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* * * * Home * Confs/Events * January * February * March * April * May * June * July * August * September * October * November * December * Journal * GUIDELINES FOR GUEST EDITORS * Submission Guidelines * Editorial * CST Editorial Board * Book Review Submission Guidelines * Blog Submission Guidelines * Recent blog posts * CFPS * Conferences * Journals * Books and Edited Collections Select Page ‘KEEP ON DRIVING’ – ON BEING AN OLDER ACADEM... Nov 15, 2024 TRUMP, MALIGNANT NARCISSISM AND THE 2024 AMERICAN ... Nov 8, 2024 LAYERED SPECTATORSHIP: THE CROWN AS PALIMPSEST BY ... Nov 1, 2024 ‘THIS IS WHERE THE COWBOY RIDES AWAY’?: THE MAGNIF... Oct 25, 2024 TALK SHOWS LEAD THE SHIFT IN SPANISH PRIME-TIME TE... Oct 18, 2024 LATEST Blogs ‘KEEP ON DRIVING’ – ON BEING AN OLDER ACADEMIC IN TV (AND FILM) STUDIES BY CHRISTOPHER PULLEN Nov 15, 2024 This blog considers the psychological conundrum of ageing within the academic workplace, offering... * TRUMP, MALIGNANT NARCISSISM AND THE 2024 AMERICAN ELECTION CAMPAIGN BY KIM AKASS Nov 8, 2024 * LAYERED SPECTATORSHIP: THE CROWN AS PALIMPSEST BY LEONA HEIMFELD Nov 1, 2024 * ‘THIS IS WHERE THE COWBOY RIDES AWAY’?: THE MAGNIFICENT SEVEN AND SETTLER COLONIALISM BY MELISSA BEATTIE Oct 25, 2024 * TALK SHOWS LEAD THE SHIFT IN SPANISH PRIME-TIME TELEVISION BY ELISA PAZ Oct 18, 2024 * A WOMAN’S WORK: WHAT THE EXPERIENCES OF PRODUCTION MANAGERS TELL US ABOUT GENDERED INEQUALITY IN UK TELEVISION BY CHRISTA VAN RAALTE Oct 18, 2024 CFPS, CONFERENCE, CONFERENCES/EVENTS, EVENTS Latest CFP: FX CHANNEL ORIGINAL DOCUMENTARY AND REALITY TV SERIES Nov 13, 2024 This is a call for chapters on the following FX Channel documentary and reality TV series: Morgan Spurlock’s 30 Days (2005), New York Times Presents (2020-2023), AKA Jane Roe (2020), Welcome to Wrexham (2022-present), and... * CFP VIEW ISSUE #28 “WITH AND AGAINST THE GRAIN: NEW CREATIVE DIALOGUES WITH BROADCAST ARCHIVES”. DEADLINE: NOV 29, 2024. Nov 8, 2024 * CFP: MEDIA MUTATIONS 16 “UNLOCKING TELEVISION ARCHIVES IN THE DIGITAL ERA”. 26-27 MAY, 2025 @ BOLOGNA (IT). DEADLINE: FEB 10, 2025. Nov 1, 2024 * CFP: IAMHIST CONFERENCE 2025 “DECENTERING MEDIA HISTORIES AND PRACTICES”. 30 JUNE – 2 JULY, 2025 @ UNIVERSITY OF CAPE TOWN (ZA). DEADLINE: DEC 20, 2024. Oct 11, 2024 * CFP: ACLA SEMINAR “TV-PHILOSOPHY”. DEADLINE: OCT 14, 2024 Oct 4, 2024 CSTOnline on 11/15/2024, 5:02:45 AM ‘KEEP ON DRIVING’ – ON BEING AN OLDER ACADEMIC IN TV (AND FILM) STUDIES by Christopher Pullen https://cstonline.net/keep-on-driving-on-being-an-older-academic-in-tv-and-film-studies-by-christopher-pullen/ ‘KEEP ON DRIVING’ - ON BEING AN OLDER ACADEMIC IN TV (AND FILM) STUDIES by Christopher Pullen This blog considers the psychological conundrum of ageing within the academic workplace, offering an autoethnographic approach, reflecting upon passing moments from film and TV… CSTOnline on 11/13/2024, 8:28:21 AM CfP: FX Channel Original Documentary and Reality TV Series https://cstonline.net/cfp-fx-channel-original-documentary-and-reality-tv-series/ CfP: FX Channel Original Documentary and Reality TV Series This is a call for chapters on the following FX Channel documentary and reality TV series: Morgan Spurlock’s 30 Days (2005), New York Times Presents (2020-2023), AKA Jane Roe (2020)… CSTOnline on 11/8/2024, 5:02:58 AM TRUMP, MALIGNANT NARCISSISM AND THE 2024 AMERICAN ELECTION CAMPAIGN by Kim Akass https://cstonline.net/trump-malignant-narcissism-and-the-2024-american-election-by-kim-akass/ TRUMP, MALIGNANT NARCISSISM AND THE 2024 AMERICAN ELECTION CAMPAIGN by Kim Akass I initially started writing this blog on Tuesday (we’ll certainly remember, remember, this 5th of November). Currently living in America (although not for much longer – I’m one of the lucky ones) and… CSTOnline on 11/8/2024, 4:50:12 AM CfP VIEW Issue #28 “With and Against the Grain: New Creative Dialogues with Broadcast Archives”. Deadline: Nov 29, 2024. https://cstonline.net/cfp-view-issue-28-with-and-against-the-grain-new-creative-dialogues-with-broadcast-archives-deadline-nov-29-2024/ CfP VIEW Issue #28 “With and Against the Grain: New Creative Dialogues with Broadcast Archives”. Deadline: Nov 29, 2024. Editors: Bas Agterberg, Lisa Kerrigan, Dana Mustata, Alistair Scott This special issue of VIEW Journal of European Television History and Culture explores creative ways in which media scholars… CSTOnline on 11/1/2024, 6:02:22 AM LAYERED SPECTATORSHIP: THE CROWN AS PALIMPSEST by Leona Heimfeld https://cstonline.net/layered-spectatorship-the-crown-as-palimpsest-by-leona-heimfeld/ LAYERED SPECTATORSHIP: THE CROWN AS PALIMPSEST by Leona Heimfeld Siegfried Kracauer in Theory of Film describes the strangely transporting effect of memory while watching old documentary films containing recognisable childhood objects. A sudden distraction is… CSTOnline on 11/1/2024, 5:51:12 AM CfP: Media Mutations 16 “Unlocking Television Archives in the Digital Era”. 26-27 May, 2025 @ Bologna (IT) https://cstonline.net/cfp-media-mutations-16-unlocking-television-archives-in-the-digital-era-26-27-may-2025-bologna-it/ CfP: Media Mutations 16 “Unlocking Television Archives in the Digital Era”. 26-27 May, 2025 @ Bologna (IT) Organized by Luca Barra, Matteo Marinello, Emiliano Rossi (Università di Bologna), Susanne Eichner (Filmuniversität Babelsberg Konrad Wolf, Potsdam) and Anne-Katrin Weber (Université de Lausanne) The… CSTOnline on 10/25/2024, 6:27:36 AM ‘THIS IS WHERE THE COWBOY RIDES AWAY’?: THE MAGNIFICENT SEVEN AND SETTLER COLONIALISM by Melissa Beattie https://cstonline.net/this-is-where-the-cowboy-rides-away-the-magnificent-seven-and-settler-colonialism-by-melissa-beattie/ ‘THIS IS WHERE THE COWBOY RIDES AWAY’?: THE MAGNIFICENT SEVEN AND SETTLER COLONIALISM by Melissa Beattie ‘The ghosts of the Confederacy will not die.’- Colonel Anderson (Kurt Smallwood); 1.1 One of the hallmarks of Western films—here meant in the sense of ‘Spaghetti’ rather than ‘the West’ —is the idea… CSTOnline on 10/18/2024, 5:03:33 AM TALK SHOWS LEAD THE SHIFT IN SPANISH PRIME-TIME TELEVISION by Elisa Paz https://cstonline.net/talk-shows-lead-the-shift-in-spanish-prime-time-television-by-elisa-paz/ TALK SHOWS LEAD THE SHIFT IN SPANISH PRIME-TIME TELEVISION by Elisa Paz Spanish television programming has undergone a major shift in recent months, with the access-to-prime-time slot becoming the new battlefield for viewership, attracting the attention of media and… CSTOnline on 10/18/2024, 5:03:03 AM A WOMAN’S WORK: WHAT THE EXPERIENCES OF PRODUCTION MANAGERS TELL US ABOUT GENDERED INEQUALITY IN UK TELEVISION by Christa van Raalte https://cstonline.net/a-womans-work-what-the-experiences-of-production-managers-tell-us-about-gendered-inequality-in-uk-television-by-christa-van-raalte/ A WOMAN’S WORK: WHAT THE EXPERIENCES OF PRODUCTION MANAGERS TELL US ABOUT GENDERED INEQUALITY IN UK TELEVISION by Christa van Raalte Production Managers (PMs) in television production are mainly female, and as in other industries this ‘feminised’ role is typically afforded lower status than those predominantly performed by men. CSTOnline on 10/18/2024, 5:03:02 AM THE ULTIMATE TV EVENT: HOW HAPPY VALLEY DEFIES AGEISM AND SEXISM IN THE TELEVISION INDUSTRY by Lucy Brown https://cstonline.net/the-ultimate-tv-event-how-happy-valley-defies-ageism-and-sexism-in-the-television-industry-by-lucy-brown/ THE ULTIMATE TV EVENT: HOW HAPPY VALLEY DEFIES AGEISM AND SEXISM IN THE TELEVISION INDUSTRY by Lucy Brown “Chilling,” “a dark delight,” “magnificent,” “triumphant,” and “explosive” are all words that have been used to describe the British police crime thriller Happy Valley.[1] First screened in 2014… CSTOnline on 10/11/2024, 5:04:27 AM MEERA SYAL AND THE REPRESENTATION OF BRITISH ASIANS ON TELEVISION? by Uroosa Rashid https://cstonline.net/meera-syal-and-the-representation-of-british-asians-on-television-by-uroosa-rashid/ MEERA SYAL AND THE REPRESENTATION OF BRITISH ASIANS ON TELEVISION? by Uroosa Rashid While attending the 2024 CST Conference: Sustainability and Television, which ran from 24th June to the 4th of July, the question of representation of British Asians in relation to equality and… CSTOnline on 10/11/2024, 4:34:15 AM CfP: IAMHIST Conference 2025 “Decentering Media Histories and Practices”. 30 June – 2 July, 2025 @ University of Cape Town (ZA). Deadline: Dec 20, 2024. #July #June https://cstonline.net/cfp-iamhist-conference-2025-decentering-media-histories-and-practices-30-june-2-july-2025-university-of-cape-town-za-deadline-dec-20-2024/ CfP: IAMHIST Conference 2025 “Decentering Media Histories and Practices”. 30 June – 2 July, 2025 @ University of Cape Town (ZA). Deadline: Dec 20, 2024. IAMHIST is an international organisation of scholars, filmmakers, broadcasters and archivists dedicated to historical inquiry into film, radio, TV and other media. The study of film and media… CSTOnline on 10/4/2024, 5:02:36 AM “FINDING YOUR FIT” WITHIN THE CONFERENCE CONTINUUM by Christopher Pullen https://cstonline.net/finding-your-fit-within-the-conference-continuum-by-christopher-pullen/ “FINDING YOUR FIT” WITHIN THE CONFERENCE CONTINUUM by Christopher Pullen In this blog, I offer an autoethnographical account of what it means for TV scholars to take part in the conference continuum, which I argue is both familiar and strange in every iteration. CSTOnline on 10/4/2024, 5:02:25 AM “IT’S NOT GOD, MISSY, IT’S ME”: REFLECTIONS ON ASEXUAL REPRESENTATION IN BIG MOUTH (2017-2024) by Enes Akdağ https://cstonline.net/its-not-god-missy-its-me-reflections-on-asexual-representation-in-big-mouth-2017-2024-by-enes-akdag/ “IT’S NOT GOD, MISSY, IT’S ME”: REFLECTIONS ON ASEXUAL REPRESENTATION IN BIG MOUTH (2017-2024) by Enes Akdağ Whereas narratives of homosexuality, bisexuality, transgenderism, and transsexuality often revolve around the idea of “coming out,” the relationship between speech and silence… CSTOnline on 10/4/2024, 4:58:50 AM CfP: ACLA seminar “TV-Philosophy”. Deadline: Oct 14, 2024 https://cstonline.net/cfp-acla-seminar-tv-philosophy-deadline-oct-14-2024/ CfP: ACLA seminar “TV-Philosophy”. Deadline: Oct 14, 2024 This seminar aims to explore TV-series at their intersection with philosophy. As a newer sibling to the sub-discipline of film-philosophy, TV-philosophy neither reduces television series to… CSTOnline on 10/4/2024, 4:38:23 AM CfP: The Velvet Light Trap, Issue 96 “Continuity and Change in Media Representation”. Deadline: Oct 18, 2024 https://cstonline.net/cfp-the-velvet-light-trap-issue-96-continuity-and-change-in-media-representation-deadline-oct-18-2024/ CfP: The Velvet Light Trap, Issue 96 “Continuity and Change in Media Representation”. Deadline: Oct 18, 2024 CFP: Continuity and Change in Media Representation The Velvet Light Trap, Issue 96 (to be published Fall 2025) Special Issue Theme Representation matters has become a popular idiom conveying the… CSTOnline on 9/27/2024, 5:03:51 AM THE HANDMAID’S TALE (2017-) AND CLIMATE CHANGE? by Uroosa Rashid https://cstonline.net/the-handmaids-tale-2017-and-climate-change-by-uroosa-rashid/ THE HANDMAID’S TALE (2017-) AND CLIMATE CHANGE? by Uroosa Rashid Discussing climate change alongside The Handmaid’s Tale (Hulu 2017-) is unorthodox but offers an alternative and marginalised perspective. Typically, when thinking of climate change… CSTOnline on 9/27/2024, 5:02:27 AM FAIR WEATHER FRIENDS AND WEATHER AUTHORITIES: LOCAL BROADCAST METEOROLOGISTS IN SEVERE WEATHER EVENTS by Melissa Beattie https://cstonline.net/fair-weather-friends-and-weather-authorities-local-broadcast-meteorologists-in-severe-weather-events-by-melissa-beattie/ FAIR WEATHER FRIENDS AND WEATHER AUTHORITIES: LOCAL BROADCAST METEOROLOGISTS IN SEVERE WEATHER EVENTS by Melissa Beattie As a currently-peripatetic academic, I often live and travel in areas that are meteorologically interesting. Between growing up somewhere that can give residents all four seasons in a single day (not… CSTOnline on 9/27/2024, 4:43:18 AM CfP: Doing Women’s Film and Television History VII “Entangled Media: Past and Present”. June 18-20, 2025 @ University of Lincoln (UK). Deadline: December 06, 2024. #June https://cstonline.net/cfp-doing-womens-film-and-television-history-vii-entangled-media-past-and-present-june-18-20-2025-university-of-lincoln-uk-deadline-december-06-2024/ CfP: Doing Women’s Film and Television History VII “Entangled Media: Past and Present”. June 18-20, 2025 @ University of Lincoln (UK). Deadline: December 06, 2024. This seventh iteration of the Women’s Film and Television History Network conference will foreground transnational and transmedial approaches to histories of women’s work in and across film… CSTOnline on 9/27/2024, 4:39:46 AM CfP: Conference “Fight Clubs, American Psychos and Girls Interrupted”. December 14-15, 2024 @ University of Salford (UK). EXTENDED Deadline: Oct 6, 2024. #December https://cstonline.net/cfp-conference-fight-clubs-american-psychos-and-girls-interrupted-december-14-15-2024-university-of-salford-uk-extended-deadline-oct-6-2024/ CfP: Conference “Fight Clubs, American Psychos and Girls Interrupted”. December 14-15, 2024 @ University of Salford (UK). EXTENDED Deadline: Oct 6, 2024. In the 1970s Anglo-American feminist scholars in a variety of disciplines began to explore the problematic representations of women in Hollywood cinema, issues and concerns over female spectatorship… Search for: RECENT POSTS * ‘KEEP ON DRIVING’ – ON BEING AN OLDER ACADEMIC IN TV (AND FILM) STUDIES by Christopher Pullen November 15, 2024 * CfP: FX Channel Original Documentary and Reality TV Series November 13, 2024 * TRUMP, MALIGNANT NARCISSISM AND THE 2024 AMERICAN ELECTION CAMPAIGN by Kim Akass November 8, 2024 * CfP VIEW Issue #28 “With and Against the Grain: New Creative Dialogues with Broadcast Archives”. Deadline: Nov 29, 2024. November 8, 2024 * LAYERED SPECTATORSHIP: THE CROWN AS PALIMPSEST by Leona Heimfeld November 1, 2024 * CfP: Media Mutations 16 “Unlocking Television Archives in the Digital Era”. 26-27 May, 2025 @ Bologna (IT). Deadline: Feb 10, 2025. 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