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skip to main | skip to sidebar MARSHA WHITESIDES PIPER A visual journal of my attempt to understand Hue, Value and Chroma. WEDNESDAY, DECEMBER 10, 2014 (Well, Blogger is publishing all my new photos much lighter than they are in my photos or seeing the paintings in person - wonder what's up with that!!! I kind of don't want to hit publish- get so frustrated doing this kind of busy work - no offense to computer people! What's the point of publishing my work if it looks washed out!) Here are two 12" x 12"'s, also at Abend Gallery in Denver. The Center of a Sphere is not on it's Surface... oil on panel 12" x 12" Lee's Peonies oil on panel 12" x 12" Sold Posted by marsha at 1:27 PM No comments: NEW PAINTINGS... Been painting every day and still it takes forever to finish. I'd rather paint than write so not much to read here! Here are some new paintings - all at Abend Gallery for the Holiday Season. Sasha's Tip oil on panel 6"x 6" (Sean) O'Meallie's Yoyo oil on wood panel 6" x 6" Side View Posted by marsha at 1:08 PM No comments: TUESDAY, JULY 22, 2014 MORE PAINTINGS AT ABEND Blue Pitcher and White Tile 20" x 20" oil on canvas Egg Timer 20" x 20" oil on canvas Posted by marsha at 12:14 PM No comments: SATURDAY, JULY 20, 2013 COUNTER BALANCE...SOLD! Counter Balance oil on panel 10" x 20" Private Collection in Oslo, Norway Long time since I've posted, but I am painting again and have several paintings in the works...more to come! Posted by marsha at 4:13 PM 1 comment: TUESDAY, NOVEMBER 13, 2012 SOME RECENT WORK... Sand Dollar Bay 1 oil on canvas 12 x 24 Private Collection Denver Botanic Gardens The Birdfeeder oil on panel 5 1/2" x 11 3/16" Private Collection Posted by marsha at 6:29 PM 1 comment: MONDAY, FEBRUARY 21, 2011 COPPER #8 GRISAILLE Getting better - will work on this until I'm satisfied then I'll start the color - my whole objective with this entire enterprise! By the way, I use 1500 grit sand paper cloth, wet, to sand down ridges of paint in-between each days work if there are any. I don't use any medium at this stage. Posted by marsha at 4:58 PM No comments: Labels: Copper as painting surface COPPER #7 GRISAILLE Here's the very beginning - a real mess! Looks kind of blue green, but it's totally neutral gray paints! Posted by marsha at 4:50 PM No comments: COPPER #6 DRAWING I use home made pastel transfer paper using a sienna soft pastel/alcohol on tracing paper to transfer my drawing to the copper. Then I'll start the grisaille. Posted by marsha at 4:46 PM No comments: COPPER PREP #5 Here's my 12" x 12" 18 gauge copper panel smooth and dry ready to the drawing. You can see how thin the paint is - that beautiful pink copper color shows through in place, though it won't show in the finished piece. Posted by marsha at 4:43 PM No comments: COPPER PREP #4 Sure wish there was a way to put more than one photo is a post, then I could write the whole thing together instead of piece meal - last step on top of first ones! Anyway... Here, I'm using a brush to put on flake white - actually I used some Cremitz white here - that's been thinned with mineral spirits or turps. I started with the brush to get the stuff on there, then I smoothed it out with my thumb. Posted by marsha at 4:40 PM No comments: Labels: Copper as painting surface COPPER PREP #3 After polishing with the Never Dull and cleaning several times with the alcohol, I then use ca.400 grit wet/dry sand paper to take off the red curprous oxide (CU2O) formed by reaction between surface of copper and oxygen in the air. You can see the fine powder that's on the sand paper and the difference between the cleaned side/dirty side. This abrading, done in small circles with dry sand paper and quite abit of pressure, is what allow the paint to bond with the copper. I think an ion is exchanged between oil paint and the metal, but don't know the science exactly - only that it works! Then I clean off any red dust that is left behind, again with the alcohol. Now it's ready to accept the ground of thinned flake white. Posted by marsha at 4:35 PM No comments: Labels: Copper as painting surface COPPER PREP #2 SUPPLIES * Never Dull - a metal polishing batting that works well. * Denatured Alchohol * 400 grit wet/dry sand paper * flake white oil paint thinned with a bit of mineral spirits Posted by marsha at 4:23 PM No comments: Labels: Copper as painting surface COPPER PREPARATION #1 DIRTY COPPER I love painting on copper! But as with most painting supports - linen, panel, canvas or wall, there is much work that must be done before I can even think about painting on it. Here is a 12 x 12 18 gauge copper panel. Paint will not adhere to the surface as it is and MUST be thoroughly cleaned and abraded . Read more » Posted by marsha at 4:11 PM No comments: Labels: Copper as painting surface BLUE Blue oil on linen panel 13 x 15 My intention here is to study the color blue. However instead of painting blue spheres like I did for 5 YR, I decided to try this blue pitcher that's pretty close to 6.5PB and Nasteriums from last summer's window box...for a touch of humor I added a small iron bird wondering about that reflection that leads outside! I started this one with local color on linen panel and have started another using a neutral grisaille but on copper. I'll post the way I prep the copper in the next post. Posted by marsha at 3:23 PM 1 comment: BATTIPORTA - ITALIAN DOORKNOCKER Here's another one - Battiporta or Italian Doorknocker 9 x 8 oil on panel Posted by marsha at 2:56 PM No comments: NEW WORK 2011 My, how time gets away from me! I have been working, though you wouldn't know it from the dates on this blog! Here's a commission of a Black Capped Chickadee - oil on panel 6 x 8 Posted by marsha at 2:51 PM No comments: SATURDAY, OCTOBER 23, 2010 20TH ANNIVERSARY AT ABEND GALLERY IN DENVER, CO Still Life with Crystal & Peonies oil on panel 15 x 17 (image) Posted by marsha at 9:44 PM 5 comments: THURSDAY, MAY 27, 2010 SOME RECENT WORK - STILL LIFE WITH TEA Still Life with Tea 12 x 12 (Sold) Posted by marsha at 12:12 PM 1 comment: SILVER RIMMED BOWL Silver Rimmed Bowl 16 x 20 oil on panel Available at Abend Gallery.com Detail Silver Rimmed Bowl Posted by marsha at 12:10 PM 1 comment: Beets - Locally Grown 10 x 20 oil on panel Available at Abend Gallery.com Posted by marsha at 12:03 PM No comments: MUNSELL EXERCISES In between living & painting, I've finally completed some of the Munsell Exercises as recommended by Graydon Parrish at Rational Painting. The investment of more than 3 years, lots of paint & work, and the Big Book of Color is starting to pay off. I've set up the current round of exercises that I finished last fall just to show myself how much I've accomplished - even though they're not perfect - I am beginning to get it! I'll start on a new round of sphere studies soon. As with most things, one must actually do the work to arrive at a deeper understanding. The value sticks have come in very handy! I started with these: It's hard to know if I'm on the right track, as I haven't been able to attend Graydon's Color Workshop in person. Learning all this stuff over the Internet by trial and error, not having anyone to critique the work, has been frustrating to say the least, but also very satisfying to accomplish what I have on my own! Thanks Graydon, wherever you are, for starting the conversation and sharing your research and experience! Posted by marsha at 11:48 AM 3 comments: Older Posts Home Subscribe to: Posts (Atom) PAGES * Home ABOUT ME marsha View my complete profile BLOG ARCHIVE * ▼ 2014 (3) * ▼ December (2) * (Well, Blogger is publishing all my new photos muc... * New Paintings... * ► July (1) * ► 2013 (1) * ► July (1) * ► 2012 (1) * ► November (1) * ► 2011 (11) * ► February (11) * ► 2010 (6) * ► October (1) * ► May (5) * ► 2008 (6) * ► November (6) LABELS * Copper as painting surface (5) * Munsell (2) * studio (1) Diese Website verwendet Cookies von Google, um Dienste anzubieten und Zugriffe zu analysieren. Deine IP-Adresse und dein User-Agent werden zusammen mit Messwerten zur Leistung und Sicherheit für Google freigegeben. So können Nutzungsstatistiken generiert, Missbrauchsfälle erkannt und behoben und die Qualität des Dienstes gewährleistet werden.Weitere InformationenOk