBHM (NEW WAVE OF
BRITISH HEAVY METAL) OLD SKOOL JUNGLE & OLD SKOOL DRUM 'N' BASS OLD SKOOL RAP
PIONEERS ORIGINAL HARDCORE (PUNK) PHILLY SOUL (EARLY) POP ROCK &POWER POP
POST-BRITPOP POST-DUBSTEP POST-GRUNGE POST-HARDCORE, EMO(CORE) & SCREAMO
POST-PUNK POST-ROCK POWER METAL PROGRESSIVE COUNTRY & OUTLAW COUNTRY PROGRESSIVE
HOUSE PROGRESSIVE METAL PROGRESSIVE RAP / NU SKOOL RAP PROGRESSIVE ROCK, ART
ROCK & SYMPHONIC ROCK PROGRESSIVE TRANCE PSYCHEDELIC / ACID ROCK & PSYCHEDELIA
PUB ROCK & PROTO PUNK PUNK ROCK RAGGA RAGTIME & STRIDE RAP ROCK, RAPCORE & FUNK
METAL (ROOTS) REGGAE REGGAE FUSION & BHANGRAMUFFIN REGGAETÓN & LATIN RAP RELIPOP
& -ROCK / CONTEMPORARY CHRISTIAN MUSIC (EARLY) RHYTHM 'N' BLUES ROCK 'N ROLL &
ROCKABILLY ROCKSTEADY SCHLAGER SINGER/SONGWRITER SKA SKA REVIVAL (2-TONE), SKA
PUNK & SKACORE SKATE PUNK & POP PUNK SKIFFLE (REVIVAL) SMOOTH JAZZ SOFT ROCK /
ADULT CONTEMPORARY (A.C.) SOUL BLUES (SOUTHERN SOUL II) SOUL JAZZ / JAZZ FUNK
SOUTHERN ROCK (DIRTY) SOUTH RAP, CRUNK & SNAP SPEEDCORE, FRENCHCORE & TERRORCORE
(NEGRO) SPIRITUALS & WORKSONGS STONER METAL / ROCK & SLUDGE METAL / ROCK SURF
ROCK / INSTRUMENTAL SWING / BIG BAND SYMPHONIC METAL & GOTHIC METAL SYNTH /
ELECTRONICA SYNTHCORE & CRUNKCORE SYNTHPOP & NEW ROMANTICS SYNTHWAVE & VAPORWAVE
TECH HOUSE TECH TRANCE (FREE)TEK(K)NO (ELECTRIC) TEXAS BLUES TEXAS BLUESROCK &
MODERN ELECTRIC BLUES THIRD STREAM / PROGRESSIVE JAZZ & MODAL JAZZ THRASH METAL
TRADITIONAL GOSPEL TRAP & DRILL TRIP HOP UK GARAGE (2-STEP & SPEED GARAGE) UK
HARDCORE & FREEFORM / TRANCECORE & ACIDCORE UPLIFTING TRANCE / EPIC TRANCE URBAN
BREAKS (NU R&B II) URBAN COUNTRY URBAN SOUL / POP (NU R&B I) VAUDEVILLE /
CLASSIC BLUES WEST COAST BLUES WESTERN SWING


LEGEND | LAYERS

×
anti-influence / counterreaction primary origin / derivative secondary origin /
derivative backlash / anti-influence various influences / derivatives further
dividable into subgenres hybrid genre (two parent genres) connection point of
interrupted line decennial timeline bi-annual timeline * A-J
 * super-genres
 * time reference
 * background
 * other music worlds
 * bottom bar
 * music groups
 * constellation mode


GLOSSARY

×
 * 4/4 beat
 * acid
 * arpeggio
 * arrangement
 * Autotune
 * backbeat
 * bar
 * barbershop
 * blast beats
 * blue notes
 * bottleneck guitar
 * BPM
 * breakbeat
 * call & response
 * chord
 * chorus
 * contra-genre
 * counterpoint
 * crooner(s)
 * crossover
 * delay
 * distortion (pedal)
 * DIY
 * DJ or Deejay
 * drone
 * drop
 * EDM
 * falsetto
 * feedback
 * flanging / flanger
 * four-on/to-the-floor rhythm
 * fusion
 * glitch
 * grunting
 * half-time (rhythm)
 * hi-hat
 * hook
 * hoover
 * hybrid genre
 * indie
 * kazoo
 * keytar
 * kick (drum)
 * leslie (speaker)
 * LFO
 * lo-fi
 * major
 * mash-up
 * MC
 * mellotron
 * MIDI
 * modulation
 * mosh pit
 * multi-tracking
 * nillies
 * noise
 * non-genre
 * noughties
 * offbeat
 * oscillation (audio)
 * overlapping
 * phasing / phaser
 * pitch
 * portmanteau
 * power chord
 * reverb
 * revival
 * riff
 * sawtooth
 * sequencer
 * shouter(s)
 * sibling genres
 * sidechaining
 * slide guitar
 * snare
 * sound collage
 * subsonic
 * super-genre
 * syncopated
 * synth stabs
 * TB-303
 * Telecaster
 * theremin
 * time signature
 * time-stretching
 * toasting
 * TR-808
 * TR-909
 * turntablism
 * umbrella genre
 * vocoder
 * wobbly bass
 * wonky (sound/bass/filter)
 * YOLO


GENRE PREFIXES

 * nu-
 * proto-
 * old skool
 * post-
 * psy-
 * neo-
 * future-
 * nu skool
 * progressive / prog-
 * synth-




ACKNOWLEDGEMENTS

×


      LITERATURE

 1.   AHRENDT, Peter, Music Genre Classification Systems, PhD Thesis, Technical
      University of Denmark, 2006.
 2.   ALLEYNE, Mark, The Encyclopedia of Reggae, Sterling, New York, 2012.
 3.   ATKINS, Ronald, Jazz – from New Orleans to the New Jazz Age, Carlton
      Books, London, 2000.
 4.   BARROW, Steve, DALTON, Peter, Reggae, the Rough Guide, Rough Guides,
      London, 2001.
 5.   BELMER, Scott F., 20th Century Rock and Roll – Psychedelia, Collector’s
      Guide, Ontario, 1971.
 6.   BENNETT, Andy, Cultures of Popular Music, Open University Press,
      Buckingham, 2001.
 7.   BERELIAN, Essi, The Rough Guide to Heavy Metal, Rough Guides, London,
      2005.
 8.   BERGMAN, Billy, HORN, Richard, Experimental Pop – Frontiers of the Rock
      Era, Blandford Press, Dorset, 1985.
 9.   BERLIN, A. Edward, Ragtime – A Musical and Cultural History, University of
      California Press, Berkeley, 1980.
 10.  BIDDER, Sean, The Rough Guide to House, Rough Guides, London, 1999.
 11.  BILL, Martin, Listening to the Future: the Time of Progressive Rock, Open
      Court, Chicago, 1998.
 12.  BIRNBAUM, Larry, Before Elvis: The Prehistory of Rock ‘n’ Roll, Scarecrow
      Press, Lanham, 2013.
 13.  BLAKE, Andrew (ed.), Living Through Pop, Routledge, London, 1999.
 14.  BOGDANOV, WOODSTRA, ERLEWINE (ed.), All Music Guide to Country, Backbeat
      Books, San Fransisco, 2003.
 15.  BOGDANOV, WOODSTRA, ERLEWINE, (ed.), All Music Guide - The Definitive
      Guide to Popular Music, Backbeat Books, San Fransisco, 1998.
 16.  BOGDANOV, WOODSTRA, ERLEWINE, BUSH (ed.), All Music Guide - The Definitive
      Guide to Rap & Hip Hop, Backbeat Books, San Fransisco, 2003.
 17.  BOGDANOV, WOODSTRA, ERLEWINE, BUSH (ed.), All Music Guide - The Definitive
      Guide to R&B and Soul, Backbeat Books, San Fransisco, 2003.
 18.  BOGDANOV, WOODSTRA, ERLEWINE, BUSH (ed.), Electronica – The Definitive
      Guide to Electronic Music, Backbeat Books, San Fransisco, 2001.
 19.  BOGDANOV, WOODSTRA, ERLEWINE, YANOW (ed.), All Music Guide to Blues,
      Backbeat Books, San Fransisco, 2003.
 20.  BOGDANOV, WOODSTRA, ERLEWINE, YANOW (ed.), All Music Guide to Jazz (4th
      ed.), Backbeat Books, San Fransisco, 2002.
 21.  BORDOWITZ, Hank, Turning Points in Rock and Roll, Citadel Press, New York,
      2004.
 22.  BORTHWICK, Stuart, MOY, Ron, Popular Music Genres: an Introduction,
      Edinburgh University Press, Edinburgh, 2004.
 23.  BRADLEY, Adam, DuBOIS, Andrew (eds.), The Anthology of Rap, Yale
      University Press, London, 2010.
 24.  BRADLEY, Laura, Decoding Dubstep: A Rhetorical Investigation of Dubstep’s
      Development from the Late 1990s to the Early 2010’s, Master’s Thesis,
      Florida State University, 2013.
 25.  BREWSTER, Bill, BROUGHTON, Frank, Last Night a DJ Saved My Life, Grove
      Press, New York, 2006.
 26.  BROCKEN, Michael, The British Folk Revival, Ashgate, Aldershot, 2003.
 27.  BROUGHTON, Simon, ELLINGHAM, Mark (ed.), World Music vol.2 – Latin & North
      America, Caribbean, India, Asia and Pacific, Rough Guides, London, 2000.
 28.  BROUGHTON, Simon, ELLINGHAM, Mark, TRILLO, Richard (ed.), World Music
      vol.1 – Africa, Europe and the Middle East, Rough Guides, London, 1999.
 29.  BUKSZPAN, Daniel, The Encyclopedia of Heavy Metal, Barnes & Noble Books,
      New York, 2003.
 30.  BUTLER, Mark J. (ed.), Electronica, Dance, and Club Music – from: the
      Library of Essays on Popular Music, Ashgate, Surrey, 2012.
 31.  CARPENTER, Bil, Uncloudy Days – The Gospel Music Encyclopedia, Backbeat
      Books, San Fransisco, 2005.
 32.  CARR, Ian, FAIRWEATHER, Digby, PRIESTLEY, Brian; Jazz – The Rough Guide
      (3rd ed.), Rough Guides, London, 2004.
 33.  CARR, Roy; A Century of Jazz, Hamlyn, London, 1997.
 34.  CATEFORIS, Theo, The Rock History Reader, Routledge, New York, 2007.
 35.  CEPEDA, Raquel (ed.), And It Don’t Stop! – The best American Hip-Hop
      Journalism of the last 25 Years, Faber and Faber, New York, 2004.
 36.  CHAMBERS, Iain, Urban Rhythms – Pop Music and Popular Culture, Macmillan,
      1985.
 37.  CHARNAS, Dan, The Big Payback – The History of the Business of Hip-Hop,
      New American Library, New York, 2010.
 38.  CHRISTODOULOU, Chris, Rumble In the Jungle – City, Place and Uncanny Bass,
      in: Dancecult: Journal of Electronic Dance Music 3(1), p. 44-63, 2011.
 39.  CLARK, Walter Aaron, From Tejano to Tango, Latin American Popular Music,
      Routledge, London, 2002.
 40.  COHN, Lawrence, Nothing but the Blues, Abbeville Publishing Group, New
      York, 1993.
 41.  COLOMBO, Ambrose, From Disco to Electronic Music: Following the Evolution
      of Dance Culture through Music Genres, Venues, Laws and Drugs, CMC Senior
      Theses, 2010. See also: http://scholarship.claremont.edu/cmc_theses/83
 42.  COOK, Nicholas, POPLE, Anthony (eds.), The Cambridge History of
      Twentieth-Century Music, Cambridge University Press, Cambridge, 2004.
 43.  CORREA, Débora C., da F. COSTA, Luciano, LEVADA, L.M., Alexandre, Finding
      Community Structure in Music Genres Networks, in: ISMIR 2011, p.447-452,
      2011.
 44.  DICKERSON, James L., Goin’ Back to Memphis – A Century of Rock ‘n’ Roll
      and Glorious Soul, Cooper Square Press, New York, 1996.
 45.  DU NOYER, Paul (ed.), The Illustrated Encyclopedia of Music – From Rock,
      Pop, Jazz, Blues and Hip Hop to Classical, Folk, World and More, Flame
      Tree Publishing, London, 2003.
 46.  EASLEY, David B., Riff Schemes, Form and the Genre of Early American
      Hardcore Punk (1978-83), in: MTO, journal of the Society for Music Theory,
      vol.21/nr.1, 2015.
 47.  ESCOTT, Colin, Lost Highway - The True Story of Country Music, Smithsonian
      Books, Washington DC, 2003.
 48.  EVANS, David, The NPR Curious Listener’s Guide to the Blues, Grand Central
      Press, New York, 2005.
 49.  FABBRI, Franco, A Theory of Musical Genres: Two Applications, in: Popular
      Music Perspectives, pp.52-81, 1982.
 50.  FORDHAM, John, Jazz, Gaade Uitgevers, Houten, 1994.
 51.  FORMAN, Murray, NEAL, Mark Anthony, That’s The Joint! – The Hip-Hop
      Studies Reader, Routledge, New York, 2012.
 52.  FORMAN, Murray, The ‘Hood Comes First – Race, Space, and Place in Rap and
      Hip-Hop, Wesleyan University Press, Middletown, 2002.
 53.  FRITH, Simon (ed.), Critical Concepts in Media and Cultural Studies,
      Routledge, New York, 2005.
 54.  FRITH, Simon (ed.), Taking Popular Music Seriously, Ashgate, Hampshire,
      2007.
 55.  FRITH, Simon, GOODWIN, Andrew, On Record: Rock, Pop & the Written Word,
      Routledge, London, 1990.
 56.  FRITH, Simon, Sound Effects, Constable, London, 1978.
 57.  FRITH, Simon, STRAW, Will, STREET, John (eds.), The Cambridge Companion to
      Pop and Rock, Cambridge University Press, Cambridge, 2001.
 58.  GAROFALO, Reebee, CHAPPLE, Steve, Rock ‘n’ Roll Is here to Pay: The
      History and Politics of the Music Industry, Chigaco, 1977. Inside covers:
      Genealogy of Pop/Rock Music 1955-1978.
 59.  GASSEN, Timothy, The Knights of Fuzz – The New Garage & Psychedelic Music
      Explosion, Garage Nation, Tucson, 2014.
 60.  GODBOLT, Jim, The World of Jazz, Studio Editions Ltd., London, 1990.
 61.  HALL, Joanna Louise, Heterocorporealities – Popular Dance and Cultural
      Hybridity in UK Drum ‘n’ Bass Club Culture, University of Surrey, 2009.
 62.  HARRISON, David, The World of Blues, Studio Editions Ltd., London, 1994.
 63.  HAUBNER, Annette, and SANDNER, Wolfgang, 100 Years of Jazz – The Complete
      Pictorial History, MUZE Monde, Amsterdam, 1994.
 64.  HEGARTY, Paul, Noise / Music – A History, Continuum, New York, 2007.
 65.  HERMES, Will, MICHEL, Sia (eds.), Spin’s 20 Years of Alternative Music:
      Original Writing on Rock, Hip-Hop, Techno and Beyond, Three Rivers Press,
      New York, 2005.
 66.  HERZHAFT, Gérard, Encyclopedia of the Blues, The University of Arkansas
      Press, Fayetteville, 1997.
 67.  HOLMES, Thom, Electronic and Experimental Music, Routledge, New York,
      2002.
 68.  HOWARD, David N., Sonic Alchemy – Visionary Music Producers and their
      Maverick Recordings, Hal Leonard, Milwaukee, 2004.
 69.  HUGHES, Claire, Waking up in Chicago – A Musical Tour of the Windy City,
      Sanctuary, London, 2004.
 70.  JACKSON, Jerma A., Singing in My Soul – Black Gospel Music in a Secular
      Age, The University of North Carolina Press, Chapel Hill, London, 2004.
 71.  JASEN, David A. and JONES, Gene, Spreadin’ Rhythm Around – Black Popular
      Songwriters 1880-1930, Routledge, New York, 2005.
 72.  KEUNEN, Gert, Een Eeuw Pop Muziek, Lannoo, Tielt, 2015.
 73.  KEUNEN, Gert, Pop! Een halve eeuw beweging, Lannoo, Tielt, 2002.
 74.  KINGSBURY, Paul, Country – The Music and the Musicians, Abbeville Press,
      New York, 1994.
 75.  KINGSBURY, Paul, NASH, Alanna (ed.), Country Music – The Complete Visual
      History, Dorling Kindersley, London, 2006.
 76.  KIRSS, Pritt, Audio Based Genre Classification of Electronic Music,
      Master’s Thesis, University of Jyväskylä, 2007.
 77.  KOTSOPOULOS, Nikolaos (ed.), Krautrock – Cosmic Rock and its Legacy, Black
      Dog Publishing, London, 2009.
 78.  LAING, Dave, One Chord Wonders – Power and Meaning in Punk Rock, PM Press,
      Oakland, 2015.
 79.  LENA, Jennifer C., PETERSON, Richard A., Classification as Culture: Types
      and Trajectories of Music Genres, in: American Sociological Review,
      vol.73/nr.5, pp.697-718, 2008.
 80.  LIGHT, Alan (ed.), The Vibe History of Hip-Hop, Three Rivers Press, New
      York, 1999.
 81.  LOEVE, Hans (ed.), Fisk Gospelencyclopedie: Alles over Gospelmuziek en
      Relipop, Boekencentrum, Zoetermeer, 1996.
 82.  LUVAAS, Brent, DIY Style - Fashion, Music and Global Digital Cultures,
      Bloomsbury, New York, 2012.
 83.  MADRID, Alejandro L., Nort-Tec Rifa! Electronic Dance Music from Tijuana
      to the World, Oxford University Press, New York, 2008.
 84.  MANDEL, Howard, The Illustrated Encyclopedia of Jazz & Blues, Flame Tree
      Publishing, London, 2005.
 85.  MANNING, Peter, Electronic and Computer Music, Oxford University Press,
      New York, 1988.
 86.  MASTERS, Mark, No Wave, Black Dog Publishing, London, 2007.
 87.  McCARTHY, David, The Golden Age of Rock, Quintet Publishing, London, 1990.
 88.  McGOWAN, Chris, PESSANHA, Ricardo, The Brazilian Sound – Samba, Bossa
      Nova, and the Popular Music of Brazil, Temple University Press,
      Philadelphia, 1998.
 89.  McIVER, Joel, Nu-Metal – The Next Generation of Rock & Punk, Omnibus
      Press, London, 2001.
 90.  McLEOD, Kembrew, Genres, Subgenres, Sub-subgenres and More: Musical and
      Social Differentiation Within Electronic/Dance Music Communities, in:
      Journal of Popular Music Studies, 13, pp. 59-75, 2001.
 91.  McRAE, BARRY, The Jazz Handbook, Longman, London, 1987.
 92.  MERTENS, Wim, American Minimal Music, Kahn & Averill, London, 1983.
 93.  MILLER, Jim (ed.), The Rolling Stone Illustrated History of Rock & Roll,
      Random House Inc., New York, 1980.
 94.  MOORE, Allan, The Cambridge Companion to Blues and Gospel Music, Cambridge
      University Press, Cambridge, 2002.
 95.  MOORE, Thurston, COLEY, Byron, No Wave – Post Punk. Underground. New York.
      1976-1980, Abrams Image, New York, 2008.
 96.  MORGAN, Johnny, Disco – The Music, The Times, The Era, Sterling, New York,
      2011.
 97.  MOURITS, Bertram, Luisteren & Cetera – Het web van de popmuziek in de
      jaren zeventig, Uitgeverij Contact, Amsterdam, 2011.
 98.  MUNDRIAN, Albert, Choosing Death – The Improbable History of Death Metal &
      Grindcore, Feral House, Los Angeles, 2004.
 99.  NAPIER-BELL, Simon, Black Vinyl White Powder, Ebury Press, London, 2002.
 100. NICHOLSON, Stuart, Is Jazz Dead? (Or Has It Moved to a New Address),
      Routledge, New York, 2005.
 101. NICKSON, Chris, The NPR Curious Listener’s Guide to World Music, Berkley
      Publishing, New York, 2004.
 102. OH, Ingyu, LEE, Hyo-Jung, Mass Media Technologies and Popular Music
      Genres: K-Pop and YouTube, in Korea Journal vol.53/nr.4, pp.34-58, 2013.
 103. OLIVER, Paul, HARRISON, Max, BOLCOM, William, The New Grove – Gospel,
      Blues and Jazz, Papermac, London, 1986.
 104. PACHET, Francois, CAZALY, Daniel, A Taxonomy of Musical Genres, at:
      Content-Based Multimedia Information Access Conference, Paris, 2000.
 105. PAYTRESS, Mark, The History of Rock: A Definitive Guide to Rock, Punk,
      Metal and Beyond, Parragon, Bath, 2011.
 106. PERCINO, Gamaliel, KLIMEK, Peter, THURNER, Stefan, Instrumentational
      Complexity of Music Genres and why Simplicity Sells, in: PLOS
      DOI:10.1371/nr.0115255, December 2014.
 107. POSCHARDT, Ulf, DJ-Culture, Quartet Books Ltd., London, 1998.
 108. POTASH, Chris, Reggae, Rasta, Revolution – Jamaican Music from Ska to Dub,
      Schirmer Books, New York, 1997.
 109. PRATO, Greg, Grunge is Dead, ECW Press, Toronto, 2009.
 110. PRENDERGAST, Mark, The Ambient Century – From Mahler to Trance, the
      Evolution of Sound in the Electronic Age, Bloomsbury, New York, 2000.
 111. QUINN, Steven, Rumble in the Jungle: the Invisible History of Drum ‘n’
      Bass, in: Transformations, n°3, 2002.
 112. REED, Alexander S., Assimilate: A Critical History of Industrial Music,
      Oxford University Press, New York, 2013.
 113. REYES, Ian, Sound, Technology, and Interpretation in Subcultures of Heavy
      Music Production, PhD thesis, University of Pittsburgh, 2008.
 114. REYNOLDS, Simon, Energy Flash: A Journey through Rave Music and Dance
      Culture, Soft Skull Press, Berkeley, 2012.
 115. REYNOLDS, Simon, Generation Ecstacy – into the World of Techno and Rave
      Culture, Routledge, New York, 1999.
 116. REYNOLDS, Simon, Retromania – Pop Culture”s Addiction to its own Past,
      Faber and Faber, London, 2011.
 117. REYNOLDS, Simon, Rip it Up and Start Again – Post-Punk 1978-1984, Faber
      and Faber, London, 2005.
 118. RIETVELD, Allegonda C., This is Our House - House Music, Cultural Spaces,
      and Technologies, Ashgate, Aldershot, 1998.
 119. ROBB, John, Punk Rock – An Oral History, Ebury Press, London, 2006.
 120. SABIN, Roger (ed.), Punk Rock: So What? – The Cultural Legacy of Punk,
      Routledge, London, 1999.
 121. SALEWICZ, Chris, BOOT, Adrian, Reggae Explosion – The Story of Jamaican
      Music, Virgin, London, 2001.
 122. SANTELLI, Robert, GEORGE-WARREN, Holly, BROWN, Jim (Eds.), American Roots
      Music, Harry N. Abrams Inc., New York, 2001.
 123. SCARUFFI, Piero, A History of Jazz Music, Omniware, San Fransisco, 2005.
      See also: http://www.scaruffi.com/history/jazz.html
 124. SCARUFFI, Piero, A History of Popular Music before Rock Music, Omniware,
      San Fransisco, 2005. See also: http://www.scaruffi.com/history/pop.html
 125. SCARUFFI, Piero, A History of Rock and Dance Music, Omniware, San
      Fransisco, 2009. See also: http://www.scaruffi.com/history/long.html
 126. SCHAEFER, John, New Sounds: A Listener’s Guide to New Music, Harper & Row,
      New York, 1987.
 127. SCHARF, Natasha, The Art of Gothic, London, 2014.
 128. SCHOENBERG, Loren, The NPR Curious Listener’s Guide to Jazz, Perigee
      Books, New York, 2002.
 129. SCHUFTAN, Craig, The Culture Club, ABC Books, Sydney, 2007.
 130. SHAPIRO, Harry, Waiting for the Man – The Story of Drugs and Popular
      Music, Helter Skelter Publishing, London, 2003.
 131. SHAPIRO, Peter, The Rough Guide to Hip-hop, Rough Guides, London, 2001.
 132. SHAPIRO, Peter, The Rough Guide to Soul and R&B, Rough Guides, London,
      2006.
 133. SHARPE-YOUNG, Garry, Metal – The Definitive Guide –
      Heavy-Thrash-Death-Black-Gothic-Doom-Power-Progressive, Jawbone Press,
      London, 2007.
 134. SHIPTON, Alyn, A New History of Jazz, Continuum, New York, 2007.
 135. SHUKER, Roy, Popular Music – The Key Concepts, Routledge, London, 2002.
 136. SICKO, Dan, Techno Rebels – The Renegades of Electronic Funk, Wayne State
      University Press, Detroit, 2010.
 137. SPICER, Al, The Rough Guide to Punk, Rough Guides, London, 2006.
 138. SPICER, Mark (ed.), Rock Music – from: the Library of Essays on Popular
      Music, Ashgate, Surrey, 2011.
 139. STANLEY, Bob, Yeah Yeah Yeah – The Story of Modern Pop, Faber and Faber
      Ltd., London, 2013.
 140. STARR, Larry, WATERMAN, Christopher, American Popular Music, Oxford
      University Press, New York, 2003.
 141. STEENSMA, Frans (ed.), Lavrijsen, Annette (ed.), All That Jazz – Het
      Jazz-Soul-Urban-World-Blues-Singer/Songwriter Boek, Uitgeverij Carrera,
      Amsterdam, 2009.
 142. STEENSMA, Frans (Ed.), Oor’s Pop-encyclopedie 2014, B.V.
      Uitgeversmaatschappij, Amsterdam, 2014.
 143. STEVENSON, Nils, Vacant – A Diary of the Punk Years 1976-79, Thames and
      Hudson, Hong Kong, 1999.
 144. SZATMARY, David P., Rockin’ in Time – A Social History of Rock ‘n’ Roll,
      Prentice Hall, New Jersey, 2000.
 145. THOMPSON, Dave, Alternative Rock, Miller Freeman Books, San Francisco,
      2000.
 146. THOMPSON, Dave, Funk, Backbeat Books, San Francisco, 2001.
 147. THOMPSON, Dave, Reggae & Carribean Music, Backbeat Books, San Fransisco,
      2002.
 148. TURNER, Alwyn W, My Generation – The Glory Years of British Rock, V&A
      Publishing, London, 2010.
 149. VAN BERGEN, Mark, Dutch Dance, Xander Uitgevers, Amsterdam, 2013.
 150. VAN DEN HEUVEL, Hans (red.) e.a., Rock & Metal Encyclopedie, Strengholt’s
      Boeken, Naarden, 1997.
 151. VAN DER PLAS, Jan, SCHEPERS, Mike, Popmuziek van A tot Z, Spectrum,
      Utrecht, 2003.
 152. VINCENT, Rickey, Funk – The Music, The People, and The Rhythm of The One,
      St. Martin’s Griffin, New York, 1996.
 153. WILLIAMSON, Nigel, Rough Guides – The Best Music You’ve Never Heard, Rough
      Guides, London, 2008.
 154. WILLIAMSON, Nigel, The Rough Guide to the Blues, Rough Guides, London,
      2007.
 155. WOODSTRA, ERLEWINE, BUSH, THOMAS (ed.), All Music Guide to Classic Rock,
      Backbeat Books, San Fransisco, 2007.
 156. ZIMMERMAN, Keith and Kent, Sing My Way Home – Voices of the New American
      Roots Rock, Backbeat Books, San Fransisco, 2006.
 157. ZUBERI, Nabeel, MC Culture in the UK, in: Dancecult: Journal of Electronic
      Dance Music, vol. 5 (nr 2), 2013.


      DOCUMENTARIES

 158. BADER, Stascha (dir.), Rocksteady – The Roots of Reggae, HesseGreutert
      Film A.G., 2009.
 159. BENZ, Obie (dir.), The History of Rock ‘n’ Roll – Episode 5: Plugging in –
      Episode 6: My Generation, Warner Bros Entertainment, 2004.
 160. BREDOW, Gary (dir.), High Tech Soul – The Creation of Techno Music,
      Plexifilm UK, 2006.
 161. BURNS, Ken (dir.), Jazz, Florentine Films, 2000.
 162. CONNOLLY, Mike, Reggae – The Story of Jamaican Music, British Broadcast
      Channel, 2002.
 163. DE LA CALLE, Eduardo, Beatz – Convergences and Contradictions of
      Electronic Music, Barcelona, 2014.
 164. DEVILLÉ, Jozef, The Sound of Belgium, Visualantics, Brussels, 2012.
 165. DUNN, Sam (dir.), Metal: A Headbanger's Journey, Seville Pictures, 2005
      (DVD). Ibidem: Metal Family Tree, 2005.
 166. DUPRE, Jeff, CHERMAYEFF, Maro, Soundbreaking – Stories from the Cutting
      Edge of Recorded Music – Episode 1-8, A Show Of Force Production, 2015.
 167. FRIEDGEN, Bud (dir.), The History of Rock ‘n’ Roll – Episode 1: Rock ‘n’
      Roll Explodes – Episode 2: Good Rockin’ Tonight, Warner Bros
      Entertainment, 2004.
 168. GROHL, Dave, Sonic Highways – Episode 1-8, Therapy Content Productions,
      2014.
 169. MARRE, Jeremy (dir.), Roots, Rock, Reggae, Harcourt Films, 1977.
 170. NORMAN, Valerie (dir.), The History of Rock ‘n’ Roll – Episode 3: Britain
      Invades, America Fights Back – Episode 4: The Sounds of Soul, Warner Bros
      Entertainment, 2004.
 171. RICHMOND, Bill (dir), The History of Rock ‘n’ Rol l – Episode 7: Guitar
      Heroes – Episode 8: The 70s: Have a Nice Decade, Warner Bros
      Entertainment, 2004.
 172. SOLT, Andrew (dir.), The History of Rock ‘n’ Roll – Episode 9: Punk–
      Episode 10: Up from the Underground, Warner Bros Entertainment, 2004.
 173. SPIRER, Peter, Rhyme & Reason, City Block Films and Aslan Pictures, 1997.


      WEBSITES

 174. ALLMUSIC, Genres, 2016.
 175. ANALOGIK NETWORK, Electronic Music Styles, 2015.
 176. ARNOLD, Jacob, Gridface, 2015.
 177. BEAT EXPLORERS, Beat Explorers Dance Music Guide, 2015.
 178. BURKS, Brian, Creative Noise – Genre Glossary, 2001.
 179. CAREW, Anthony, Alternative Music 101 – Genre Guide, 2016.
 180. CHANG, Jeff, How Hip-Hop Got its Name, 2014.
 181. CLUB TRACTS, An Underground Electronic Dance Music Theory Archive –
      Genres, 2016.
 182. CODREANU, Teolin, Genre Tree, 2015.
 183. COOPER, Ryan, The Subgenres of Punk Rock, 2014.
 184. CRESCITELLI, Julia, A Complete Guide to House Music, 2015.
 185. DALLING, John M., History of Trance Music – History of Chillout Music –
      History of UK Hardcore – History of Speed Garage, 2013-2013-2006-1998.
 186. DJ LEXIS, UK Garage History & Family Tree, 2015.
 187. DJ[BB], The Breakbeat Genres, 2004.
 188. DOMOGALLA, Popgenres, 2015.
 189. ECHO NEST, Map of Music Styles, 2016.
 190. ECHO NEST, Music genres, 2016.
 191. ESSENTIAL CLUBBERS, Genre Labels, 2015.
 192. GALBRAITH, Patrick, Map of Metal, 2016.
 193. GERMUSKA, Joe, Styles of Jazz – map, Northwestern University, 1995.
 194. GIDDINGS, Steve, SHARON, Eyster, Jazz Timeline, 2006.
 195. GOOGLE RESEARCH, Big Picture and Music Intelligence at Google Research,
      Music Timeline, 2014.
 196. GSCE MUSIC REVISION, Club Dance Music Overview, Timeline, Influences,
 197. GUARDIAN, The, A History of Modern Music: the Timeline, The Guardian,
      2011.
 198. GUFFEY, Amanda, The Genealogy of American Music, 2010.
 199. MAXIMUM METAL, Heavy Metal Timeline
 200. KHAN, Osman, How Music Travels – The Evolution of Western Dance Music,
      2011.
 201. LAMERE, Paul, Echo Nest - Music Popcorn, 2015.
 202. LAMERE, Paul, The Labyrinth of Genre, 2011.
 203. MARTIN, Earle, Heavy Metal Family Tree, 2007.
 204. McCONNELL, Jack, Dance Punk 2014: The Rise, Fall and Return of the
      Centuries Most Engaging Genre, 2014.
 205. McDONALD, Glenn, A Retromatic History of Music, 2015.
 206. McDONALD, Glenn, Every Noise at Once, 2015.
 207. McLATCHEY, Mike, The Guide to Progressive Rock Genres, 2006.
 208. MITCHELL, Owen, Music Family Tree, 2012.
 209. PEARL, Max, Nine Subgenres You Probably Don’t Know About (And Maybe That’s
      OK), 2014.
 210. PETERSON, Matt, Metal Subgenre Family Tree, 2015.
 211. RILLING, Deanna, 10 Trance Subgenres You Need to Know, 2015.
 212. SCHNEIDMADEL, Fabian, Visual Music Guide, 2009.
 213. SHARFE, Evan Scott, The Genealogy of Electronically Produced Music –
      1950-2000, 2014.
 214. SILAS, Petri, What’s Next for Nordic Jazz?, in: Finnish Music Quarterly,
      2014.
 215. SONEMIC, Inc., RateYourMusic - Genre, 2015.
 216. TAYLOR, John Kenneth, Ishkur's Guide to Electronic Music
 217. The Echo Nest Lab, Map of Music Styles
 218. Thelonious Monk Institute of Jazz, Jazz Today Jazz Tomorrow, 2015.
 219. TUNEATTIC, Music Maps, 2012.
 220. Unknown, Jungle Drum ‘n’ Bass Definition
 221. WIKIPEDIA, List of Popular Music Genres, 2016.
 222. WIKIPEDIA, List of Music Styles, 2016.




ABOUT

×
musicma p version 1.1.1
by Kwinten Crauwels


CONTACT

For revisions, playlist suggestions or any question, please contact musicmap at:

INFO@MUSICMAP.INFO

Concept, Design and Text Web Development Final Text Revision Graphic Design
Counsel Programming Optimisation Background Photography Intellectual Property
Draft Text Revisions
Kwinten Crauwels Dries Crauwels Toshiro Abbley Michael Tritsmans, Steven
Vandeplas Dimitri De Jonghe, Peter Nelissen Niels Coetermans Ascribe Team Tom
Tritsmans, Dries Haesendonck

With special thanks to anyone who has contributed or supported the project in
one way or another and of course a tremendous thanks to all the artists for
filling this world with their music.


CHANGES LOG

Updates version 1.1.1 - October 2020

Store added. Various minor bug fixes.


DISCLAIMER

All content is copyright © 2016 Kwinten Crauwels. All rights reserved.
Reproduction or reuse without the written consent of the creator is strictly
prohibited. Musicmap does not host any physical media, only links to other
websites. Please contact YouTube or Spotify to report a copyright infringement.
YouTube and Spotify are registered trademarks.

Musicmap would like to discourage removing linked media by referring to the
Copyright Act, as musicmap is a free-of-charge website with a primary goal to
educate: Under Section 107 of the Copyright Act 1976, allowance is made for
"fair use" for purposes such as criticism, comment, news reporting, teaching,
scholarship, and research. Fair use is a use permitted by copyright statute that
might otherwise be infringing. Non-profit, educational or personal use tips the
balance in favor of fair use.




 

 

 

 


  PLAYLIST