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THOMAS HANCOX

Thomas Hancox is co-principal flute of Britten Sinfonia and works regularly as
guest principal flute for other orchestras, including the Royal Philharmonic
Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra, Academy of St
Martin in the Fields, English National Opera, and English Chamber Orchestra,
amongst others.

Solo and chamber work has led to collaborations with artists and ensembles
including the Allegri, Castalian, and Sacconi string quartets, Haffner Ensemble,
Trevor Pinnock, Mahan Esfahani, Stephen Hough, and Jeremy Denk, with recitals in
prestigious venues and festivals throughout the UK and further afield.

He also has the privilege of recording scores for film and television, with
recent titles including James Bond, Doctor Who, Spiderman, The Crown, Fantastic
Beasts and Where to Find Them, and The Lord of the Rings: The Rings of Power.

Thomas read Music at St Peter’s College, Oxford, from where he graduated with a
first, before pursuing further studies in Paris with Patrick Gallois, and
subsequently at the Royal Academy of Music with Paul Edmund-Davies and Samuel
Coles, finishing with a distinction and the honorary DipRAM.

In his spare time, he is an avid cook, a moderately keen gardener, and enjoys
anything written by D. H. Lawrence, Evelyn Waugh, or Graham Greene.

In 2019 he was made an Associate of the Royal Academy of Music.


CONTACT

tmhancox@gmail.com
+44 7866 279551

Musician's Answering Service

‘special mention for the flautist Thomas Hancox’s exquisite Bach’
Rebecca Franks, The Times

‘special praise to flautist Thomas Hancox, who braved the stage – having to
retreat backwards in near darkness, still playing (from memory) – as if born to
it’
Fiona Maddocks, The Observer

'Most appropriately [for The Magic Flute], the outstanding soloist is the
flautist Thomas Hancox, flexible and expressive as he plays standing in the
pit.'
Nicholas Kenyon, The Telegraph

‘the flute player Thomas Hancox even ventures on stage at one point to duet
plaintively with Lowe — a poignant image and a beautiful sound’
Richard Morrison, The Times

‘enhanced by Thomas Hancox’s wistful flute [...] Hancox’s tender, wandering
flute intensified the contradictory sense of mournful merriment’
Boyd Tonkin, The Arts Desk

‘Thomas Hancox’s superb artistry’
Peter Reed, Classical Source