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Helvetica the NFT is here! Own a piece of typographic history. Explore the
digital collection now >>>

M.
Monotype.


THIS IS HELVETICA® NOW

Everyone. Everywhere. Everything.

Download a free weight Purchase options

Helvetica® Now is a new chapter in the story of perhaps the best-known typeface
of all time. Available in three optical sizes—Micro, Text, and Display—every
character in Helvetica Now has been redrawn and refit; with a variety of useful
alternates added. It has everything we love about Helvetica and everything we
need for typography today. This is not a revival. This is not a restoration.

This is a statement.

This is Helvetica Now: for everyone, everywhere, for everything.


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DESIGNERS

 * Charles Nix
 * Jan Hendrik Weber
 * Alexander Roth
 * Juan Villanueva
 * Terrance Weinzierl
 * Tom Rickner

FOUNDRY

 * Monotype Studio

CLASSIFICATION

 * Clear
 * Modern
 * Legible
 * Geometric


ABOUT HELVETICA® NOW



The planning and design for Helvetica® Now began in December 2014, with the goal
of creating a Helvetica that addresses the needs of today’s designers and
creatives. Helvetica Now was a collaborative effort involving dozens of
designers and engineers in the Monotype Studio.




DESIGNERS


CHARLES NIX



Charles Nix is a Creative Type Director, designer, typographer and educator. He
designed a number of popular typefaces in the Monotype Library, including
Walbaum and Hope Sans, which received a Certificate of Typographic Excellence in
the 22nd Annual Type Directors Club Typeface Design Competition. He’s also
designed custom typefaces for Google Noto, Progressive Insurance and the
Philadelphia Museum of Art.




JAN HENDRIK WEBER



Hendrik Weber was a creative director for Monotype, where he advised clients on
custom fonts and how to leverage type in branding. He also created the Unitext
typeface, a popular design created for a myriad of branding needs.




ALEXANDER ROTH



Alexander Roth was a type designer at Monotype. Born in the former Soviet
Socialist Republic of Tajikistan and raised in Germany, Alexander became
fascinated by languages and letter shapes at an early age. He studied video
production, animation, graphic design, typography and type design before joining
the world-renowned type foundry, FontFont, as a font technician intern.




JUAN VILLANUEVA



Juan Villanueva is a Type Designer at the Monotype Studio in New York City. His
contributions to the Monotype Library include designs such as Walbaum and
Sagrantino. He’s worked on custom typefaces for clients including Tencent Sans,
Ricky Zoom, and multiple Google Noto fonts.




TERRANCE WEINZIERL



As a Senior Type Designer in the Monotype Studio, Terrance Weinzierl has been
creating and modifying typefaces for the Monotype Library and a wide range of
brands since 2008. In addition to working on custom projects for Microsoft,
Google, Barnes & Noble, Domino’s and SAP, he’s designed type for video games,
professional sports teams and auto manufacturers.




TOM RICKNER



Tom Rickner is a Creative Type Director with a career in type that spans more
than three decades. During that time, he has mastered nearly every aspect of
type design and font production, from his earliest days editing bitmaps, to
designing some of the very first Multiple Master fonts for Adobe and TrueType GX
Variations fonts for the Font Bureau and Apple.




EVERYONE. EVERYWHERE. EVERYTHING.

We offer a number of ways for you to start working with our fonts.


BESPOKE LICENCING THAT’S PERFECT FOR YOUR BRAND.

If you want to license Helvetica Now to use with your brand or project we can
help you.

Speak to sales.


EXPERIMENT WITH HELVETICA NOW AND MANY OTHER FONTS.

An all-in-one solution for font discovery, expertise, collaboration and
management.

Get started with Monotype Fonts.


SIMPLY PURCHASE WEBFONTS AND DESKTOP FONTS.

If you want to purchase a single weight or the entire Helvetica Now font family
with a range of licencing choices.

Buy at MyFonts.


CONTINUE READING.


CHARLES NIX


NEW FONT RELEASES


THE MONOTYPE LIBRARY

eBooks


READ OUR EBOOK: ALWAYS READ THE FINE PRINT

This ebook takes a look at the evolution of font design to illustrate why
today’s brands need fonts optimized for the customer experience. The eBook gives
examples of how new fonts are created (and old favorites are reimagined) to
handle the demands of modern technology, so you can ensure the font you choose
for your brand won’t let you down.

 * Fonts
 * Brand design
 * Helvetica Now

Font stories


FROM NEUE TO NOW: HOW HELVETICA EVOLVED FOR THE 21ST CENTURY.

Designers and studios might be deeply familiar with Neue Helvetica, but it’s the
product of a pre-digital era. Here are four reasons why it’s time to switch.

 * Brand design
 * Typography
 * Font Legibility
 * Web design
 * Studio


OUR BRAND FAMILY.


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