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But his depiction of Hell is also remarkable for several outright inventions.
While Limbo, for instance, was accepted in late medieval Christian theology as
the place for unbaptized children in the afterlife, Dante expands its population
to include virtuous individuals who lived before Christianity, as well as other
select non-Christians. He also creates an extraordinary rule for one group of
sinners: traitors against guests lose their souls to Hell not at death but at
the moment of their betrayal, and demons inhabit their bodies for the rest of
their mortal lives.

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Heartened by the sight of a sunlit hill, he begins to climb to safety, but soon
he is beset by a leopard, a lion, and a she-wolf and forced to retreat to the
valley. Here Dante meets the shade of Virgil, the great Roman poet; to escape
his dire predicament, Dante must visit the three realms of the afterlife,
beginning with Hell, eternal abode of lost souls.

Dante hesitates, declaring his unworthiness to undertake such a journey, but is
persuaded to go when he learns that Virgil has been sent by Beatrice to rescue
him. Encounters t hr e e be a s t s :: The uncertain symbolism of the three
beasts— a leopard or some other lithe, spotted animal , a lion, and a
shewolf—contributes to the shadowy atmosphere of the opening scene. Others
associate the animals with envy, pride, and avarice.


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Perhaps they carry some political meaning as well a she-wolf nursed the
legendary founders of Rome—Romulus and Remus—and thus came to stand as a symbol
of the city. Book 6, in which Aeneas visits Hades to meet the shade of his
father and learn of future events in his journey and in the history of Rome,
provides key elements of the spirit world, primarily mythological creatures and
rivers, that Dante uses to shape his own version of the afterlife, Hell in
particular.

Virgil also wrote the Georgics, whose four books deal mostly with agriculture
and farm life though they contain other important material, including, in the
last book, the famous story of Orpheus and Eurydice. And he wrote ten pastoral
poems the Eclogues , the fourth of which celebrates the birth of a wonderchild
and was commonly interpreted in the Christian Middle Ages as foretelling the
birth of Jesus.

These include the medieval Platonic image of chaotic matter, unformed and
unnamed, as a type of primordial wood in Latin, silva ; the forest at the
entrance to the classical underworld Hades as described by Virgil Aeneid 6. In
an earlier work Convivio 4.

And again, in imagining the nature of his deviation, we may come to relate to
the protagonist. In medieval thought, abandonment of the straight way often
indicates estrangement from God. In addition to any individual spiritual or
psychological issues the phrase may suggest, the poet views such veering as a
grand metaphor for the moral and societal woes of his world.

Since Dante was born in late May or early June of , this places his journey in
the spring of the year When Dante says he gained hope from the astronomical fact
that the sun rose with the same stars that accompanied it at the moment of
creation Inf. Information presented much later [Inf. Here Dante compares his
narrow escape from danger to the experience of a man who, after arriving safely
on shore, looks back at the sea that almost claimed his life.

Nisus and Euryalus were Trojans celebrated for their devotion to one another. On
a joint mission to bring a message to Aeneas, Euryalus was killed as the two men
passed through the Rutulian camp; Nisus avenged the death of his younger friend
before he too was killed by the enemy, his body falling atop that of his beloved
comrade Aeneid 9. These two otherworldly travelers are linked through their
association with Rome, seat of both the empire and the Dante, contrary to
Augustine and others, believed the Roman Empire had prepared the way for
Christianity, with Rome as the divinely chosen home of the papacy.

She died in at age twenty-four, just a year or so after the death of her father.
How do you envision them? How do you think they might relate to one another and
to the world in which we live? Dante faces a literal midlife crisis. What
problems or issues do you associate with such an experience? Can you think of
any recent representations in movies, books, the news of midlife crises? What is
the effect of these strange descriptions? How do they contribute to the overall
atmosphere of the opening scene?

Discuss the similes in Inferno 1 and 2 there are four in all. The travelers
approach the shores of the river Acheron, where wretched souls of the damned
gather to cross aboard a boat piloted by Charon. The quick-tempered ferryman
denies passage to Dante, who, shaken by an earthquake, loses consciousness and
collapses. An alternative candidate is Pontius Pilate, the Roman governor who
refused to pass judgment on Jesus.

For example, in the verses of Inferno 3 describing the gate of Hell, dolore line
2 rhymes with fattore 4 and amore 6 , podestate 5 rhymes with create 7 and
intrate 9 , and so on. A single line, rhyming with the second line of the last
tercet, ends each canto. Terza rima can thus be expressed The Acheron serves as
a boundary separating the peripheral zone of cowardly neutrals from the circles
of Hell proper, and Charon ferries the souls destined for these lower areas
across the river.

Looking closely at Inferno 3. Try to imagine more than one interpretation for
the contrapasso of the cowardly neutrals. Limbo is set apart from the rest of
Hell by its tranquil, pleasant atmosphere. It is the eternal abode of spirits
from the pre-Christian world who led honorable lives, as well as other worthy
non-Christian adults and the souls of unbaptized children.

The vast majority of characters from and allusions to classical mythology in the
Divine Comedy derive from the works of Virgil and of these writers, primarily
Ovid and Lucan. During his visit to the underworld, Aeneas learned that his
bloodline would eventually produce Julius Caesar Aeneid 6. Lucius Junius Brutus,
who avenged the rape of Lucretia who subsequently committed suicide , the
virtuous wife of Collatinus, by leading a revolt against Julia daughter of
Julius Caesar and wife of Pompey , Marcia second wife of Cato of Utica , and
Cornelia daughter of Scipio Africanus the Elder and mother of the tribunes
Tiberius and Gaius Gracchus were Roman women praised for their strength of
character.

Dante praises Saladin for his liberality in Convivio 4. The second group, headed
by Aristotle see entry below , comprises shades of men known for outstanding
intellectual achievement. Socrates born ca. Democritus ca. Diogenes died ca.
Empedocles ca. Heraclitus ca. Zeno most likely refers to Zeno of Citium ca.
Dante also sees the following shades in this gathering of eminent minds from
Greek, Roman, and Islamic traditions Inf. Orpheus was a mythical Greek poet and
musician from Thrace whose song captivated the spirits and monsters of the
underworld when he journeyed there to bring his wife Eurydice back to life only
to lose her again when he looked back , a story well known to Dante from moving
accounts by Virgil Georgics 4.

Virgil pairs Linus, a mythical Greek poet-musician, with Orpheus in Eclogue 4.
Lucius Annaeus Seneca ca. Claudius Ptolemy ca. Dante, following medieval
tradition, considers the Greek physicians Hippocrates ca. The latter,.

Avicenna was a precocious philosopher-physician of Persian descent though he
wrote mostly in Arabic , best known in the West for his Canon of Medicine and
parts of his Book of Healing, though he authored nearly two hundred treatises on
a wide range of topics; Dante cites him on, among other things, the generation
of substances Convivio 2. Virgil supplies an eyewitness account, from his
partially informed perspective, in Inferno 4. So prominent was this story in the
popular and theological imaginations that it was proclaimed church dogma in and
In particular, how do you think he was affected by the Harrowing of Hell Inf.

Tossed about by vicious winds, the spirits within this circle are guilty of
lust, a sin that for many led to adultery and, for at least some of the most
famous—Dido, Cleopatra, Helen of Troy, Achilles, Paris, and Tristan—to a violent
death. Dante is drawn to two lustful souls still bound to one another in Hell:
the beautiful Francesca and her handsome brother-in-law Paolo were murdered by
the betrayed husband.

Semiramis was a powerful Assyrian queen alleged by the Christian historian
Orosius to have been so perverse that she made even incest a legal practice
History 1. She was said to have been killed by an illegitimate son. Dido, queen
of Carthage and widow of Sychaeus, committed suicide after her lover Aeneas
abandoned her to continue his mission to establish a new civilization in Italy
Virgil, Aeneid 4.

Cleopatra, the beautiful queen of Egypt, took her own life to avoid capture by
Octavian the future emperor Augustus , who had defeated her lover, Mark Antony
she had previously been the lover of Julius Caesar.

Helen, wife of Menalaus king of Sparta , was said to have been the cause of the
Trojan war: acclaimed as the most beautiful mortal woman, she was abducted by
Paris and brought to Troy as his mistress. She betrayed the Trojans, including
her new husband Deiphobus married Helen after Paris was killed in the war , by
helping the Greeks carry out their attack Virgil, Aeneid 6. Tristan, nephew of
King She was married ca.


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Informed of this liaison, Gianciotto one day caught his brother and Francesca
together in her bedroom when she, unaware that Paolo had become stuck as he
tried to escape through a trapdoor, let her husband enter the room. Gianciotto
lunged at Paolo with a sword, but Francesca stepped between the two men and was
killed instead, much to the dismay of her husband, who then Francesca and Paolo,
Boccaccio concludes, were buried—accompanied by many tears—in a single tomb.

Allusions l us t :: Here Dante explores the relationship, as notoriously
challenging in his time and place as in ours, between love and lust, between the
ennobling power of attraction toward the beauty of a whole person and the
destructive force of possessive sexual desire. From the examples presented, it
appears that for Dante a line is crossed when one acts on this desire.
Francesca, by giving the romantic initiative to Paolo, reverses the roles.


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Following their judgment by Minos, how do you imagine the souls travel to their
destined location in Hell for eternal punish-. We can certainly discuss music,
television, movies, and advertising as well as literature in these terms. Who is
more or less responsible, and therefore accountable, for unacceptable attitudes
and behavior in society: the creators and vehicles of such messages or their
consumers and audiences? One glutton, nicknamed Ciacco, rises up and recognizes
Dante as a fellow Florentine.

After informing Dante that several leading Florentines are punished below in
other circles of Hell, Ciacco falls back to the ground, not to rise again until
the Last Judgment at the end of time. Encounters ce r be rus :: In the Aeneid
Virgil describes Cerberus, a threeheaded dog who guards the entrance to the
classical underworld, as loud, huge, and terrifying with snakes rising from his
neck.

Dante, who exploits the common medieval belief in the essential relationship
between names and the things or people they represent, at times places
characters at least in part on the basis of their names. Boccaccio claims that,
despite his gluttony for which he was notorious , Ciacco was respected in polite
Florentine society for his eloquence and agreeableness.

Another early commentator Benvenuto remarks that the Florentines were known for
their temperate attitude toward food and drink, but that when they fell, they
fell hard and surpassed all others in gluttony. Allusions gl u t t on y ::
Gluttony, like lust, is one of the seven capital sins according to medieval
Christian theology and church practice. Although lust and gluttony were
generally considered the least serious of the seven sins and pride almost always
the worst , their ranking was not consistent: some writers thought lust was
worse than gluttony, while others thought gluttony worse than lust.

Based on the biblical precedent of Eve eating the forbidden fruit and then
tempting Adam to do so Genesis , gluttony and lust were often viewed as closely
related. Gluttony is usually understood as referring to excessive eating and
drinking; from the less than obvious contrapasso for the gluttons and the
content mostly political of Inferno 6, Dante appears to view it as something
more complex. At that time Florence was politically divided between two rival
factions known as white and black Guelphs.

Ciacco Inf. Although ringleaders from both parties were punished by banishment
Dante, a white Guelph, was part of the city government that made this decision ,
by spring of the following year most of the white Guelphs had returned, while
leading black Guelphs were forced to remain in exile. The black Guelphs
prevailed because they were supported by Charles of Valois, a French prince sent
by Pope Boniface VIII ostensibly to bring peace to Florence but actually to
instigate the violent overthrow of the white Guelph leadership. Also called the
Apocalypse and the Second Coming of Christ, the Last Judgment, in the medieval
Christian imagination, marks the end of time, The Divine Comedy presents the
state of souls sometime between these two judgments.

In Inferno 6 we learn, along with the character Dante, that the souls of the
dead will be reunited with their bodies at the end of time.


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