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Studio Ègor Kraft * Selected Works * Index * News * Bio * Contact * Ègor Kraft * Selected * Index * News * Bio * Contact Studio Ègor Kraft ← Previous Next → George Ègor Kraft, or simply @kraft, is a research-driven artist working across architecture and poetry of audiovisual mediation. He lives and works in Tokyo & Vienna, or otherwise leads a highly mobile life. Kraft is a lecturer at European & Asian universities, author of publications and founder of a collective action wwww.work His award-winning collaborations include thought-objects, texts, concepts, computational productions, films, investigative inquiries, hacktivist interventions and speculative proposals. These efforts are informed by such domains as speculative philosophy, ecologies and automations, synthetic intelligence, networked sovereignties, technological pluralisms, future industrial revolutions, latent spaces, ambient security protocols, new memory architectures, algorithmic diffusions, new epistemic challenges, existential feedback loops, domain o_ Selected Works Content Aware Studies Started in 2018, ongoing to this date Artistic inquiry into technologies of artificial neural networks (AI) and machine learning to reconstruct missing fragments in sculptures and friezes from the periods of classical Antiquity as well as to generate never-existed, yet genuine documents of synthetic histories. Hashd0x [Proof of War] 2022 hashd0x is a series of tactical open source soft- & hard-ware prototypes, designed to combat misinformation in photographic & video content. The software tools revolve around issuance and registration of instant & tamper-proof hashmark, blockchain native alternative of watermark and a proposed fix for our computationally accelerated & disturbed information ecology. 1 & ∞ ⑁ 2023 Images of chairs were generated by a Stable Diffusion deep learning model from the prompt a single chair on a white background. The dataset was reused to retrain the model, as if to enhance its understanding of the given prompt. After six iterations, data cannibalism led the figurative chair image to become abstract digital noise, exposing susceptibility to corruption of computational ontology due to data feedback loops within Ai model echo chambers. The New Color Started in 2011, ongoing to this date An online intervention and mystification of a scientific breakthrough of a discovery of previously ‘non-existent’ colour. Presented in a form of a website of a fictitious American company, video ads and mockumentary interviews became a viral sensation attracting mass attention on the internet. SELECTED WORKS URL Stone 2018 The work investigates the longevity of media carries by juxtaposing the same information being held by two fundamentally different mediums: a text carved into stone and a .jpeg file hosted on Wikipedia. The investigation is not complete until one of them is lost, thus revealing its less durable qualities in the site of the other. Which one will be lost first? Only time will tell… Decentralised Embargo 2022 A 4-GPU computational sculpture. Using energy from a german provider, which burns Russian gas to create electricity. The sculpture completes proof-of-work in real-time for the Ethereum blockchain, thus mining Ethereum currency directly into the official cryptocurrency wallet of Ukraine. Russian gas thus gets directly monetised into humanitarian aid for the Ukrainian people, via the means of the german hesitation to employ an embargo on Russian gas. I Print, Therefore I Am #sculpture #technology A modified digital printer is able to continuously perform printing on a looped-back sheet of paper, running throughout the entire duration of the show (two month), is repeatedly reproducing one line of text: ‘I Print Therefore, I Am’. Chinese Ink #ai E-ink screens are set to display moving images streamlined by an AI (GAN) algorithm trained on images of inkblots and set to generate similar images at the rate of thousands a minute. Twelve Nodes #ai #intervention 'Twelve Nodes' highlights the importance of ethical treatment of personal data and proposes the concept of Fair Data as a framework for better regulation and control of data usage, aiming to address concerns about consent, ownership, and economic value while promoting responsible data handling by organizations. Kickback #ai #meta_archeology A series of interventions, where an newly purchased plain white T-shirts from a fast-fashion clothing chain, were screen printed with the short text messages, and returned them for a refund. Unaware of the modification, the store restocked the T-shirts with artists messages, featuring them in the store prominently displayed and available for purchasing. ALL WORKS Uncensorship Architecture #ai #blockchain Uncensorship Architecture, that provides an infrastructural proposal to protect journalistic data & investigative work from censorship & blocking. Using decentralized blockchain storage infrastructures, simultaneously stored on thousands of nodes, previously banned journalistic archives become safe from censorship and IP-blocking. PropaGAN #ai #blockchain The generative GAN Algorithm is synced to an audio file to which it matches the ongoing morphing moving image based on a dataset of explosions, smoke and clouds. The Link #ai #meta_archeology A luminous hyperlink is set up in various locations. The URL address is a full sentence: http://this-is-the.link/between/the/real-and-virtual. Familiar syntax suggests that it's an active weblink. A web page located at the address given in the link, showing a streamed realtime 360-degree panorama camera view of its location. Air Kiss #ai #meta_archeology A film, presented in a form of 5-channel video installation, looking at a near future, where governance has largely been outsourced to Artificial Intelligence in the speculative context of Moscow in 2050 where a high degree of automation is present. This Very Moment #installation #intervention Emitting the brightest possible cold, white light - the text running across the LED display board repetitively states: “...This very moment, has already become the past – This very mo...” Ascending Order #meta_archeology The general human question infinitely sinks in the depths of a sequence of virtual space architecture. Each new mouse click takes us away from an answer and question just as each following step of the development of media environment and virtualization moves us further away from the understanding of what makes reality real. Index. Exhibitions, Conferences & Events. 2024 STRP Scenario x Baltan Laboratories ConferenceSTRP FestivalEindhoven. NLDThe Epoch of Transformative TechnologiesChina Academy of ArtsHangzhou, CHNThe Next Renaissance. Le Goût de l’InvisibleGoethe-Institut ParisParis, FRAPlayshop 2024China Academy of ArtsHangzhou, CHNMuseum of FakeOne World Festival Bucharest, ROU 2023 Curated By & Charim GalleryCharim GalleryVienna, AUTEDITION BOX II -Body of Concept Geidai Art PlazaTokyo, JPNWho owns the truth?Ars Electronica FestivalLinz, AUTCryptomaniaZeppelin MuseumFriedrichshafen, DEUNavigating the Digital RealmDG ConnectBrussels, BELCodes and algorithms.Wisdom in a calculated world Fundacion TelefonicaMadrid, ESP 2022 NTAA’22, New Technological Art AwardZebrastraatGhent, BELHe Aprendido Que Tienes Que Rezar Por Lo Que No ConocesSala Amós SalvadorLogroño, ESPNEAR+FUTURES+QUASI+WORLDSPalazzo BorsaBologna, ITAThingsART4 MuseumMoscow, RUSEverything will be fine Tactical TechBerlin, DEUWriting The History of the FutureZKMKarlsruhe, DEU 2021 You & AI: Through the Algorithmic Lens Onassis FoundationAthens, GRCMillennials in Contemporary Russian ArtRussian MuseumSt.Petersburg, RUSRe:Humanism 2MAXXI Museo Nazionale Delle ArtiRome, ITAOSMOS, Fluid aestheticsElectromuseumMoscow, RUS 2020 Still HumanColección Solo Madrid, ESPMeasure of Chaos. Science as a way of communicationTsk19Novosibirsk, RUSAccrochagealexanderlevy galleryBerlin, DEUNEAR + FUTURES + QUASI + WORLDS STATE StudioBerlin, DEU Ars Electronica Garden: Datasets vs MindsetsArs Electronica Moscow, RUS 2019 Kuryokhin Prize Nominees 2019Sergey Kuryokhin CentreSt. Petersburg, RUSWRO BiennaleNational MuseumWrocław, POLNegative SpaceZKMKarlsruhe, DEUNon-Aligned NetworksValletta ContemporaryMalta, MLTArtificial Intelligence and Intercultural Dialogue The State Hermitage MuseumSt. Petersburg, RUSCosmoscowManezhMoscow, RUSInnovation Prize ShowArsenalNizhny Novgorod, RUSKandinsky Prize Exhibition MOMMAMoscow, RUS5th Ural Industrial Biennial: Main Project Yekaterinburg, RUSArt Düsseldorfalexanderlevy galleryDüsseldorf, DEUShort Film FestivalMuseum Ludwig Cologne, DEUWRONG Biennale #thescreenisnotthelimit Online WEBLearning MachinesElectromuseumMoscow, RUSCharon Cycle ScreeningTick TackAntwerp, BELContent Aware Studiesalexanderlevy galleryBerlin, DEUHuman (un)limitedArs Electronica ExportMoscow, RUS 2018 Cyfest 11Stieglitz AcademySt.Petersburg, RUSInnovation as MethodHermitage MuseumSt.Petersburg, RUSVienna ContemporarySolo BoothVienna, AUTPrototype #3 Kuryokhin CenterSt.Petersburg, RUSFuture UnhumanQuartariata ResidencySt.Petersburg, RUSÁkktaAnna Nova GallerySt. Petersburg, RUSTo Touch The SkyNCCAKalinigrad, RUSOpen CodesZKMKarlsruhe, DEUArs ElectronicaThe GalleriesLinz, AUTImpakt Festival Utrecht, NLDSciencefestRussian Railways MuseumSaint Petersburg, RUSPulsar Art Prize Paris, FRADaemons in the MachineMMOMAMoscow, RUSThe New State of LivingPERMMPerm, RUS 2017 Art Athens: Citizen 6 Athens, GRCInnovation PrizeMUARMoscow RUSThe New Normal ShowcaseStrelka InstituteMoscow, RUSParallel ViennaFormat.STRKVienna, AUTCitizen 6 part of Art Athens Athens, GRCAmbient IntelligenceEnclave GalleryLondon, GBRPrototype #4Kuryokhin CenterSt.Petersburg RUS 2016 Rodchenko Art School 10 YearsMAMMMoscow RUSDeep Inside, V Moscow International Biennale for Young ArtTryokhgornaya ManufactoryMoscow RUSArt Prospect Festival St. Petersburg, RUSAll Eyes On MePechersky GalleryMoscow, RUSPlayroomUnion StudiosLondon, GBRItinéraire Bis Salon-de-Provence, FRAFelt BookHuman ResourcesLos Angeles, CA, USACorridor I: Onkalo InsituBerlin, DEUFelipe Castelblanco’s ProgramRoyal Academy AmericaNYC, USACYFEST Digital Media Program Bogota, NYC, St.Petersburg, Mexico 2015 Wanderings 2.0RundumTallinn, ESTWhat to say if there is nothing to sayUdarnikMoscow, RUSMusing the BoundariesKuryokhin CenterSt.Petersburg, RUS'Pop Mechanics' TrailKuryokhin CenterSt. Petersburg, RUSCYBERFESTSalon Leisure and Fantasy Bogota, St. Petersburg, Berlin, London, Vilnius, Moscow, New York 2014 Manifesta X: Printed MatterMuseum of PrintSt.Petersburg, RUS 2012 Kiev Biennale: Apocalypse & RebirthNational Museum Of Russian ArtKyiv, UKROriginalcopyFluc am PratersternVienna, AUT5th International Art Moves Festival Toruń, POLNow is Just Right NowTaiga SpaceSt. Petersburg, RUSNo TranslationMuseum for Applied ArtsMoscow, RUSNight at the MuseumNew Tretyakov GalleryMoscow, RUS 2011 Infiltration Series 6ParadisoAmsterdam, NDLRibbonsThe GalleriesSydney, AUSINDI_VISUALMultimedia Art MuseumMoscow, RUSInsight & ForesightGarage MuseumMoscow, RUS 2010 II Young Art Biennale “Qui vive?” Moscow, RUSMedia ActZhir Gallery, VinzavodMoscow, RUS 2008 State of Mine Gerlesborgskolan, SWE Accordeon title see more ↕see less ↑ accordeon content see less ↑ Hide Show more EXHIBITIONS News This error message is only visible to WordPress admins There has been a problem with your Instagram Feed. Jun 2 Open I couldn’t really post about it earlier. I was devastated and speechless when I realized the extent of this bloody military invasion back in early 2022. I still am, and from today’s point of view, it’s better to call it the beginning of a full-blown horror that seems to have no end, only a downward spiral with cascading catastrophic consequences ... May 10 Open I`m in Paris this week to install the show THE NEXT RENAISSANCE LE GÔUT DE L`INVISIBLE at Goethe-Institut Paris curated by @schoggivstock and produced by @zkmkarlsruhe The exhibition includes works by Zbyněk Baladràn (CZ), Thijs Biersteker (NL), Michèle Boulogne (NL), Thomas Feuerstein (AT), Linu Grönlund & Okku Nuutilainen (FI), ... May 1 Open Over the course of last year and also very recently I had a privilege and some quality time engaging with the students during my course on Art and Image in the contexts of Ai’s at the Linz’s University of Arts, visual communication department. The course has developed and calibrated over the years of performing it in various educational contexts, ... Apr 18 Open I’m back in ęüřøpẽ and after some escapist time, setting a new home in Tokyo, glad to revitalise this feed with the glimpses from the recent panel at @strpeindhoven festival. Massive thanks go to @baltanlaboratories who organised it and the brilliant speakers Ramon Amaro and Ianis Dobrev. #ontour #kraftbloggers ... Dec 24 Open Traditionally, approximately 15 minutes before landing in Tokyo, I take a picture of Mt. Fuji from my aircraft window. Here’s a fresh one and a handful of others from past trips. Kon`nichiwa to my favourite city on earth. #kraftblog #fuji ... Nov 20 Open Here’s my portrait feature altered by an Ai (artificial idiocy) in Vienna’s biannual Kultur Magazine by @diepresse published this October. Big thanks goes to @tenul_ and @charimgalerie #kraftblog ... Nov 16 Open If in Brussels, join us tonight for the opening of the exhibition CODE & ALGORITHMS. WISDOM IN A CALCULATED WORLD at @imal_brussels Curated by Manuela Nuveau Featuring: Kyriaki Goni · Clara Boj & Diego Diaz · Mushon Zer-Aviv · Trevor Paglen · Manu Luksch · Shinseungback Kimyonghun · Danja Vasiliev · Egor Kraft · Ahmed ... Oct 19 Open I`m genuinely honoured to receive the Lumen Prize this year and I couldn’t be more grateful to everyone I collaborated with on this series of works. I`m saddened and perhaps even devastated I wasn`t given a chance to attend the ceremony. The UK Immigration bureaucracy considered my visa application to not be straightforward, which leads to ... Oct 17 Open Hot from the press, the newest issue of the brilliant Neural magazine (@neural_mag) features, amongst other things, our in—depth conversation on synthetic cognition, new memory architectures and a deep dive into an extensive bit of my work. I am honoured and humbled and honoured and humbled and h… #kraftblog #press ... Oct 14 Open It’s raining like cats and dogs in Kyoto tonight #ontour ... Oct 11 Open A few sneak peeks into what occupied me mostly after February 2022 and what it brought upon us. Hashd0x — our collaborative open source and hacktivist software project and my recent work Proof Of War based on this tech stack. The work has been presented at this year`s Ars Electronica festival and received S+T+ARTS Prize Honorary mention, an award ... Sep 24 Open Content-aware-fill the gaps within historical records, like one fills a selected area of pixels in common image editing software. Or do not. Augmentation of any knowledge with synthetic epistemics of computed automations is inevitable. Or is it? Content Aware Studies is currently on view at @charimgalerie Dorotheergasse in Vienna as part of ... ↓ Load More Bio & CV Egor Kraft Born 1986 in St. Petersburg, Russia, lives and works in Vienna & Tokyo Web: kraft.studio | studio.work | wwww.work Email: mail@kraft.studio Platforms: @egorkraft Instagram / Twitter / Vimeo BIOGRAPHY Egór (George) Kraft is an investigative, interdisciplinary artist & researcher. Born in St. Petersburg, Russia he lived most of his life nomadically having studied in Swedish Gerlesborkskolan, Moscow Rodchenko School, Vienna Academy of Fine Arts, London’s Central St. Martins College, Strelka Institute in Moscow & Tokyo Geidai University. He currently lives and works in Tokyo and Vienna. His research-driven practice is informed by media studies, computer science, critical design, film, philosophy & art. Kraft is a laureate of Lumen Prize 2023 [UK], S+T+ARTS prize honorary mention 2023 [EU], New Technological Art Award 2022 [BE], Austrian Blockchain Award 2022 [AT] and a nominee for Kandinsky, Innovation & other prizes and participant of international residencies & fellowships. He participated in exhibitions in private & public institutions, biennials & festivals internationally, including Ars Electronica [AT] & Impakt Festival, [NL], ZKM [DE], MAXXI [IT], Onassis Foundation [GR], Hermitage Museum [RU], WRO Biennial [PL], Espacio Fundación Telefónica [ES], iMAL [BE] & others. He is a lecturer at Kunstuniversität Linz [AT], author of essays & speaker at international conferences. He is a founder of research studio wwww.work ON PRACTICE & RESEARCH INTERESTS Aesthetics of industrialisation, shock-&-awe campaigns, tactical trickery between facts & fiction, fully automated ruralisms, speculative narratives, thought-objects prototypes, deep timescales, proto-continental geographies, self-declared enclaves & self-sovereign networks, ultra-wideband connectivites, exponentially increasing capacities, monopolised data echo chambers, media geologies, logistics & information superhighways, techno-organic bodies, politics of planetarity, synthetic cognitions & sensations, quantitative machine-rendered regimes, non-human agencies, ultrasonic interventions, big-time proposals, ambient security protocols, new memory architectures, unfettered data collection regimes & wholesale surveillance, digital autocracy circumventions, unstable climates, feedback loops, genetic machine developments & more. All these and many other cognitive perspectives reconstitute the aspect of what we define as human in a new geological epoch. In how far is this aspect subject to technology? Is it recognised as autonomous, unpredictable, divergent or diverse? How does it coexist along with the ever-growing order of machine rendered regimes? A further investigation of these industrial conditions suggests new political, ethical, philosophical & aesthetic challenges. How are these challenges manifested within the artistic production, as in primordially ‘human’ project? And does the notion of a ‘human’ project necessarily suggest its human-centric nature? In my work, I'm concerned with the ontologies of human and non-human agencies, epistemics of technologies often expressed in a form of speculative models or thought–object experiments and dynamic community operated networks. It involves artificial information systems, computational technologies, films, interventions, texts & various material productions. Via speculative narratives, I tend to highlight frictions between the human reasoning and quantitative orders rendered by machines, industrialisation & anthropogenic interventions at large. ABOUT SELECTED EDUCATIONAL EXPERIENCE 2024 Institute for Postnatural Studies | Madrid, ESP PgD Postnatural Independent Program 2022-2023 Geidai University of the Arts | Tokyo, JPN Research visitor in the Intermedia Arts department under the supervision of prof. Kiyoshi Furokawa 2017 Strelka Institute: The New Normal | Moscow, RUS Programme director Benjamin H. Bratton 2014-2015 Central Saint Martins College | UAL London, GBR Fine Arts, track 4D 2011-2016 Academy of Fine Arts | Vienna, AUT Diploma studies Postgraduate multidisciplinary research programme 2009-2011 The Rodchenko Art School | Moscow, RUS Class prof. Alexei Shulgin | BFA, Media Art 2007-2008 Gerlesborg School of Fine Art | Bohuslän, SWE Foundation year WORKS IN PUBLIC COLLECTIONS Ripley’s, Orlando, FL, USA Cyland Video Archive, USA | RUS Colección Solo, Madrid, ESP ZKM, Center for Art & Media, Karlsruhe, DEU MAMM Multimedia Art Museum Moscow, RUS Sergey Kuryokhin Center for Modern Art, RUS SOLO SHOWS 2022 Lies, Half-Truths & Propaganda [The Bad, the Worse, and the Worst] | alexander levy, Berlin, DEU 2019 Human (un)limited | Ars Electronica Export, Moscow, RUS 2019 Content Aware Studies | Alexander Levy, Berlin, DEU 2018 Ákkta | Anna Nova Gallery, St. Petersburg, RUS 2014 Wanderings 2.0 | Rundum, Tallinn, EST 2012 Now is Just Right Now | Taiga Space, St. Petersburg, RUS 2008 State of Mine | Gerlesborgskolan, SWE ARTISTIC DERECTION 2017–2022 Artistic & design direction at Ethereum Swarm | A software protocol for decentralised peer-to-peer storage architecture RESIDENCES 2024 Postnatural Independent Program | Institute for Postnatural Studies, Madrid, ESP 2023 ArtEchó | Etopia, Zaragoza, ESP 2023 Escape Fake | Budapest, HUN 2022 Geidai Tokyo University of the Arts | Tokyo, JP 2019 STARTS Residency | University of Southhampton, GBR 2017 Wakefield Art House Nominee; Wakefield, GBR 2017 Quartariata Residency, St. Petersburg, RUS SELECTED PUBLICATIONS 2023 Neural Magazine #72 “Machine Transparency” | Interview, ITA VORmagazine | AT 2022 OKV Magazine | Feature article on NTAA by Benedict Vandaele | BEL Recycling Beauty | Fondazione Prada, ITA The artist in a science lab | Maya Jaggi | Le Monde Diplomatique, FRA E-Relevance. The role of Arts and Culture in the Age of Artificial Intelligence | Vuk Ćosić, Vladan Joler, Régine Debatty | Council of Europe, EU What does art bring to science and technology? EU's "S+T+ARTS (Science, Technology & the ARTS)" | Miki Kanai | Bijutsu Techo Magazine, JP 2021 Nero Magazine | Article AI As experience of the Limit by Daniela Cotimbo | ITA The Practice of Art & AI, Gerfried Stocker, Markus Jandl, Andreas J. Hirsch | Book CLARA: Perceiving Matter; article by Dr. Hallie G. Meredith & Sarah Barnett | Washington State University, USA Art Press | Feature article by Dr. Dominique Moulon | FRA 2020 The Art Newspaper | Top 50 most promising Russian artists | RUS 2019 Calvert Journal | Russia Z Curated by Olesya Turkina | GBR Strelka Magazine | Do Machines Dream Of The Pergamon Altar? Interview by Yulia Gromova | RUS Nero Magazine | Article AI As experience of the Limit by Daniela Cotimbo | ITA 2018 TK-21 | Ars Electronica article by Dominique Moulon | FRA 2016 Metal Magazine | Interview by Mercedes Rosés | ESP Aesthetica Magazine | Exhibition feature article by Jack Castle | GB SELECTED HONOURS AND AWARDS 2023 Lumen Prize | Award Winner | UK 2023 Austrian Blockchain Award in ‘Best smart technology’ | Vienna, AT 2023 S+T+ARTS Prize Honorary Mention | EU 2022 NTAA: New Technological Art Award | Jury Award Winner, BEL 2021 Re:Humanism, 2nd Edition | Winner, ITA 2020 Top 50 Most Promising Russian Artists by The Art Newspaper 2020 Lumen Prize | Shortlisted, GBR 2020 Born Digital Award nominee, WEB 2020 Listed in 49ART 2019 Kandinsky Prize | Young Artist of the Year nominee, RUS 2019 Garage Museum Art & Technology Grant winner, RUS | DEU 2019 Innovation Prize | New Generation nominee, RUS 2019 STARTS Residencies fellow, EU 2019 Kuryokhin Prize nominee, RUS 2018 Pulsar Prize Finalist | Paris, FRA 2017 New East 100 by Calvert Journal, GBR 2017 Innovation Prize | New Generation nominee, RUS 2015 Nova Art Prize nominee, RUS 2014 Kuryokhin Prize nominee, RUS 2014 Creative Enterprise Award nominee | London, GBR GRANTS 2023 AETeCHO, Milan, Zaragoza, ITA, ES 2023 Escape Fake 2.0 co-funded by the European Union and the European Media and Information Fund. AUT | HUN 2021 BMKÖS Perspektiven. Innovation. Kunst, AUT 2019 STARTS Residencies, EU | GBR 2019 Garage, Art & Technology Programme, RUS SELECTED LECTURES AND TALKS 2024 Playshop 2024 | China Academy od Arts, Hangzhou, CHN The Epoch of Transformative Technologies | Hangzhou, CN 2023 PublicSpaces Conference 2023: For a Collective Internet | Amsterdam, NDL Weizenbaum Conference | Berlin, DEU 2022 NECS Lecture Series “Content Aware and Other Case Studies” | European Network for Cinema and Media Studies Histories of the Avant-garde and Contemporary Disruptive Technologies | NY, USA 2021 Art Machines 2 Conference | City University of Hong Kong, HKG Politics of the Machine Conference, Rogue Research | Berlin University of the Arts, DEU AI Artathon 2.0 | Riyadh, SA 2020 Winchester School of Arts | Talking Heads Lecture Series, GBR Winchester School of Art | Guest seminar on AI and speculative narratives with AMT Research group prof Jussi Parikka & Ryan Bishop, GBR 2019 Content Aware Studies in conversation with Nadim Samman | Alexander Levy, Berlin, DEU Human (un)limited | Ars Electronica Export, Moscow, RUS LINK | Stiftung Niedersachsen | Kunstverein Hannover, DEU 2018 MMOMA, Daemons in the Machine | Artist Talk / Moscow, RUS Impakt Festival | Panel "Black Boxes for Fiction Makers" | Utrecht, NLD New Media Lab | Artist Talk | St.Petersburg, RUS ITMO University | Artist Talk | St.Petersburg, RUS Cyfest 11 | Artist Talk | St.Petersburg, RUS 2017 Smolny College | Series of talks | St. Petersburg, RUS ICA, Institute of Contemporary Art | Artist Talk | Moscow, RUS NCCA, National Center for Contemporary Art | Artist Talk | Moscow, RUS SELECTED SCREENINGS 2022 Everything will be fine | Tactical Tech, Berlin, DEU 2020 Athens Digital Arts Festival | New Aesthetic: Macht & Kontrolle - All Watched Over by Machines of Loving Grace | GRC 2019 Charon Cycle Screening | Tick Tack, Antwerp, BEL Short Film Festival Cologne | DE 2018 To Touch The Sky | NCCA Kalinigrad, RUS CYFEST11 Digital Video Art Program | New York | St. Petersburg 2017 Citizen 6 part of Art Athens | Athens, GRC The New Normal Showcase | Strelka Institute, Moscow, RUS Enclave Gallery | Ambient Intelligence | London, GBR 2016 Felt Book | Human Resources | Los Angeles, CA, USA Felipe Castelblanco’s Program | Royal Academy America, NYC, USA CYFEST Digital Media Program | Bogota, NYC, St.Petersburg, Mexico 2015 CYBERFEST at Salon Leisure and Fantasy | Bogota, St. Petersburg, Berlin, London, Vilnius, Moscow, New York TEACHING 2023 Institut für Medien & Visuelle Kommunikation | Kunstuniversität Linz, AUT Course: Kunst- oder Bildproduktion in Zusammenhang mit Al IMSc in Art&Science at ITMO University | St. Petersburg, RUS Ai in Art Theory & Practice Module SELECTED GROUP SHOWS & FESTIVALS 2024 The Next Renaissance. Le Goût de l’Invisible | Goethe-Institiute, Paris, FRA One World Festival | Bucharest, ROU 2023 Curated By & Charim Gallery | Vienna, AT EDITION BOX II -Body of Concept | Geidai Art Plaza. Tokyo, JPN Ars Electronica Festival | Linz, AUT Codes & Algorithms | iMAL, Brussels, BEL Cryptomania | Zeppelin Museum, Friedrichshafen, DEU 2022 NTAA’22, New Technological Art Award | Zebrastraat Ghent, BEL He Aprendido Que Tienes Que Rezar Por Lo Que No Conoces | Sala Amós Salvador, Logroño, ESP NEAR+FUTURES+QUASI+WORLDS | Palazzo Borsa, Bologna, ITA Things | ART4 Museum, Moscow, RUS Everything will be fine | Tactical Tech, Berlin, DEU Codes and algorithms. Wisdom in a calculated world | Fundacion Telefonica, Madrid, ESP Navigating the Digital Realm | DG Connect, Brussels, BEL 2021 Millennials in Contemporary Russian Art | Russian Museum, St.Petersburg RUS Writing The History of the Future | ZKM, Karlsruhe, DEU Re:Humanism 2 | MAXXI Museo Nazionale Delle Arti, Rome, ITA You & AI: Through the Algorithmic Lens | Onassis Foundation, Athens, GRC OSMOS, Fluid aesthetics | Electromuseum, Moscow, RUS 2020 Still Human | Colección Solo, Madrid, ESP Accrochage | alexanderlevy gallery, Berlin, DEU NEAR + FUTURES + QUASI + WORLDS | STATE Studio, Berlin, DEU Ars Electronica Garden: Datasets vs Mindsets | Electromuseum, Moscow, RUS 2019 Kuryokhin Prize Nominees 2019 | St.Petersburg, RUS WRO Biennale 2019 | Wrocław, POL Non-Aligned Networks | Valletta Contemporary, Malta, MLT Artificial Intelligence & The Intercultural Dialogue | Hermitage, St.Petersburg, RUS Innovation Prize Show | Arsenal, Nizhny Novgorod, RUS Writing the History of the Future | ZKM, Karlsruhe, DEU Cosmoscow | Moscow, RUS 5th Ural Industrial Biennial: Main Project | Yekaterinburg, RUS Kandinsky Prize Exhibition | MOMMA, Moscow, RUS Art Düsseldorf | Alexander Levy Gallery, Düsseldorf DEU WRONG Biennale #thescreenisnotthelimit | Online WEB Learning Machines | Electromuseum, Moscow, RUS 2018 Cyfest 11 | Stieglitz Academy, St.Petersburg, RUS Vienna Contemporary, Solo Booth | Vienna, AUT Innovation as Method | Hermitage Museum, St.Petersburg, RUS Paradoxical Hybrids | Electromuseum, Moscow, RUS Open Codes | ZKM, Karlsruhe, DEU Ars Electronica | The Galleries, Linz, AUT Sciencefest | Saint Petersburg, RUS Pulsar Art Prize | Paris, FRA Daemons in the Machine | MMOMA, Moscow, RUS Impakt Festival | Utrecht, NLD The New State of Living | PERMM, Perm, RUS 2017 Art Athens: Citizen 6 | Athens, GRC Innovation Prize | MUAR, Moscow RUS The New Normal Showcase | Strelka Institute, Moscow, RUS Parallel Vienna: Format.STRK | Vienna, AUT Ambient Intelligence | Enclave, London, GBR 2016 Playroom | Union Studios, London, GBR Deep Inside, V Moscow International Biennale for Young Art, RUS Itinéraire Bis | Salon-de-Provence, FRA Rodchenko Art School 10 Years | MAMM, Moscow RUS All Eyes On Me | Pechersky Gallery, Moscow, RUS Corridor I: Onkalo | Insitu, Berlin, DEU 2015 What to say if there is nothing to say | Udarnik, Moscow, RUS Musing the Boundaries | Kuryokhin Center, St.Petersburg, RUS "Pop Mechanics” Trail | Kuryokhin Center, St. Petersburg, RUS 2014 Manifesta X: Printed Matter | Museum of Print, St.Petersburg, RUS 2012 Kiev Biennale: Apocalypse & Rebirth | National Museum Of Russian Art, Kyiv, UKR Originalcopy | Fluc am Praterstern, Vienna, AUT 5th International Art Moves Festival | Toruń, POL No Translation | Museum for Applied Arts, Moscow, RUS Previous Slide Next Slide Share FacebookTwitterLinkedinPinterestEmail Instagram Hide photo (admin) Add ID to the Hide Specific Photos setting: