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NOW ON VIEW: "WILLIAM VILLALONGO: MYTHS AND MIGRATIONS"

On view September 13 – December 20, 2024

> To cut and paste over and under, to cut and see through, to cut and back up,
> to cut and paint in and on is to enact on real material the felt experience of
> moving though the world in a racialized body, with a hope that it conveys
> something of the precarity of life itself and how we are all implicated in the
> struggles of others.
> — William Villalongo

William Villalongo, Speak No Evil, 2016. Acrylic, paper collage, and cut velour
paper. (c) William Villalongo. Courtesy of Hugh J. Freund.


RETURNING SOON: "BETTER DAYS"

On view August 20–October 26, 2024

Reopening February 2025

What can art offer in difficult times?  In this exhibition artists respond to
historical moments when uncertainty prevails and social connections fray.

Hollis Sigler, United States (1948-2001), From Me, All Things Proceed and to Me,
They Must Return, 1991, color lithograph on paper, 36 x 67 inches. Purchased as
part of The Sharkive, with funds from Kemper Family Foundations, UMB Bank;
anonymous; Polly and Mark Addison; Karen and Don Ringsby; College of Arts and
Sciences, University of Colorado Boulder; Wayne and Nona Yakes and contributions
from over 200 donors, S2019.663.  © Hollis Sigler / Shark's Ink.

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THE UNIVERSITY OF COLORADO ART MUSEUM PROVIDES A FORUM FOR EXCHANGING IDEAS,
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