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WE'D LIKE TO WELCOME YOU TO WEE BLACK SKELF RECORDS. YOU CAN FIND INFORMATION
ABOUT OUR RELEASES AND UPCOMING CONCERTS, AS WELL AS THE A.K.A. WILL OLDHAM'S
CURIOSITY, ON THIS PAGE.


WEE BLACK SKELF

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What is the point of making music available?

You Build a Loyal Fan Base More Rapidly. When you release music, you essentially
open the door to communication with your fans. The more frequently you release
music, the faster you and your fans will become acquainted. By releasing
singles, you can quickly build a loyal fan base. Button - Click here to read
more

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What is the best day for releasing songs?

Popular artists have the best chance of reaching the top of the charts if they
release on a Friday. Billboard tracks sales from Friday to Thursday each week,
so a song or album released on a Friday has the advantage of being tracked for
the entire seven-day week.

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What is the best album of 2021 so far?

The Best Albums of 2021:

Jazmine Sullivan - Heaux Tales, Low - HEY WHAT, Esperanza Spalding - Songwrights
Apothecary Lab, Madlib - Sound Ancestors (Arranged by Kieran Hebden) Mach-Hommy
- Pray for Haiti, Tyler, The Creator - call me if you get lost.

What is the best album of 2021 so far?

The Best Albums of 2021:

Jazmine Sullivan - Heaux Tales, Low - HEY WHAT, Esperanza Spalding - Songwrights
Apothecary Lab, Madlib - Sound Ancestors (Arranged by Kieran Hebden) Mach-Hommy
- Pray for Haiti, Tyler, The Creator - call me if you get lost.

What is the best album of 2021 so far?

The Best Albums of 2021:

Jazmine Sullivan - Heaux Tales, Low - HEY WHAT, Esperanza Spalding - Songwrights
Apothecary Lab, Madlib - Sound Ancestors (Arranged by Kieran Hebden) Mach-Hommy
- Pray for Haiti, Tyler, The Creator - call me if you get lost.



HOW TO KEEP VINYL RECORDS SAFE

After you’ve decided where you’ll keep your records, you’ll need to figure out
how you’ll keep them. Vinyl records can be stored in two ways: short-term
storage and long-term storage.


VINYL RECORD STORAGE FOR A LIMITED TIME

You should utilize a short-term storage option for recordings that you listen to
frequently. These can be kept on a shelf beneath your turntable and pulled out
as needed. The temperature for these should be closer to 70 degrees, but the
humidity should not be too high. When you use them frequently, you won’t have to
be as careful about how you store them. That is, if you clean your records
correctly before and after each play and do not have a vast quantity of records
on your shelf. Inner and outer sleeves are available for purchase at The Sound
of Vinyl to help store and protect your recordings. Between the vinyl and the
cardboard cover are inside sleeves. They’re constructed of anti-static paper or
plastic, and they help keep dust off your vinyl. A paper sleeve is usually
included with records, however the plastic sleeves are significantly preferable.
In fact, over time, utilizing paper covers can harm your recordings. If at all
possible, avoid them and opt for plastic instead. The cardboard album cover and
the vinyl inside are both protected by outer sleeves, which are usually made of
plastic. If you buy vintage records, the inside sleeve is more likely to survive
than the outer sleeve, but both are useful for protecting your LPs.


VINYL RECORD STORAGE FOR THE LONG HAUL

Unfortunately, the majority of people are unaware of how to properly keep their
vinyl collections throughout time. If they won’t be touched for a year or
longer, you’ll need to find a more permanent storage solution. When putting your
documents into storage, there are a few things to bear in mind, especially if
you have a lot of them.


PRESSURE

When it comes to keeping vinyl records, the most prevalent mistake is failing to
consider the pressure that is applied to them. A 12-inch LP is usually more than
5 ounces in weight. If you have 50 of these on your shelf, the last LP in line
is under 15-20 pounds of pressure. That won’t be a problem for a minute or two.
If you’re going to store records for an extended period of time, ensure sure
none of them are under too much pressure. This can result in warping, groove
distortion, and other issues.


SHELVING

Because of the pressure issue, you should try to avoid tossing all of your
documents into a bin as much as feasible. They will continue to tumble and press
on themselves as time passes, potentially causing long-term injury. Instead,
choose a shelving system that allows you to divide parts of records. You don’t
want more than roughly 15 albums leaning against each other on a shelf, as this
may cause undue pressure.You can use a wood shelf instead of a metal shelf to
reduce the amount of static. This will help to prevent static electricity and
dust buildup on your records.


DIVIDERS

If you don’t have a lot of shelves to segregate your records or vinyl record
storage box, invest in some robust dividers. These are easy to get by on the
internet. To assist support your records, all you need is some thick wood to
place between them. Instead than leaning to one side on the shelf, LPs should
stand up straight. This will assist to relieve some of the burden on the final
records. A separator every 4-6 inches will help you achieve this. Furthermore,
you can utilize these to assist in the organization of your collection. Each
divider can be labeled by genre or used to sort your records alphabetically.
This is a fantastic solution because it solves two problems at once. Vinyl Me
Please has a wonderful DIY guide for making your own record dividers if you want
to give it an attempt. This may not be for everyone, but it can save you money
while also being a lot of fun.


CLEANING

One final point on long-term storage: make sure they’re clean before putting
them away. The Sound of Vinyl includes a comprehensive record cleaning guide,
including instructions on how to deep clean old, worn-out records. If the
records are new, clean them with an anti-static brush to remove any dust or dirt
from the grooves. If that rests for a long time, it may work its way too deeply
into the record to be removed, and the stylus will embed the dust into the LP
the next time you play it. When you play the LP again, you’ll notice a lot of
crackling and skipping. If the record isn’t in terrific condition, you’ll want
to give it a thorough cleaning. For further information, refer to our guide.

What does the phrase "Call Me If You Get Lost" mean?

"Come get lost with me, man, come, come, come see the world / When you, when you
really get out there, call me, I'll be there," the interlude concludes. When he
says, "Call Me If You Get Lost," he's not offering a helping hand to someone in
need; he's waiting for someone to get lost with him and call him for help.

Enjoyed these lyrics?

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Do you recognize the artist?

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Mach-Hommy is an underground legend that you either love or despise

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Even those on the fence will find something to enjoy here. Throughout the
project, his multilingual flows are supported by a stellar lineup of producers
including Camouflage Monk, Sadhugold, Conductor Williams, and even mixtape
legend DJ Green Lantern (among others). His razor-sharp pen exudes a decidedly
Griselda at the same time, his uncanny ability to frame tough-as-nails themes
with calmly delivered, tastefully complex wordplay lends a different kind of
aura to the outfit's recent timeline—and he doesn't waste any time emphasizing
the magnitude of this project.

Throw away the majority of your possessions

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And whatever remains will mean even more. This principle was present in Low's
music from the beginning, when they made records out of mere whispers of guitar
and percussion, and it's still present 27 years later on HEY WHAT, their 13th
album, which is largely comprised of roaring electronic noise. The two human
voices in the center are a little deeper and rounder around the edges than they
were before, but they haven't changed much else. Low's sensitivity to the way
the crackling particularities of any given sound, stripped of excess and
observed with close attention, can convey feeling beyond words has not been
lost. Once upon a time, that meant a crisp chord dangling in an empty room.
There is no longer an obvious external reference point for the space their music
occupies.

1

"Somewhere Under a Rainbow" had to have been recorded at least thirty years ago.
And perhaps it wasn't. A sad, brittle, and fragile acoustic guitar casts a
sombre shadow on the candle-lit room's wall, while a whisper creeps up from
complete darkness right next to you – everything is personal here. "Somewhere
Under a Rainbow" is folk-influenced, but it is not a traditional statement. Cari
Anderson, the "CA" in "Celestial," has collaborated with Glasgow-based sweet
soul-pop ensemble International Airport, but her solo oeuvre, the dream dreaming
itself, requires no sidekicks.

2

If this is a duo, one of its members is attempting to vanish completely. Three
tracks, one of them going in the blink of an eye, the other two breakable
icicles, miniatures that will get lost in the rush of the city but are magnified
to the dimension of cosmic prisms when they appear in a schoolgirl's diary.
Anderson's music is quiet, not in the sense of making no sound, but in the sense
of blocking out all external influences and sucking you in headfirst.

Communication Manager

Louie Pollard 89 Trehafod Road BUILDWAS TF8 0PF

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