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 * Klim Type Foundry

 * ☰



Martina Plantijn
Family
Family
The Future Collection
The Future Collection
Epicene Collection
Epicene Collection
Mānuka Collection
Mānuka Collection
Signifier
Signifier

Founders Grotesk
Founders GroteskFounders Grotesk CondensedFounders Grotesk X-CondensedFounders
Grotesk TextFounders Grotesk Mono
BuyBuyBuyBuyBuy
National 2
National 2National 2 NarrowNational 2 CondensedNational 2 Compressed
BuyBuyBuyBuy
Söhne
SöhneSöhne MonoSöhne SchmalSöhne Breit
BuyBuyBuyBuy
Tiempos
Tiempos FineTiempos HeadlineTiempos Text
BuyBuyBuy
Untitled
Untitled SansUntitled Serif
BuyBuy
See all fonts  →

FONTS IN USE

Sulki and Min: Transition, Translation (6) Founders Grotesk X-Condensed
A-Form (7) Signifier
Interflora (13) Söhne
Ai Weiwei, In Search of Humanity (5) Mānuka
Die Planergruppe (21) Söhne & Söhne Breit
Manifiesto del Agua (13) Söhne
See more fonts in use →

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Martina Plantijn design information



Martina Plantijn is a better Plantin. Informed by the workhorse qualities of
Frank Hinman Pierpont’s typeface and expanding upon his research of 16th century
type at the Plantin-Moretus Museum in Antwerp, Martina Plantijn makes decisive
digital updates across its roman and italic cuts.



Font licence updates



A summary of our new EULAs for advertising, broadcasting and OEM and changes to
the desktop EULA to include sharing.



Family design information



Family is an everyday typeface based on Clearface. As an extension of its
lineage, Family keeps Clearface’s easy-going curves and idiosyncrasies, while
updating it for modern use.



Changes to Klim EULAs and our new pricing

A summary of key changes to our End User Licence Agreements (EULAs) for desktop,
web and app and our new pricing, including package discounts.

The Future design information



The Future is a homage to Futura, Paul Renner’s progressive classic. Working
from original production drawings, The Future is a careful observation of
Futura’s geometric architecture and avant-garde alternates.



Epicene design information



While attentive to history, Epicene is not a revival typeface. It is an
experiment in modernising Baroque letterforms without muzzling their ornamental
idiosyncrasy nor falling into the trap of gender codifications.



See more blog posts →
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