www.diffjustdiff.com Open in urlscan Pro
75.119.214.26  Public Scan

Form analysis
2 forms found in the DOM

GET https://www.diffjustdiff.com/

<form role="search" method="get" class="search-form" action="https://www.diffjustdiff.com/"> <label> <span class="screen-reader-text">Search for:</span> <input type="search" class="search-field" placeholder="Search …" value="" name="s"> </label>
  <input type="submit" class="search-submit" value="Search"></form>

POST /#wpcf7-f1283-p2055-o1

<form action="/#wpcf7-f1283-p2055-o1" method="post" class="wpcf7-form init" novalidate="novalidate" data-status="init">
  <div style="display: none;"> <input type="hidden" name="_wpcf7" value="1283"> <input type="hidden" name="_wpcf7_version" value="5.5.3"> <input type="hidden" name="_wpcf7_locale" value="en_US"> <input type="hidden" name="_wpcf7_unit_tag"
      value="wpcf7-f1283-p2055-o1"> <input type="hidden" name="_wpcf7_container_post" value="2055"> <input type="hidden" name="_wpcf7_posted_data_hash" value=""></div>
  <p><label> *name<br> <span class="wpcf7-form-control-wrap your-name"><input type="text" name="your-name" value="" size="40" class="wpcf7-form-control wpcf7-text wpcf7-validates-as-required" aria-required="true" aria-invalid="false"></span> </label>
  </p>
  <p><label> *email<br> <span class="wpcf7-form-control-wrap your-email"><input type="email" name="your-email" value="" size="40" class="wpcf7-form-control wpcf7-text wpcf7-email wpcf7-validates-as-required wpcf7-validates-as-email"
          aria-required="true" aria-invalid="false"></span> </label></p>
  <p><label> subject<br> <span class="wpcf7-form-control-wrap your-subject"><input type="text" name="your-subject" value="" size="40" class="wpcf7-form-control wpcf7-text" aria-invalid="false"></span> </label></p>
  <p><label> message<br> <span class="wpcf7-form-control-wrap your-message"><textarea name="your-message" cols="40" rows="4" class="wpcf7-form-control wpcf7-textarea" aria-invalid="false"></textarea></span> </label></p>
  <p><input type="submit" value="send" class="wpcf7-form-control has-spinner wpcf7-submit"><span class="wpcf7-spinner"></span></p>
  <div class="wpcf7-response-output" aria-hidden="true"></div>
</form>

Text Content

Close
Skip to the content Ale Girá | different, just different [experimental thinking]
Skip to the content


ALE GIRÁ | DIFFERENT, JUST DIFFERENT [EXPERIMENTAL THINKING]

| Ale Girá || hyperirrealism [digital sketching | dis-order & new-order] &
ab-realism [self-isms] |
 * diff
 * hyperirrealism [ urban planning & architecture for the future ( and for the
   present )]

Search for:


HYPERIRREALISM [ URBAN PLANNING & ARCHITECTURE FOR THE FUTURE ( AND FOR THE
PRESENT )]


ALE GIRÁ


| HYPERIRREALISM & AB‑REALISM |


… DIFFERENT ‑ JUSTDIFFERENT [ EXPERIMENTAL ‑ THINKING ]


HYPERIRREALISM


[ URBAN PLANNING & ARCHITECTURE FOR THE FUTURE ( AND FOR THE PRESENT )]


I BEG

Given the unusual interest (and ‘interests’) that my work is generating lately
(over the last 20 years it has been systematically invalidated, undervalued and
even hampered by most people in all types of power and ‘decisions taking’
positions) I would like to leave some ideas clearly expressed here.

The ‘interests’ that seem to be modifying in some the vision of the potential of
my ideas and projects are of various kinds, for example: interests of personal
economic enrichment, national and international ‘political’ interests (power
struggles, of ‘ideological, cultural, economic, etc ‘competitiveness’.) and even
defensive and hidden interests (avoiding questioning of doubtful personal and /
or political practices, recognition of past mistakes, etc.).

Faced with this situation, on my own behalf and on behalf of my family (I
believe also on behalf of all those people who value honesty, work, effort and
personal merits), and with the sole objective of general benefit, I ask:

1- that any attempt at manipulation (of any kind or nature) of my mental
stability and / or my intellectual freedom, or that of any other member of my
family, cease to occur and / or do not occur in the future.2- that the integrity
and physical health of all my family (and my own) is absolutely respected at all
times and places.3- that the ability and freedom of movement of any member of my
family or my own will not be restricted in any way at any time and under any
circumstances in the future.

And with regard to myself and any project or activity in which I am involved, I
request:

4 – transparency in all matters related to any previous, present or future
project of mine.5 – freedom to decide on the convenience and general benefit in
relation to any aspect of any previous, present or future project of mine.6 –
that I will not be restricted in any case or at any time from being able to
travel for personal and / or work reasons to any place or country on the
planet.7- not to be professionally limited by any kind of political, religious
or any other ideological commitment at any time or place.


Please, continue …[thank you]
| index | menu |

intro+
welcome
intro+

diff-
reason to be
diff- future
general concept
problems of cities
solutions for the future
structural calculations
biography
contact

ale girá
projects
360 panos
random-all
hyperirrealism
ab-realism

ideas
random-all …
intros & conclusions …
sidesign …
sur-faces …
designingdesign …
art ! …
what is real ! …
certainly ! …
& new-order …

contact
locate
email

intro+diff-ale girácontact



intro


ALE GIRÁ


| HYPERIRREALISM & AB‑REALISM |


… DIFFERENT ‑ JUSTDIFFERENT [ EXPERIMENTAL ‑ THINKING ]


HYPERIRREALISM


[ URBAN PLANNING & ARCHITECTURE FOR THE FUTURE ( AND FOR THE PRESENT )]


DO YOU THINK BUILDING MORE HUMANE AND ECOLOGIC URBAN ENVIRONMENTS WOULD BE
POSSIBLE?


…

macro-cities < << • macro-cities

To see the full size images, you need to enable javascript in your browser.


Would building another type of city be possible?

I believe yes!, by joining Engineering, Urban Planning and Architecture together
to build Macro-cities.

Would reducing pollution drastically while improving living conditions be
possible?

I believe yes!, by building more efficient geometric Urban environments.

Would guarantying structural stability despite high raise building be possible?

I believe yes!, macro-structures reduce slenderness drastically, what means much
more stability and security.

Would facilitating transportation and mobility at different heights be possible?

I believe yes!, macro-structures also favor and permit communications at
different levels.

Would offering multiple escape alternatives in emergency cases be possible?

I believe yes!, macro-structures’ horizontal communications at different heights
also allow multiple escape options.

Would freeing the ground level for its use as public space be possible?

I believe yes!, macro-structures may have distant support points, which allows
an almost full release of the ground level.

Would having good lightning, ventilation and sight qualities for all be
possible?

I believe yes!, at the same time, macro-structures may offer good quality for
lightning, ventilation and sight conditions.

Would generating community feeling be possible?

I believe yes!, another good point of macro-structures consequences.



… Yes! It could be possible … find out more … >
diff-


ALE GIRÁ


| HYPERIRREALISM & AB‑REALISM |


… DIFFERENT ‑ JUSTDIFFERENT [ EXPERIMENTAL ‑ THINKING ]


HYPERIRREALISM


[ URBAN PLANNING & ARCHITECTURE FOR THE FUTURE ( AND FOR THE PRESENT )]

reason to be

In the present investigation I voluntarily opted for an experimental system as a
form of acquisition of knowledge.

Today in architecture schools such as the Architectural Association in London
(AA), this experimental system is used for the production of architecture with
the lowest possible conditioning from prior knowledge. With this system It is
intended to form creativity in the situation of liberty, acknowledging that all
problems have at least one solution.

My research in such manner has produced a situation of disconnection with
respect to existent in the search of my own path not influenced by external
conditions. At the end I experiment freely in order to experience without limits
what would previously impose references or precedents.

This experimental system produces errors, but experimentation always implies the
possibility of errors in the process. Thomas Edison when asked why he failed
2000 times in its attempt to invent electric light said: ‘I have not failed even
once, it has been a project of 2000 steps’

Adoption of the experimental system as a way of knowledge acquisition in the
situation of untying all that already exists is a personal choice I needed to
realize. I felt the need to search my own way of doing and understanding, the
need to create my own criteria with which from now I can assess the past, the
future. The existing and the upcoming based on own experiences, ideas, and
knowledge. It is my belief that this is the only way knowledge produced by other
people from past, present and future can be assimilated in a personal and true
manner.

However, one cannot say that I have acted without prior knowledge. Knowledge I
have used is based more on open and non-coercive systems, that permit
experimentation without passing the filter of a-priori valuations, than onto
systems with limits imposed by correctional willpower, or the prejudice of
realistic, traditionally imposed knowledge only established as true, limiting
freedom of thought and action, ultimately leading to non-conditional
experimentation to itself by external factors.

Knowledge does not consist in the adoption of a determined and exclusive line,
but in the integration of different factors, including conflicting ones, that
conclude in an integral, inclusive knowledge. Today we see how division and
fragmentation affects all spheres of humanity leading to extremism and
confrontation between tendencies, tastes, preferences and realities.

Even political and social systems are aligned to this tendency of confrontation
between individuals, social groups, policies, and geographical or religious
boundaries.

Architecture should produce knowledge that integrates differences, even from
opposing and disparate perspectives. It must integrate science, art, ecology,
individuality and collectivity … Architects have to integrate in their projects
as many factors as possible, without exceptions.

Is science important? Yes. Are aesthetics important? Yes. Is ecology important?
Yes. Is individuality important? Yes. Is collectivity important? Yes.

True knowledge and wisdom are integrated. Division between different viewpoints
only leads to self-restraint, exclusion of complementary knowledge, and
confrontation between different human facets that would not be generated if them
all were considered necessary and complementary to each other, for the
production and enrichment of knowledge from distinct perspectives, reducing
tension and producing more and better understanding of reality. This amplifies
the own boundaries of architects and their projects.

Knowledge should not self-impose barriers or limits. On the contrary, it must
feed on the different, on the apparently anorexic and contrary. It has to pursue
integration, not exclusion, to pursue what is unlimited, and not what is
limited.

There is no worse service to knowledge than certainty of truth. And no better
service than integration of differences.

My system of thought and action is based on what I call ‘contrary philosophy’,
which is to do and to think the opposite of what is considered to be correct.
This form of thinking and action expands boundaries of ‘self’ by not admitting
its internal and external constraints.

This system often exists in children’s minds. Children learn by experimentation,
by rebellion against their constraints. This form of learning is based on
internal rebellion to all that exercises limitations in development, authority,
by opposing their will to exercise unlimited freedom.

‘Real’ world is full of limitations. The i-reality of children is a reaction
against their limits. By ‘irreality’ children learn not by imitation and
acceptance of imposed limits, but through imagination free from constraints and
limitations. It allows them to experience possible future and past situations at
present, at their imagined present.

This system allows children to acquire knowledge and prepare for future
‘realities’.

Contrary philosophy allowed me to acquire technical and non-technical skills to
exercise my future personal and professional career in a situation of liberty,
with the capacity to contribute useful resources to other professionals and
people.

The experimental system of knowledge acquisition involves the development of
personal and distinct skills to other people favoring contribution and
complementary production through difference and individuality.

At present we see how negative criticism is made on different architecture just
because it is different. It is my belief we should focus criticism to the
majority of buildings constructed recently that are indifferent, not adding
anything to the architectural panorama. To buildings that are exclusively based
on economic and market-related criteria with no relation to scientific,
technological, aesthetic or ecological research. To buildings that have clogged
our cities and environment.

It is my belief that we should not negatively criticize architects who have
opted for the path of differentiation, but to all those without courage or
capacity to generate their own way of making architecture. To those who with
indiscriminate and undifferentiated activity have devalued and degraded the
architectural environment and quality of our urban surroundings. These
architects, unaware of new technologies in the world at present, and their new
aesthetic and scientific implications, continue to produce projects in the same
way or even worse than the ones made before of the advent of new technologies.
They fill our lives with de-contextualized, reactionary, harmful architecture.

They are protected and shielded by insufficient laws and regulations of minimum
architectural standards that permit them to make architecture with no quality
and no vision; Unjust and antisocial; With the permission of governments, in the
pursuit of economic benefits that are particularly abusing; In the expense of
ruining and indebting individuals who compose society; Taking advantage of their
longing for a better quality of life encouraged by consumerism and marketing,
tools of manipulation and control of people’s needs and desires.

Negative criticism should be directed to these social agents. Among them are
many architects without ethic who exercise their harmful activities with
impunity at the expense of the most vulnerable.

Committed architecture is always different, not indifferent.

My form of thinking and action is essentially inductive. There are numerous
theories and definitions of this type of thought and action, for which I have
little knowledge and awareness. However, I share the vision of the inductive
method as a form to draw general conclusions based on particular observations. I
also share the vision that it is a method of probability, which does not ensure
absolute accuracy of assumptions or conclusions.

In favor of hyperirrealism and its architecture it should be noted that it has
fair acceptance by increasingly more people of all types, ages, cultures,
education, taste and inclination, who favor daily the idea of reach beyond
myself and my limited knowledge, my limited environment, and the specific
circumstances in which it was produced.

I also would like to express my artistic vocation that utilizes architecture as
means of expression and experimentation. It claims both the artistic character
of architecture as much as the scientific. Renunciation of any of these two
facets devalues its integrated character and knowledge as a producer of reality
and ‘irreality’ that reflect human beings in a particular time, with their needs
and dreams.



diff- future
solutions selection < << • solutions selection

To see the full size images, you need to enable javascript in your browser.




HYPERIRREALISM

explores and interrogates the generation of a new architecture and urban
planning for the 21st century. To achieve this, it develops two different
working approaches: theoretical and geographical/structural.

Dis-order [a fractal self] researches contemporary human mind architecture,
using subjectivity as a way of finding new possibilities in individual an
collective identities. Meanwhile, New-order [a global self] presents a vision of
the contemporary world from an objective (yet personal) point of view.

Digital Sketching is geometric expression and a synthesis of contemporary human
nature: architecture and urban ideas, designs and solutions to contemporary
problems, validated by a structural behavior study that confirms their
feasibility and stability.

These two approaches to design become part of the actual world as a
crystallization of the current historical moment where disorder and order
produce ongoing, faster and varying individual and collective (r)evolutions.

It is my intention to focus more on the future than the past, more on freedom
and less on indoctrination. It is my belief that theory and practice, dream and
reality, innovations and applied technology and art and science, ought to come
together to enable personal growth regardless of trends, fashions, established
ideologies or moral structures.




solutions selection



hyperirrealism 360 panos



big 360 panoramic images above!
please, be patient…
general concept

URBAN PLANNING & ARCHITECTURE

Should Urban Planning and Architecture be separated? I wonder when we began to
consider them as separate.

In the distant past, Architecture and Urban Planning formed a unity of actions.
Cities were configured by production of Architecture. Urban Planning was not yet
a discipline. It simply occurred while Architecture was constructed. Urban
structure and Architecture formed a sensual unity.

Much later, Urban Planning was reinvented as a discipline to shape the form of a
city, as Architecture was thought simultaneously to Urban Planning. Urban
Planning was carried out through Architecture. Both shared the same
(development?) project.

Now, we have Urban Planning on one hand, and Architecture on the other. You can
see how Urban Planning does not guarantee Architectural quality, and how good
Architecture has to fight with Urban Planning regulations that often hamper its
very realization.

There are possible advantages on the separation of the two disciplines. Each one
of them solves some distinct problem types. But if we tried to bring both
disciplines closer together, we might be able to better control our cities and
their resultant environments. Urban Planning would be more real, and
Architecture would be closer to urban reality.

All projects need their own degree of freedom to adapt to new conditions
throughout time. However, I believe Architecture and Urban Planning must be
closer to each other in order to successfully reach their common objective: A
better reality.

‘Better Reality’ refers to a certain result that ensures greater coherence, and
better response to factors such as:

> Spatial organization

> Temporal organization

> Sense of unity

> Generation of identity

> Generation of certain environment

I believe this can be achieved through joint work of Urban Planners and
Architects, through integration of Architecture and Urban Planning, and through
sharing of the common objective of both disciplines, for high quality of cities
and buildings. This will ensure quality of environments, from smallest to
largest, and vice versa.

I further believe that the solution to Urban Planning is in Architecture, and
that the solution to Architecture is in Urban Planning. Let´s do Architectural
Planning and Urban Architecture.




ACCUMULATIONS


>MODULAR CITY

By modular construction we can create architecture and urban planning as a
unity, comprising from the large urban scale to small buildings parts. This
assures better integration between both disciplines to achieve more and better
control over the result: A coherent complex system that responds as a whole to
questions such us identity, spatial and temporal organization and sense of
unity.


>CITY ENGINEERING

Engineering, urban planning and architecture should work together. By joining
these three disciplines we can propose, develop and build new city solutions.
New city concepts need an integration between new ideas and new construction
systems.

Cooperation between engineers and designers could bring new solutions to city
environments for a better adaptation to nowadays and future ways of living.


>STRUCTURAL SECURITY

Structural security in high rise buildings can be reached by buildings complexes
that behave as a single, low slenderness structure. This type of structures also
facilitates communication at different heights.

These complexes also generate a sense of community and a sense of unity at
architectural and habitational levels.


>INSPIRED BY NATURE

We can take nature as our first design teacher. In this way we can create more
natural environments, what would in turn make as feel more and better adapted to
our natural origins and surroundings.

‘Building nature’ is a new challenge for creation of new ways of living
according to natural values in a harmonious relationship with our environment.


>COMMUNITY

Generating community feeling is today a new challenge for architecture and urban
planning. This can be done by buildings that potentiate a sense of unity.
Community feeling and belonging is necessary for a more humane and natural way
of living, in accordance to our social needs. This would increase our
cooperation capacity as a growing social and functional organism.


>AUTONOMY

New communities and architectural and urban environments need autonomy for a
better functioning as an organism. This autonomy could be reached by
self-sufficiency in terms of social diversity within the community, as well as
coverage of all its own necessities: a kind of self-sufficient eco-system in a
natural and organic sense.


>DIVERSITY

‘There is mounting evidence that biodiversity increases the stability of
ecosystem functions through time… Diverse communities are more productive
because they contain key species that have a large influence on productivity and
differences in functional traits among organisms increase total resource
capture.’

Architecture and urban planning diversity potentiate growth and stability of the
ecosystem.


>MACRO-CITY

Possibilities of nowadays construction include generation of macro-structures
for creation of a new type of city: the macro-city.

The macro-structure would contain streets, public spaces, private spaces,
services, communications, etc. … a macro-city where all our needs would be
included into a general structure full of possibilities for a better adaptation
to present and future needs.



problems of cities
problems of cities




1 Climate Change

Due to the rise in sea level it will be soon necessary to leave the current
coast settlements, abandon many cities, and create new urban urban environments
inland.

Climate change heralds a rise in the sea level for the next century of up to 2
meters, and an exponential rise over the following centuries. Nowadays, the
majority of cities and urban settlements are located on the coast, hence they
will be affected by this phenomenon.

This and the resulting large mobilization of the population causes the need for
planning and building new cities inland to accommodate those populations.



2 Natural Disasters

Although there are regulations for the construction of buildings that guarantee
stability in the face of catastrophes, high-rise buildings are typically
unstable due to their slenderness. Regulations for construction calculations for
these types of situations are based on estimations of probability, but cannot
guarantee their validity in extreme circumstances, unlikely but possible.

High population density increases the collective risk of natural disasters, such
as earthquakes, hurricanes, tsunamis, etc.

Large agglomerations of people inevitably lead to increased collective risk of
natural catastrophes. To mitigate their effects we must build cities that are
capable both of receiving high population densities and minimizing the
consequences of these natural phenomena.

At the present time, high population densities imply unsafe buildings due to
their high slenderness, which makes them extremely vulnerable to the horizontal
efforts they are subjected to in case of earthquakes, hurricanes, tsunamis,
etc., making them dangerous for their inhabitants and those of the surrounding
buildings that can be affected by a domino effect by collapsing neighboring
buildings due to one of these natural phenomena.



3 Fire

Fire is another threat to the safety of inhabitants of our cities, and even more
so for those in slender buildings as they may find themselves trapped if a fire
breaks out on a lower story. Today there are numerous detection and
extinguishing systems, but high-rise buildings are more difficult and slower to
evacuate. In our current cities the buildings are very close to each other,
which also means a high risk of spreading easily thereby affecting large areas,
both in the case of a fire occurring inside a building as well as outside,
reaching outlying urban areas.



4 Barriers

The overabundance of uses which land undergoes provokes conflicts of interest
that become multiple unsurmountable barriers. Above all, the large transport
networks (private, railways, etc.) and large infrastructures in general place
limits on wide areas of our cities, which isolate entire suburbs and provoke
disconnection-noncommunication resulting in many cases in degradation, lack of
development/maintenance and finally, poor conditions of life and lack of
opportunities for inhabitants.



5 Aglomerations

Urban populations will continue to grow. This will increase problems of
transportation, contamination caused by it, time loss, and life quality caused
by large, slow uncomfortable traveling conditions.

Pollution in cities is mainly generated by vehicles, whose numbers have risen
sharply and will continue to increase. This increase leads to a worsening of the
problem of pollution, as well as other collateral problems, due to the daily
transportation of people, such as loss of time, loss of comfort and, ultimately,
loss of quality of life for large segments of city dwellers.



6 Contamination

The majority of current societies live both sides of the same coin:
overproduction. This phenomenon, born of the need and will of economic growth at
any cost has led to the generation of large amounts of waste (solids, liquids
and gases) that pollute the environment, often irreversibly. The pollution
problem is a problem of lack of awareness, both by many governments and the
general population, all of whom are increasing the problem on a global scale
beyond physical, geographical and political borders.



7 Visual Pollution

Surrounding us all we find urban environments in which visual pollution reaches
an extreme invasion of public and personal space, objecting us to a high impact
of stimuli, sometimes both disturbing and intimidating. This phenomenon is once
again a product of imposing economic growth and consumption over any other value
and individual/collective right. Besides this, visual pollution is not a
temporary problem, but rather it is produced continuously both in public and
private spaces, by means of the overabundance of the mass media, affecting and
influencing people of all ages.



8 Vital Space

Population density in medium and big cities will increase, reducing, both public
and private, living space per inhabitant.

High population densities are associated with a significant reduction of living
space due to the decrease in the amount of private space in the design of the
building in response to a high population demand.

The value of the home as a space for personal and family development has been
deteriorating to unacceptable limits. Today there are many homes around the
world that are subhuman, both in new as well as existing buildings, since they
do not come up to the necessary standards for the wellbeing and development of
their inhabitants. The concept of home has been reduced to that of a minimum
cell (unit) without any spatial value, and with the restricted functionalities
of cooking, eating, living (space for television viewing), washing and sleeping.
There is no room for any other uses or human needs and even these functions are
designed for the minimum space, favoring economic interests over human needs.

Not only is private space diminishing, public space is also becoming smaller as
population density increases.

This causes the proportion of public space per inhabitant to diminish
progressively at the same time.



9 Profit Versus Quality

Generally, over the last century, and in particular the last few decades, the
housing market has undergone the ravages of speculation more than any other
economic sector. Speculation in the housing market has meant great business for
those agents involved in the building and selling of property, and faced with
the passivity of many governments who have not established anti-speculation
fiscal measures or regulations which guarantee a good quality, this has degraded
the quality of building construction in order to line their own pockets to the
maximum. The housing market has subsequently offered low quality at extremely
high prices with no alternative for the consumer.

Architecturally, this poor quality has resulted in poor construction, lack of
aesthetics, lack of privacy, poor ageing of buildings, bad ventilation,
insufficient natural light, poor design features, decadent living conditions,
etc.



10 Migrations

Millions of people are mobilized to look for more favorable living conditions
for them and their families. These people travel to countries and cities with
better economic conditions to find a way out of their current situation and a
better future. The cities where they end up are not adapted in many cases to
offer an alternative lifestyle for this enormous demand, so that the situation
for many of them does not improve, and may even be worse than their original
one.



11 Public Space Lost

The shortage of public space and its main use as support for vehicle traffic
will limit the possibility for it to be used and enjoyed by the public.

The large spaces needed by vehicle traffic directly affects public space and its
use for any other purpose.

Both the transit of vehicles and their parking require large amounts of space
that has to be taken directly from public space. This fact progressively reduces
public space as transport needs and quantity of vehicles in cities increases.



12 Marginalization

Marginalization and social exclusion are two of the greatest curses of modern
societies, from which arise problems of safety, economics, affection, behavior,
knowledge, self-esteem and self-realization for people in these circumstances.
Many people currently suffer from marginalization and social exclusion in
terribly adverse living conditions and with little, if any, chance of escape.
These problems, whether looked at from an altruistic or selfish point of view,
require urgent solutions, given the gravity of living conditions, before they
reach a point of more serious social conflicts if that is possible.



13 Urban Violence

The great number and extension of conflicts that exist today in the world
(ideological, moral, economic, etc.) very often turn into violent ones. More and
more often these differences are interpreted as a threat rather than a form of
wealth, which ends up in violent and aggressive and/or defensive behavior,
paradoxically in a world ever more plural and varied, in which the mixture is
the essence of our time. This fact is so both at an individual as well as
collective level, on a personal as well as governmental level, generating
internal and external conflicts at all levels in current societies.



solutions for the future
solutions for the future



1 MACRO-STRUCTURES




2 MICRO-ARCHITECTURE




3 SELF-SUFFICIENCY




4 COMMUNICATION & TRANSPORTATION




5 SELF DRIVING VEHICLES SYSTEM




6 DISTANCES




7 FREE GROUND LEVEL




8 PRE-FABRICATED CITIES




9 SOCIAL POLICIES






1 Macro-Structures

Building new cities through macro-structures allows their height to be increased
in a safe way when faced with natural disasters, such as earthquakes and
hurricanes, as they have the structural behavior of low-slender constructions.
Besides, this type of structure allows horizontal transportation in separate
heights, thus fostering communication, shortening distances, and increasing
mobility.

In order to guarantee safety and facilitate transport within the
macro-structure, there must be a separation of vehicle and pedestrian traffic on
different floors at each level in all directions. In this way system collapse is
avoided and free traffic-flow is enhanced.




solutions for the future< << •1 macro-structures




2 Micro-Architecture

The creation of macro-structures with 12 meters clearance between levels permits
and favors the creation of micro-architectures in their interior.
Macro-structures create a macro-structural spatial framework for the development
of architecture within them that works alongside specific usage needs.

This means replacing traditional urbanism with macro-structures containing
micro-architecture. Macro-structures are responsible for favoring overall
structure and services and micro-architecture provides the adaptation to
specific and particular needs of each use or function within the
macro-structure.

This micro-architecture must be controlled by means of regulations that
guarantee good quality construction, as well as avoiding the production of both
visual and acoustic pollution.

In order to guarantee health and avoid pollution in general, macro-structures
must include systems of waste collection for posterior treatment and recycling.




solutions for the future< << •2 micro-architecture




3 Self-Sufficiency

Constructing self-sufficient buildings – that will lead to a lesser dependence
on vehicle transportation – will considerably reduce problems of surface traffic
excess and therefore, pollution.

Traveling, by vehicle or other means, is due to the daily necessity to commute
to/from work, service places, and others. If buildings were self-sufficient,
i.e. if they contained all these uses within them, their inhabitants would not
need to move, therefore the amount of movement would be minimized, thereby
reducing pollution of cities generated by transport. This would also improve the
quality of life for people; minimizing the daily need for long and uncomfortable
commuting would increase users’ free time and comfort.




solutions for the future< << •3 self-sufficiency




4 Communication & Transportation

Communication and transportation are fundamental for economic activity. We ought
to replace the concentric pattern of our cities with isomorphic, poly-centric
structures that will encourage, facilitate, and accelerate communication and
transportation.

The concentric (mono-centric) structures of our present cities are due to radial
growth. This model produces huge problems in terms of transportation and
communication.

To solve this problem we must build cities whose structure are polycentric,
isomorphic. This type of node structure is the one that allows greater fluidity
and enhances transportation and communication.

Promoting transportation and communication is essential to facilitating economic
growth.

For this purpose we must adopt structures that facilitate and favor
transportation and communication to the maximum, for which the polycentric and
isomorphic structures are the most appropriate, as demonstrated by the
functioning of the Internet.




solutions for the future< << •4 communication & transportation




5 Self-Driving Vehicles System

At the present time, technology of self-driving vehicles is evolving rapidly.
This technology has many advantages from the point of view of efficiency,
comfort, and transport safety.

Cities whose structures respond to precise, specific geometric patterns
facilitate the implementation of this type of transport and improve general
mobility.

In addition, self-driving vehicles allow the creation of a general public
transportation service, since vehicles can be used as taxis without a driver,
which greatly reduces the number of vehicles needed. In addition it will
practically eradicate parking problems.

Both features would drastically reduce the problem of pollution, and increase
the availability of public space for uses other than car parks.




solutions for the future< << •5 self driving vehicles system




6 Distances

In high-rise buildings transportation is vertical. Distances between means of
transport are less than in conventional structures that are fundamentally
horizontal, which leads to distance reduction, organization and much more
efficient transportation.

Current buildings and transportation are mostly horizontal. This means that
traveling takes longer.

High-rise construction involves vertical transportation, that in terms of
distances are smaller, since the measurement of a storey in height is much less
than its horizontal dimension. This results in shorter distances and faster
movement.

In addition, this type of vertical transportation can be organized more
efficiently according to demand and time requirements through computerized
systems, which in turn facilitate mobility and shorten transportation times.




solutions for the future < << • 6 distances



7 Free Ground Level

Generation of public space through construction of buildings that free up
maximum ground level space for public social use, while taking in high
population densities.

Macro-structure construction allows maximizing the ground level for use as a
public and social space.

Macro-structures can be supported at points distant from one to the other. This
results in a practically full release of ground level, allowing its public and
social use without barriers.




solutions for the future< << •7 free ground level




8 Pre-Fabricated Cities

New construction and industrial technology allows the creation of pre-fabricated
cities in which a number of predetermined repeated elements have the capacity to
generate a macro-structure, expected to save money and time in the construction
process.

Today’s industrial manufacturing, as well as construction technologies, make the
idea of prefabricated cities possible.

Just like large-scale civil works are built, cities could be constructed in the
same way, with a series of predetermined prefabricated elements that would shape
and conform the macro-structure. This type of prefabricated construction could
result in greater speed and economic savings in construction, as demonstrated in
other smaller-scale industrial products.




solutions for the future< << •8 pre-fabricated cities




9 Social Policies

The creation of new cities (along with the maintenance and development of
existing ones) requires strong social policies with the purpose of finding
solutions to problems of marginalization, social exclusion and any type of
violence.

These policies must tackle problems in such a way as to provide good living
conditions both from a physical and intellectual point of view. In order to do
so, policies will be needed that deal with people’s basic necessities(Maslow’s
pyramid) as well as in terms of self-realization.

Maslow’s pyramid shows us the order in importance of the basic human needs from
the greatest to the least (from bottom to top).

In the ‘physiological’ section are the basic needs for the functioning of the
organism, such as food, drink, etc. These types of needs require a minimum
income level in order to be satisfied. In the ‘safety’ section are the needs for
accommodation, healthcare and assistance, environmental safety, good physical
and mental treatment, hygiene, etc.

Finding solutions to these needs in this order is fundamental for guaranteeing
humane conditions of life for many people.

But, besides this, we should also read the pyramid the other way round (from top
to bottom). People with a high level of self-realization enjoy greater
self-esteem and less frustration, which leads them to acquiring more knowledge,
which produce more love and tolerance and better conduct, leading to better
self-care and of others, as well as their surroundings.

Thus, social policies must deal with Maslow’s original pyramid and its inverse
simultaneously, which could result in a substantial improvement in many people’s
lives, both physically and psychologically (complementary facets that feed each
other).

These social policies must be supported with international aid if necessary, by
means of strong and solid cooperation for development between rich and poor
countries, and must be demanded worldwide of all governments and ideologies.




solutions for the future < << • 9 social policies



structural calculations

City Models

Structural calculation conclusions

Both of two models of cities studied show how their structural behavior is
similar to that of low slenderness buildings (with short vibration periods),
which greatly contributes to its structural stability despite being very tall
buildings, improving their structural behavior towards horizontal actions.


calculation models




model 1


model 2




CITY MODELS STRUCTURAL FEATURES TABLE

FEATUREUNITSMODEL 1MODEL 2SHELLSitems142,528224,420FRAMESitems48,00055,284BASE
MAX SURFACEm2 (aprox.)168,436224,42BASE MIN SURFACEm2 (aprox.)42,10955,281TOTAL
SURFACEm21,165,9362,192,877CENTRAL HOLEm2388,640134FLOORSnº45×1648TOTAL
HEIGHTm225240FLOORS HEIGHTm5.005.00EXTERIOR SOLID SURFACEm254,718615,411TOTAL
WEIGHTKN19,882,36518,852,663WEIGHT/M2KN/m217.058.60WEIGHT/M2Kg/m21,705860.00FLOORS
SURFACEm2 (avg.)1,6197,945FLOORS HOLE SURFACEm2 (avg.)5405,841AVERAGE
WIDTHm500700AVERAGE SLENDERNESSheight/width0.50.3EXTERIOR SHELLKg/cm2H-800
thickness=75cmH-800 thickness=75cmSUPPORTSHEB-500HEB-500SLABSKg/cm2HA-35
thickness=25cmHA-35 thickness=12cmBEAMSIPE400STRAPSIPE400VIBRATION PERIOD
1sec1.061.14VIBRATION PERIOD 2sec1.061.02VIBRATION PERIOD 3sec0.910.84MAX
DISPLACEMENT Xm0.125-0.064MAX DISPLACEMENT Ym0.125-0.070MAX DISPLACEMENT
Zm0.3410.151



biography


ALE GIRÁ


| DIFFJUSTDIFF & DIFF- COWORKING |

ale girá, PhD Architect from the University of Seville, vocational architect
since a very early age; he always believed in the importance of architecture as
a generator of a big part of the reality we live in.

He attained his Degree in Architecture in Seville (Spain), and completed his
studies in other countries and cities; before undertaking his studies in
Architecture he attended in 1991-92 the Pre-University course in New Jersey
(US). Later on, in 1996-97, he was awarded a scholarship within the ‘Erasmus’
exchange program which led him to the University of Venice (Italy), where he
attended lessons given by Aldo Rossi.

Once he had completed his studies at the University of Seville, the Camuñas
Foundation (Centre for Higher Education in Architecture) of Madrid (Spain)
awarded him a scholarship in 2004-05 for a Master Degree in Virtual
Architecture. The knowledge acquired there gave him the opportunity to achieve
in 2008 a European Exchange ‘Leonardo’ scholarship, awarded by the Architectural
Association of Architects of Seville, that took him to Hannover and Hamburg
(Germany) where he worked with Professor Andreas Uffelmann.

In 2009-10 he attended the Master’s Degree of ‘Innovation in Architecture:
Technology and Design’ at University of Seville (Spain) finishing those studies
with honors. His unceasing research in architecture reached its highest point
with his PhD lecture in 2012 at the Department of Structural Design of the
Higher School of Architecture of the University of Seville (Spain) – where he
achieved the qualification of Cum Laude -, being this a compendium of his works
up to that date; the PhD brought him to teach Architecture and Urban Planning at
the Southwest University of Science and Technology of Miangyang (China) in 2013,
where he widened his thesis with new projects and writings.

In 2015, after contacting Oscar Riera Ojeda (Publisher of Hyperirrealism book),
began another stage of production of new ideas, new techniques of representation
and development, as well as review and update of previous ones. Hyperirrealism
book brings together this production, the result of this intense and fruitful
relationship between ale girá and Oscar Riera Ojeda and his editorial team.



oscarrieraojeda.com

hyperirrealism book



… more ale girá ? Lets go ! … >
ale girá
projectsideas
projects


ALE GIRÁ


… DIFFERENT ‑ JUSTDIFFERENT [ EXPERIMENTAL ‑ THINKING ]


HYPERIRREALISM


[ DIGITAL‑SKETCHING ]


&


AB‑REALISM


[ SELF‑ISMS ]


… LANDSCAPES OF CHANCE

Before it becomes a reality, it is a project; Before, a thought; Before, an
idea; Before, a possibility; Before, a hunch; Before, a chance; Before, it is a
reality.

360 panos ...
- 360 panoramas -



random-all ...
Various galleries

«  Previous
Next  »
 1 
 2 
 3 
 . . .
There is no filetype available for your browser, or your browser does not
support html5 video

















































There is no filetype available for your browser, or your browser does not
support html5 video





































































































There is no filetype available for your browser, or your browser does not
support html5 video




























There is no filetype available for your browser, or your browser does not
support html5 video
















hyperirrealism ...
- hyperirrealism -



ANOTHER ARCHITECTURE

 * - accumulations -
 * - bar -
 * - chance -
 * - collectivities -
 * - digital sketching -
 * - furniture -
 * - housing -
 * - hyperirrealism -
 * - hyperstructure -
 * - i-apartment -
 * - in-cities -
 * - landscapes -
 * - natur-chitecture -
 * - projects -
 * - station -
 * - town -
 * - umbrariums -
 * - variety -




ANOTHER URBAN PLANNING

 * - city 11-08 -
 * - eyes -
 * - landscape -
 * - layers city -
 * - organics -
 * - pattern cities -
 * - trees -






ab-realism ...
- ab-realism -



AB-ART

 * - 4eyes -
 * - eyes -
 * - FORBiDDENtoFORBiD -
 * - light-in -
 * - self fusions -
 * - self-portraitS -
 * - UPsideDOWN -




ABSTRACT

 * - space-time -
 * - intuitions -
 * - silence -
 * - freedom -
 * - falling-in -
 * - inside-out -
 * - outside-in -
 * - fusion -
 * - existence -
 * - multiverse -
 * - connections -
 * - transitions -
 * - water -
 * - air -
 * - new-life -






ideas


ALE GIRÁ


… DIFFERENT ‑ JUSTDIFFERENT [ EXPERIMENTAL ‑ THINKING ]


DIS‑ORDER


[ A‑FRACTAL‑SELF ]


&


NEW‑ORDER


[ A‑GLOBAL‑SELF ]


… TO THE UNKNOWN

dis‑order & new‑order, is an objective, an hypothesis, a methodology, an
analysis and a conclusion simultaneously. Exploration of subjectivity, generates
this type of self‑referential and individual, unlimited and ab‑real process,
where sense and nonsense are merged together, by creating sense of nonsense, and
nonsense of sense.

random-all ...
01-Sidesign-035-CRiTiCiSM



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 01-Sidesign-035-CRiTiCiSM
   
   
 * 02-SUR-faces-010-EVOLUTiON
   
   
 * 06-certainLY-certainLY-certainly10
   
   
 * 01-Sidesign-016-TENSiONS
   
   
 * 06-certainLY-certainLY-certainly1
   
   
 * 01-Sidesign-037-THiNKiNG
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality11
   
   
 * 03-designingdesign-019-possibility-design
   
   
 * 01-Sidesign-054-FREEDOM
   
   
 * 10-NEW-ORDER--03-extremism
   
   
 * 01-Sidesign-091-BEiNG-NON-BEiNG
   
   
 * 10-NEW-ORDER--12-contemporary aesthetics
   
   
 * 01-Sidesign-062-BEAUTY
   
   
 * 01-Sidesign-036-NON-SENSE
   
   
 * 01-Sidesign-064-TRUE
   
   
 * 03-designingdesign-002-natural-planning
   
   
 * 10-NEW-ORDER--06-contemporary refuge
   
   
 * 02-SUR-faces-014-TRANSFORMATiON
   
   
 * 01-Sidesign-078-PRACTiCE
   
   
 * 01-Sidesign-067-UNCONTROL
   
   
 * 01-Sidesign-028-iNJUSTiCE
   
   
 * 06-certainLY-certainLY-certainly2
   
   
 * 01-Sidesign-034-CONTRARY
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality1
   
   
 * 01-Sidesign-029-ABNORMALiTY
   
   
 * 04-ART-ART-vision11
   
   
 * 01-Sidesign-047-NON-CRiTERiON
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality12
   
   
 * 01-Sidesign-025-iNVERTED-PROCESSES
   
   
 * 01-Sidesign-031-REALiTY
   
   
 * 02-SUR-faces-006-EXPLANATiON
   
   
 * 002-hyperirrealism_resume
   
   
 * 02-SUR-faces-009-diSorderS
   
   
 * 01-Sidesign-045-ERROR
   
   
 * 02-SUR-faces-001-CONTRARYPHiLOSOPHY
   
   
 * 01-Sidesign-046-FAiLURE
   
   
 * 06-certainLY-certainLY-certainly5
   
   
 * 01-Sidesign-011-diS-order
   
   
 * 03-designingdesign-007-what-is-Culture
   
   
 * 06-certainLY-certainLY-certainly11
   
   
 * 10-NEW-ORDER--08-mad art
   
   
 * 01-Sidesign-026-DESiGN
   
   
 * 03-designingdesign-003-we-architects
   
   
 * 01-Sidesign-014-UNDERSTAND
   
   
 * 01-Sidesign-070-EVERYTHiNG-NOTHiNG
   
   
 * 03-designingdesign-018-creation-dream-imagination-design
   
   
 * 03-designingdesign-008-modernity-contemporaneity
   
   
 * 01-Sidesign-050-SELF-NON-SELF
   
   
 * 04-ART-ART-vision12
   
   
 * 01-Sidesign-061-RELATiVE
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality10
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality6
   
   
 * 01-Sidesign-030-NON-SCALE
   
   
 * 01-Sidesign-089-DOORS
   
   
 * 01-Sidesign-038-QUESTiON
   
   
 * 02-SUR-faces-007-PARADOX-0
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality2
   
   
 * 01-Sidesign-003-iMAGiNATiON
   
   
 * 01-Sidesign-017-AESTHETiCS
   
   
 * 01-Sidesign-100-TRANSiT
   
   
 * 01-Sidesign-024-SENSE
   
   
 * 01-Sidesign-090-DIFFERENT
   
   
 * 01-Sidesign-042-YES-NO-MAYBE
   
   
 * 01-Sidesign-066-MADNESS
   
   
 * 02-SUR-faces-016-EXiSTENCE
   
   
 * 01-Sidesign-097-OPTiMUM
   
   
 * 06-certainLY-certainLY-certainly4
   
   
 * 04-ART-ART-vision6
   
   
 * 03-designingdesign-017-profit-architecture
   
   
 * 01-Sidesign-015-VARiABiLiTY
   
   
 * 10-NEW-ORDER--10-human ages
   
   
 * 02-SUR-faces-021-SECOND-MADNESS
   
   
 * 02-SUR-faces-005-DyNAMiCs
   
   
 * 01-Sidesign-039-BEiNG
   
   
 * 01-Sidesign-080-GOOD-EViL
   
   
 * 06-certainLY-certainLY-certainly3
   
   
 * 000-Preface
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality7
   
   
 * 03-designingdesign-015-subjective-system-objective-system
   
   
 * 01-Sidesign-051-PEACEFUL-ANARCHY
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality3
   
   
 * 03-designingdesign-006-urban-planning-architecture
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality5
   
   
 * 03-designingdesign-005-urban-planning
   
   
 * 03-designingdesign-016-art-design
   
   
 * 06-certainLY-certainLY-certainly7
   
   
 * 06-certainLY-certainLY-certainly9
   
   
 * 10-NEW-ORDER--00-new world order
   
   
 * 01-Sidesign-057-ART-SCiENCE
   
   
 * 01-Sidesign-060-POSSiBLE
   
   
 * 01-Sidesign-053-WRONG
   
   
 * 01-Sidesign-012-PERCEPTiON
   
   
 * 01-Sidesign-069-ARCHiTECTURE
   
   
 * 01-Sidesign-071-BELiEVE
   
   
 * 02-SUR-faces-024-FULL-EMPTY
   
   
 * 03-designingdesign-011-are-aesthetics-functional
   
   
 * 01-Sidesign-006-CONNECTiONS
   
   
 * 02-SUR-faces-008-ERRORS
   
   
 * 01-Sidesign-073-LiFE
   
   
 * 04-ART-ART-vision8
   
   
 * 03-designingdesign-001-variability
   
   
 * 10-NEW-ORDER--02-new society
   
   
 * 04-ART-ART-vision10
   
   
 * 04-ART-ART-vision5
   
   
 * 01-Sidesign-002-iNNOVATiON
   
   
 * 01-Sidesign-018-iNDiViDUALiTiES
   
   
 * 02-SUR-faces-012-RELATiVE-BEGiNNiNG
   
   
 * 03-designingdesign-010-measurable-non-measurable
   
   
 * 01-Sidesign-076-ABSOLUTE
   
   
 * 02-SUR-faces-019-i-BELiEVE
   
   
 * 01-Sidesign-009-CiTiES
   
   
 * 01-Sidesign-044-PRESENT
   
   
 * 03-designingdesign-012-aesthetics-technique-style
   
   
 * 10-NEW-ORDER--09-contemporary artist
   
   
 * 01-Sidesign-052-MULTi-TiME
   
   
 * 01-Sidesign-048-MACHiNES
   
   
 * 02-SUR-faces-004-SCiENCE-WiTHOUT-LOGiC-ART-WiTHOUT-LiMiTS
   
   
 * 01-Sidesign-085-ART
   
   
 * 01-Sidesign-032-PERFECTiON
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality4
   
   
 * 01-Sidesign-004-dis-order.es_
   
   
 * 01-Sidesign-084-PURiTY
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality8
   
   
 * 01-Sidesign-049-FROM-SCRATCH
   
   
 * 01-Sidesign-081-CONTEMPOrARY
   
   
 * 01-Sidesign-095-TRUTH-LiE
   
   
 * 03-designingdesign-014-functionalism
   
   
 * 04-ART-ART-vision4
   
   
 * 10-NEW-ORDER--11-contemporary love
   
   
 * 02-SUR-faces-025-PERSONAL-iDEAS
   
   
 * 01-Sidesign-068-i-UNDERSTAND
   
   
 * 02-SUR-faces-003-ACTiViTY
   
   
 * 01-Sidesign-058-iMPOSSiBLE
   
   
 * 03-designingdesign-020-obvious
   
   
 * 10-NEW-ORDER--07-schizo-art
   
   
 * 01-Sidesign-102-ARCHiTECTURAL-DESiGN
   
   
 * 04-ART-ART-vision3
   
   
 * 04-ART-ART-vision1
   
   
 * 01-Sidesign-056-EVOLUTiVE-GEOMETRY
   
   
 * 01-Sidesign-088-ESCAPE
   
   
 * 07-ACLARATiON
   
   
 * 01-Sidesign-063-SELF
   
   
 * 10-NEW-ORDER--01-contemporary individual
   
   
 * 003-Dis-order & New-order
   
   
 * 01-Sidesign-043-OBJECTiVE
   
   
 * 06-certainLY-certainLY-certainly6
   
   
 * 04-ART-ART-vision7
   
   
 * 02-SUR-faces-013-DEATH
   
   
 * 02-SUR-faces-018-LAST-DREAM
   
   
 * 02-SUR-faces-020-HUMAN-NATURE
   
   
 * 01-Sidesign-059-iNSTABiLiTY
   
   
 * 02-SUR-faces-011-ABSOLUTE-BEGiNNiNG
   
   
 * 09-chance
   
   
 * 01-Sidesign-033-SiMPLEX-COMPLEX
   
   
 * 01-Sidesign-094-FUTURE
   
   
 * 02-SUR-faces-015-LOVE
   
   
 * 04-ART-ART-vision2
   
   
 * 01-Sidesign-074-NATURE
   
   
 * 01-Sidesign-087-REVOLUTiON
   
   
 * 01-Sidesign-092-FEEL
   
   
 * 03-designingdesign-021-innovative-non-innovative
   
   
 * 01-Sidesign-013-SOCiAL
   
   
 * 004-BASiC-CONCEPTs
   
   
 * 01-Sidesign-019-TEMPORALiTY
   
   
 * 01-Sidesign-075-ANOTHER
   
   
 * 01-Sidesign-021-SUBJECTiVE
   
   
 * 01-Sidesign-079-UNKNOWN
   
   
 * 02-SUR-faces-026-SELF-CRiTiCiSM
   
   
 * 02-SUR-faces-022-iDEAL-REAL
   
   
 * 01-Sidesign-082-NON-SELF
   
   
 * 01-Sidesign-008-LETTER
   
   
 * 01-Sidesign-007-iNTENTiONS
   
   
 * 01-Sidesign-020-TASTE
   
   
 * 01-Sidesign-010-UTOPiA
   
   
 * 01-Sidesign-072-ABSTRACT
   
   
 * 06-certainLY-certainLY-certainly8
   
   
 * 01-Sidesign-040-ENDLESS-PROCESS
   
   
 * 01-Sidesign-086-MORE-LESS
   
   
 * 01-Sidesign-096-SUCCESS
   
   
 * 01-Sidesign-101-iDEAS
   
   
 * 03-designingdesign-013-project-system-specificity
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality9
   
   
 * 10-NEW-ORDER--04-contemporary politics
   
   
 * 01-Sidesign-065-KNOW
   
   
 * 04-ART-ART-vision9
   
   
 * 01-Sidesign-055-LOVE
   
   
 * 01-Sidesign-005-PHiLOSOPHY
   
   
 * 01-Sidesign-041-ANoMALOUS-SPACE
   
   
 * 02-SUR-faces-002-ARCHiTECTURE
   
   
 * 01-Sidesign-023-END-BEGiNNiNG
   
   
 * 001-hyperirrealism_REASONtoBE
   
   
 * 01-Sidesign-099-YES
   
   
 * 02-SUR-faces-023-DESiGN
   
   
 * 03-designingdesign-009-designing
   
   
 * 01-Sidesign-001-BEFORE
   
   
 * 01-Sidesign-083-SYSTEM
   
   
 * 000-self-Art
   
   
 * 02-SUR-faces-017-iN-LOVE
   
   
 * 01-Sidesign-093-BE
   
   
 * 01-Sidesign-027-UNCERTAiNTY
   
   
 * 01-Sidesign-022-THANKS
   
   
 * 10-NEW-ORDER--05-contemporary city
   
   
 * 01-Sidesign-077-EXPRESS
   
   
 * 06-certainLY-certainLY-certainly12
   
   
 * 01-Sidesign-098-THiNGs
   
   





intros & conclusions ...
000-Preface



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 000-Preface
   
   
 * 000-self-Art
   
   
 * 001-hyperirrealism_REASONtoBE
   
   
 * 002-hyperirrealism_resume
   
   
 * 003-Dis-order & New-order
   
   
 * 004-BASiC-CONCEPTs
   
   
 * 07-ACLARATiON
   
   
 * 09-chance
   
   





sidesign ...

… THE IMPOSSIBLE IS ALSO POSSIBLE

01-Sidesign-001-BEFORE



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 01-Sidesign-001-BEFORE
   
   
 * 01-Sidesign-002-iNNOVATiON
   
   
 * 01-Sidesign-003-iMAGiNATiON
   
   
 * 01-Sidesign-004-dis-order.es_
   
   
 * 01-Sidesign-005-PHiLOSOPHY
   
   
 * 01-Sidesign-006-CONNECTiONS
   
   
 * 01-Sidesign-007-iNTENTiONS
   
   
 * 01-Sidesign-008-LETTER
   
   
 * 01-Sidesign-009-CiTiES
   
   
 * 01-Sidesign-010-UTOPiA
   
   
 * 01-Sidesign-011-diS-order
   
   
 * 01-Sidesign-012-PERCEPTiON
   
   
 * 01-Sidesign-013-SOCiAL
   
   
 * 01-Sidesign-014-UNDERSTAND
   
   
 * 01-Sidesign-015-VARiABiLiTY
   
   
 * 01-Sidesign-016-TENSiONS
   
   
 * 01-Sidesign-017-AESTHETiCS
   
   
 * 01-Sidesign-018-iNDiViDUALiTiES
   
   
 * 01-Sidesign-019-TEMPORALiTY
   
   
 * 01-Sidesign-020-TASTE
   
   
 * 01-Sidesign-021-SUBJECTiVE
   
   
 * 01-Sidesign-022-THANKS
   
   
 * 01-Sidesign-023-END-BEGiNNiNG
   
   
 * 01-Sidesign-024-SENSE
   
   
 * 01-Sidesign-025-iNVERTED-PROCESSES
   
   
 * 01-Sidesign-026-DESiGN
   
   
 * 01-Sidesign-027-UNCERTAiNTY
   
   
 * 01-Sidesign-028-iNJUSTiCE
   
   
 * 01-Sidesign-029-ABNORMALiTY
   
   
 * 01-Sidesign-030-NON-SCALE
   
   
 * 01-Sidesign-031-REALiTY
   
   
 * 01-Sidesign-032-PERFECTiON
   
   
 * 01-Sidesign-033-SiMPLEX-COMPLEX
   
   
 * 01-Sidesign-034-CONTRARY
   
   
 * 01-Sidesign-035-CRiTiCiSM
   
   
 * 01-Sidesign-036-NON-SENSE
   
   
 * 01-Sidesign-037-THiNKiNG
   
   
 * 01-Sidesign-038-QUESTiON
   
   
 * 01-Sidesign-039-BEiNG
   
   
 * 01-Sidesign-040-ENDLESS-PROCESS
   
   
 * 01-Sidesign-041-ANoMALOUS-SPACE
   
   
 * 01-Sidesign-042-YES-NO-MAYBE
   
   
 * 01-Sidesign-043-OBJECTiVE
   
   
 * 01-Sidesign-044-PRESENT
   
   
 * 01-Sidesign-045-ERROR
   
   
 * 01-Sidesign-046-FAiLURE
   
   
 * 01-Sidesign-047-NON-CRiTERiON
   
   
 * 01-Sidesign-048-MACHiNES
   
   
 * 01-Sidesign-049-FROM-SCRATCH
   
   
 * 01-Sidesign-050-SELF-NON-SELF
   
   
 * 01-Sidesign-051-PEACEFUL-ANARCHY
   
   
 * 01-Sidesign-052-MULTi-TiME
   
   
 * 01-Sidesign-053-WRONG
   
   
 * 01-Sidesign-054-FREEDOM
   
   
 * 01-Sidesign-055-LOVE
   
   
 * 01-Sidesign-056-EVOLUTiVE-GEOMETRY
   
   
 * 01-Sidesign-057-ART-SCiENCE
   
   
 * 01-Sidesign-058-iMPOSSiBLE
   
   
 * 01-Sidesign-059-iNSTABiLiTY
   
   
 * 01-Sidesign-060-POSSiBLE
   
   
 * 01-Sidesign-061-RELATiVE
   
   
 * 01-Sidesign-062-BEAUTY
   
   
 * 01-Sidesign-063-SELF
   
   
 * 01-Sidesign-064-TRUE
   
   
 * 01-Sidesign-065-KNOW
   
   
 * 01-Sidesign-066-MADNESS
   
   
 * 01-Sidesign-067-UNCONTROL
   
   
 * 01-Sidesign-068-i-UNDERSTAND
   
   
 * 01-Sidesign-069-ARCHiTECTURE
   
   
 * 01-Sidesign-070-EVERYTHiNG-NOTHiNG
   
   
 * 01-Sidesign-071-BELiEVE
   
   
 * 01-Sidesign-072-ABSTRACT
   
   
 * 01-Sidesign-073-LiFE
   
   
 * 01-Sidesign-074-NATURE
   
   
 * 01-Sidesign-075-ANOTHER
   
   
 * 01-Sidesign-076-ABSOLUTE
   
   
 * 01-Sidesign-077-EXPRESS
   
   
 * 01-Sidesign-078-PRACTiCE
   
   
 * 01-Sidesign-079-UNKNOWN
   
   
 * 01-Sidesign-080-GOOD-EViL
   
   
 * 01-Sidesign-081-CONTEMPOrARY
   
   
 * 01-Sidesign-082-NON-SELF
   
   
 * 01-Sidesign-083-SYSTEM
   
   
 * 01-Sidesign-084-PURiTY
   
   
 * 01-Sidesign-085-ART
   
   
 * 01-Sidesign-086-MORE-LESS
   
   
 * 01-Sidesign-087-REVOLUTiON
   
   
 * 01-Sidesign-088-ESCAPE
   
   
 * 01-Sidesign-089-DOORS
   
   
 * 01-Sidesign-090-DIFFERENT
   
   
 * 01-Sidesign-091-BEiNG-NON-BEiNG
   
   
 * 01-Sidesign-092-FEEL
   
   
 * 01-Sidesign-093-BE
   
   
 * 01-Sidesign-094-FUTURE
   
   
 * 01-Sidesign-095-TRUTH-LiE
   
   
 * 01-Sidesign-096-SUCCESS
   
   
 * 01-Sidesign-097-OPTiMUM
   
   
 * 01-Sidesign-098-THiNGs
   
   
 * 01-Sidesign-099-YES
   
   
 * 01-Sidesign-100-TRANSiT
   
   
 * 01-Sidesign-101-iDEAS
   
   
 * 01-Sidesign-102-ARCHiTECTURAL-DESiGN
   
   





sur-faces ...

… POSSIBLY

02-SUR-faces-001-CONTRARYPHiLOSOPHY



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 02-SUR-faces-001-CONTRARYPHiLOSOPHY
   
   
 * 02-SUR-faces-002-ARCHiTECTURE
   
   
 * 02-SUR-faces-003-ACTiViTY
   
   
 * 02-SUR-faces-004-SCiENCE-WiTHOUT-LOGiC-ART-WiTHOUT-LiMiTS
   
   
 * 02-SUR-faces-005-DyNAMiCs
   
   
 * 02-SUR-faces-006-EXPLANATiON
   
   
 * 02-SUR-faces-007-PARADOX-0
   
   
 * 02-SUR-faces-008-ERRORS
   
   
 * 02-SUR-faces-009-diSorderS
   
   
 * 02-SUR-faces-010-EVOLUTiON
   
   
 * 02-SUR-faces-011-ABSOLUTE-BEGiNNiNG
   
   
 * 02-SUR-faces-012-RELATiVE-BEGiNNiNG
   
   
 * 02-SUR-faces-013-DEATH
   
   
 * 02-SUR-faces-014-TRANSFORMATiON
   
   
 * 02-SUR-faces-015-LOVE
   
   
 * 02-SUR-faces-016-EXiSTENCE
   
   
 * 02-SUR-faces-017-iN-LOVE
   
   
 * 02-SUR-faces-018-LAST-DREAM
   
   
 * 02-SUR-faces-019-i-BELiEVE
   
   
 * 02-SUR-faces-020-HUMAN-NATURE
   
   
 * 02-SUR-faces-021-SECOND-MADNESS
   
   
 * 02-SUR-faces-022-iDEAL-REAL
   
   
 * 02-SUR-faces-023-DESiGN
   
   
 * 02-SUR-faces-024-FULL-EMPTY
   
   
 * 02-SUR-faces-025-PERSONAL-iDEAS
   
   
 * 02-SUR-faces-026-SELF-CRiTiCiSM
   
   





designingdesign ...

… TO ALL ARCHITECTURE AND URBAN PLANNING STUDENTS AND TEACHERS

03-designingdesign-001-variability



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 03-designingdesign-001-variability
   
   
 * 03-designingdesign-002-natural-planning
   
   
 * 03-designingdesign-003-we-architects
   
   
 * 03-designingdesign-005-urban-planning
   
   
 * 03-designingdesign-006-urban-planning-architecture
   
   
 * 03-designingdesign-007-what-is-Culture
   
   
 * 03-designingdesign-008-modernity-contemporaneity
   
   
 * 03-designingdesign-009-designing
   
   
 * 03-designingdesign-010-measurable-non-measurable
   
   
 * 03-designingdesign-011-are-aesthetics-functional
   
   
 * 03-designingdesign-012-aesthetics-technique-style
   
   
 * 03-designingdesign-013-project-system-specificity
   
   
 * 03-designingdesign-014-functionalism
   
   
 * 03-designingdesign-015-subjective-system-objective-system
   
   
 * 03-designingdesign-016-art-design
   
   
 * 03-designingdesign-017-profit-architecture
   
   
 * 03-designingdesign-018-creation-dream-imagination-design
   
   
 * 03-designingdesign-019-possibility-design
   
   
 * 03-designingdesign-020-obvious
   
   
 * 03-designingdesign-021-innovative-non-innovative
   
   





art ! ...

… TO MY ‘SELF’

04-ART-ART-vision1



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 04-ART-ART-vision1
   
   
 * 04-ART-ART-vision2
   
   
 * 04-ART-ART-vision3
   
   
 * 04-ART-ART-vision4
   
   
 * 04-ART-ART-vision5
   
   
 * 04-ART-ART-vision6
   
   
 * 04-ART-ART-vision7
   
   
 * 04-ART-ART-vision8
   
   
 * 04-ART-ART-vision9
   
   
 * 04-ART-ART-vision10
   
   
 * 04-ART-ART-vision11
   
   
 * 04-ART-ART-vision12
   
   





what is real ! ...

… TO EVERYONE

05-what-iS-REAL-what-iS-REAL-reality1



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 05-what-iS-REAL-what-iS-REAL-reality1
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality2
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality3
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality4
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality5
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality6
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality7
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality8
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality9
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality10
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality11
   
   
 * 05-what-iS-REAL-what-iS-REAL-reality12
   
   





certainly ! ...

… TO US

06-certainLY-certainLY-certainly1



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 06-certainLY-certainLY-certainly1
   
   
 * 06-certainLY-certainLY-certainly2
   
   
 * 06-certainLY-certainLY-certainly3
   
   
 * 06-certainLY-certainLY-certainly4
   
   
 * 06-certainLY-certainLY-certainly5
   
   
 * 06-certainLY-certainLY-certainly6
   
   
 * 06-certainLY-certainLY-certainly7
   
   
 * 06-certainLY-certainLY-certainly8
   
   
 * 06-certainLY-certainLY-certainly9
   
   
 * 06-certainLY-certainLY-certainly10
   
   
 * 06-certainLY-certainLY-certainly11
   
   
 * 06-certainLY-certainLY-certainly12
   
   





& new-order ...

… THE CONTEMPORARY WORLD [A VISION FROM DIS-ORDER]

10-NEW-ORDER--00-new world order



00:00

Ready
Play
Stop
Next»
«Prev
HIDE PLAYLIST



 * 10-NEW-ORDER--00-new world order
   
   
 * 10-NEW-ORDER--01-contemporary individual
   
   
 * 10-NEW-ORDER--02-new society
   
   
 * 10-NEW-ORDER--03-extremism
   
   
 * 10-NEW-ORDER--04-contemporary politics
   
   
 * 10-NEW-ORDER--05-contemporary city
   
   
 * 10-NEW-ORDER--06-contemporary refuge
   
   
 * 10-NEW-ORDER--07-schizo-art
   
   
 * 10-NEW-ORDER--08-mad art
   
   
 * 10-NEW-ORDER--09-contemporary artist
   
   
 * 10-NEW-ORDER--10-human ages
   
   
 * 10-NEW-ORDER--11-contemporary love
   
   
 * 10-NEW-ORDER--12-contemporary aesthetics
   
   





contact
locate


DIFFJUSTDIFF & DIFF- COWORKING

c/ José Luis de Casso y Romero 21
modules 34-35
Gelves, Seville 41120. Spain


ALE GIRÁ

diffjustdiff.com
ale@diffjustdiff.com
+34 688 930 913




email

*name


*email


subject


message







... different‑justdifferent [ experimental ‑ thinking ] ... | hyperirrealism &
ab‑realism |

... by ale girá [ thinker, PhD. architect designer & urban planner, and artist ]

... copyright©2004‑2021, ale‑gira.com. All rights reserved

© 2022 Ale Girá | different, just different [experimental thinking]

You cannot copy content of this page

Javascript not detected. Javascript required for this site to function. Please
enable it in your browser settings and refresh this page.













ALE GIRÁ


| HYPERIRREALISM & AB‑REALISM |


… DIFFERENT ‑ JUSTDIFFERENT [ EXPERIMENTAL ‑ THINKING ]


HYPERIRREALISM


[ URBAN PLANNING & ARCHITECTURE FOR THE FUTURE ( AND FOR THE PRESENT )]



Do you think a better Urban Planning & Architecture would be possible?


I DO.

Is this an utopia? Could this be real?


… YES!

It could be possible and real, cities for the present and for the future:


MACRO-CITIES



Interested? please, come in … >