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Relative Studio is a collaborative design practice with an open door to
organisations and individuals with an open mind. For enquires, please email:
hello@relativestudio.co.uk
Relative Studio is a collaborative design practice with an open door to
organisations and individuals with an open mind. For enquires, please email:
hello@relativestudio.co.uk

An identity and packaging for a hand-picked assortment of organic french wines.
A distinctive brand positioning—The finest French viniculture lovingly squeezed
into a box—informs a bold graphic treatment; drawing inspiration from the cubist
typography of artist Fernand Léger, it utilises every millimetre of available
space on the box, with each facet spelling out the individual letters of BOBO.
An identity for a furniture design studio producing extraordinary hand-crafted
editions. Centred around a circular logotype that harks back to traditional
makers’ marks, the identity can be used to denote an edition number on the
products themselves.
An identity for a pioneering, RIBA award-winning conservation project that aims
to rescue one of Charles Rennie Mackintosh’ most renowned buildings. A steel and
chain-mail ‘box’ simultaneously protects the original house during its
restoration and provides visitors with unique views of the house in its
environment. The identity utilises an adaptive monochrome pattern—that is both a
contemporary reinterpretation of a recurring Mackintosh motif and an abstract
representation of the woven steel surface of the new structure—to lead the
visitor throughout the experience, from signage to souvenirs.
Depot at Mayfield is a vibrant cultural destination made up of five distinct
venues, occupying a former railway station-cum-postal depot in Manchester; a
platform for a diverse programme of arts, music, culture and community events.
The identity integrates the visual language of traditional train timetables—a
coincidental visual link with the distinctive two-rivet columns of the venue’s
Victorian steelwork—and the centrally-overprinted letterforms on registration
cards used to differentiate types of rail cargo. Each event space is celebrated
with its own unique letterform.
An identity for a wholly sustainable luxury accessories brand. A bespoke
font—specifically drawn to require 50% less ink when printed—combined with a
messaging-led approach, creates a quietly confident visual tone of voice. For a
timeless, neutral aesthetic, there is no visible branding on the products
themselves: all product information is instead stored within integrated NFC
patches.
An identity and digital presence for a unique RIBA-award winning holiday
residence; a converted former millkeeper’s cottage nestled amidst the Norfolk
Broads. The marque represents a contemporary reworking of the original datestone
from 1698 set into the wall of the adjoining windmill, complete with rotating
sails.
An identity for a contemporary art gallery in Vienna. A bespoke typeface was
re-drawn complete with charming idiosyncracies, informed by the painted sign on
the original façade of the premises.
A mailable poster promoting the Sixties paper range by Fenner. Notable examples
of modernist 1960s glassware are overprinted with captions printed on the
reverse, highlighting the unique opaque quality of this stock.
A name and identity for a pre-loved fashion initiative established by two
creative partners; offering retail, alteration and styling services. A
continuous logotype represents the perpetual cycle of use and reuse.
A name and identity for a global initiative committed to producing a range of
high-end textiles and yarns made entirely from recycled plastic waste collected
from the world’s oceans.
An identity for a new breed of wellness movement, gatecrashing some of the
World’s most revered night-life venues; merging the transcendence of yoga and
the euphoric power of dance music. The typographic treatment references
vertically-oriented neon club signage as well as the range of inverted movement
in yoga practice.
S Magazine is an annual fashion publication issued by Leica. Issue No. 4—The
Youth Issue was curated by Rankin, showcasing the freshest talent in European
photography and fashion. The magazine is presented in a ‘work in progress’
format, utilising a variety of ephemeral textures.
A name and identity for a cultural venue housed in a Victorian power station
that originally serviced West London’s world fair site. Steeped in industrial
heritage whilst combined with a bold, contemporary approach, the visual language
centres around the shape of the building’s iconic gable that also becomes a
window for a vibrant range of content.
The inaugural book by photographer Sophie Harris-Taylor is an autobiographical,
fragmented, sporadic journal, capturing the moments between the momentous. The
book alludes to a classical, leather-bound journal, fostering an intimate
connection between photographer and reader.
Supporting a groundbreaking display at Frieze Masters art fair—which
meticulously recreated the 1968 Parisian apartment of a fictional art collector,
complete with works by the likes of Picasso, Magritte and Dubuffet—The Collector
is an exhibition catalogue communicated as an avant-garde art newspaper.

Bobo Wines
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