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Submission: On October 24 via manual from US — Scanned from DE
Effective URL: https://elephant.art/
Submission: On October 24 via manual from US — Scanned from DE
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* Art * Photo * Life * Pop Culture * Books * SHOP KIOSK * ART CLASSES * RESIDENCIES * OUT NOW ISSUE #48 OUT NOW ISSUE #48 * Art * Photo * Life * Pop Culture * Books * SHOP KIOSK * ART CLASSES * RESIDENCIES * FEATURE LET’S ROCK! WHY HAS ART TAKEN A GEOLOGICAL TURN? From minerals to tektites, artists have a newfound fascination with everything stone, says Hettie Judah FEATURE LET’S ROCK! WHY HAS ART TAKEN A GEOLOGICAL TURN? From minerals to tektites, artists have a newfound fascination with everything stone, says Hettie Judah FEATURE LET’S ROCK! WHY HAS ART TAKEN A GEOLOGICAL TURN? From minerals to tektites, artists have a newfound fascination with everything stone, says Hettie Judah FEATURE LET’S ROCK! WHY HAS ART TAKEN A GEOLOGICAL TURN? From minerals to tektites, artists have a newfound fascination with everything stone, says Hettie Judah FEATURE LET’S ROCK! WHY HAS ART TAKEN A GEOLOGICAL TURN? From minerals to tektites, artists have a newfound fascination with everything stone, says Hettie Judah IMAGE OF THE DAY DAVID HAMMONS, UNTITLED, 1969 ART PENNY SLINGER: “IF ART CANNOT SHIFT YOUR SENSE OF REALITY, THEN IT IS NOT DOING ITS JOB” ART HANDS OFF! WHY IS PHYSICAL CONTACT WITH ART SUCH A TOUCHY SUBJECT? THIS ARTWORK CHANGED MY LIFE HOW ROTHKO’S SEAGRAM MURALS REFLECTED MY OWN DESPAIR BACK AT ME POP CULTURE TOE POKE: WHY IS FOOT FETISHISM STEPPING INTO THE SPOTLIGHT? ART CRUSH ART CRUSH: OCTOBER’S OBJECTS OF DESIRE FEMINIST ICONS: THE WOMEN ARTISTS AT THE CUTTING EDGE IN THE 1970S > “In this melodramatic self-portrait, Bertlmann poses in rapture in a parody of > eroticism and prescribed gender roles” THE SPACE BETWEEN US: LAURIE ANDERSON REFLECTS ON POST-TRUMP AMERICA > “People are always pushing you into one thing—you’re supposed to decide, > because we live in a world that doesn’t like complexity” ADVICE COLUMN ARE ART FAIRS WORTH THE EFFORT? OR ARE THEY JUST A BIG WASTE OF TIME? UNDER THE INFLUENCE ANDRA URSUŢA: THE REASONS WHY GHOST PHOTOGRAPHY HAUNTS MY WORK LIFE WE ARE FAMILY: HOW NOT TO EXCLUDE ARTIST MOTHERS (AND OTHER PARENTS) ART DIVERSE VOICES: THE CHANGING FACE OF CURATING SUNDAY READ ACTING OUT: EXPLORING PERSONALITY THROUGH A GRAPHIC NOVEL SET IN A DRAMA CLASS ART TALKING TRASH: DIGGING THE DIRT WITH MARINA ABRAMOVIĆ THIS ARTWORK CHANGED MY LIFE HOW ROTHKO’S SEAGRAM MURALS REFLECTED MY OWN DESPAIR BACK AT ME DOROTHEA TANNING’S SELF-PORTRAIT TAUGHT ME TO STOP SNEERING AT MY OWN ART HOW PAULA REGO’S THE DANCE TAUGHT ME THE STEPS OF MY OWN LIFE HOW LORRAINE HANSBERRY’S SELF-PORTRAIT TAUGHT ME TO REMAKE MYSELF THROUGH ART PHOTOGRAPHY RELATIVE STATES: EXAMINING ALL SIDES OF THE IDEA OF FAMILY SUNDAY READ YOU GOT RHYTHM: EXPLORING THE CONNECTION BETWEEN DANCE AND LIFE ART OPENING THE SHUTTERS: INSIDE THE WORLD OF DAVID LACHAPELLE UNDER THE INFLUENCE IAN CHENG: HOW THE IDEAS OF ERIC BERNE SHAPED MY AI CREATIONS ADVICE COLUMN WHAT IF PEOPLE DON’T LIKE MY ART? HOW CAN I DEAL WITH CRITICISM? ELEPHANT KIOSK SPLASH OUT ON A NEW ARTWORK FOR YOUR WALL Show More WALK THE BEACHES OF FIRE ISLAND AFTER DARK > “The sky above is bright purple, yet almost-white and all-black. It’s an image > of searching, not just for other bodies, but beauty, the sublime even” LOUISE BONNET: “WHEN I’M PAINTING, I HAVE TO OBLITERATE MY BRAIN ENTIRELY” > “Boundaries are tricky to maintain. Business, creativity, commerce, all gets > rolled into one, which can be exhausting” * Most Read * Most Recent READ MORE ART HIP TO BE SQUARE: CELEBRATING 30 YEARS OF CUBITT 5 MINUTES WITH LAURE MARY-COUÉGNIAS: “I NEED TO FORGET THAT I EXIST WHEN I PAINT” SUNDAY READ HIT ME WHERE IT HURTS: WHERE DO POP CULTURE, VIOLENCE AND ART MEET? ART CAROLEE SCHNEEMANN: INTO THE LION’S DEN WITH A TRAILBLAZING TALENT ART EXPLORE ART’S PAST, PRESENT AND FUTURE IN ELEPHANT’S AUTUMN WINTER 2022 ISSUE 5 MINUTES WITH MARINA PEREZ SIMÃO: “I NEVER WORK WHEN I’M SAD” SUNDAY READ BOYS WILL BE BOYS: A CELEBRATION OF GROWING UP MALE BOOKS PARKS, PROTESTS, PRIVATE TRAGEDY AND PUBLIC TRIUMPH FILL SEPTEMBER’S BOOKS SUBSCRIBE TO THE ELEPHANT NEWSLETTER * Email Get the week on Elephant straight to your inbox FacebookFollow on FacebookInstagramFollow on InstagramTwitterFollow on Twitter POP CULTURE POWER, POUSSIN AND PENISES: WHY DOES FASSBINDER PUT MIDAS AND BACCHUS ON FILM? UNDER THE INFLUENCE FRANK BOWLING: PIET MONDRIAN SHOWED ME HOW TO FRAME THE ACTION IN MY OWN WORKS ELEPHANT ACADEMY LEARN TO PAINT LIKE AN OLD MASTER ART ANOTHER TIME, ANOTHER PLACE: INSIDE THE MIND OF HAEGUE YANG 5 MINUTES WITH HADI FALLAHPISHEH: “ART HAS THE POWER TO MAKE SOMEONE THINK TWICE” PHOTOGRAPHY THE FINAL FRONTIER: 50 YEAR OLD MOON FLIGHT PHOTOS BLAST OFF AGAIN CAMERA WOMAN: REDISCOVERING CHARLOTTE MARCH’S FASHION IMAGES > “In her mirrored eyewear is a hint at the reversal of the typical male-female > power dynamic: can March herself be glimpsed behind the shutter?” THE BIRTH OF AN ICON: SUSAN KARE AND THE CREATION OF APPLE’S GRAPHICS > “Though we interact with the fruits of her labour pretty much every day, the > New York-born designer is still little recognised within popular culture” PHOTOGRAPHY TEENAGE KICKS: TAKE A TRIP THROUGH 100 YEARS OF YOUTH CULTURE IN BRITAIN SUNDAY READ FABULOUS FLIGHTS OF FANCY FILL THE WORKS OF EMILY MAE SMITH LIFE HUSSEIN AL-CHOKHDAR: “MY JOURNEY TO THE UK HAS MEANT THAT I FOUND A VOICE” LIFE KHATUN: “I TAKE PHOTOGRAPHS AND MAKE FILMS TO LEARN ABOUT PEOPLE’S LIVES” IN PRINT DRAWING APOCALYPTIC VISIONS FOR THE FUTURE WITH VIKTOR HACHMANG LIFE TANOA SASRAKU: “I ALWAYS STRUGGLED WITH THE IDEA OF PATRIOTISM” Show More ESSENTIAL ART BOOKS PARKS, PROTESTS, PRIVATE TRAGEDY AND PUBLIC TRIUMPH FILL SEPTEMBER’S BOOKS TINY TOWNS, GLOBAL DISASTERS AND THE THEORY OF COLOUR ALL SIT ON AUGUST’S READING LIST JOURNEY FROM THE HEART OF THE CONGO TO THE SET OF THE SHINING WITH JULY’S ART BOOKS CALIFORNIA SURFERS MEET ACID HOUSE RAVERS IN JUNE’S ART BOOKS ELEPHANT KIOSK MEET LEFRANC BOURGEOIS, A HERITAGE ART BRAND BUILDING FOR THE FUTURE LIFE ANYA PAINTSIL: ”MY ‘WELSHNESS’ HAS ALWAYS BEEN QUESTIONED” LIFE SHERIE SITAUZE: “IF YOU FEEL LIKE YOU’RE BRITISH, THEN YOU’RE BRITISH” LIFE FURMAAN AHMED: “WE NEED TO DECOLONISE ARTMAKING SO IT’S MORE EMOTIONALLY LED” SUNDAY READ PARK LIFE: CAPTURING THE MANY SIDES OF CENTRAL PARK LIFE VISIT AN INCREDIBLE SCULPTURE COLLECTION IN ONE OF LONDON’S ART DECO GEMS ISSUE 47 - SPRING/SUMMER 2022 Elephant’s Spring/Summer 2022 edition embraces life. Performance art icon Marina Abramović beams out from one of our two covers, while our alternative special cover showcases one-time student and teacher pairing Sin Wai Kin and Tai Shani in full wedding regalia. £13.99 More info Buy Me * About Us * Write for Us * Stockists * Privacy Policy Follow Us FacebookFollow on FacebookInstagramFollow on InstagramTwitterFollow on Twitter We use cookies for all the usual reasons. Click Accept and this message will go away. Accept More Info Privacy & Cookies Policy Close PRIVACY OVERVIEW This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the ... Necessary Necessary Always Enabled Necessary cookies are absolutely essential for the website to function properly. 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