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Opinion


HOW THE BIGGEST ROCK BAND IN THE WORLD DISAPPEARED

By Will Leitch
January 15, 2025 at 6:30 a.m. ESTToday at 6:30 a.m. EST

(Michelle Kondrich/The Washington Post)
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6 min
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Will Leitch is the author of the forthcoming “Lloyd McNeil’s Last Ride,” a
contributing editor at New York magazine and founder of Deadspin.

Michael Stipe turned 65 right after New Year’s. Every generation has their “our
childhood heroes are how old now?” moment — jaws surely dropped when Rita
Hayworth turned 65, which is the precise age she became soon after Stipe’s band,
R.E.M., released “Murmur,” its first album — but there is something about this
particular rock star becoming eligible for Medicare that sticks in one’s gullet.
Kurt Cobain, were he still here, would be just a couple of years from turning 60
himself. So you know.

It will have been 14 years this March since R.E.M. — an Athens, Georgia,
foursome that for a stretch of about five years in the 1990s was arguably the
biggest rock band on the planet — released its final album, “Collapse into Now.”
Six months later, the band retired, with Stipe saying, “the skill in attending a
party is knowing when it’s time to leave. We built something extraordinary
together. We did this thing. And now we’re going to walk away from it.”

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And then R.E.M. did something more or less no other band has ever done: It
stopped playing. Berry, Buck, Mills and Stipe walked away. They have played one
song together in the last 14 years, “Losing My Religion,” at their induction
into the Songwriters Hall of Fame, and they are explicit about it not happening
again. When CBS’s Anthony Mason asked them, on a rare media appearance on “CBS
This Morning” last year, what it would take for them to reunite, bassist Mike
Mills said, “a comet.”

Reaching your mid-60s is something fortunate rock stars get to do, and they
usually spend their golden years making certain the world still cares about
them. Mick Jagger and Bruce Springsteen do world tours; Bono plays the Sphere
and gets Joe Biden to put a Presidential Medal of Freedom around his neck; Bob
Dylan gets a movie made about him. But you haven’t heard a word from Stipe or
the other members of R.E.M. this month. You rarely do.

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Stipe occasionally does solo appearances, including singing at a Kamala Harris
rally in Pennsylvania, and he put out a photography book last year, but on the
whole, he just quietly goes about his life like the rest of us. The rest of the
band is the same way. The other three members of R.E.M. still live in Athens,
something I know for certain because I also live in Athens, and I regularly see
them walking around, shopping for groceries, getting coffee, watching a baseball
game, blending into the architecture.

How unassuming are the members of R.E.M.? I ran into drummer Bill Berry at an
event once, and when I told him my name was Will, his face lit up: “Our names
are so close! My name is Bill!” Yes, sir: I do know who you are.

At the height of its popularity, R.E.M. regularly played before more than
100,000 fans. It was inducted into the Rock and Roll Hall of Fame in 2007. But
because the band is so self-effacing and because it has resisted nearly every
temptation to do the sort of nostalgia maneuvers that keep retired rock acts in
the public mind, if you weren’t around to listen to R.E.M. during its prime,
it’s quite possible you’ve never heard of it. The band has, essentially,
disappeared from American culture.

R.E.M. in 1981. (Hank Grebe)

There was a boomlet of interest last year because of the Songwriters Hall of
Fame induction, a wide-ranging interview Stipe gave to the New York Times and,
mostly, the appearance of the song “Strange Currencies” on the television show
“The Bear.” But you see kids wearing Nirvana T-shirts they got from Urban
Outfitters, not R.E.M. ones. Today’s kids have no idea who R.E.M. is, and how
could they? Honestly, the only time my kids come across R.E.M. is if they run
into one of its members in the supermarket and wonder why their dad just
fainted.

Part of this retreat from center stage is the uncommon sanity of the band
members themselves; the ever-tortured Cobain marveled at how they “dealt with
their success like saints.” There is so much more money to be made from being
R.E.M., but, as guitarist Peter Buck said, the band will not reunite because “it
would never be as good.”

If you happened to see the Rolling Stones on their American tour last year, you
know that “it” not being as good as it used to be certainly didn’t stop Jagger
and Keith Richards from continuing to perform for their fans’ money, nor has it
stopped hundreds of other bands. There is something very Generation X about this
most Generation X of bands refusing to take a payday just for the sake of
reminiscence. There are shades of Lloyd Dobler’s “I don’t want to sell anything
bought or processed” in their insistence on not doing anything their hearts
aren’t deeply invested in. They made the music. Then they stopped. What more
would we want than that? That every Spotify user isn’t constantly listening to
R.E.M. songs is our fault, not the band’s.

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In retrospect, it is kind of crazy that a group of four indie rockers from a
college town in Georgia who wrote jangly wistful songs and were forever obsessed
(and successful!) with keeping their indie credibility became the biggest rock
band in the world. The band had its moment, it made some truly beautiful, often
downright perfect songs, and then it moved on.

When Michael Stipe turned 65, he handled it the way we all hope we will when we
turn 65: with grace and calm. Cobain may live on in myth. But R.E.M. lives on in
life.

And the good news: The songs haven’t changed at all. They are there, whenever
you need them. Or even if you don’t.

How did you know when it was time to stop doing something, whether that meant
deciding to retire, kicking a habit, or ending a relationship or friendship?
Share your responses with Post Opinions, and they might be published as Letters
to the Editor.

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