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Film a Multicam Interview with ONLY ONE CAMERA

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This is a channel that talks all about filmmaking, from lighting breakdowns,
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Intro

•


לפרטים נוספים צריך לגלול מטה




FILM A MULTICAM INTERVIEW WITH ONLY ONE CAMERA

Alex Zarfati
Alex Zarfati
‏‫66.8K‏‬‏ ‏מנויים‏



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‫6.7K‏‬




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‫221K‏‬ צפיות לפני שנה #filmmaking #filmmakingtips #commisionsearned
221,992 צפיות • שידור הבכורה היה בתאריך 22 באוג׳ 2023 • #filmmaking
#filmmakingtips #commisionsearned

פחות פריטים
In this video, we'll show you how to film a cinematic Multicam interview with
just one camera. This is an essential skill if your a documentary filmmaker
looking to make a documentary on a budget. By learning how to film a cinematic
professional interview with just one camera, you'll be able to create interviews
that look dynamic. Watch and learn how to film a cinematic professional
interview with just one camera! …...עוד
...עוד
פרקים

הצגת הכול





INTRO

INTRO

0:00

INTRO

0:00




CINEMATIC INTERVIEW STEP ONE

CINEMATIC INTERVIEW STEP ONE

0:24

CINEMATIC INTERVIEW STEP ONE

0:24




FINDING THE INTERVIEW ANGLE

FINDING THE INTERVIEW ANGLE

1:12

FINDING THE INTERVIEW ANGLE

1:12




LIGHTING

LIGHTING

3:55

LIGHTING

3:55




MY FAVORITE KEY LIGHT

MY FAVORITE KEY LIGHT

4:05

MY FAVORITE KEY LIGHT

4:05




AUDIO SETUP

AUDIO SETUP

5:11

AUDIO SETUP

5:11




SETTING UP ANGLE 1,2 AND 3

SETTING UP ANGLE 1,2 AND 3

6:16

SETTING UP ANGLE 1,2 AND 3

6:16




MY LITTLE SECRET

MY LITTLE SECRET

6:56

MY LITTLE SECRET

6:56




תמליל

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ALEX ZARFATI

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פחות פריטים








#filmmaking #filmmakingtips #commisionsearned


FILM A MULTICAM INTERVIEW WITH ONLY ONE CAMERA

221,992 צפיות‫221K‏‬ צפיות
שידור הבכורה היה בתאריך 22 באוג׳ 2023

‫6.7K‏‬




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הוצמד על ידי Alex Zarfati


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Documentary Filmmaking Course: https://www.alexzarfati.com/documentarycourse
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תשובה אחת

תשובה אחת







@STEVENKRALOVEC

לפני שנה (ערוך)

Hey, respectfully I disagree about almost everything said about audio recording
(except for the separate backup lav recording). -6 to -3 db is way too hot to
record audio if you don’t want clipping. -12 to -6 are the recommended levels to
allow for headroom in case the person laughs or gets unexpected loud. Also 3-5
feet away is too far away for the mic imo. (That would pick up too much of the
room and worsen the signal to noise ratio). Generally, the mic should be as
close as possible, outside of the frame, to get the best recording. Though, I
get it, it’s sometimes not so simple for wide shots, but that’s why like you
said it’s great to have a lav backup. Thanks, I hope this can help people.
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@CINEDAILIES

לפני שנה (ערוך)

I do appreciate your work and effort man! Much respect. I do have to point out
this scenario is a difficult one to pull off with top tier clients and
interviewees who arent comfortable in front of the camera. it’s best to have the
right number of cameras that you need to get those angles. you mentioned about
the emotional angles youd capture by by moving the camera. if you’re constantly
moving between different, angles to capture throughout the interview, which can
distract and pull the interviewee out of the moment. It might be cool for some
projects but not something that should be heavily utilized. Though I can
certainly see this in a narrative scenario, for sure.
פחות להמשך קריאה
לייק
‫57‬


דיסלייק

תשובה




3 תשובות

3 תשובות







@APPLE_RYAN

לפני שנה

Great video.. just one thing i would recommend as an audio engineer.. rather
record at -12Db to -6 at peaks. Its much easier to bring up audio than try to
recover clipped audio. In studios they actually recomend recording at -18 to-12
but we have much better pre amps in studios.A good sound edit in post can bring
it up compress it and normalize it at about -3 or some people actually even push
it to -0.3 DB.Broadcast engineers in North America usually line up their audio
gear to nominal reference level of 0 dB on a VU meter aligned to +4dBu or
-20dBFs, in Europe equating to roughly +4 dBm or -18 dBFS.
פחות להמשך קריאה
לייק
‫37‬


דיסלייק
❤ מאת Alex Zarfati
תשובה





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תשובה אחת


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תשובה אחת







@FRASERHARROP

לפני 9 חודשים

Tip for your boom. Upgrade your boom arm and stand to pair with a sandbag to
make sure you can get the mic closer to the subject. 3-5ft is way too far away,
but looks unavoidable with your current setup. Heavier-duty boom setup + closer
mic will give you much cleaner results.
פחות להמשך קריאה
לייק
‫9‬


דיסלייק

תשובה









@DAVIDHAVERTY

לפני 9 חודשים

The BEst thing for the editor and client is to simply have two cameras minimum
at least. Set up the main camera and use the second camera from the 45-degree
angle and operate that one to get inserts and close up DURING the interview so
everything will remain natural and fluid and let the editor decide when to cut
to those angles. This would be a nightmare to edit together to make it feel
natural and seamless. Have you BCAM be anything. You could pull off second
angles with lower quality and add filters to create a style and not try and
match them. This redo of the set up just to get secondary angles is impractical.
פחות להמשך קריאה
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‫15‬


דיסלייק
❤ מאת Alex Zarfati
תשובה





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תשובה אחת


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תשובה אחת







@ERIKJUAREZDK2367

לפני שנה

Great video Alex! I got a little tip for people who are not doing "big" budget
interviews with a crew and are limited on time. If it's a SoMe style interview,
you can keep the questions to a max of 4-5 questions and shoot all of the
questions from every angle (4 is maybe overkill). It kinda works like what Alex
is showing here, but since the video is made for short form content, it should
be doable alone and even easier with a person who can ask the question for you.
The bigger the budget the easier it gets of course
פחות להמשך קריאה
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‫3‬


דיסלייק
❤ מאת Alex Zarfati
תשובה





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@MARJANNIK

לפני 8 חודשים

You simply cannot rely on one camera, as a professional you should know that.
One camera must always capture a wide frame. This camera saves you if something
goes wrong with the camera that looks for alternative angles. And often there is
a problem with focus or stabilization. Surely, shots of details from B-roll can
help, but static camera is a must-have.
פחות להמשך קריאה
לייק
‫1‬


דיסלייק

תשובה









@MRNAGAK

לפני 7 חודשים

wonderful tutorial I like to set up 2-7 cameras for this, but it was interesting
to see how you do it! Keep up the good work
פחות להמשך קריאה
לייק


דיסלייק

תשובה









@MAXONARY

לפני שנה

Yo no way. This was only uploaded an hour ago! Crazy work, thanks a lot!
פחות להמשך קריאה
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‫2‬


דיסלייק
❤ מאת Alex Zarfati
תשובה









@PIUSGYAGENDA

לפני 9 חודשים

I love the fact that these are practical examples and lessons thank you for this
video
פחות להמשך קריאה
לייק
‫1‬


דיסלייק

תשובה









@NOTASHAMEDCAMBODIA

לפני 6 חודשים

It was fun to see the different angles you implement on your shots. I noticed
that you had more than 1 camera shooting this interview, so it was hard for me
to take it seriously. Using different angles with one camera is a possibility,
but it doesn’t work well in most scenarios for doc shooting. My suggestion is to
use your best camera on your main angle and use lesser cameras on closeups.
Color correction is something to consider, but most people won’t notice and it
won’t ruin the fluidity of your interview.
פחות להמשך קריאה
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תשובה









@IAEXPLICANDO

לפני 9 חודשים

I loved the tips, I was curious to see the results.
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‫3‬


דיסלייק
❤ מאת Alex Zarfati
תשובה









@MYGCONSULTINGYOU

לפני שנה

I think the mic distance will depend on the quality of your boom mic. I have a
smaller cheaper mic currently that can easily pick up plenty of room noise at
that distance. So I focus on managing it as best as possible with as close as I
can get it. But that’s where the second lav mic comes in. After comparing my
audio I often prefer the sound of my boom with a bit of voice isolating added.
פחות להמשך קריאה
לייק
‫1‬


דיסלייק
❤ מאת Alex Zarfati
תשובה









@ANDREW_NAYES

לפני שנה

2:42 Nice two-camera interview setup!
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3 תשובות

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@BEAUCHAMPY

לפני 9 חודשים

Nah, this is way too taxing on your subject for the sake of hiring another
camera, or another operator. I've done hundreds of interviews and I can remember
very few where the subject would be willing to entertain this, I mean GENUINELY
entertain this. Most people do not like being interviewed. Imagine doing a 45
minute interview with someone, they think it's done, and then you tell them we
need to do it all again with another camera angle? They'll start trying to
remember their previous answers, or say something different. Sounds like a
recipe for a complete mess IMO. Sorry.
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@IANREELS

לפני שנה (ערוך)

Man, I love the quality you put into your videos. No fluff, solid points and
tips all around, doesn't a waste a minute... **chef's kiss** LET THIS MAN COOK!
You, Danny Gevirtz and Lewis Potts are such an inspiration in my filmmaking
career. Keep rocking it man! EDIT: Using milanote bc of your doc breakdowns. I
love how organized yours is. Trynna implement it in my work
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תשובה אחת


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תשובה אחת







@FORTYTHEPIRATE1119

לפני 9 חודשים

10 seconds in and I like it already. Nailed the hook
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דיסלייק
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@DDESPAIR

לפני 9 חודשים

This, man I can’t agree with it. Asking an interviewee the same question
multiple times ruins the enthusiasm of the subject, triples the time you have to
shoot and makes you look unprofessional. Just tell them at the start that this
is a one camera interview. Walking around them handheld while they’re trying to
talk is just bad and distracting. Shooting 3 different ways with three different
takes just means you have to spend three times as long in post trying to make
their answers line up, their body actions line up and their facial expressions
line up. (To some degree) here’s a better idea. (This is what I do) Shoot one
camera on a tripod and do a tight close up for the introduction, go wide for the
first question and watch their mannerisms. Pick out the questions that you know
will get them talking passionate and go in tight for those. If they move their
hands a lot when they speak, use more wide shots. If they’re more subdued, go in
closer. Switch between the shots between questions, not while they’re talking.
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תשובה אחת

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@IAM_GAVINB

לפני 9 חודשים

Randomly found this tryna grow my Dad Podcast YTube and this is amazing! Keep
going and growing
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‫1‬


דיסלייק
❤ מאת Alex Zarfati
תשובה











תגובות ‫204‬




תגובות מובילות

קודם החדשות ביותר











בסרטון הזה






ציר הזמן
פרקים
תמליל







פרקים








INTRO

INTRO

0:00

INTRO

0:00




CINEMATIC INTERVIEW STEP ONE

CINEMATIC INTERVIEW STEP ONE

0:24

CINEMATIC INTERVIEW STEP ONE

0:24




FINDING THE INTERVIEW ANGLE

FINDING THE INTERVIEW ANGLE

1:12

FINDING THE INTERVIEW ANGLE

1:12




LIGHTING

LIGHTING

3:55

LIGHTING

3:55




MY FAVORITE KEY LIGHT

MY FAVORITE KEY LIGHT

4:05

MY FAVORITE KEY LIGHT

4:05




AUDIO SETUP

AUDIO SETUP

5:11

AUDIO SETUP

5:11




SETTING UP ANGLE 1,2 AND 3

SETTING UP ANGLE 1,2 AND 3

6:16

SETTING UP ANGLE 1,2 AND 3

6:16




MY LITTLE SECRET

MY LITTLE SECRET

6:56

MY LITTLE SECRET

6:56




BIG TIP

BIG TIP

7:50

BIG TIP

7:50


סנכרון לזמן של הסרטון
סנכרון לזמן של הסרטון




תיאור







Film a Multicam Interview with ONLY ONE CAMERA

In this video, we'll show you how to film a cinematic Multicam interview with
just one camera. This is an essential skill if your a documentary filmmaker
looking to make a documentary on a budget. By learning how to film a cinematic
professional interview with just one camera, you'll be able to create interviews
that look dynamic. Watch and learn how to film a cinematic professional
interview with just one camera! Documentary Filmmaking Course:
https://www.documentaryfilmmaker.co/ Join the Discord:   / discord   Get 10% OFF
Aputure and Amaran: APalexzarfati10 Get 10% OFF SIRUI: ALEXZARFATI My Camera
Bodies Ursa 12K https://amzn.to/3AyXpnT Bmpcc 6K Pro https://amzn.to/3TuW7Do My
Lenses Sigma lens 24-70mm https://amzn.to/4433N4a Sigma lens 50mm
https://amzn.to/3CCR7X1 Sigma lens 24mm https://amzn.to/3RmYl5R Sigma lens
50-100mm https://amzn.to/3PTUpIF My Drone Mavic Pro 3 https://amzn.to/3AyXpnT My
Audio Gear Rode NTG3 https://amzn.to/42KGkDx Cheaper Lav System
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00:00- Intro 00:24- Cinematic Interview Step One 01:12- Finding the interview
angle 03:55- Lighting 04:05- My favorite Key Light 05:11- Audio Setup 06:16-
Setting up angle 1,2 and 3 06:56- My little secret 07:50- BIG TIP
פחות פריטים ...עוד
In this video, we'll show you how to film a cinematic Multicam interview with
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00:00- Intro 00:24- Cinematic Interview Step One 01:12- Finding the interview
angle 03:55- Lighting 04:05- My favorite Key Light 05:11- Audio Setup 06:16-
Setting up angle 1,2 and 3 06:56- My little secret 07:50- BIG TIP …...עוד
...עודפחות פריטים

פרקים

הצגת הכול





INTRO

INTRO

0:00

INTRO

0:00




CINEMATIC INTERVIEW STEP ONE

CINEMATIC INTERVIEW STEP ONE

0:24

CINEMATIC INTERVIEW STEP ONE

0:24




FINDING THE INTERVIEW ANGLE

FINDING THE INTERVIEW ANGLE

1:12

FINDING THE INTERVIEW ANGLE

1:12




LIGHTING

LIGHTING

3:55

LIGHTING

3:55




תמליל

יש לך אפשרות לעקוב באמצעות התמליל.

להצגת התמליל



ALEX ZARFATI

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תמליל










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