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FINAL DRAFT 10 FOR MAC PIRATE




 * FINAL DRAFT 10 FOR MAC PIRATE SOFTWARE


The app continues to anticipate elements as you write.


FINAL DRAFT 10 FOR MAC PIRATE SOFTWARE

To select a different element – for example, a description of action, you can
select it from the drop-down.īut as you can see bottom-left in the screengrab
above, the software prompts you to use an easier method: tab between elements
and hit Enter to select one. You can see the element the app is expecting you to
write from the drop-down menu at the bottom. But because it knows how the
screenplay should open for your target production, it will effectively tell you
which element to write first.įor example, if you choose a BBC one-hour drama, it
will pre-select the Scene Heading element for you, as that’s the very first
thing that you should write. Once you’ve done this, you’ll get a blank document
waiting for you to begin writing, as you’d expect. This will ensure that the
software uses the right formatting for your target audience.

The first thing you need to do is choose your template. As the company’s slogan
says, Just Add Words. And even if you know exactly what you’re doing, getting
the formatting right can be a distraction from simply writing the story.įinal
Draft aims to almost completely automate the formatting of a screenplay. You
focus on the words, and let the software take care of the rest. If you don’t
know the drill, it’s very easy to produce a script that can be instantly
dismissed as the work of a know-nothing amateur. To make matters worse,
different production companies have their own variations on the theme, and even
within one organization – like the BBC, for example – the format used for
30-minute sitcoms is totally different to the one used for one-hour dramas.

Some things must be in caps, others in mixed case. Some things must be centered,
other things must not. So what does it do to earn such praise and justify the
cost … ?įinal Draft was created by an aspiring screenwriter who found it both
challenging and time-consuming to format his scripts such that they would meet
the exacting standards of Hollywood studios.Ī Hollywood studio has an
established format for every aspect of a script, from the typeface and font size
used through the precise (and differing) indents for dialog and action – all the
way down to the colon that appears at the end of camera transitions. Ben Stiller
said that ‘Final Draft is the only screenwriting software I have ever used, and
it is the only one I ever will use.’īut priced at a hefty $250 for the Mac app
and another $20 for the iPad companion app, it’s not a trivial investment for
most of us. But when I accidentally found myself working on a screenplay for a
comedy series, I thought I’d try the industry-standard software for the job:
Final Draft.įinal Draft comes highly recommended, used by all the top studios
and praised by such screenwriting talents as Aaron Sorkin, James Cameron, JJ
Abrams, Sofia Coppola and more. Regular readers will know I’m a big fan of
Scrivener, having used the app to write three novels, two novellas and a travel
guide.




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