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CSTOnline on 4/19/2024, 4:46:55 PM

WHODUNNIT? SUSPECTS’ AUTHORSHIP by Melissa Beattie

https://cstonline.net/whodunnit-suspects-authorship-by-melissa-beattie/


WHODUNNIT? SUSPECTS’ AUTHORSHIP by Melissa Beattie
While improvised or unscripted television has been a feature of media industries
for decades, most such series are either comedy or reality television. Suspects
(Channel 5, 2014-2016)…
CSTOnline on 4/5/2024, 2:03:14 PM

NICE ONE! by Andrew Pixley

https://cstonline.net/nice-one-by-andrew-pixley/


NICE ONE! by Andrew Pixley
So, this morning, the day has already got off to a good start with the
unprompted arrival of what I like to think of as a ‘Nice one!’ e-mail. They
don’t have to be long. They don’t have to be…
CSTOnline on 4/5/2024, 2:03:07 PM

ALIENATING(?) EXPERIENCES: THE VISITOR by Melissa Beattie

https://cstonline.net/alienating-experiences-the-visitor-by-melissa-beattie/


ALIENATING(?) EXPERIENCES: THE VISITOR by Melissa Beattie
The mid-1990s were an unusual time to grow up in the US (at least I thought so).
The success of The X-Files (Fox 1993-2003; 2016-2018) had led to an explicit
spinoff (Millennium, Fox 1996-1999) as…
CSTOnline on 3/29/2024, 2:03:35 PM

HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS by Melissa Beattie

https://cstonline.net/his-story-big-finishs-whovian-paratexts-by-melissa-beattie/


HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS by Melissa Beattie
British television series par excellence Doctor Who (1963-present) has been the
subject of a wide variety of academic works. Rather than focusing on the
televised series, however, in this week’s blog…
CSTOnline on 3/22/2024, 4:04:17 PM

CfP: symposium “‘A word, after a word, after a word is power’: The Hulu
Adaptation of Margaret Atwood’s The Handmaid’s Tale”. September 13, 2024 @
University of Northumbria (UK). Deadline: May 17, 2024.

#September

https://cstonline.net/?p=13364


CSTOnline on 3/22/2024, 2:03:46 PM

CINDERELLAS AT THE BAFTA BALL by Christa van Raalte

https://cstonline.net/cinderellas-at-the-bafta-ball-by-christa-van-raalte/


CINDERELLAS AT THE BAFTA BALL by Christa van Raalte
This week, the nominations for the British Academy Television Awards will be
announced. There will be nominations for a range of TV craft roles, including
directors, cinematographers…
CSTOnline on 3/22/2024, 1:52:10 PM

CfP: hybrid conference “The Flowing Image: The Ocean On-Screen”. August 28-29,
2024 @ The University of Southampton (UK). Deadline: May 31, 2024.

#August

https://cstonline.net/cfp-hybrid-conference-the-flowing-image-the-ocean-on-screen-august-28-29-2024-the-university-of-southampton-uk-deadline-may-31-2024/


CfP: hybrid conference “The Flowing Image: The Ocean On-Screen”. August 28-29,
2024 @ The University of Southampton (UK). Deadline: May 31, 2024.
The Flowing Image: The Ocean On-Screen 28-29th August 2024 Hybrid MS Teams & The
University of Southampton, Highfield Campus, Southampton, UK Deadline: 31st May
2024 Confirmed Keynote Speakers: Dr…
CSTOnline on 3/22/2024, 1:39:58 PM

CfP: symposium “‘A word, after a word, after a word is power’: The Hulu
Adaptation of Margaret Atwood’s The Handmaid’s Tale”. September 13, 2024 @
University of Northumbria (UK). Deadline: May 14, 2024.

#September

https://cstonline.net/cfp-symposium-a-word-after-a-word-after-a-word-is-power1-the-hulu-adaptation-of-margaret-atwoods-the-handmaids-tale-september-13-2024-university-of-nort/


CfP: symposium “‘A word, after a word, after a word is power’: The Hulu
Adaptation of Margaret Atwood’s The Handmaid’s Tale”. September 13, 2024 @
University of Northumbria (UK). Deadline: May 14, 2024.
Call for Papers: ‘A word, after a word, after a word is power’: The Hulu
Adaptation of Margaret Atwood’s The Handmaid’s Tale (2017-2024): A one-day
multidisciplinary symposium. Friday, September 13…
CSTOnline on 3/22/2024, 1:36:52 PM

CfP: JBCT special issue on the theme of transmission and transmitters. Deadline:
April 30, 2024.

https://cstonline.net/cfp-jbct-special-issue-on-the-theme-of-transmission-and-transmitters-deadline-april-30-2024/


CfP: JBCT special issue on the theme of transmission and transmitters. Deadline:
April 30, 2024.
Call for Papers: Special issue of Journal of British Cinema and Television on
the theme of transmission and transmitters Proposals are invited for a special
issue of the Journal of British Cinema and…
CSTOnline on 3/22/2024, 1:27:37 PM

CfP: “Researching Media Audiences from the Movie Theatre to the Digital Age:
Methods, Challenges, Opportunities”. April 29, 2024 @ Lancaster University (UK).
Deadline: March 29, 2024.

#April

https://cstonline.net/cfp-researching-media-audiences-from-the-movie-theatre-to-the-digital-age-methods-challenges-opportunities-april-29-2024-lancaster-university-uk-deadline-march-29-2024/


CfP: “Researching Media Audiences from the Movie Theatre to the Digital Age:
Methods, Challenges, Opportunities”. April 29, 2024 @ Lancaster University (UK).
Deadline: March 29, 2024.
Organizers: The Audience Network at Lancaster University (ANLU) Confirmed
Speaker: Prof. Annette Kuhn (Queen Mary University of London) Deadline for
submission of abstracts: 29 March 2024 Notification…
CSTOnline on 3/22/2024, 12:21:29 PM

Call for Book reviewers – Critical Studies in Television

https://cstonline.net/call-for-book-reviewers-critical-studies-in-television/


Call for Book reviewers - Critical Studies in Television
The Book Reviews Section for the journal Critical Studies in Television is
interested in adding to our list of possible book reviewers. We are particularly
interested in recruiting PhD students who…
CSTOnline on 3/15/2024, 2:03:25 PM

‘AS GOD IS MY WITNESS, I THOUGHT TURKEYS COULD FLY’: WKRP IN CINCINNATI AND ITS
ENGAGEMENTS WITH CSR by Melissa Beattie

https://cstonline.net/as-god-is-my-witness-i-thought-turkeys-could-fly-wkrp-in-cincinnati-and-its-engagements-with-csr-by-melissa-beattie/


‘AS GOD IS MY WITNESS, I THOUGHT TURKEYS COULD FLY’: WKRP IN CINCINNATI AND ITS
ENGAGEMENTS WITH CSR by Melissa Beattie
Commercial radio has a long history in the US. It is in this context that sitcom
WKRP in Cincinnati (CBS, 1978-1982) exists, balancing corporate requirements
with sociocultural critique.
CSTOnline on 3/15/2024, 1:59:08 PM

CfP: Invisible Evidence XXX “Decentring Documentary: New Visions and
Perspectives”. December 17-20, 2024 @ Monash University, Melbourne (AU).
Deadline: April 12, 2024.

#December

https://cstonline.net/cfp-invisible-evidence-xxx-decentring-documentary-new-visions-and-perspectives-december-17-20-2024-monash-university-melbourne-au-deadline-april-12-2024/


CfP: Invisible Evidence XXX “Decentring Documentary: New Visions and
Perspectives”. December 17-20, 2024 @ Monash University, Melbourne (AU).
Deadline: April 12, 2024.
This year marks the thirtieth instalment of the Visible Evidence Conference, the
preeminent event for the global network dedicated to the study of documentary
and nonfiction media culture.
CSTOnline on 3/8/2024, 2:02:51 PM

‘O CANADA’? REPRESENTING CANADIANNESS IN ‘ONE WEEK’ by Melissa Beattie

https://cstonline.net/o-canada-representing-canadianness-in-one-week-by-melissa-beattie/


‘O CANADA’? REPRESENTING CANADIANNESS IN ‘ONE WEEK’ by Melissa Beattie
‘It’s been…’ For those of a certain age and/or certain geographic range, that
partial lyric was almost certainly read in the voice of Steven Page, the former
co-front man of Canadian band Barenaked…
CSTOnline on 3/8/2024, 1:43:17 PM

CfP: conference ‘Weddings and Funerals: UK Screen Industries in a Global
Context, 1994-2024’. June 13-14, 2024 @ University of Liverpool (UK). Deadline:
March 24, 2024.

#June

https://cstonline.net/cfp-conference-weddings-and-funerals-uk-screen-industries-in-a-global-context-1994-2024-june-13-14-2024-university-of-liverpool-uk-deadline-march-24-2024/


CfP: conference ‘Weddings and Funerals: UK Screen Industries in a Global
Context, 1994-2024’. June 13-14, 2024 @ University of Liverpool (UK). Deadline:
March 24, 2024.
Conference call for papers: ‘Weddings and Funerals: UK Screen Industries in a
Global Context, 1994-2024’, 13-14th June 2024 A 2-day conference organised by
the Centre for Converged Screen Media and…
CSTOnline on 3/1/2024, 2:04:06 PM

‘WE WANTED TO INCITE CHANGE’: HOW PRODUCTION PRACTICES ON A KIND OF SPARK CAN
MAKE TELEVISION BETTER FOR ALL OF US by Mhairi Brennan

https://cstonline.net/we-wanted-to-incite-change-how-production-practices-on-a-kind-of-spark-can-make-television-better-for-all-of-us-by-mhairi-brennan/


‘WE WANTED TO INCITE CHANGE’: HOW PRODUCTION PRACTICES ON A KIND OF SPARK CAN
MAKE TELEVISION BETTER FOR ALL OF US by Mhairi Brennan
This month the University of Stirling published the largest ever study of
autistic people’s research priorities (Cage, E et al, 2024) finding that they
wanted research to focus on mental health and…
CSTOnline on 3/1/2024, 1:41:22 PM

CfP: conference “US Network Series of the 2000s”. Oct 10-11, 2024 @ Université
Paul-Valéry Montpellier 3 (FR). Deadline: April 30, 2024

#October

https://cstonline.net/cfp-conference-us-network-series-of-the-2000s-oct-10-11-2024-universite-paul-valery-montpellier-3-fr-deadline-april-30-2024/


CfP: conference “US Network Series of the 2000s”. Oct 10-11, 2024 @ Université
Paul-Valéry Montpellier 3 (FR). Deadline: April 30, 2024
Following the conferences devoted to US network series produced from the 1950s
to the 1970s (Université Paul-Valéry Montpellier, May 2018), during the 1980s
(UPVM, February 2019) or the 1990s (UPVM…
CSTOnline on 3/1/2024, 1:28:58 PM

CfP: conference “Old and New Science Fiction Imaginaries in English-Speaking
Cinema and Television”. Sept 2-4, 2024 @ Milano (IT). Deadline: May 03, 2024

#September

https://cstonline.net/cfp-conference-old-and-new-science-fiction-imaginaries-in-english-speaking-cinema-and-television-sept-2-4-2024-milano-it-deadline-may-03-2024/


CfP: conference “Old and New Science Fiction Imaginaries in English-Speaking
Cinema and Television”. Sept 2-4, 2024 @ Milano (IT). Deadline: May 03, 2024
In an interview about the end of the last millennium, James Ballard argued that
Science Fiction (SF) had created the greatest popular literature of the 20th
century. The imagery that we saw in the…
CSTOnline on 2/23/2024, 2:03:42 PM

INITE SE FÒS: HEROES AND HAITI by Melissa Beattie

https://cstonline.net/inite-se-fos-heroes-and-haiti-by-melissa-beattie/


INITE SE FÒS: HEROES AND HAITI by Melissa Beattie
Though not well-studied academically,[1] the NBC series Heroes (2006-2010; 2015)
is notable for many reasons. The series brings up a number of topics with regard
to quality TV, serialisation…
CSTOnline on 2/23/2024, 1:56:57 PM

CfP: edited collection “Global Perspectives on Soccer and the Media and
Entertainment Industry”. Deadline: March 17, 2024.

https://cstonline.net/cfp-edited-collection-global-perspectives-on-soccer-and-the-media-and-entertainment-industry-deadline-march-17-2024/


CfP: edited collection “Global Perspectives on Soccer and the Media and
Entertainment Industry”. Deadline: March 17, 2024.
Global Perspectives on Soccer and the Media and Entertainment Industry Floribert
Patrick C. Endong (Editor) University of Dschang, Cameroon Over the years, the
political significance of football in…


WHODUNNIT? SUSPECTS’ AUTHORSHIP BY MELISSA BEATTIE...

Apr 19, 2024


ALIENATING(?) EXPERIENCES: THE VISITOR BY MELISSA ...

Apr 5, 2024


NICE ONE! BY ANDREW PIXLEY

Apr 5, 2024


HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS BY MELIS...

Mar 29, 2024


CINDERELLAS AT THE BAFTA BALL BY CHRISTA VAN RAALT...

Mar 22, 2024

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WHODUNNIT? SUSPECTS’ AUTHORSHIP BY MELISSA BEATTIE

Apr 19, 2024

While improvised or unscripted television has been a feature of media industries
for decades, most...


 * ALIENATING(?) EXPERIENCES: THE VISITOR BY MELISSA BEATTIE
   
   Apr 5, 2024


 * NICE ONE! BY ANDREW PIXLEY
   
   Apr 5, 2024


 * HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS BY MELISSA BEATTIE
   
   Mar 29, 2024


 * CINDERELLAS AT THE BAFTA BALL BY CHRISTA VAN RAALTE
   
   Mar 22, 2024


 * CALL FOR BOOK REVIEWERS – CRITICAL STUDIES IN TELEVISION
   
   Mar 22, 2024


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CFP: SYMPOSIUM “‘A WORD, AFTER A WORD, AFTER A WORD IS POWER’: THE HULU
ADAPTATION OF MARGARET ATWOOD’S THE HANDMAID’S TALE”. SEPTEMBER 13, 2024 @
UNIVERSITY OF NORTHUMBRIA (UK). DEADLINE: MAY 17, 2024.

Mar 22, 2024

Call for Papers: ‘A word, after a word, after a word is power’: The Hulu
Adaptation of Margaret...


 * CFP: HYBRID CONFERENCE “THE FLOWING IMAGE: THE OCEAN ON-SCREEN”. AUGUST
   28-29, 2024 @ THE UNIVERSITY OF SOUTHAMPTON (UK). DEADLINE: MAY 31, 2024.
   
   Mar 22, 2024


 * CFP: JBCT SPECIAL ISSUE ON THE THEME OF TRANSMISSION AND TRANSMITTERS.
   DEADLINE: APRIL 30, 2024.
   
   Mar 22, 2024


 * CFP: “RESEARCHING MEDIA AUDIENCES FROM THE MOVIE THEATRE TO THE DIGITAL AGE:
   METHODS, CHALLENGES, OPPORTUNITIES”. APRIL 29, 2024 @ LANCASTER UNIVERSITY
   (UK). DEADLINE: MARCH 29, 2024.
   
   Mar 22, 2024


 * CFP: INVISIBLE EVIDENCE XXX “DECENTRING DOCUMENTARY: NEW VISIONS AND
   PERSPECTIVES”. DECEMBER 17-20, 2024 @ MONASH UNIVERSITY, MELBOURNE (AU).
   DEADLINE: APRIL 12, 2024.
   
   Mar 15, 2024






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RECENT POSTS

 * WHODUNNIT? SUSPECTS’ AUTHORSHIP by Melissa Beattie April 19, 2024
 * ALIENATING(?) EXPERIENCES: THE VISITOR by Melissa Beattie April 5, 2024
 * NICE ONE! by Andrew Pixley April 5, 2024
 * HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS by Melissa Beattie March 29, 2024
 * CfP: symposium “‘A word, after a word, after a word is power’: The Hulu
   Adaptation of Margaret Atwood’s The Handmaid’s Tale”. September 13, 2024 @
   University of Northumbria (UK). Deadline: May 17, 2024. March 22, 2024
 * CINDERELLAS AT THE BAFTA BALL by Christa van Raalte March 22, 2024
 * CfP: hybrid conference “The Flowing Image: The Ocean On-Screen”. August
   28-29, 2024 @ The University of Southampton (UK). Deadline: May 31, 2024.
   March 22, 2024

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