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D.C.


BENEATH THE LINCOLN MEMORIAL, A VAST SPACE IS BEING TRANSFORMED

Part of the Memorial’s cavernous "undercroft” is being made into a sleek new
area for visitors.

December 11, 2024 at 6:30 a.m. ESTToday at 6:30 a.m. EST
6 min
65

A view of the Lincoln Memorial in November. (Benoit Tessier/Reuters)
By Michael E. Ruane

Mike Litterst stood in the cavernous space under the Lincoln Memorial and
pointed out that 40 feet up you could see concrete beams that support the
175-ton marble sculpture of Abraham Lincoln.

Visitors in blue hard hats craned their necks to see.


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Litterst, of the National Park Service, was leading an unusual tour. Not of the
hallowed edifice overlooking the National Mall, but of its vast “undercroft,”
which for more than 100 years has been its dark basement, marked by stalactites
and old graffiti.



Part of that space is now halfway through a multimillion-dollar project designed
to transform it into an expansive visitor area with a museum, theater, store and
exhibit section.



The undertaking is believed to be the most extensive project of its kind at the
memorial since it was dedicated in 1922, the Park Service said.

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It envisions six floor-to-ceiling glass walls that will provide views of the
cathedral-like interior of the undercroft, and an immersive theater presentation
that will project images of historic events onto screens and the undercroft’s
pillars, the Park Service said.

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“It’s going to set this town on its ear,” Litterst said last week. “It’s going
to be the thing that everybody wants to see. We’re really, really excited.”

The Lincoln Memorial sits well above ground level at the west end of the Mall,
and was designed to create the image of “a temple on a hill,” Litterst said. It
was modeled on the Parthenon, the Greek temple to the goddess Athena.

The 38,000-ton structure was built on a platform supported by 122 concrete
pillars that were sunk through the soft earth to the solid rock below. Dirt was
packed around that foundation, leaving about 50,000 square feet of empty
undercroft beneath the memorial.

The undercroft is so large that the entire memorial, flipped upside down, would
fit in it, said Sam Meyerhoff, senior project manager with the Consigli
construction company, which is doing much of the project work.



The effort to use the space was launched in 2016 with an $18.5 million donation
from billionaire philanthropist David Rubenstein. But it did not officially get
underway until last year, the Park Service has said.

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The work “proved a greater challenge than originally anticipated,” Litterst said
in an email. “Most of the delay was taken up by the design process, figuring out
how to construct the facility without damaging the iconic memorial.”

Some older elements were removed. New ones were added. Several thousand yards of
concrete and 400 tons of galvanized metal rebar were used in new structures,
said Adam Cirigliano, general superintendent with the Consigli company.

During a test on the old pillars, workers found groundwater only six feet below
the surface, he said.

The new area occupies only about 15,000 square feet of the 50,000 square-foot
undercroft, Meyerhoff said.



The glass walls are being assembled with special British-made glass that will be
heated once in place to keep condensation from obstructing the views, she said.

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The project is due to be completed by 2026, Litterst said during the tour last
week for representatives of the National Park Foundation. The nonprofit
foundation raised $43 million for the project, part of which was Rubenstein’s
donation.

The Park Service and the federal government gave another $26 million, Litterst
said.

“This is something the Park Service has been thinking about for 50 years,” Will
Shafroth, the foundation’s president, said in a video interview Monday. “The
power of the public/private partnership is what kept this thing alive.”

“It’s not only going to tell a fuller story of Lincoln, but it’s going to tell a
full story of how the Lincoln Memorial has become a part of our nation’s
history,” he said.

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The memorial was built on a spot called Kidwell Flats, an insect-ridden tract on
the Potomac River that had been reclaimed with mud dredged from the bottom of
the river.

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Ground was broken in 1914. The statue of the seated Lincoln was made of 28
blocks of Georgia marble carved by sculptor Daniel Chester French in the New
York studio of the Piccirilli brothers, a team of renowned Italian stonecutters.

The blocks were then shipped to Washington and assembled inside the memorial in
1919.

The memorial was dedicated in 1922 in the presence of Lincoln’s son, Robert,
then 78. About 50,000 people attended. African Americans, as was the cruel
custom in then-segregated Washington, were shunted off to the rear.

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On Easter Sunday 1939, the African American opera star Marian Anderson elevated
the significance of the memorial when she sang there after being barred from
performing at Whites-only Constitution Hall, seven blocks away.

Twenty-four years after Anderson’s performance, the Rev. Martin Luther King Jr.
gave his “I Have a Dream” speech before 250,000. The speech’s powerful legacy
added another renowned leader to the memorial’s story.

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And 50 years later, President Barack Obama, the country’s first Black president,
spoke there on the anniversary of King’s speech.

Hundreds of other gatherings to protest, celebrate, pray, mourn and entertain
have unfolded against the backdrop of the memorial over the past century.

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The cornerstone of the Lincoln Memorial was put in place on Feb. 12, 1915, the
birthday of the assassinated 16th president who led the country through the
Civil War and helped put an end to slavery in the United States.

Inside the cornerstone is a sealed copper box that contains copies of the Bible
and the U.S. Constitution, a signature of Lincoln’s, a map of the Gettysburg
battlefield, a dollar bill and $2.06 in change, a copy of the Feb. 12, 1915,
Washington Post and a small silk American flag.

During archaeological work in the undercroft in 1984, Park Service experts found
deteriorated boots, bits of clothing, a worker’s cap hanging from a nail, stone
carvers’ tools and graffiti.

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One piece of the graffiti bears the ornate signature, “Bosco Johnny.”

Litterst said the graffiti is in a remote area of the undercroft not visible to
the public, but copies will be on display in various parts of the new space.

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On a blustery, sunny day last week, as tourists posed for pictures in front of
Lincoln’s statue and signs urged visitors to be quiet, Cirigliano stood outside
the memorial and reflected on the project.



“Every single morning, you come out, you’re talking with the guys … you see the
sun come up,” he said. “It’s just the best.”

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