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HONDO MOVIE

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Latest News Hondo Ohnaka "Hondo": Quintessential John Wayne, a Quintessential
Western—in 3-D



Angie Lowe Geraldine Page. Buffalo Ward Bond.


LATEST NEWS

Vittoro Michael Pate. Lennie James Arness. Silva Rodolfo Acosta. You chose the
most savage one.

He's always been a fighter. Its a little dull.


HONDO OHNAKA

An embittered Indian scout attempts to escort a homesteader's wife and her son
back to safety after her cowardly husband deserts her during an Apache attack.
When she refuses to go, the scout stays on to help for a while and, over time,
forms a. $4,, Hondo is a Warnercolor 3D Western film directed by John Farrow and
starring John Wayne and Geraldine Page. The screenplay is based on the July 5,
Collier's short story "The Gift of Cochise" by Louis L'Amour.

Well, l can do almost everything. This ranch looks like it's been here. My
husband was raised here, too.

Hondo 1953 Trailer HD - John Wayne - Geraldine Page - Ward Bond


He's an orphan. His parents got killed. Well, it seems the figures are against
it. They get in a whirl over each other. But they say that the right two people.
You believe that, Mrs. Always sink a blade into a log, son. Well, l guess l'd
better quit stalling. Ive told you twice not to. James Edward Grant July 2, —
February 19, was an American short story writer and screenwriter who contributed
to more than fifty films between and He collaborated with John Wayne on twelve
projects, starting with Angel and the Badman which he also directed in through
Circus World in He starts to feel the same and thus increasingly feels
personally responsible for Mrs.

The movie takes an interesting twist when Hondo eventually encounters Mrs.
Meanwhile the Apache Indian uprising is becoming more fierce, putting the woman
and her child in increasing danger. He urges them to leave, but they refuse
because the woman is waiting for her husband to return. While Hondo stays with
them for awhile, the attachment between Hondo, the mother and her son grows.

Just like Hondo, who chooses to live by a solitary ideal, Sam shouldn't need
anybody. Such philosophical pronouncements are joined by an innately educational
habit of Hondo's, whereby he eagerly imparts words of wisdom, especially on
Johnny. The sequences with Hondo at the Lowe house are replete with moments of
edifying, generally masculine, and frequently aggressive instruction. When Hondo
specifically chooses a horse that puts up a fight, the implication is that
nothing comes easy for Hondo, nothing should.

Later in the film, Hondo assumes a fatherly role by showing Johnny how to fish
and how to swim—the latter by being thrown into a river. And after it seems Sam
might bite, Hondo tells Johnny twice not to pet the dog. Johnny ignores the
orders and Sam predictably snaps at the boy's third attempt. This is fine for
Hondo; consider it a lesson learned. His rule is to let people do what they
want, as long as they're willing to accept the consequences.

According to Hondo, Sam has been trained to smell Indians trained by being
beaten by an Indian to the point that Sam never forgets the scent of one.
Ironically, Hondo himself is part Native American, and he too has a potent sense
of smell. In what is apparently Hondo's best attempt at romantically
complimenting a lady, he tells Angie she smells of freshly baked bread, cooked
pork, and soap; she smells "all over like a woman.

Later, Hondo becomes the more passionate wordsmith as he waxes poetically about
language and its inadequacy at capturing the natural beauty of the landscape and
the transcendent moments that somewhat surprisingly have marked his life. Hondo
is confident that Ed is dead, for he knows how violent the Apaches have recently
been, and so with no guilt about coming on a little strong, and despite his
declared desire for sovereignty, Hondo comfortably steps into a spousal as well
as a paternalistic position.

Once the romantic attraction between he and Angie is established, even if it's
not explicitly acted upon yet, director John Farrow fills up the duration of
these opening sequences by simply giving Wayne a good opportunity to do stuff:
shoe horses, chop firewood—man stuff. As with many archetypal Westerns, there is
in Hondo mention of one being "civilized.

When Angie says she should have known he was a gentleman, he bristles at the
word and the insinuation. But she is not so comfortable at first. Seeing his
full name engraved on his rifle, she recalls his reputation—he's a gunman; that
is, he corrects her without denying anything, he carries a gun—and he has killed
men in the past.

Still, Hondo has lived a somewhat domesticated life. He has a home in California
not unlike the Lowe spread, and for five years he lived with Apaches, even
marrying a squaw who later passed away. Angie's reticence never once suggests
she will not ultimately end up with Hondo. It's all part of a flirtatious back
and forth with just the requisite amount of tantalizing mixed signals.

Angie, more so than Hondo, is indeed a complex and multidimensional figure.
She's feeble yet determined, with a fair share of chutzpah waiting to get out,
along with a barely quelled sexual desire: biting her lips, sideways glances,
coy smiles.


"HONDO": QUINTESSENTIAL JOHN WAYNE, A QUINTESSENTIAL WESTERN—IN 3-D

Geraldine Page's facial expressions are extraordinarily varied, subtle, and
significant. While she may have been a gifted stage actress prior to Hondo , a
face like hers, perhaps unconventional by the Hollywood norm and even Hondo
tells her, "being pretty isn't much" , was nevertheless made for cinema's big
screen.

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Despite this early courtship, Hondo still has a job to do, so eventually he
rides off to a nearby post and reports on the state of the Apache situation.
When Hondo encounters an antagonistic man back at the post, the aggressor is, of
course, the long lost Ed. As our introduction to Angie's wandering husband and
Johnny's neglectful father is in this most unflattering of lights, our
allegiance is firmly set, if it wasn't already. Ed is prone to pick fights and
on top of everything else, he notices that Hondo was riding one of his branded
horses, thus assuming Hondo to be a horse thief. So when Hondo has to kill Ed in
self-defense not long after, we're surprised if not wholly saddened.

Callous though it may be, once back with Angie and Johnny, who know Ed is dead
but not who killed him, Hondo eases on in.

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Movie Info. An embittered Indian scout attempts to escort a homesteader's wife
and her son back to safety after her cowardly husband deserts her during an.