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VATNASAFN / LIBRARY OF WATER


RONI HORN

Iceland
NOW 30 April 2007 - ongoing
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AFTER A LENGTHY PERIOD OF RESEARCH, RONI HORN REALISED LIBRARY OF WATER, EQUALLY
KNOWN BY ITS ICELANDIC TITLE VATNASAFN: A LONG-TERM, MULTI-FACETED INSTALLATION
IN THE SMALL TOWN OF STYKKISHÓLMUR ON THE SOUTHWEST COAST OF ICELAND.

Within the converted building (originally constructed in 1950 as a small
library), Horn has created a long-term installation which connects the inside to
the outside and incorporates many of the Horn’s abiding concerns with weather,
water, words and identities. The artist has described the place as “a lighthouse
in which the viewer becomes the light”.

Where there was once a library of books, there is now a series of collections
gathered by Horn and her collaborators in Iceland. These include Water,
Selected, a constellation of identical floor-to-ceiling glass columns containing
water originally gathered as blocks of ice from twenty-four glaciers across the
country. All the glaciers have receded since the ice was collected and one of
them, Ok, has now disappeared. 

Horn also instigated Weather Reports You, a collection of weather reports from
people living in Stykkishólmur and the Snaefelsness peninsula. This collection
was published as a book in 2007 to mark the opening of Vatnasafn/Library of
Water.

Vatnasafn/Library of Water was conceived by Horn to accommodate a range of
community uses - meetings, concerts, weddings, chess, yoga etc. It is open to
visitors through the summer months and is used by the local community throughout
the year. The basement of the building, formerly used to store books, is now a
studio where writers are invited to live and work. The 2020 Vatnasafn/Library of
Water writer-in-residence is Ásta Fanney Sigurðardóttir.

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Image: Roni Horn's Library of Water (2007). Photograph: Roni Horn


WATER, SELECTED

An installation of sculptures
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WATER, SELECTED

A constellation of 24 glass columns containing water collected from ice from
some of the major glaciers around Iceland. The glass columns refract and reflect
the light onto a rubber floor embedded with a field of words in Icelandic and
English which relate to the weather. The sculpture installation offers a space
for private reflection whilst accommodating a wide variety of community uses.

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Image: Roni Horn's Library of Water (2007). Photograph: Stefan Altenburger


YOU ARE THE WEATHER


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YOU ARE THE WEATHER

Weather is the prime force in Iceland and its unique characteristic as well. All
movements take place by virtue of its effects. No one changes mood and
personality so often. Sometimes it makes life easier for the residents and
sometimes tougher, but it is everywhere a participant, and a whimsical one.

A list of words is different when read from the page and when embedded in the
floor, high up on a cliff. Such a list can never be complete but I felt it was
important that it should be capricious like the weather with all its harsh and
gentle nuances. Some of the words I choose do not refer directly to the weather
but to the conditions of the sea or air. In other cases the descriptions apply
to seasonal farming conditions but hint at the weather at the same time, such as
tame and bounteous. Several instances enlist poetic diction, for example frisky
or playful to describe the spring breeze.

The visitor to the installation walks on a surface of disparate forces and with
each step over to the next tile the weather changes. “He/she” – for the weather
in Icelandic is often personified in this way – continually shifts character.

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Margrét H Blöndal selected You are the Weather's Icelandic words.

Thanks to: Magnús Þór Jónsson, Sölvi Magnússon, Steinunn H. Blöndal, Guðfríður
Lilja Grétarsdóttir, Oddný Eir Ævarsdóttir, Haraldur Jónsson, Trausti Jónsson
and Tómas R. Einarsson

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Image: The floor of Roni Horn's Library of Water showing details of words
embedded into the flooring (2007). Photograph: Stefan Altenburger


VIDEO: RONI HORN READING

17 minutes 20 seconds
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VIDEO: RONI HORN READING

> I don't want to read. I don't want to write. I don't want to do anything but
> be here. Doing something will take me away from being here.

In May 2017, to mark the 10th anniversary of Library of Water, Roni Horn read
from Weather Reports You and from two pieces of her own writing about Iceland.

This video is also available to watch on Vimeo and YouTube.

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Filmed by Ívar Kristján Ívarsson


VIDEO: RAGNAR KJARTANSSON PERFORMANCE

37 minutes 27 seconds
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VIDEO: RAGNAR KJARTANSSON PERFORMANCE

> I want to honour Roni, because Roni is from America, I’m going to play some
> really depressing American songs. Mostly made by White Christian males down
> South.

In May 2017, to mark the 10th anniversary of Library of Water, Icelandic artist
Ragnar Kjartansson gave a solo concert. He performed surrounded by the 24
columns of water collected from glaciers across Iceland that form Horn’s
long-term project.

This video is also available to watch on Vimeo and on YouTube.

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Filmed by Ívar Kristján Ívarsson


WRITING: WEATHER REPORTS YOU


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> But that damn fog is the worst because you don’t know where you are. You can’t
> locate yourself in the fog. – Guðmundur Lárusson

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WRITING: WEATHER REPORTS YOU

The site of Library of Water has a particular history with regard to the
weather. The first attempts to methodically record meteorological conditions in
Iceland were initiated on the site of the present library, in Stykkishólmur,
during the mid-19th century.

An important aspect of Library of Water involves an alternative kind of weather
reporting. Horn has recorded about one hundred people from the Snaefelness
region talking about the weather. These “reports” form a kind of collective
portrait of Iceland, mediated by the distinctive voices and experiences of
individual Icelanders.

Known collectively as Weather Reports You, the reports include descriptions,
reflections, memories and stories based on specific experiences of the weather.
The testimonies range from the ordinary to the remarkable, the mundane to the
marvellous, the provincial to the worldly, the philosophical to the didactic.
The different nuances and usages of language, along with the idioms and
mannerisms of each individual, suggest that the weather is more than simply a
state of the atmosphere with regard to meteorological conditions. In Horn’s
words:

> weather is a metaphor for the atmosphere of the world; weather is a metaphor
> for the atmosphere of one’s life; weather is a metaphor for the physical,
> metaphysical, political, social, and moral energy of a person and a place.

More than 100 reports were collected and published in a publication, Weather
Reports You.

Read an introduction to the project by Roni Horn and selected reports by a
former skipper, a school principle, a policeman and a farmer


WRITING: THE GREEN RAY


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WRITING: THE GREEN RAY

The following text extract, written by Agnieszka Gratza in response to her
residency, originally appeared as an online exclusive in The White Review,
November 2016.

> I guess it must be the flag of my disposition, out of hopeful green stuff
> woven.
> –Walt Whitman, Leaves of Grass

Aurora chasing is a favourite sport up in Iceland, one of the main draws for
visitors. Northern Lights come in all sorts of hues, apparently, but more often
than not they are a glowing green – the colour of the equally elusive
meteorological phenomenon that gives its title to a lesser-known Jules Verne
novel and to Eric Rohmer´s 1986 film Le Rayon Vert. The dreamy final sequence of
the latter, as I recall, dilates the moment when the green flash briefly appears
just as the sun sinks below the horizon, contemplated from afar by the
mesmerised heroine Delphine and her newfound love, Jacques. Earlier on in the
film, the troubled protagonist portrayed by Marie Larivière overhears a
conversation at the beach in which Verne´s Le Rayon Vert is discussed. Whoever
sees the fleeting green ray, the story goes, gains an insight into their own and
other people´s thoughts and feelings. A clarity of vision.

Read the complete essay

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Image: View from the Library of Water, Roni Horn, Library of Water (2007).
Photograph: Roni Horn


BOOK: WEATHER REPORTS YOU


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WEATHER REPORTS YOU

€35 from Steidl

> Everyone has a story about the weather. This may be one of the only things
> each of us holds in common. And although it varies greatly from here to there
> - it is finally, one weather that we share. Small talk everywhere occasions
> the popular distribution of the weather. Some say talking about the weather is
> talking about oneself. […] In this century, as young as it is, we have merged
> into a single, global us; with each passing day we can watch as the weather
> actually becomes us. Weather Reports You is one beginning of a collective
> self-portrait. — Roni Horn

The weather reports included in this book were collected throughout 2005 and
2006. Reports vary in length and voice and are accompanied by snapshots taken at
the time and place of each interview. 

Co-published by Artangel/Steidl
198 pages
Paperback / softback
Languages: English / Icelandic
140 x 205 mm
ISBN: 9783865213884
 


WRITERS' RESIDENCY PROGRAMME


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WRITERS' RESIDENCY PROGRAMME

Language and writing have been a core element in Horn’s work over the past two
decades. Icelandic literary culture is unique, as a predominantly oral tradition
persisted until much later than in other Western cultures. It therefore seemed
apt that the activity of creative writing be integral to Horn’s vision to give
the library building a new life as Library of Water.

An annual writers’ residency program has been established at Library of Water. A
modest but comfortable apartment and writing studio was constructed in the
basement of the existing building. Writers are selected by a distinguished panel
to receive funding and living space at Vatnasafn for a period of three - six
months (from May through October). They may come from the fields of fiction,
non-fiction, poetry, or screenwriting, or from the natural sciences. The
residency alternates between Iceland-based and overseas writers, and began with
Icelandic author Guðrún Eva Minervudóttir in 2007.

The residency model is one that has been well developed in the United States and
in Europe but until this point there were not any operational programs in
Iceland. The writer-in-residence acts as a catalyst for organised readings, both
of their own work and that of others: the residency at Library of Water is
intended to offer not only a place for reflection but also for sharing the
experience of writing.

Find out more about all the writers in residence and hear some of them read what
they wrote whilst in Library of Water:

2021: Lani Yamamoto
2020: Ásta Fanney Sigurðardóttir
2019: Elín Edda Þorsteinsdóttir
2016: Agnieszka Gratza
2013: Kristín Ómarsdóttir
2012: Eiríkur Örn Norðdahl
2011: Julie Ault
2010: Thordis Bjornsdottir
2010: Oddný Eir Aevarsdóttir
2009: Óskar Árni Óskarsson
2008: Anne Carson
2008: Rebecca Solnit
2007: Guðrún Eva Minervudóttir

The texts completed during the writers' residency at Library of Water can also
be found on the dedicated blog.

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AUDIO

Anne Carson reads her poem Cage a Swallow Can’t You But You Can’t Swallow a
Cage, written with Bob Currie during their residency, in honour of Roni Horn.
The music: is by Sigur Rós member Kjartan Sveinsson who composed a musical
response to the poem, which was performed at the Church of St Paul the Apostle
in New York last year, by The Hilliard Ensemble. A clip from this performance,
courtesy of Q2, introduces the piece. Additional performers are Michael Clemow
and Penelope Thomas. Produced by Iain Chambers, Icelandic field recordings
courtesy of Ulfur Hansson and Arnþór Helgason.

This reading is also available to hear via Soundcloud.


MAKING LIBRARY OF WATER

Journey to the Library of Water by James Lingwood
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JOURNEY TO THE LIBRARY OF WATER

by James Lingwood

My first experience of Roni Horn’s work came through her books of photographs and
drawings and writings made in Iceland. And it was these books that offered me my
first experience of the place. I came across Pooling Waters in 1994. The book has
two volumes, one with a sequence of photographs of natural hot spots and modest
swimming pools from around Iceland, and the other has an extensive collection of
writings inspired by the artist’s experiences in different parts of the island.
Then I found a copy of Verne’s Journey, published a year later. The book begins
with aerial photographs of a glacier, Snæfellsjökull, where Verne’s travelers
began their journey to the center of the earth, and eventually immerses the
reader in the fury of a mælstrom.

The books are part of an ongoing work, sometimes called an encyclopedia, which
has the title To Place. Conveying the quiet intensity and subtle energies of a
long communion between an elemental island and an enquiring mind, they bring
proximity to a distant place. Made by someone deeply committed to the uniqueness
of the island, its geography and geology, climate and culture, they have
something of the quality of a secular devotional, embodying a relationship to a
place at once intimate and selfless. It is these very same qualities that lie at
the heart of Roni Horn’s conception for Vatnasafn / Library of Water.

My first meeting with the artist who made these impeccable books took place a few
years later in London. Roni had been working in the city on a series of
photographs of the changing surfaces of the River Thames. There was some talk
about a project in England. But in time the talk turned from England to Iceland
and the possibility of Roni making a specific long-term project on the island…

Read the rest of this essay.

This text appears in the book Vatnasafn/Library of Water.

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Image: Collecting glacial water (2007). Photograph: Roni Horn


EVENTS


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PERFORMANCE PROGRAMME

Every year musicians and performers are invited to perform in Library of Water.
Past events have include Ragnar Kjartansson's performance in 2017, Nordic Affect
in 2014, Laurie Anderson in 2010, and Jon Proppe, Megas Band, Gudmundur
Ingolfsson and Dadi Sigurthorsson in 2007.

See Now / Soon for forthcoming events.

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Image: Prior to Nordic Effect's performance in Roni Horn's Library of Water
(2014). Photograph: Magnús Elvar Jónsson


WRITING: WOMAN'S PLACE: CHESS AT LIBRARY OF WATER


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WOMAN'S PLACE: CHESS AT LIBRARY OF WATER

The following text extract, written by Guðfrídur Lilja Gretarsdóttir, President
of the Icelandic Chess Federation, is an introduction to a special space in the
Library of Water dedicated to the most popular and understated of pastimes in
Iceland: chess. 

> It is easy to think that everything in Iceland is related to the weather. And
> in one way or the other it is. Even chess.
> 
> The biting cold, the storm, the dark: it is the perfect climate for a game of
> chess, the ultimate indoors hobby, appropriately intellectual. And indeed, for
> a people beaten by the weather into being a people of few words - rather too
> few than too many, please, always, without exception - chess is the perfect
> form of communication. Never having to utter a single syllable you still
> communicate with your partner: you make a move, you share ideas, you attack,
> you defend, you challenge, you respond, you ponder, you lose the thread, you
> find it, lose it again, you continue: yes, you converse, albeit in silence.
> Weathering the storm, inside and out.
> 
> The story of chess in Iceland is quite remarkable. For the longest time
> Iceland boasted more grandmasters of chess than all the Nordic countries put
> together. Over the years this small remote island has produced an astounding
> number of world grandmasters and geniuses of chess. When Iceland´s first
> grandmaster, Friðrik Ólafsson, competed in international tournaments in the
> fifties and sixties local schools and movie theatres came to a halt. Every
> activity was put on hold to announce Friðrik´s results in the latest game.
> When he won, wild applause could be heard in every corridor of society. Chess
> became a national pastime.

Read the rest of this essay.

--------------------------------------------------------------------------------

Image: A chess board in the window of Roni Horn's Library of Water
(2007). Photograph: Cedric Schonwald


BOOK: VATNASAFN/LIBRARY OF WATER


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VATNASAFN/LIBRARY OF WATER

This publication is available to view in our archive. Book a research visit.

> Big enough to get lost on. Small enough to find yourself. That's how to use
> this island. I come here to place myself in the world. Iceland is a verb and
> its action is to center. — Roni Horn, Island and Labyrinth 

This book, edited by James Lingwood and Gerrie van Noord, explores the themes
and inspirations of Library of Water, and Horn's long-standing fascination with
Iceland through images and written contributions, including texts by Briony Fer,
Adrian Searle, James Lingwood and the artist. 

 * Co-published by Artangel/Steidl
 * Edition of 1,500, 128 pages
 * Hardback, fullcolour
 * 230 x 170mm
 * ISBN: 9783865219428


PRESS


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> These are weather reports of the emotions. You are the weather, Horns work
> announces. We report the weather and the weather reports us. The words tell me
> that I am the weather here, sometimes clammy, frequently cold, occasionally
> stormy, bad now and then. — Adrian Searle, Modern Painters

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SELECTED PRESS

> It’s a place to document where weather and humanity meet. — Morgan Falconer,
> The Times, 8 May 2007 (paywall)

> Calm, says the floor, breezy, it states, causally. The words are scattered
> like fallen leaves. Bad, threatening, clammy. Words in English and Icelandic,
> words I don't understand. These are weather reports of the emotions. You are
> the weather, Horns work announces. We report the weather and the weather
> reports us. The words tell me that I am the weather here, sometimes clammy,
> frequently cold, occasionally stormy, bad now and then. — Adrian
> Searle, Modern Painters, May 2007

> Today the translucent pillars stand in groups around the room, each one a
> subtly different texture and colour. […] Some are milky, with sediment pooling
> at the base; others are pale green or soft, dove-egg blue. All refract the
> rich golden light that comes flooding through the building whenever the
> snow-heavy clouds recede. […] Even when the wind rants outside, Vatnasafn has
> a serenity that recalls the building's former incarnation as a library.
> — Alastair Sooke, The Daily Telegraph, 25 May 2007

> The very title Library of Water is a poetic paradox, and the act – as Horn
> said on the opening night - of "archiving" this most universal and ungraspable
> of elements is a bizarre thing. […] The point is that water is finally
> unknowable, like – well, like ourselves. — Martin Gayford, The Independent, 11
> July 2007

> Horn's idea in many ways simply extends the notion of what a library is: a
> place of reflection, cataloguing, community activity and learning; book
> readings, meetings about environmental issues, yoga, music classes and women's
> chess sessions. As Horn put it, she wants it to be 'a lighthouse in which the
> viewer becomes the light.' — Jennifer Higgie, Frieze, July - August 2007


ABOUT RONI HORN


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RONI HORN

Artist Roni Horn first collaborated with Artangel on Library of Water, a
permanent work on the south-west coast of Iceland, a country she had been making
regular visits to since the mid-70s. Returning to water as well as to Artangel,
she contributed a piece on London's River Thames for the Hearts of Darkness
series as part of A Room for London in 2012 and then to Inside in 2016.

Since her first visit to Iceland after college, Roni Horn’s artistic practice
has been deeply nourished by her experiences on the island – both solitary and
communal ones. This relationship has engendered an extended series of books and
exhibitions based on photographs made in Iceland. Amongst these books, which
have the generic title To Place, are photographic series based on folds for
sheep (Folds), swimming pools and hot pots (Pooling Waters), rivers and
waterfalls (Verne’s Journey), and the face of a young Icelandic woman. All of
the books, as the title suggests, share a precise sense of Iceland’s
distinctiveness, its special sense of place.

Over recent years, Horn’s involvement with Iceland has deepened further. She has
contributed an extended series of writings published in the daily broadsheet,
Morgenbladid, which reflect on pressing issues for Iceland’s present and future.
More recently, she has donated and installed Some Thames, 80 photographs of the
surface of the River Thames, to the University of Akureyri. Prior to conceiving
her most ambitious work in Iceland, Library of Water in 2007, Horn created many
projects and artworks specific to country, including You Are The Weather
(1995), Pi (1998), Some Thames (2000), Her, Her, Her And Her (2003) and Doubt By
Water (2004).

Water runs through the body of Horn’s work. It is present in her photographs of
clouds, rivers, and the sea; in her writings and recordings about the
properties, histories, and associations of water; and in her glass sculptures
which are – like water – sometimes completely transparent, sometimes entirely
opaque. Flowing, reflective, and unfixed, water is the medium through which Horn
generates her poetic meditation on the elusive nature of identity.

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Image: Roni Horn in Library of Water (2007). Photograph: Anna
Melstead-Stykkisholmsposturinn


CREDITS


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> Who made this possible?

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CREDITS

Commissioned and produced by Artangel with the Town of Stykkishhólmur, The
Ministry of Education, Science and Culture, The Ministry of
Communications, Icelandic Parliament. With generous sponsorship from FL
Group, Olíufélagið, Straumur-Burdaras Investment Bank.

Artangel is generously supported by the private patronage of The Artangel
International Circle, Special Angels and The Company of Angels.

Continue reading the full list of credits.

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