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THE BROOKLYN RAIL


CRITICAL PERSPECTIVES ON ART, POLITICS AND CULTURE


OCT 2021

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OCT 2021 SEPT 2021 River Rail Puerto Rico JUL-AUG 2021 JUNE 2021 MAY 2021 APRIL
2021 MARCH 2021 FEB 2021 DEC 20-JAN 21 NOV 2020 OCT 2020 SEPT 2020 JUL-AUG 2020
JUNE 2020 MAY 2020 APRIL 2020 MAR 2020 FEB 2020 DEC 19-JAN 20 NOV 2019 OCT 2019
River Rail Colby SEPT 2019 JUL-AUG 2019 JUNE 2019 MAY 2019 APR 2019 MAR 2019 FEB
2019 DEC 18-JAN 19 NOV 2018 OCT 2018 SEPT 2018 JUL-AUG 2018 JUNE 2018 MAY 2018
APR 2018 MAR 2018 FEB 2018 RIVER RAIL DEC 17-JAN 18 NOV 2017 OCT 2017 SEPT 2017
JUL-AUG 2017 I LOVE JOHN GIORNO JUNE 2017 MAY 2017 APR 2017 MAR 2017 FEB 2017
DEC 16-JAN 17 NOV 2016 OCT 2016 SEPT 2016 JUL-AUG 2016 JUNE 2016 MAY 2016 APR
2016 MAR 2016 FEB 2016 DEC 15-JAN 16 NOV 2015 OCT 2015 SEPT 2015 JUL-AUG 2015
JUNE 2015 MAY 2015 APR 2015 MAR 2015 FEB 2015 DEC 14-JAN 15 NOV 2014 OCT 2014
SEPT 2014 JUL-AUG 2014 JUNE 2014 MAY 2014 ART CRIT EUROPE APR 2014 MAR 2014 FEB
2014 AD REINHARDT DEC 13-JAN 14 NOV 2013 OCT 2013 SEPT 2013 JUL-AUG 2013 JUNE
2013 MAY 2013 APR 2013 MAR 2013 FEB 2013 DEC 12-JAN 13 NOV 2012 OCT 2012 SEPT
2012 JUL-AUG 2012 JUNE 2012 MAY 2012 APR 2012 MAR 2012 FEB 2012 DEC 11-JAN 12
NOV 2011 OCT 2011 SEPT 2011 JUL-AUG 2011 JUNE 2011 MAY 2011 APR 2011 MAR 2011
FEB 2011 DEC 10-JAN 11 NOV 2010 OCT 2010 SEPT 2010 JUL-AUG 2010 JUNE 2010 MAY
2010 APR 2010 MAR 2010 FEB 2010 DEC 09-JAN 10 NOV 2009 OCT 2009 SEPT 2009
JUL-AUG 2009 JUNE 2009 MAY 2009 APRIL 2009 MARCH 2009 FEB 2009 DEC 08-JAN 09 NOV
2008 OCT 2008 SEPT 2008 JUL-AUG 2008 JUN 2008 MAY 2008 APR 2008 MAR 2008 FEB
2008 DEC 07-JAN 08 NOV 2007 OCT 2007 SEPT 2007 JUL-AUG 2007 JUN 2007 MAY 2007
APR 2007 MAR 2007 FEB 2007 DEC 06-JAN 07 NOV 2006 OCT 2006 SEPT 2006 JUL-AUG
2006 JUN 2006 MAY 2006 APR 2006 MAR 2006 FEB 2006 DEC 05-JAN 06 NOV 2005 OCT
2005 SEPT 2005 JUL-AUG 2005 JUN 2005 MAY 2005 APR 2005 MAR 2005 FEB 2005 DEC
04-JAN 05 NOV 2004 OCT 2004 SEPT 2004 JUL-AUG 2004 JUN 2004 MAY 2004 APR 2004
MAR 2004 FEB 2004 DEC 03-JAN 04 WINTER 2003 NOV 2003 OCT 2003 AUG-SEPT 2003
SUMMER 03 JUN-JUL 2003 APR-MAY 2003 AUTUMN 2002 AUG-SEPT 2002 EARLY SUMMER 2002
MARCH-APRIL 2002 JAN-FEB 2002 OCT-NOV 01 JULY-AUG 2001 MAY-JUNE 2001 FEB-MARCH
2001 DEC 00-JAN 01 OCT-NOV 2000

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Now Live: The River Rail Puerto Rico
Tacita Dean with Jonathan T.D. Neil
Tomashi Jackson with Maddie Klett
Jorge Pardo with William Corwin
Ghada Amer with Amanda Gluibizzi
We The Immigrants

Art In Conversation



GHADA AMER WITH AMANDA GLUIBIZZI

Amanda Gluibizzi talks with Ghada Amer about her new body of work on view at
Marianne Boesky Gallery.

Art In Conversation



TACITA DEAN WITH JONATHAN T.D. NEIL

Jonathan T.D. Neil speaks with Tacita Dean about her new projects, Los Angeles
as Purgatory, the future of film, and her favorite Leo Steinberg essay.

Art In Conversation



TOMASHI JACKSON WITH MADDIE KLETT

Maddie Klett speaks with Tomashi Jackson about her love of printmaking, her
collaborative methodology as a social historian, and how cares her artwork into
existence.

Art In Conversation



JORGE PARDO WITH WILLIAM CORWIN

William Corwin speaks with Jorge Pardo about his new paintings, pin-hole
cameras, and what goes into the production of an alter.

UNA STANZA PER PANZA

by Donald Judd

Thirty-one years after the publication of “Una Stanza Per Panza,” Judd’s efforts
remain rare examples of the preservation of an artist’s vision. Still more rare
are foundations established by artists which exhibit work by anyone other than
their founder. There are considerably more museums founded by collectors, or
which serve them. The reasons for this are as clear now as they were in 1990,
and the threats to the integrity of art remain considerable.


INTRANSLATION

 * Urgent Translation: Feast During the Plague »
 * Poetry by Ribka Sibhatu »
 * Selections from The marilyn hold »
 * Selections from PTSD Scrapbook »
 * West Mosul Between ISIS Snipers and Allied Bombers: One False Move and You're
   Dead »

See the current issue »


FROM THE PUBLISHER & ARTISTIC DIRECTOR

DEAR FRIENDS AND READERS,

By Phong Bui

How will we be endowed with fearlessness, the courage that is required to create
or make something, which can achieve some form or shape that speaks to who we
are as unique and autonomous beings, while generously generating universal and
shared values from our creations to our fellow human beings?


EDITOR'S MESSAGE

PERFORMA 2021

By RoseLee Goldberg

Since the first Performa Biennial in 2005 New York City has always been the star
of the show. We dedicated all our efforts to commissioning and supporting
artists to create startling new work for the new century, and to collaborating
with curators in cultural venues up, down, and across Manhattan, and boroughs
beyond, with the firm intention of putting a spotlight on the city as the
performance capital of the world.


CRITICS PAGE

 * LIVE FROM NEW YORK
   
   – By Charles Aubin

 * THE REAL WORLD
   
   – By Kathy Noble

 * AMAZON (PROXY)
   
   – By Danielle Dean

 * STALK
   
   – By Ericka Beckman

 * THE STAGE
   
   – By Tschabalala Self

 * NOTES TOWARDS BECOMING A SPILL
   
   – By Shikeith

 * REVIEW
   
   – By Madeline Hollander

 * DOWN AT THE ARCADE
   
   – By Sara Cwynar

 * BEING SILICA
   
   – By Andrés Jaque

 * THE SOUND OF MORNING
   
   – By Kathy Noble


ARTSEEN

 * KON TRUBKOVICH: THE ANTEPENULTIMATE END
   
   – By David Carrier

 * TAMARA GONZALES: HORRIBLE BEAUTY
   
   – By Amanda Millet-Sorsa

 * LOUISE LAWLER: LIGHTS OFF, AFTER HOURS, IN THE DARK
   
   – By Hannah Sage Kay

 * LEONARDO DREW
   
   – By Jillian Russo

 * KON TRUBKOVICH: THE ANTEPENULTIMATE END
   
   – By Nicholas Heskes

 * NICKY NODJOUMI: WE THE WITNESSES
   
   – By Andrew Paul Woolbright

 * O-I-L PAINT
   (FOR ALBERT RYDER)
   
   – By Bill Jensen

 * A WILD NOTE OF LONGING: ALBERT PINKHAM RYDER AND A CENTURY OF AMERICAN ART
   
   – By Peter Acheson

 * A WILD NOTE OF LONGING: ALBERT PINKHAM RYDER AND A CENTURY OF AMERICAN ART
   
   – By Amanda Millet-Sorsa

 * JENNIE C. JONES: NEW COMPOSITIONS
   
   – By Ann C. Collins

 * HEMALI BHUTA: AND THE EPIC DID NOT HAPPEN!
   
   – By Barbara A. MacAdam

 * STACY LYNN WADDELL: METTLE
   
   – By Darla Migan

 * EMILIE STARK-MENNEG: STRAWBERRY MOON
   
   – By Alfred Mac Adam

 * NICOLE STORM
   
   – By Bryan Martin

 * RON GORCHOV: SPICE OF LIFE
   
   – By Tom McGlynn

 * CONVERGENT EVOLUTIONS: THE CONSCIOUS BODY OF WORK
   
   – By Charlotte Kent

 * KATELYN EICHWALD: NEVER
   
   – By Elizabeth Buhe

 * ALEX CALLENDER: ALL HER LOVES AND ALL HER DISAPPOINTMENTS
   
   – By Marcus Civin

 * JOANNA BORKOWSKA & SANDI SLONE: MATERIAL/IMMATERIAL
   
   – By Robert C. Morgan

 * MATVEY LEVENSTEIN
   
   – By Andrew L. Shea

 * PHILIP GUSTON: 1969–1979
   
   – By David Rhodes

 * LOIS DODD
   
   – By Hearne Pardee

 * JOHN CURRIN: MEMORIAL
   
   – By Alfred Mac Adam

 * ALISON ELIZABETH TAYLOR: FUTURE PROMISE
   
   – By Susan Harris

 * DANIEL JOHNSTON: I LIVE MY BROKEN DREAMS
   
   – By Barbara Purcell

 * THOMAS NOZKOWSKI: THE LAST PAINTINGS
   
   – By Tom McGlynn

 * LIZ AHN: UNOBSERVABLE SCAVENGER
   
   – By Pamela Sneed

 * WALLACE BERMAN: OFF THE GRID
   
   – By Ann McCoy

 * JULIAN SCHNABEL: SELF-PORTRAITS OF OTHERS
   
   – By David Ebony

 * BERNAR VENET: 1961 & 1963: LES ORIGINS
   
   – By Joseph Nechvatal

 * MARTHA TUTTLE: WILD IRISES GROW IN THE MOUNTAINS
   
   – By Louis Block

 * ELIZABETH MURRAY: BACK IN TOWN
   
   – By Douglas Dreishpoon

 * MCARTHUR BINION: MODERN:ANCIENT:BROWN
   
   – By Amanda Millet-Sorsa

 * KAMALA SANKARAM: THE LAST STAND
   
   – By Julie Reiss

 * WARDELL MILAN: AMERIKA. GOD BLESS YOU IF IT’S GOOD TO YOU
   
   – By Cat Dawson

 * BRUCE CONNER & JAY DEFEO:
   (“WE ARE NOT WHAT WE SEEM”)
   
   – By Jessica Holmes

 * LISA YUSKAVAGE: NEW PAINTINGS
   
   – By Jason Rosenfeld

 * RAQUEL RABINOVICH: PORTALS
   
   – By Jonathan Goodman


TABLE OF CONTENTS


PUBLISHER'S MESSAGE

 * DEAR FRIENDS AND READERS,
   
   – By Phong Bui


EDITOR'S MESSAGE

 * PERFORMA 2021
   
   – By RoseLee Goldberg


ART

 * GHADA AMER WITH AMANDA GLUIBIZZI

 * TACITA DEAN WITH JONATHAN T.D. NEIL

 * TOMASHI JACKSON WITH MADDIE KLETT

 * JORGE PARDO WITH WILLIAM CORWIN

 * UNA STANZA PER PANZA
   
   – by Donald Judd

 * PURE MESHUGGAH: ANTI-SEMITISM INVADES ART HISTORY
   
   – By Francis M. Naumann


ARTSEEN

 * KON TRUBKOVICH: THE ANTEPENULTIMATE END
   
   – By David Carrier

 * TAMARA GONZALES: HORRIBLE BEAUTY
   
   – By Amanda Millet-Sorsa

 * LOUISE LAWLER: LIGHTS OFF, AFTER HOURS, IN THE DARK
   
   – By Hannah Sage Kay

 * LEONARDO DREW
   
   – By Jillian Russo

 * KON TRUBKOVICH: THE ANTEPENULTIMATE END
   
   – By Nicholas Heskes

 * NICKY NODJOUMI: WE THE WITNESSES
   
   – By Andrew Paul Woolbright

 * O-I-L PAINT (FOR ALBERT RYDER)
   
   – By Bill Jensen

 * A WILD NOTE OF LONGING: ALBERT PINKHAM RYDER AND A CENTURY OF AMERICAN ART
   
   – By Peter Acheson

 * A WILD NOTE OF LONGING: ALBERT PINKHAM RYDER AND A CENTURY OF AMERICAN ART
   
   – By Amanda Millet-Sorsa

 * JENNIE C. JONES: NEW COMPOSITIONS
   
   – By Ann C. Collins

 * HEMALI BHUTA: AND THE EPIC DID NOT HAPPEN!
   
   – By Barbara A. MacAdam

 * STACY LYNN WADDELL: METTLE
   
   – By Darla Migan

 * EMILIE STARK-MENNEG: STRAWBERRY MOON
   
   – By Alfred Mac Adam

 * NICOLE STORM
   
   – By Bryan Martin

 * RON GORCHOV: SPICE OF LIFE
   
   – By Tom McGlynn

 * CONVERGENT EVOLUTIONS: THE CONSCIOUS BODY OF WORK
   
   – By Charlotte Kent

 * KATELYN EICHWALD: NEVER
   
   – By Elizabeth Buhe

 * ALEX CALLENDER: ALL HER LOVES AND ALL HER DISAPPOINTMENTS
   
   – By Marcus Civin

 * JOANNA BORKOWSKA & SANDI SLONE: MATERIAL/IMMATERIAL
   
   – By Robert C. Morgan

 * MATVEY LEVENSTEIN
   
   – By Andrew L. Shea

 * PHILIP GUSTON: 1969–1979
   
   – By David Rhodes

 * LOIS DODD
   
   – By Hearne Pardee

 * JOHN CURRIN: MEMORIAL
   
   – By Alfred Mac Adam

 * ALISON ELIZABETH TAYLOR: FUTURE PROMISE
   
   – By Susan Harris

 * DANIEL JOHNSTON: I LIVE MY BROKEN DREAMS
   
   – By Barbara Purcell

 * THOMAS NOZKOWSKI: THE LAST PAINTINGS
   
   – By Tom McGlynn

 * LIZ AHN: UNOBSERVABLE SCAVENGER
   
   – By Pamela Sneed

 * WALLACE BERMAN: OFF THE GRID
   
   – By Ann McCoy

 * JULIAN SCHNABEL: SELF-PORTRAITS OF OTHERS
   
   – By David Ebony

 * BERNAR VENET: 1961 & 1963: LES ORIGINS
   
   – By Joseph Nechvatal

 * MARTHA TUTTLE: WILD IRISES GROW IN THE MOUNTAINS
   
   – By Louis Block

 * ELIZABETH MURRAY: BACK IN TOWN
   
   – By Douglas Dreishpoon

 * MCARTHUR BINION: MODERN:ANCIENT:BROWN
   
   – By Amanda Millet-Sorsa

 * KAMALA SANKARAM: THE LAST STAND
   
   – By Julie Reiss

 * WARDELL MILAN: AMERIKA. GOD BLESS YOU IF IT’S GOOD TO YOU
   
   – By Cat Dawson

 * BRUCE CONNER & JAY DEFEO: (“WE ARE NOT WHAT WE SEEM”)
   
   – By Jessica Holmes

 * LISA YUSKAVAGE: NEW PAINTINGS
   
   – By Jason Rosenfeld

 * RAQUEL RABINOVICH: PORTALS
   
   – By Jonathan Goodman


CRITICS PAGE

 * LIVE FROM NEW YORK
   
   – By Charles Aubin

 * THE REAL WORLD
   
   – By Kathy Noble

 * AMAZON (PROXY)
   
   – By Danielle Dean

 * STALK
   
   – By Ericka Beckman

 * THE STAGE
   
   – By Tschabalala Self

 * NOTES TOWARDS BECOMING A SPILL
   
   – By Shikeith

 * REVIEW
   
   – By Madeline Hollander

 * DOWN AT THE ARCADE
   
   – By Sara Cwynar

 * BEING SILICA
   
   – By Andrés Jaque

 * THE SOUND OF MORNING
   
   – By Kathy Noble


BOOKS

 * AIMEE PARKISON’S SISTER SÉANCE
   
   – By Jacquelyn Marie Gallo

 * DEBORAH LEVY’S REAL ESTATE
   
   – By Elizabeth Block

 * KHADIJA ABDALLA BAJABER & JONATHAN FRANZEN
   
   – By Yvonne C. Garrett

 * SHUKRI MABKHOUT’S THE ITALIAN
   
   – By John Domini

 * A WOMAN’S WORTH
   
   – By Carissa Chesanek

 * REVOLUTIONARY LETTERS: 50TH ANNIVERSARY EDITION
   
   – By Patrick James Dunagan

 * JOHN BANVILLE’S APRIL IN SPAIN
   
   – By Joseph Peschel

 * CLARE CHAMBERS’S SMALL PLEASURES
   
   – By Carissa Chesanek

 * LINCOLN MICHEL’S THE BODY SCOUT
   
   – By Rone Shavers

 * MARTHA COOLEY WITH CATHERINE PARNELL


MUSIC

 * POSSESSED BY THE MOON
   
   – By Adolf Alzuphar

 * INTO THE BLUE
   
   – By Scott Gutterman

 * OSTRAVA DAYS, OSTRAVA, CZECH REPUBLIC, AUGUST 20–21, 2021
   
   – By Martin Longley

 * “A TOTALLY INTEGRATED CLUB SCENE”: NEW YORK, NEW MUSIC: 1980–1986 AT THE
   MUSEUM OF THE CITY OF NEW YORK
   
   – By Matthew Pessar Joseph

 * TIME, LOST AND REGAINED
   
   – By George Grella


DANCE

 * LIGHT AND DESIRE: ILLUMINATING ANGER AND TRANSFORMATION
   
   – By Jen C. George

 * TAYLOR RETURNS—BUT WHAT HOLDS THE FUTURE?
   
   – By Susan Yung

 * HOW DO WE STAGE A WORLD?
   
   – By George Kan


FILM

 * EMMA DANTE’S THE MACALUSO SISTERS
   
   – By Laura Valenza

 * ANGELO MADSEN MINAX’S NORTH BY CURRENT
   
   – By Anna Cahn


THEATER

 * WRITE ME BACK: P.S. OFFERS A UNIQUE WINDOW INTO PEN PALS’ ISOLATION
   
   – By Joey Sims

 * THE DRAMATURG’S PERSPECTIVE: A CONVERSATION WITH AMAUTA FIRMINO
   
   – By Alexi Chacon

 * FOR YOUR EYES ONLYFANS: PLAYWRIGHT GAGE TARLTON ON SEX, CONFESSIONS, AND THE
   DIGITAL AGE
   
   – By Kyle Turner


FICTION

 * MISS WEINBURGER
   
   – By Alec Niedenthal

 * CODA: WAITING BY THE SHORE
   
   – By Kate McIntyre


POETRY

 * TWO
   
   – By I.S. Jones

 * THREE
   
   – By Charles Theonia

 * THE AUTOBIOGRAPHY OF JEAN FOOS
   
   – By Jessica Grim and Melanie Neilson

 * MOON WITH DAVID
   
   – By Ed Steck

 * THREE
   
   – By Kendra Sullivan

 * LATE HUMANS AND OTHER ANIMALS
   
   – By Jason Morris


ART BOOKS

 * SARA CWYNAR’S GLASS LIFE
   
   – By Karen Gu

 * KRISTIN BEDFORD’S CRUISE NIGHT
   
   – By Nicole Kaack

 * DESIGNING MOTHERHOOD: THINGS THAT MAKE AND BREAK OUR BIRTHS
   
   – By Ksenia Nouril

 * EDITH YOUNG’S COLOR SCHEME
   
   – By Alana Pockros

 * DEREK SULLIVAN’S EVIDENCE OF THE AVANT GARDE EX-LIBRARY
   
   – By Megan N. Liberty

 * RICHARD TUTTLE’S THE ROLE OF THE STORY TELLER
   
   – By Louis Block


ARTONIC

 * THE FOUNDATION FOR CONTEMPORARY ARTS
   
   – By Charlotte Kent


FIELD NOTES

 * OCCUPIED
   
   – By Paul Mattick

 * BUYING TIME: EVICTIONS AND TENANT ORGANIZING AT THE PANDEMIC SLOW END
   
   – By Nathan Eisenberg and Daniel Tutt

 * THE PRESENT AND FUTURE OF ENGINEERS
   
   – By Nick Chavez


THE MIRACULOUS

 * 71. (THE STUDIO MUSEUM IN HARLEM)
   
   – By Raphael Rubinstein

 * 72. (VARIOUS WALLS AROUND THE CITY)
   
   – By Raphael Rubinstein

 * 73. (VARIOUS MUSEUMS AND GALLERIES)
   
   – By Raphael Rubinstein

 * 74. (402, 404 & 414 EAST 14TH STREET)
   
   – By Raphael Rubinstein

 * 75. (PIER 18, HUDSON RIVER)
   
   – By Raphael Rubinstein


ADVERTISEMENTS


Critical Perspectives on Art, Politics and Culture

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OCT 2021

All Issues

Find the RAIL in print

Subscribe now

A message from Phong Bui
Publisher and Artistic Director


ART

 * GHADA AMER WITH AMANDA GLUIBIZZI

 * TACITA DEAN WITH JONATHAN T.D. NEIL

 * TOMASHI JACKSON WITH MADDIE KLETT

 * JORGE PARDO WITH WILLIAM CORWIN

 * UNA STANZA PER PANZA
   
   by Donald Judd

 * PURE MESHUGGAH: ANTI-SEMITISM INVADES ART HISTORY
   
   By Francis M. Naumann


ARTSEEN

 * KON TRUBKOVICH: THE ANTEPENULTIMATE END
   
   By David Carrier

 * TAMARA GONZALES: HORRIBLE BEAUTY
   
   By Amanda Millet-Sorsa

 * LOUISE LAWLER: LIGHTS OFF, AFTER HOURS, IN THE DARK
   
   By Hannah Sage Kay

 * LEONARDO DREW
   
   By Jillian Russo

 * KON TRUBKOVICH: THE ANTEPENULTIMATE END
   
   By Nicholas Heskes

 * NICKY NODJOUMI: WE THE WITNESSES
   
   By Andrew Paul Woolbright

 * O-I-L PAINT (FOR ALBERT RYDER)
   
   By Bill Jensen

 * A WILD NOTE OF LONGING: ALBERT PINKHAM RYDER AND A CENTURY OF AMERICAN ART
   
   By Peter Acheson

 * A WILD NOTE OF LONGING: ALBERT PINKHAM RYDER AND A CENTURY OF AMERICAN ART
   
   By Amanda Millet-Sorsa

 * JENNIE C. JONES: NEW COMPOSITIONS
   
   By Ann C. Collins

 * HEMALI BHUTA: AND THE EPIC DID NOT HAPPEN!
   
   By Barbara A. MacAdam

 * STACY LYNN WADDELL: METTLE
   
   By Darla Migan

 * EMILIE STARK-MENNEG: STRAWBERRY MOON
   
   By Alfred Mac Adam

 * NICOLE STORM
   
   By Bryan Martin

 * RON GORCHOV: SPICE OF LIFE
   
   By Tom McGlynn

 * CONVERGENT EVOLUTIONS: THE CONSCIOUS BODY OF WORK
   
   By Charlotte Kent

 * KATELYN EICHWALD: NEVER
   
   By Elizabeth Buhe

 * ALEX CALLENDER: ALL HER LOVES AND ALL HER DISAPPOINTMENTS
   
   By Marcus Civin

 * JOANNA BORKOWSKA & SANDI SLONE: MATERIAL/IMMATERIAL
   
   By Robert C. Morgan

 * MATVEY LEVENSTEIN
   
   By Andrew L. Shea

 * PHILIP GUSTON: 1969–1979
   
   By David Rhodes

 * LOIS DODD
   
   By Hearne Pardee

 * JOHN CURRIN: MEMORIAL
   
   By Alfred Mac Adam

 * ALISON ELIZABETH TAYLOR: FUTURE PROMISE
   
   By Susan Harris

 * DANIEL JOHNSTON: I LIVE MY BROKEN DREAMS
   
   By Barbara Purcell

 * THOMAS NOZKOWSKI: THE LAST PAINTINGS
   
   By Tom McGlynn

 * LIZ AHN: UNOBSERVABLE SCAVENGER
   
   By Pamela Sneed

 * WALLACE BERMAN: OFF THE GRID
   
   By Ann McCoy

 * JULIAN SCHNABEL: SELF-PORTRAITS OF OTHERS
   
   By David Ebony

 * BERNAR VENET: 1961 & 1963: LES ORIGINS
   
   By Joseph Nechvatal

 * MARTHA TUTTLE: WILD IRISES GROW IN THE MOUNTAINS
   
   By Louis Block

 * ELIZABETH MURRAY: BACK IN TOWN
   
   By Douglas Dreishpoon

 * MCARTHUR BINION: MODERN:ANCIENT:BROWN
   
   By Amanda Millet-Sorsa

 * KAMALA SANKARAM: THE LAST STAND
   
   By Julie Reiss

 * WARDELL MILAN: AMERIKA. GOD BLESS YOU IF IT’S GOOD TO YOU
   
   By Cat Dawson

 * BRUCE CONNER & JAY DEFEO: (“WE ARE NOT WHAT WE SEEM”)
   
   By Jessica Holmes

 * LISA YUSKAVAGE: NEW PAINTINGS
   
   By Jason Rosenfeld

 * RAQUEL RABINOVICH: PORTALS
   
   By Jonathan Goodman


CRITICS PAGE

 * PERFORMA 2021
   
   Guest Critic: RoseLee Goldberg

 * LIVE FROM NEW YORK
   
   By Charles Aubin

 * THE REAL WORLD
   
   By Kathy Noble

 * AMAZON (PROXY)
   
   By Danielle Dean

 * STALK
   
   By Ericka Beckman

 * THE STAGE
   
   By Tschabalala Self

 * NOTES TOWARDS BECOMING A SPILL
   
   By Shikeith

 * REVIEW
   
   By Madeline Hollander

 * DOWN AT THE ARCADE
   
   By Sara Cwynar

 * BEING SILICA
   
   By Andrés Jaque

 * THE SOUND OF MORNING
   
   By Kathy Noble


BOOKS

 * AIMEE PARKISON’S SISTER SÉANCE
   
   By Jacquelyn Marie Gallo

 * DEBORAH LEVY’S REAL ESTATE
   
   By Elizabeth Block

 * KHADIJA ABDALLA BAJABER & JONATHAN FRANZEN
   
   By Yvonne C. Garrett

 * SHUKRI MABKHOUT’S THE ITALIAN
   
   By John Domini

 * A WOMAN’S WORTH
   
   By Carissa Chesanek

 * REVOLUTIONARY LETTERS: 50TH ANNIVERSARY EDITION
   
   By Patrick James Dunagan

 * JOHN BANVILLE’S APRIL IN SPAIN
   
   By Joseph Peschel

 * CLARE CHAMBERS’S SMALL PLEASURES
   
   By Carissa Chesanek

 * LINCOLN MICHEL’S THE BODY SCOUT
   
   By Rone Shavers

 * MARTHA COOLEY WITH CATHERINE PARNELL


MUSIC

 * POSSESSED BY THE MOON
   
   By Adolf Alzuphar

 * INTO THE BLUE
   
   By Scott Gutterman

 * OSTRAVA DAYS, OSTRAVA, CZECH REPUBLIC, AUGUST 20–21, 2021
   
   By Martin Longley

 * “A TOTALLY INTEGRATED CLUB SCENE”: NEW YORK, NEW MUSIC: 1980–1986 AT THE
   MUSEUM OF THE CITY OF NEW YORK
   
   By Matthew Pessar Joseph

 * TIME, LOST AND REGAINED
   
   By George Grella


DANCE

 * LIGHT AND DESIRE: ILLUMINATING ANGER AND TRANSFORMATION
   
   By Jen C. George

 * TAYLOR RETURNS—BUT WHAT HOLDS THE FUTURE?
   
   By Susan Yung

 * HOW DO WE STAGE A WORLD?
   
   By George Kan


FILM

 * EMMA DANTE’S THE MACALUSO SISTERS
   
   By Laura Valenza

 * ANGELO MADSEN MINAX’S NORTH BY CURRENT
   
   By Anna Cahn


THEATER

 * WRITE ME BACK: P.S. OFFERS A UNIQUE WINDOW INTO PEN PALS’ ISOLATION
   
   By Joey Sims

 * THE DRAMATURG’S PERSPECTIVE: A CONVERSATION WITH AMAUTA FIRMINO
   
   By Alexi Chacon

 * FOR YOUR EYES ONLYFANS: PLAYWRIGHT GAGE TARLTON ON SEX, CONFESSIONS, AND THE
   DIGITAL AGE
   
   By Kyle Turner


FICTION

 * MISS WEINBURGER
   
   By Alec Niedenthal

 * CODA: WAITING BY THE SHORE
   
   By Kate McIntyre


POETRY

 * TWO
   
   By I.S. Jones

 * THREE
   
   By Charles Theonia

 * THE AUTOBIOGRAPHY OF JEAN FOOS
   
   By Jessica Grim and Melanie Neilson

 * MOON WITH DAVID
   
   By Ed Steck

 * THREE
   
   By Kendra Sullivan

 * LATE HUMANS AND OTHER ANIMALS
   
   By Jason Morris


ART BOOKS

 * SARA CWYNAR’S GLASS LIFE
   
   By Karen Gu

 * KRISTIN BEDFORD’S CRUISE NIGHT
   
   By Nicole Kaack

 * DESIGNING MOTHERHOOD: THINGS THAT MAKE AND BREAK OUR BIRTHS
   
   By Ksenia Nouril

 * EDITH YOUNG’S COLOR SCHEME
   
   By Alana Pockros

 * DEREK SULLIVAN’S EVIDENCE OF THE AVANT GARDE EX-LIBRARY
   
   By Megan N. Liberty

 * RICHARD TUTTLE’S THE ROLE OF THE STORY TELLER
   
   By Louis Block


ARTONIC

 * THE FOUNDATION FOR CONTEMPORARY ARTS
   
   By Charlotte Kent


FIELD NOTES

 * OCCUPIED
   
   By Paul Mattick

 * BUYING TIME: EVICTIONS AND TENANT ORGANIZING AT THE PANDEMIC SLOW END
   
   By Nathan Eisenberg and Daniel Tutt

 * THE PRESENT AND FUTURE OF ENGINEERS
   
   By Nick Chavez


THE MIRACULOUS

 * 71. (THE STUDIO MUSEUM IN HARLEM)
   
   By Raphael Rubinstein

 * 72. (VARIOUS WALLS AROUND THE CITY)
   
   By Raphael Rubinstein

 * 73. (VARIOUS MUSEUMS AND GALLERIES)
   
   By Raphael Rubinstein

 * 74. (402, 404 & 414 EAST 14TH STREET)
   
   By Raphael Rubinstein

 * 75. (PIER 18, HUDSON RIVER)
   
   By Raphael Rubinstein

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