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fatima

alsiddiqi

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ADDTIONAL WORK

PROJECT 3

INSERT

PROJECT 2

Rhythmic Threads

PROJECT 1

fLUID STROKES

FASHIONED EMOTIONS

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CONTACT

10 min read



Meet Fatima Al Siddiqi, fondly known as "Tam," a visionary fashion artist in
Qatar. Her passion revolves around fashion fluidity, structural innovation, and
genderless expression.

Tam draws inspiration from the movement of the human body, reflected in her
avant-garde designs.
Working across diverse mediums, especially fashion illustration, Tam thrives on
experimentation, embracing trial and error to birth new ideas. Her designs defy
gender norms, blending masculine and feminine aesthetics and reshaping fashion's
boundaries.
With an unwavering commitment to innovation,

Tam is a trailblazer, constantly evolving fashion's narrative through her
boundless creativity and dedication to redefining traditions.

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PROJECT 1




contents

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The project delves into fashion and fashion illustration as a means of
challenging traditional norms in the industry, aiming to transform it into a
dynamic and expressive art form. It explores experimentation, fluidity, and
performance within fashion, intending to break free from conventional portrayals
and encourage innovation. By emphasizing the importance of embracing
imperfections, the project seeks to foster creativity, adaptability, and
self-expression, offering a unique perspective on the intersection of art,
fashion, and personal narratives in the creative process.

PROJECT PROPOSAL

" we are diffrent in body, but sense, spirit and soul are the same"

- Yohji Yamamoto

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vectorized silhouettes


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PHOTOSHOOT TO CAPTURE HOW THE CLOTHING ADAPTS TO THE HUMAN BODY AND THE MOVMENT

WALL MOODBOARRD


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I created a publication summarizing my exploration project on fluidity, fashion,
and human movement to capture the essence of innovation in fashion design.




This publication aims to distill the intricate interplay between fluidity,
fashion aesthetics, and the captivating dynamism of human motion, offering a
holistic glimpse into the project's narrative.

PROJECT 2

RHYTHMICS


Contents




Anti-aliased


Evolution

of

Design

and

Learning

Pattern Making

Project 3: Junior/ Exhange

The first website was published in 1990 by computer scientist Tim Berners-Lee
and now it seems like an eyesore. Early web sites were basic, using vertically
structured, text-heavy pages with few graphics. Before the introduction of
tables as a web page structure, there were few design components and no way to
emulate the layouts of conventional printed texts.



In the early web there were no people well-versed in typesetting. Website
layouts were fluid (did not have fixed width), so text lines came in any
possible width. That was not so great: all sorts of typographic rules aimed at
text legibility were smudged,” says Readymag product designer Stas Aki. The
situation demanded new approaches to the creation of web layouts.

 

The variety of screen sizes also strongly impacted web layouts and quality of
typesetting. While print designers knew beforehand the paper format that will
house their work, web designers worked in a situation of uncertainty, knowing
that their designs would appear in multiple ways on multiple screens.


 

This problem was mostly tackled with the mass introduction of responsive design
around 2007, along with the launch of the first iPhone.




I think it pushed the idea of responsive web design to the forefront. Mobile
sites were often made separately from the desktop version, and that was
happening before iPhones existed. I think the first iPhone is a symbol of when
mobile web browsing became a mainstream thing. As far as readability in
particular, the iPhone definitely set a lot of standards for resolution; like
the idea of having a retina display with an extremely high resolution,” Nick
Sherman recalls.

 

New generation mobile devices allow a resolution up to 1000dpi. With the
continuing increase in screen resolution for desktop computers and portable
devices, readability should improve as well.












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