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‘THE WHO’S TOMMY’ BROADWAY REVIEW: 4 STARS FOR A GALVANIZING ROCK REVIVAL

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Published March 28, 2024, 9:05 p.m. ET
Trailer for 'The Who's Tommy Musical' on Broadway

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Theater review


THE WHO'S TOMMY



Two hours and 15 minutes, with one intermission. At the Nederlander Theater, 208
West 41st Street.

Little Tommy Walker, that “deaf, dumb and blind kid” who sure plays a mean
pinball, may be off in a quiet vibration land, but there’s nothing low-volume
about “The Who’s Tommy” on Broadway.

The quaking revival of Pete Townshend’s seminal rock opera, which opened
Thursday night at the Nederlander Theater after nearly three decades away,
really is an espresso martini of a show after a chamomile-tea season of
musicals.

Everything about this exhilarating production shakes you awake and leaves you
buzzed: Knockout singing, superbly inventive stagecraft and a star-making
performance from 24-year-old Ali Louis Bourzgui as the Pinball Wizard that’s the
most exciting New York stage debut in years. 

I hope the Nederlander’s carpets are regularly vacuumed. Because for two hours
and 15 minutes, my jaw became all too well acquainted with the floor.  



Don’t lazily dismiss “Tommy” as a nostalgia trip for Baby Boomers, either.
Townshend’s imaginative and proudly strange show, about a four-year-old boy who
loses his senses of sight and hearing after traumatically witnessing a murder,
only to later wind up an arcade superstar, is an ideal concoction for our
creativity-starved moment.


EXPLORE MORE


PRINCE HARRY AND MEGHAN MARKLE ARE ALLOWED TO KEEP OVER 20 GIFTS FROM NIGERIA
TOUR — BUT WORKING ROYALS CAN'T


WHO IS ABC'S FIRST-EVER 'GOLDEN BACHELORETTE'? MEET 61-YEAR-OLD GRANDMA JOAN
VASSOS FROM MARYLAND


KIM KARDASHIAN MESSAGED NIKKI GLASER ABOUT 'ABUSE' AFTER BRUTAL TOM BRADY ROAST 

Composed back in 1969 when music was still about art, not algorithm, “Tommy” has
the edge and originality of today’s intimate gems that critics go gaga for —
only with infinitely better tunes audiences love, such as “Sensation, “I’m Free”
and “Listening to You.”

4
“The Who’s Tommy” returns to Broadway for the first time in nearly 30 years.
Matthew Murphy

However, as it was also dreamt up by a rocker who was accustomed to playing
adoring stadiums, the resulting musical is on the dazzling scale that
ticket-buyers look to Broadway to provide. 

Townshend’s sprawling story demands the ambition and fastidious detail of
director Des McAnuff, who first staged “Tommy” on Broadway in 1993 and also
co-wrote the book. There is not a second of dead air in his latest go-round,
which began at the Goodman Theater in Chicago.

Set in World War II-era Britain (and also now in a more nebulous “past” and
“future”), Tommy turbulently travels from four-years-old to ten — and then to an
even more discombobulating adulthood, being wronged all along the way. 

Seeking a cure for their son, his mum (Alison Luff) and dad (Adam Jacobs) cart
the boy off to doctors and a last-ditch-effort Acid Queen (Christina Sajous).
He’s abused by his wicked Uncle Ernie (John Ambrosino, a perfect creep) and gets
bullied by Cousin Kevin (Bobby Conte).

Jacobs and Luff, with soaring voices, give layered portrayals of loving but
flawed parents.

4
Tommy’s parents (Alison Luff and Adam Jacobs) try to find a cure for their deaf
and blind son. Matthew Murphy

And some exceptional child actors play Tommy in his torturous younger years. The
character stares blank-faced as he’s moved balletically through space by
troubled adults who make every decision for him, for better or worse.

Tommy’s life sucks, and he’s soothingly watched over by his “see me, feel me,
touch me, heal me” older self (Bourzgui) in almost “it gets better” fantasy
sequences.

The situation briefly improves when he first gets his supple wrists on his
favorite game of metal balls and levers — and becomes world renowned. 

In a highlight, the trio of Conte, Mark Mitrano and Jeremiah Alsop mesmerizingly
wail “Pinball Wizard” and threaten the structural integrity of a 103-year-old
theater, with the help of sound designer Gareth Owen. So forceful, their song
is.

4
Lorin Latarro turns the rock opera into a veritable dance show. Matthew Murphy

Of course, fame has its pitfalls, too, and now it’s Tommy’s younger iterations
who return to the stage as visions to support him amid grown-up pressures — such
as becoming a cult leader with crazed followers like Sally Simpson (Haley
Gustafson).

That we all have an inner adult and an inner child is a deeply relatable idea,
even in a cuckoosical such as this one.

David Korins’ set of spaceship white-neon frames is more streamlined than past
“Tommy’s,” but it’s used so deftly by McAnuff, lighting designer Amanda Zieve
and choreographer Lorin Latarro to paint lush and kaleidoscopic stage pictures.

Most wouldn’t call this musical a dance show, but Lotarro’s thrilling
choreography makes a case for that category. The moves are wide-ranging — from
the foxtrot to the robot — and the phenomenal ensemble dons police helmets,
stethoscopes, church robes and dystopian metal masks as they inhabit a dizzying
number of never-still roles. 

4
Ali Louis Bourzgui is a sensation as Tommy in “The Who’s Tommy” on Broadway.
Matthew Murphy

Fantastic as the entire cast is, enough cannot be said of Bourzgui.

The actor is not only a remarkable time-machine find for a trippy sixties
classic, with dangerous eyes like those of Malcolm McDowell’s Alex DeLarge in “A
Clockwork Orange.”

He’s also got the glam aura of David Bowie and a wholly unique baritone that
easily shifts from sensitive to commanding. And, I suspect, from rock operas to
traditional musical theater as well.

19
What do you think? Post a comment.

After the brilliant Michael Cerveris made his Broadway debut as Tommy in 1993,
he went onto play towering roles such as Hedwig, Sweeney Todd, John Wilkes Booth
in “Assassins” and “Peron” in “Evita,” while originating memorable roles in new
musicals like “Fun Home” and “Titanic.”



That’s the sort of “amazing journey” I predict for Bourzgui.




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 * 3/28/24

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"The Who's Tommy" returns to Broadway for the first time in nearly 30 years.
Matthew Murphy
Tommy's parents (Alison Luff and Adam Jacobs) try to find a cure for their deaf
and blind son. Matthew Murphy
Lorin Latarro turns the rock opera into a veritable dance show. Matthew Murphy
Ali Louis Bourzgui is a sensation as Tommy in "The Who's Tommy" on Broadway.
Matthew Murphy
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