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V1.0.8 - CHAT IS STINKY EDITION





 1.  Site Navigation
 2.  Live Stream
 3.  Who are you?
 4.  Skills Required
     Art

     Music

     Programming

 5.  Picking a Genre
 6.  Building a Team
 7.  Tools
     Engines

     Art Programs

     Audio Programs

 8.  Financing
     Streaming

     Publishers

     Kickstarter

     Merchandise

     Subscription Services

     Scams

 9.  Marketing
     Building a Community

     Social Media

     Paid Advertisement

     Conventions

     Awards

 10. Launching Your Game
     Steam

     Humble Bundle

     Game Jolt

     Itch.io






LIVE TWITCH DEVSTREAM












WHO ARE YOU?




My name is Jason Thor Hall but I just go by my middle name of Thor. I started in
the games industry in 2004 on World of Warcraft Vanilla. I've worked for
Blizzard Entertainment, Amazon Games Studios, the United States Department of
Energy, and now Pirate Software. I've got three black badges from DEFCON, two
for cryptography, and one for telephreaking. I'm a programmer, hacker, game
developer, and all around giant nerd.

I left all of that behind and started my studio Pirate Software in 2017 and I
haven't looked back since. As the studio head I wear a lot of hats. I'm the
programmer, writer, designer, game director, social media manager, and tons of
other jobs. I feel extremely confident in running my studio and in how far we've
come and how everything has turned out. Any decision that I ever make is based
on analytics and research.

Right now we are working on an RPG called Heartbound. It's an adventure that
focuses heavily on player choice and I stream all of the development live every
day on Twitch. Heartbound made it through Steam Greenlight in 11 days as the top
voted submission across the entire platform. We then ran a successful
Kickstarter campaign that hit 385% of its funding goal. At the time of this
writing Heartbound is in Early Access on Steam and voted 97% positive out of
1,213 reviews. It's been translated into six languages and is really well liked
all over the world.

Listed below are all of the bits of advice that I have for anyone wanting to get
into making games. Understand that this line of work is not for everyone. It's
not easy. It can be boring at times. It can be soul crushing at times. Just like
any other job. That being said it can also be the most fulfilling thing you've
ever done in your life. There is nothing that compares to someone playing your
creation and enjoying it.










WHAT SKILLS DO I NEED?




What if I told you that you didn't need any? Well guess what. You don't. We live
in a time where you can learn anything you need to make a game with relative
ease. Despite what you may think none of that comes from natural talent. We all
just pour our hours into getting better at what we do. You can do the same.
Below you will find some examples of games that are already out there that help
reinforce this.








YOU DON'T NEED TO BE AN AMAZING ARTIST.







Thomas Was Alone is made of rectangles. All of it. Even the particles. It will
also make you cry. Thomas Was Alone is a masterclass in minimalist art and
fantastic voice over. You can make simple shapes. You can learn to make
particles out of simple shapes. You can create a shell of a game that
accomplishes the same basic goals as Thomas Was Alone. You can make a game.








Suits A Business RPG was made with incredibly simplistic pixel art and drawn
pencil images that are scanned into a computer. It's entirely unique and
incredible. This shows that you can really break out of standard game visuals
and still succeed. You can draw doodles on paper. You can make a game.








West of Loathing is the glorious successor to Kingdom of Loathing. It's also
entirely stick figures and insane humor. The cartoony simplistic figures really
help lean in to the rest of the story and jokes in a way that makes it all even
funnier. You can make a stick man. You can make a game.








Nepenthe takes a similar route as Suits A Business RPG. It was made entirely in
colored pencil, scanned into a computer, and used as tiles and assets. The
effect ends up making a really unique and surreal adventure. You can draw
doodles on paper. You can make a game.








YOU DON'T NEED TO BE AN AMAZING MUSICIAN.







Hidden Folks is effectively an evolution on Where's Waldo and while it's simple
in concept it's super well executed. The wild thing that sets it apart is the
audio. Everything... and I do mean everything, is mouth sounds. All of the
music, the effects, all of it was made with someones face. It's incredible. You
have a face. You can make a game.








YOU DON'T NEED TO BE AN AMAZING PROGRAMMER.







Yes, that's right. Undertale is a damn incredible game. It has a unique combat
style, great story, the puzzles are ok, and the dad jokes are plentiful. Toby
Fox was a much more novice programmer at the time and the code base has some
incredibly odd choices throughout it. Does it matter? Is the game less fun?
Protip: It doesn't matter. You can learn programming as you go. You can make a
game.










WHAT KIND OF GAME SHOULD I MAKE?




Everyone wants to make the biggest most impressive game they've ever seen at
first. They want to show it off for clout and admiration from others. They want
to make something worthy of praise. Many of us want to make our dream game right
off the bat and just amaze everyone with how awesome we are. Don't. Don't make
that game as your first game.

If you make your dream game it's the same as fighting the final boss at level
one. You need to build up a little bit of know-how by grinding lower level mobs
first. You need to learn what kind of developer you are. You need to learn what
kinds of games you like making not just the ones you like playing. You need to
find your style and form your niche in the world of game development. We all
have a voice and making something small helps you find yours.

This doesn't mean you need to go sadly run yourself through tutorials or miles
of projects that will never see the light of day. It means you should develop
something small with the intention of releasing it and getting feedback so you
can level up. Play dungeons and dragons and DM a few games with a custom world
you built. Make an arcade game, launch it, and get feedback from people. Join a
bunch of Game Jams and feel out how you like working with others or what works
best for a team. Grow yourself so you can make great games.

One of the best ways to start this process is by building a Game Design
Document. This is a living document to help you organize your entire project and
stay in scope. It also lets you investigate different engines or languages that
may work with the kind of game you're making before you commit. Overall a GDD
saves you time and money and is always beneficial.

Even with all of my prior experience I had no idea what I was doing when I went
indie at first. I had never launched a game outside of a triple A studio. I had
never launched a demo or built a community. We used our first game Champions of
Breakfast to do that. We went through Steam Greenlight, made all the icons,
learned how to build achievements, Steam trading cards, made a Discord, made a
Twitter, reached out to streamers, and everything else that a studio needs to
know.

Our little game didn't do very well but it taught us everything we needed to
know to make Heartbound succeed. Champions of Breakfast was made in twenty four
days from concept to release on Steam and it is by far the most important step
we ever took as a studio.









HOW DO I BUILD A TEAM?




In todays world this is a lot easier than you think. We actually run four game
jams a year over on our Discord servers specifically to help people get
comfortable with making games together. Join game jams there or on Itch.io. You
can find HUNDREDS of game jams there and really mingle with a bunch of people
out there. The more you do this the more confident you will be in your abilities
and the more you will learn what you are looking for in a team.

From there it's just a matter of determining how your team is going to run on
the financial side of things. This is entirely up to you and the laws of your
area. For us we split the sales of our games between the devs working on it. The
OST sales are also given entirely to our musician so they get a nice bump for
that. It's really important that people are fairly compensated for their work
and that the payment structure is defined and agreed upon early on. Helps avoid
hurt feelings and legal issues down the line.

Just like with making games this is a learned skill that takes time to get
better at. The more game jams or social projects you work on the better you will
get at them. Learn from each experience, keep notes, learn about yourself and
what your limits are, learn to read when others are at their limit or
overworking themselves. Becoming a leader takes time and is a never ending
process so don't feel bad if you mess up once in a while.









TOOLS




Right now is the best time in history to make a game. Tools are easier to access
and tons of cheap or free versions are available for any discipline. Social
programs such as Guilded and Discord allow people to work together
collaboratively from anywhere. With storage solutions like Google Drive and
Github we can share files and work without a huge amount of financial buy in.








THERE IS NO BEST ENGINE.





Choose an engine that supports your style of game and your financial situation.
Don't choose an engine based on what people say is the 'best' engine. There is
no 'best' engine. There are great engines for different kinds of games. Tools
are not diminished in value based on their price or lack thereof. There are also
hundreds of engines available out there. Go explore your options!

Doki Doki Literature Club was made in a free to use python tool called Ren'Py
that is specifically designed to make visual novels. Risk of Rain was made in
GameMaker and MS Paint. Yes, you read that right... MS Paint. The cost of your
tools does not define the value of what you make.

Understand that this isn't an exhausive list of engines. There are tons of
engines out there that are good or great for a variety of game styles. Go out
there, find stuff, build stuff, and don't be an elitist about tools.








Godot is a beast. Completely built by its community, fully open source, and
entirely free. It excels in 3d is great for 2d and is now being used by major
studios. You literally can't get a better deal as a small studio than free.
Actually free. Not free with royalties. Real free. Use Godot. Seriously. Godot
was used to make Dome Keeper and Endoparasitic.








GameMaker is a great engine for making 2d games but not very strong with 3d. You
can use the free trial indefinitely for non-commercial use and it allows exports
to Desktop targets as well as Web and Mobile. The monetization model is very
competitive at 100$ one time for a lifetime license. For Console it's 80$ per
month or 800$ per year. All of these prices have regionalized pricing making it
affordable pretty much anywhere. They don't take royalties which is pretty great
if your game takes off as well. Game Maker Studio was used to make Heartbound,
Hyper Light Drifter, Risk of Rain, Nuclear Throne, Pizza Tower and Undertale.








Unreal Engine is a powerhouse in the 3d arena that has a great monetization
model. If your game makes under 1,000,000$ over its lifetime you pay them
nothing. Anything beyond that has a 5% royalty tagged onto it. They are also
entirely free to use for unmonetized projects. Definitely great for startups but
it can have a steep learning curve. Unreal was used to make Fortnite, Conan
Exiles, Kingdom Hearts 3, and Octopath Traveler.








Ren'Py is a fantastic engine specifically made for Visual Novels. It's
completely free, easy to use, and has a great community around it. Definitely
able to make some powerful and interesting games. Ren'py was used to make Doki
Doki Literature Club.








THERE IS NO BEST ART PROGRAM.





Just like with an engine you should choose an art program that works best for
you. Just because a program costs more or is more revered in certain circles
doesn't mean it's better for you or your workflow. Everyone works differently
and everyone feels more or less comfortable with different software and
hardware. If you want to use MS Paint on a tablet it's fine. If you want to use
Photoshop on a Cintiq that's also fine.








Aseprite is the actual god of pixel art tools. Running at a cheap 20$ this
powerhouse is super affordable but also carries an extra bonus. You can get it
for free. If you compile Aseprite from their github it's entirely free software.
Get this, use this, make sick pixel art.








Gimp is an incredibly fantastic image editing tool generally looked down on for
being the ugly brother of photoshop. That being said it has a few super powers
that photoshop doesn't have... it's not owned by Adobe and it's completely free.
We've used gimp for tons of stuff over the years from promotional art, to touch
ups on logos, or making in-game assets. Definitely give this a look if you
haven't before.








Blender is a really powerful and entirely free 3d modeling and animation tool.
It can do some absolutely insane stuff and as it continues to evolve it has met
or exceeded the power of the best 3d modeling tools out there. If you want to
build awesome 3d stuff then this is your go to workhorse.








THERE IS NO BEST AUDIO PROGRAM.





I spoke to our musician Stijn van Wakeren for this information as it's not
really my area of expertise. You should definitely hit them up if you have
questions about these programs or want more insight into why they are so
powerful. That being said, here are some rad programs you can use to make music
or sound effects with relative ease.








FamiStudio is an awesome free tool for making NES style chiptunes and sound
effects. There is a pretty massive fan community built around it and a ton of
easy to follow YouTube tutorials to get you started making stuff. I really love
the sounds that come out of this thing and it really hits that nostalgia factor.
You can even review the source or compile it yourself. Honestly awesome.








Anvil Studio is a completely free MIDI audio design platform. If you're just
starting out or really want a nice oldschool feel to your audio I really
recommend checking this out. You can even print sheet music from your creations
with one of their addons.








FL Studio is by far the gold standard for audio tools. All of our music and
sound effects were made in it. It's incredibly easy to use, insanely versatile
letting you make a wide range of awesome stuff, and it's pretty affordable with
a 100$ price tag for lifetime updates. If you're serious about making audio
magic and want something powerful and long lasting then FL Studio is the right
choice.









HOW DO I RAISE MONEY?




Making money as an indie dev can be a really daunting task especially when
you're just starting out. The advice I will always give is to not quit your day
job. Make games as a hobby at first. Come home every day from work and spend
time on your game for a few hours. Make it a routine. Save money each pay check
in your indie fund to help get assets and software for your hobby. Keep things
small and this is absolutely doable.

There are a number of ways you can raise funds for your games from the outside.
I will list a number of them below and the strengths and weaknesses of each.
Every platform has its benefit and every platform has its weakness. Spreading
your game to more platforms makes things harder to manage but might extend your
reach as well. It's all about balance and impact and it will be different for
every game. Go slow, figure things out, move when it feels right and you know
you can do it.

You also have to look out for people trying to get a free piece of your pie. We
get tons of scam offers every day from all kinds of sources. If you accidentally
step on any of these land mines it could be the death of your project without
you realizing it until months or even years later. Don't sell yourself short and
look out for some of the pitfalls below. That's your pie and you need to protect
it.

All that being said here are a few methods we used and still use to raise money
to keep the lights on.









STREAMING







Twitch has been the cornerstone of our studios income throughout everything
we've done. It serves as a great way to interact with the community, a source of
revenue, and a real time interactive advertisement for the work we do. We
literally would not exist without Twitch.

After a long campaign Twitch recently created the Software and Game Development
category for our community. We finally have a home as game devs and I couldn't
be happier. Go check out the Streaming section of the site for more information
about this because there is a lot to unpack.









PUBLISHERS







Any time you are thinking about going with a publisher just keep one question in
mind. Will their help lead to profits above and beyond the revenue cut they
take? If you don't know the answer or if the answer is no then you don't need a
publisher. If you can release your game without a publisher then you absolutely
should.

On average, most publishers ask for 30-70% of the income of your game. This cost
is a dinosaur carry-over from the days when publishers handled physical
cartidges and units on shelves in retail stores. We don't need that anymore due
to digital distribution like Steam, Humble Bundle, etc.









KICKSTARTER







Kickstarter is a great place to raise funding when you've already got a
community base and a workable demo. I definitely wouldn't advise going this
route before you have those things ready. I also wouldn't rely on Kickstarter as
something that will fund the entire development of your game. We used it as a
marketing platform and to get initial funding for hardware, software, and audio
samples. Wait to launch your Kickstarter until you know you will succeed. Don't
leave it up to chance.









MERCHANDISE







Merchandise has been a lot of fun to create and distribute around the world.
With changing shipping rates and material costs things have been pretty rough
but we always find a way to adapt to the new meta.

We use Pirate Ship for shipping because they let you upload a csv, are super
cheap, and are ridiculously on-brand for us. We get our stickers made through
Sticker Mule because they are very high quality, don't break the bank, and ship
super quickly. For prints and clothing we go through Printful which does both
the manufacturing and the shipping. They also automatically hook up to store
fronts like Big Cartel and Shopify which makes things super easy.









SUBSCRIPTION SERVICES







Ko-Fi is like Patreon if Patreon wasn't the actual devil. Unlike the actual
devil, Ko-Fi charges a flat fee for their subscription service. Right now it's
54$ a year. That's 4.50$ per month. No hidden percentages or other garbage.
Literally all the functionality that Patreon offers but without the 8% helltax
tacked on.

When people join in on Tiers they also pay immediately so no more offset
payments or stolen content when someone declines their card at the end of the
month. They also have an alert system for your stream and you can accept
donations through them. Switch to Ko-Fi. Seriously.









SCAMS







Scams are a super prevalent pitfall in the world of the indie dev. Do not sign
anything you haven't read. If you're unsure of what something means in a
contract then talk to a lawyer. If you do accidentally give out keys for your
game you can burn them through the Steam Partner tools so don't worry. Outside
of that here are a few examples of some scams we've encountered and avoided.








THE INFLUENCER SCAM





This is the most common form of scam targeting indie developers.
You will get these.
All of us do.

The scam works generally over email and starts with someone claiming they are a
streamer or game reviewer. They will be using the correct icon for their
profile, show legitimate links to social media accounts, and talk a little bit
about their content. However, the email will not be correct. Always check for an
influencer's business email before sending keys. You can usually find this on
their YouTube About section. It may just be one letter off but it's not the real
creator contacting you if they don't match up.

These emails are automated and the key eventually winds up on a third party
website to be sold at a price lower than your games price. Out of thousands of
emails we have only received a handful of legitimate human beings. Be vigilant
in your checks and don't be wowed by a potentially famous creator emailing you.

With that in mind my way of handling this has changed a bit in the last few
years. I now give them the Steam Key and then burn it 12-24 hours later. On the
scammers side their automated system checks the key and puts it up for sale.
Then someone buys it and it doesn't work. That customer is then likely to leave
a negative review for the scam seller. Hit them where it hurts. In their
reputation. After starting this tactic my influencer scam emails decreased by
roughly 90% and haven't come back. Guessing they have a blacklist.








THE BUNDLE SCAM





Many times you will receive offers to be part of a bundle. Scammers will claim
you will get between 10-30% of the bundle sales if you give them 10,000-30,000
steam keys for your game. If you sign the contract and send the keys they will
start selling them as normal up until a point. From here they will start a
"Happy Hour" and sell 5-10x as many keys per purchase. Another company knows
when this Happy Hour begins and will buy all of the keys in the next few
minutes.

You are then left with 10-20% of the initial amount you believed you were
getting. At the same time another company now has tens of thousands of your
games keys and will undercut your steam prices on every third party key site on
the net. This will considerably impact your ability to sell copies of your game.

These scams are rare, well thought out, and seem logical from a business
perspective. Talk to a legal rep and make sure you know what you are getting
into before you sign anything. Don't get caught up in shiny sales numbers.







MARKETING



There are all kinds of different ways to approach marketing for indie
developers. The major thing to always remember is if someone says there is a
best way then they are probably selling you something and it usually just makes
them money. Do what feels right for your studio, your games, and your community.
Always.








BUILDING A COMMUNITY





Building a community is the most important thing in all of this. Without your
community you are absolutely nothing no matter how awesome your game is. This
rule is true no matter the size or funding of your studio. If you lose the faith
of your players then you lose everything.

You are never above your community and you are never too important to spend time
responding to them. The moment you think you are they will show you how untrue
that really is. Don't forget that.








SOCIAL MEDIA





There are tons of places online for you to post about your games or whatever it
is you're working on. Never miss an opportunity to do this. You're an indie
developer and you need to stand at the top of the mountain and shout about it.
You're not a Triple A with millions of dollars for a marketing budget so take
every chance you can to show people your work. Your work doesn't have to be
perfect to talk about it so get it out there!

The way we started this process was by setting up social accounts to help get
people all in one place. We set up Discord as the core community center which
allowed people a common place to hang out and mingle with one another. Then we
set up satellite accounts to funnel people back to the Discord. This includes
things like Twitter, Instagram, Steam, Game Jolt, Itch.io, Twitch, YouTube,
Reddit, and Guilded. This funnel effect ballooned our Discord to over 4,000
members and keeps everyone on the same page so updates don't go missed by the
most engaged players.

The best and most active social media platforms will change over time based on
the whim of the internet. It's really important to stay ahead of these changes
or at least keep in step with them to make sure you don't get caught off guard.
I routinely go through tons of websites and make accounts for Pirate Software to
make sure we're set up for the future.

It's important to see your social media presence as a very personal thing for
your players. Simply responding on posts here and there, liking them, or popping
into someones stream when they play your game is huge. It may be a simple thing
for you but it is absolutely world shattering for someone who loves your work.
Do it. Go comment on every YouTube video for your game. Respond on Twitter any
time someone mentions your game positively and talk to the people who respond
negatively about how you can make your game better. BE THERE for them and they
will be there for you.

A lot of newer devs will immediately try to shoot for famous streamers or
youtubers in order to reach the spotlight. These people get thousands if not
tens of thousands of requests every day. Focus on your community and eventually
one of the big names may take notice and boost your stuff to their audience.








PAID ADVERTISEMENT





I generally stay away from any kind of paid promotion. As an indie dev you may
not have a lot of money to throw around so it's hard to compete for eyes on the
internet with so many big players out there. Time and resources are much better
spent on your community over anything else.

That being said you may want to play around with different advertising methods.
You might find something that works for you. Just because our studio didn't find
a benefit here doesn't mean you won't.








CONVENTIONS





Definitely take part in conventions but make sure not to burn out your studios
wallet in the process. It's really easy to forget the cost of travel, food, and
other expenses if you don't plan for them in advance. Budgeting each trip before
you go is important when you're just starting out.

You should really test the waters with smaller more local conventions first. Our
first one was Eugene Comic Con in Eugene Oregon and the booth only cost us 20$
for an entire weekend. We met tons of people, gained a lot of fans, and learned
how to run our booth better for future conventions. This kind of stuff is
invaluable and really helped us get ourselves out there.

Merchandise can really help offset convention costs if you've got some good
stuff. Try to bring Stickers, Pins, or Plushes to these kinds of shows because
they end up getting sold pretty fast. Stay away from breakables like mugs or
size restricted stuff like clothing because it's much harder to sell in a
convention setting.








AWARDS





Awards are not just granted to amazing games in the industry. You need to apply
for these and they will almost always carry a cover charge. The general price is
between 50-100$ USD as a standard. Look for submission forms for any of the
awards you've heard of and also keep on the lookout for new smaller award shows.

There is almost always something going on and an award can really help put you
and your work on the map. They sometimes also come with trophies or cool images
you can link to your public launch pages.









WHERE SHOULD I LAUNCH MY GAME?




Yes. No seriously... yes. There are so many different places you can launch your
games today. We took a very Steam centric approach because they make it so easy
to work with third parties. This let us spread our reach immensely without
increasing our total workload by very much. As a small team, that's pretty
enormous and it's worked out well for us.









Steam is the best monetization platform that exists for games. With a massive
frontend geared towards player interaction and feedback, a robust backend to
help you manage your assets and finances, and tons of promotional tools Steam
really has it all.

Steam has regular platform wide sales that you can join in on. You get to set
the sale price and you can opt-in or decline at will. They don't do anything
with your game without your consent at any time. Adding your game to a sale
generally gives a large boost to discoverability for the life of the sale. If
you put your game on sale for at least 20% off or more then everyone who has
wishlisted the game will get an email about it. Use this to help bump up
visibility and get your game in more peoples hands.

For each game you launch you will get five 'Visibility Rounds'. These VRs give
your game front page time to the tune of 1,000,000 impressions. As a small
studio this is a HUGE deal and should only be used for massive updates. This is
your time to really show your game off and get a huge amount of burst traffic.
You really need to make sure everything is solid before firing one of these off.
Also, if you launch your game in Early Access... once you launch fully you get a
free VR immediately that doesn't count against your games five. Launch in Early
Access, get feedback, use it to improve, fully launch and get a free burst of
visibility.

Steam takes a 30% cut of all sales but that doesn't really tell the whole story.
They allow regional price localization which is a MASSIVE boost to your income
and they also take 0% whenever you sell a Steam key on a third party platform.
This means you can sell anywhere in the world or on other platforms with
relative ease while still only managing a single distribution base. By
localizing our prices our income was increased by 20-25% from Brazil alone.
Localize your games. Localize your prices. Steam is great. Don't let anyone
convince you otherwise.









Humble Bundle is a great middle-man platform that can help improve your sales by
distributing Steam keys. They don't take any amount from your sale unless you
donate some of your profit to them which can really help when you're just
starting out. They've also got a partnership program so people who buy things
you recommend can give you a small boost to income passively. I generally put up
partnership links for tools and games that we use or play on stream.









Game Jolt is the god of demo sites. Make a demo for your game and put it on Game
Jolt. When we first got a demo for Heartbound up on Steam we saw minimal
traffic. Once we put it up on Game Jolt we had thousands of people play it and
for the first year nearly 95% of all YouTube videos for Heartbound listed Game
Jolt as where they got their download. It was huge for us and really helped get
the word out about our game. They also give you a little bit of side cash from
the ads that run on your games page. They don't need to do that and it's a
really nice thing to cash out on every once in a while.









Itch.io has more customizability than any other site but unfortunately lacks in
the discoverability department. You will definitely be leading most people to
find your page here but when they do... oh my science... it will be gorgeous. I
mean... just look at ours in the link there. You can also sell Steam keys
through Itch.io as yet another source of income to pretty great effect. If you
want a fancy and beautiful store front to run your sales through then this is
the site for you.