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STREAMING MEDIA

STREAMING MEDIA IS MULTIMEDIA THAT IS CONSTANTLY RECEIVED BY AND PRESENTED TO AN
END-USER WHILE BEING DELIVERED BY A PROVIDER. THE VERB TO STREAM REFERS TO THE
PROCESS OF DELIVERING OR OBTAINING MEDIA IN THIS MANNER.[CLARIFICATION NEEDED]
STREAMING REFERS TO THE DELIVERY METHOD OF THE MEDIUM, RATHER THAN THE MEDIUM
ITSELF. DISTINGUISHING DELIVERY METHOD FROM THE MEDIA DISTRIBUTED APPLIES
SPECIFICALLY TO TELECOMMUNICATIONS NETWORKS, AS MOST OF THE DELIVERY SYSTEMS ARE
EITHER INHERENTLY STREAMING (E.G. RADIO, TELEVISION, STREAMING APPS) OR
INHERENTLY NON-STREAMING (E.G. BOOKS, VIDEO CASSETTES, AUDIO CDS). THERE ARE
CHALLENGES WITH STREAMING CONTENT ON THE INTERNET. FOR EXAMPLE, USERS WHOSE
INTERNET CONNECTION LACKS SUFFICIENT BANDWIDTH MAY EXPERIENCE STOPS, LAGS, OR
SLOW BUFFERING OF THE CONTENT. AND USERS LACKING COMPATIBLE HARDWARE OR SOFTWARE
SYSTEMS MAY BE UNABLE TO STREAM CERTAIN CONTENT.

LIVE STREAMING IS THE DELIVERY OF INTERNET CONTENT IN REAL-TIME MUCH AS LIVE
TELEVISION BROADCASTS CONTENT OVER THE AIRWAVES VIA A TELEVISION SIGNAL. LIVE
INTERNET STREAMING REQUIRES A FORM OF SOURCE MEDIA (E.G. A VIDEO CAMERA, AN
AUDIO INTERFACE, SCREEN CAPTURE SOFTWARE), AN ENCODER TO DIGITIZE THE CONTENT, A
MEDIA PUBLISHER, AND A CONTENT DELIVERY NETWORK TO DISTRIBUTE AND DELIVER THE
CONTENT. LIVE STREAMING DOES NOT NEED TO BE RECORDED AT THE ORIGINATION POINT,
ALTHOUGH IT FREQUENTLY IS.

STREAMING IS AN ALTERNATIVE TO FILE DOWNLOADING, A PROCESS IN WHICH THE END-USER
OBTAINS THE ENTIRE FILE FOR THE CONTENT BEFORE WATCHING OR LISTENING TO IT.
THROUGH STREAMING, AN END-USER CAN USE THEIR MEDIA PLAYER TO START PLAYING
DIGITAL VIDEO OR DIGITAL AUDIO CONTENT BEFORE THE ENTIRE FILE HAS BEEN
TRANSMITTED. THE TERM “STREAMING MEDIA” CAN APPLY TO MEDIA OTHER THAN VIDEO AND
AUDIO, SUCH AS LIVE CLOSED CAPTIONING, TICKER TAPE, AND REAL-TIME TEXT, WHICH
ARE ALL CONSIDERED “STREAMING TEXT”.

ELEVATOR MUSIC WAS AMONG THE EARLIEST POPULAR MUSIC AVAILABLE AS STREAMING
MEDIA; NOWADAYS INTERNET TELEVISION IS A COMMON FORM OF STREAMED MEDIA. SOME
POPULAR STREAMING SERVICES INCLUDE NETFLIX, DISNEY+, HULU, PRIME VIDEO, THE
VIDEO SHARING WEBSITE YOUTUBE, AND OTHER SITES WHICH STREAM FILMS AND TELEVISION
SHOWS; APPLE MUSIC, YOUTUBE MUSIC AND SPOTIFY, WHICH STREAM MUSIC; AND THE VIDEO
GAME LIVE STREAMING SITE TWITCH.

COPYRIGHT

COPYRIGHT IS A TYPE OF INTELLECTUAL PROPERTY THAT GIVES ITS OWNER THE EXCLUSIVE
RIGHT TO MAKE COPIES OF A CREATIVE WORK, USUALLY FOR A LIMITED TIME. THE
CREATIVE WORK MAY BE IN A LITERARY, ARTISTIC, EDUCATIONAL, OR MUSICAL FORM.
COPYRIGHT IS INTENDED TO PROTECT THE ORIGINAL EXPRESSION OF AN IDEA IN THE FORM
OF A CREATIVE WORK, BUT NOT THE IDEA ITSELF. A COPYRIGHT IS SUBJECT TO
LIMITATIONS BASED ON PUBLIC INTEREST CONSIDERATIONS, SUCH AS THE FAIR USE
DOCTRINE IN THE UNITED STATES.

SOME JURISDICTIONS REQUIRE “FIXING” COPYRIGHTED WORKS IN A TANGIBLE FORM. IT IS
OFTEN SHARED AMONG MULTIPLE AUTHORS, EACH OF WHOM HOLDS A SET OF RIGHTS TO USE
OR LICENSE THE WORK, AND WHO ARE COMMONLY REFERRED TO AS RIGHTS HOLDERS. [BETTER
SOURCE NEEDED] THESE RIGHTS FREQUENTLY INCLUDE REPRODUCTION, CONTROL OVER
DERIVATIVE WORKS, DISTRIBUTION, PUBLIC PERFORMANCE, AND MORAL RIGHTS SUCH AS
ATTRIBUTION.

COPYRIGHTS CAN BE GRANTED BY PUBLIC LAW AND ARE IN THAT CASE CONSIDERED
“TERRITORIAL RIGHTS”. THIS MEANS THAT COPYRIGHTS GRANTED BY THE LAW OF A CERTAIN
STATE, DO NOT EXTEND BEYOND THE TERRITORY OF THAT SPECIFIC JURISDICTION.
COPYRIGHTS OF THIS TYPE VARY BY COUNTRY; MANY COUNTRIES, AND SOMETIMES A LARGE
GROUP OF COUNTRIES, HAVE MADE AGREEMENTS WITH OTHER COUNTRIES ON PROCEDURES
APPLICABLE WHEN WORKS “CROSS” NATIONAL BORDERS OR NATIONAL RIGHTS ARE
INCONSISTENT.

TYPICALLY, THE PUBLIC LAW DURATION OF A COPYRIGHT EXPIRES 50 TO 100 YEARS AFTER
THE CREATOR DIES, DEPENDING ON THE JURISDICTION. SOME COUNTRIES REQUIRE CERTAIN
COPYRIGHT FORMALITIES TO ESTABLISHING COPYRIGHT, OTHERS RECOGNIZE COPYRIGHT IN
ANY COMPLETED WORK, WITHOUT A FORMAL REGISTRATION. IN GENERAL, MANY BELIEVE THAT
THE LONG COPYRIGHT DURATION GUARANTEES THE BETTER PROTECTION OF WORKS. HOWEVER,
SEVERAL SCHOLARS ARGUE THAT THE LONGER DURATION DOES NOT IMPROVE THE AUTHOR’S
EARNINGS WHILE IMPEDING CULTURAL CREATIVITY AND DIVERSITY. ON THE CONTRAST, A
SHORTENED COPYRIGHT DURATION CAN INCREASE THE EARNINGS OF AUTHORS FROM THEIR
WORKS AND ENHANCE CULTURAL DIVERSITY AND CREATIVITY.

MOVIES OR FILM

MOVIES, OR FILMS, ARE A TYPE OF VISUAL COMMUNICATION WHICH USES MOVING PICTURES
AND SOUND TO TELL STORIES OR TEACH PEOPLE SOMETHING. MOST PEOPLE WATCH (VIEW)
MOVIES AS A TYPE OF ENTERTAINMENT OR A WAY TO HAVE FUN. FOR SOME PEOPLE, FUN
MOVIES CAN MEAN MOVIES THAT MAKE THEM LAUGH, WHILE FOR OTHERS IT CAN MEAN MOVIES
THAT MAKE THEM CRY, OR FEEL AFRAID.

IT IS WIDELY BELIEVED THAT COPYRIGHTS ARE A MUST TO FOSTER CULTURAL DIVERSITY
AND CREATIVITY. HOWEVER, PARC ARGUES THAT CONTRARY TO PREVAILING BELIEFS,
IMITATION AND COPYING DO NOT RESTRICT CULTURAL CREATIVITY OR DIVERSITY BUT IN
FACT SUPPORT THEM FURTHER. THIS ARGUMENT HAS BEEN SUPPORTED BY MANY EXAMPLES
SUCH AS MILLET AND VAN GOGH, PICASSO, MANET, AND MONET, ETC. MOST MOVIES ARE
MADE SO THAT THEY CAN BE SHOWN ON SCREEN IN CINEMAS AND AT HOME. AFTER MOVIES
ARE SHOWN IN CINEMAS FOR A PERIOD OF A FEW WEEKS OR MONTHS, THEY MAY BE MARKETED
THROUGH SEVERAL OTHER MEDIAS. THEY ARE SHOWN ON PAY TELEVISION OR CABLE
TELEVISION, AND SOLD OR RENTED ON DVD DISKS OR VIDEOCASSETTE TAPES, SO THAT
PEOPLE CAN WATCH THE MOVIES AT HOME. YOU CAN ALSO DOWNLOAD OR STREAM MOVIES.
OLDER MOVIES ARE SHOWN ON TELEVISION BROADCASTING STATIONS.

A MOVIE CAMERA OR VIDEO CAMERA TAKES PICTURES VERY QUICKLY, USUALLY AT 24 OR 25
PICTURES (FRAMES) EVERY SECOND. WHEN A MOVIE PROJECTOR, A COMPUTER, OR A
TELEVISION SHOWS THE PICTURES AT THAT RATE, IT LOOKS LIKE THE THINGS SHOWN IN
THE SET OF PICTURES ARE REALLY MOVING. SOUND IS EITHER RECORDED AT THE SAME
TIME, OR ADDED LATER. THE SOUNDS IN A MOVIE USUALLY INCLUDE THE SOUNDS OF PEOPLE
TALKING (WHICH IS CALLED DIALOGUE), MUSIC (WHICH IS CALLED THE “SOUNDTRACK”),
AND SOUND EFFECTS, THE SOUNDS OF ACTIVITIES THAT ARE HAPPENING IN THE MOVIE
(SUCH AS DOORS OPENING OR GUNS BEING FIRED). IN THE 20TH CENTURY THE CAMERA USED
PHOTOGRAPHIC FILM. THE PRODUCT IS STILL OFTEN CALLED A “FILM” EVEN THOUGH THERE
USUALLY IS NO FILM.

A GENRE IS A WORD FOR A TYPE OF MOVIE OR A STYLE OF MOVIE. MOVIES CAN BE
FICTIONAL (MADE UP), OR DOCUMENTARY (SHOWING ‘REAL LIFE’), OR A MIX OF THE TWO.
ALTHOUGH HUNDREDS OF MOVIES ARE MADE EVERY YEAR, THERE ARE VERY FEW THAT DO NOT
FOLLOW A SMALL NUMBER OF SET PLOTS, OR STORIES. SOME MOVIES MIX TOGETHER TWO OR
MORE GENRES.

ACTION MOVIES HAVE A LOT OF EXCITING EFFECTS LIKE CAR CHASES AND GUN FIGHTS,
INVOLVING STUNTMEN. THEY USUALLY INVOLVE ‘GOODIES’ AND ‘BADDIES’, SO WAR AND
CRIME ARE COMMON SUBJECTS. ACTION MOVIES USUALLY NEED VERY LITTLE EFFORT TO
WATCH, SINCE THE PLOT IS NORMALLY SIMPLE. FOR EXAMPLE, IN DIE HARD, TERRORISTS
TAKE CONTROL OF A SKYSCRAPER AND ASK FOR A BIG RANSOM IN EXCHANGE FOR NOT
KILLING THE HOSTAGE WORKERS. ONE HERO SOMEHOW MANAGES TO SAVE EVERYONE. ACTION
MOVIES DO NOT USUALLY MAKE PEOPLE CRY, BUT IF THE ACTION MOVIE IS ALSO A DRAMA,
EMOTION WILL BE INVOLVED. ADVENTURE MOVIES USUALLY INVOLVE A HERO WHO SETS OUT
ON A QUEST TO SAVE THE WORLD OR LOVED ONES. ANIMATED MOVIES USE ARTIFICIAL
IMAGES LIKE TALKING CARTOONS TO TELL A STORY. THESE MOVIES USED TO BE DRAWN BY
HAND, ONE FRAME AT A TIME, BUT ARE NOW MADE ON COMPUTERS. BUDDY MOVIES INVOLVE 2
HEROES, ONE MUST SAVE THE OTHER, BOTH MUST OVERCOME OBSTACLES. BUDDY MOVIES
OFTEN INVOLVE COMEDY, BUT THERE IS ALSO SOME EMOTION, BECAUSE OF THE CLOSE
FRIENDSHIP BETWEEN THE ‘BUDDIES’. COMEDIES ARE FUNNY MOVIES ABOUT PEOPLE BEING
SILLY OR DOING UNUSUAL THINGS OR BEING IN SILLY OR UNUSUAL SITUATIONS THAT MAKE
THE AUDIENCE LAUGH. DOCUMENTARIES ARE MOVIES THAT ARE (OR CLAIM TO BE) ABOUT
REAL PEOPLE AND REAL EVENTS. THEY ARE NEARLY ALWAYS SERIOUS AND MAY INVOLVE
STRONGLY EMOTIONAL SUBJECTS, FOR EXAMPLE CRUELTY. DRAMAS ARE SERIOUS, AND OFTEN
ABOUT PEOPLE FALLING IN LOVE OR NEEDING TO MAKE A BIG DECISION IN THEIR LIFE.
THEY TELL STORIES ABOUT RELATIONSHIPS BETWEEN PEOPLE. THEY USUALLY FOLLOW A
BASIC PLOT WHERE ONE OR TWO MAIN CHARACTERS (EACH ACTOR PLAYS A CHARACTER) HAVE
TO ‘OVERCOME’ (GET PAST) AN OBSTACLE (THE THING STOPPING THEM) TO GET WHAT THEY
WANT. TRAGEDIES ARE ALWAYS DRAMAS, AND ARE ABOUT PEOPLE IN TROUBLE. FOR EXAMPLE,
A HUSBAND AND WIFE WHO ARE DIVORCING MUST EACH TRY TO PROVE TO A COURT OF LAW
THAT THEY ARE THE BEST PERSON TO TAKE CARE OF THEIR CHILD. EMOTION (FEELINGS)
ARE A BIG PART OF THE MOVIE AND THE AUDIENCE (PEOPLE WATCHING THE MOVIE) MAY GET
UPSET AND EVEN CRY. FILM NOIR MOVIES ARE 1940S-ERA DETECTIVE DRAMAS ABOUT CRIME
AND VIOLENCE. FAMILY MOVIES ARE MADE TO BE GOOD FOR THE ENTIRE FAMILY. THEY ARE
MAINLY MADE FOR CHILDREN BUT OFTEN ENTERTAINING FOR ADULTS AS WELL. DISNEY IS
FAMOUS FOR THEIR FAMILY MOVIES. HORROR MOVIES USE FEAR TO EXCITE THE AUDIENCE.
MUSIC, LIGHTING AND SETS (MAN-MADE PLACES IN MOVIE STUDIOS WHERE THE MOVIE IS
MADE) ARE ALL DESIGNED TO ADD TO THE FEELING. ROMANTIC COMEDIES (ROM-COMS) ARE
USUALLY LOVE STORIES ABOUT 2 PEOPLE FROM DIFFERENT WORLDS, WHO MUST OVERCOME
OBSTACLES TO BE TOGETHER. ROM-COMS ARE USUALLY LIGHT-HEARTEN, BUT MAY INCLUDE
SOME EMOTION. COMEDY HORROR MOVIES BLEND HORROR AND COMIC MOTIFS IN ITS PLOTS.
MOVIES IN THIS GENRE SOMETIMES USE BLACK COMEDY AS THE MAIN FORM OF HUMOR.
SCIENCE FICTION MOVIES ARE SET IN THE FUTURE OR IN OUTER SPACE. SOME USE THEIR
FUTURE OR ALIEN SETTINGS TO ASK QUESTIONS ABOUT THE MEANING OF LIFE OR HOW WE
SHOULD THINK ABOUT LIFE. SCIENCE FICTION MOVIES OFTEN USE SPECIAL EFFECTS TO
CREATE IMAGES OF ALIEN WORLDS, OUTER SPACE, ALIEN CREATURES, AND SPACESHIPS.
FANTASY MOVIES INCLUDE MAGICAL AND IMPOSSIBLE THINGS THAT ANY REAL HUMAN BEING
CANNOT DO. THRILLERS ARE USUALLY ABOUT A MYSTERY, STRANGE EVENT, OR CRIME THAT
NEEDS TO BE SOLVED. THE AUDIENCE IS KEPT GUESSING UNTIL THE FINAL MINUTES, WHEN
THERE ARE USUALLY ‘TWISTS’ IN THE PLOT (SURPRISES). SUSPENSE MOVIES KEEP YOU ON
THE EDGE OF YOUR SEAT. THEY USUALLY HAVE MULTIPLE TWISTS THAT CONFUSE THE
WATCHER. WESTERN MOVIES TELL STORIES ABOUT COWBOYS IN THE WESTERN UNITED STATES
IN THE 1870S AND 1880S. THEY ARE USUALLY ACTION MOVIES, BUT WITH HISTORICAL
COSTUMES. SOME INVOLVE NATIVE AMERICANS. NOT ALL FILMS THAT ARE SET IN THE
AMERICAN WEST ARE MADE THERE. FOR EXAMPLE, WESTERN FILMS MADE IN ITALY ARE
CALLED SPAGHETTI WESTERNS. SOME FILMS CAN ALSO USE WESTERN PLOTS EVEN IF THEY
ARE SET IN OTHER PLACES.

FAST & FURIOUS 9 MOVIE

THE FIRST TELEVISION SHOWS WERE EXPERIMENTAL, SPORADIC BROADCASTS VIEWABLE ONLY
WITHIN A VERY SHORT RANGE FROM THE BROADCAST TOWER STARTING IN THE 1930S.
TELEVISED EVENTS SUCH AS THE 1936 SUMMER OLYMPICS IN GERMANY, THE 19340
CORONATION OF KING GEORGE VI IN THE UK, AND DAVID SARNOFF’S FAMOUS INTRODUCTION
AT THE 1939 NEW YORK WORLD’S FAIR IN THE US SPURRED A GROWTH IN THE MEDIUM, BUT
WORLD WAR II PUT A HALT TO DEVELOPMENT UNTIL AFTER THE WAR. THE 19440 WORLD
MOVIE INSPIRED MANY AMERICANS TO BUY THEIR FIRST TELEVISION SET AND THEN IN
1948, THE POPULAR RADIO SHOW TEXACO STAR THEATER MADE THE MOVE AND BECAME THE
FIRST WEEKLY TELEVISED VARIETY SHOW, EARNING HOST MILTON BERLE THE NAME “MR
TELEVISION” AND DEMONSTRATING THAT THE MEDIUM WAS A STABLE, MODERN FORM OF
ENTERTAINMENT WHICH COULD ATTRACT ADVERTISERS. THE FIRST NATIONAL LIVE
TELEVISION BROADCAST IN THE US TOOK PLACE ON SEPTEMBER 4, 1951 WHEN PRESIDENT
HARRY TRUMAN’S SPEECH AT THE JAPANESE PEACE TREATY CONFERENCE IN SAN FRANCISCO
WAS TRANSMITTED OVER AT&T’S TRANSCONTINENTAL CABLE AND MICROWAVE RADIO RELAY
SYSTEM TO BROADCAST STATIONS IN LOCAL MARKETS. THE FIRST NATIONAL COLOR
BROADCAST (THE 1954 TOURNAMENT OF ROSES PARADE) IN THE US OCCURRED ON JANUARY 1,
1954. DURING THE FOLLOWING TEN YEARS MOST NETWORK BROADCASTS, AND NEARLY ALL
LOCAL PROGRAMMING, CONTINUED TO BE IN BLACK-AND-WHITE. A COLOR TRANSITION WAS
ANNOUNCED FOR THE FALL OF 1965, DURING WHICH OVER HALF OF ALL NETWORK PRIME-TIME
PROGRAMMING WOULD BE BROADCAST IN COLOR. THE FIRST ALL-COLOR PRIME-TIME SEASON
CAME JUST ONE YEAR LATER. IN 19402, THE LAST HOLDOUT AMONG DAYTIME NETWORK SHOWS
CONVERTED TO COLOR, RESULTING IN THE FIRST COMPLETELY ALL-COLOR NETWORK SEASON.

FORMATS AND GENRES

SEE ALSO: LIST OF GENRES § FILM AND TELEVISION FORMATS AND GENRES TELEVISION
SHOWS ARE MORE VARIED THAN MOST OTHER FORMS OF MEDIA DUE TO THE WIDE VARIETY OF
FORMATS AND GENRES THAT CAN BE PRESENTED. A SHOW MAY BE FICTIONAL (AS IN
COMEDIES AND DRAMAS), OR NON-FICTIONAL (AS IN DOCUMENTARY, NEWS, AND REALITY
TELEVISION). IT MAY BE TOPICAL (AS IN THE CASE OF A LOCAL NEWSCAST AND SOME
MADE-FOR-TELEVISION FILMS), OR HISTORICAL (AS IN THE CASE OF MANY DOCUMENTARIES
AND FICTIONAL MOVIE). THEY COULD BE PRIMARILY INSTRUCTIONAL OR EDUCATIONAL, OR
ENTERTAINING AS IS THE CASE IN SITUATION COMEDY AND GAME SHOWS.[CITATION NEEDED]
A DRAMA PROGRAM USUALLY FEATURES A SET OF ACTORS PLAYING CHARACTERS IN A
HISTORICAL OR CONTEMPORARY SETTING. THE PROGRAM FOLLOWS THEIR LIVES AND
ADVENTURES. BEFORE THE 1980S, SHOWS (EXCEPT FOR SOAP OPERA-TYPE SERIALS)
TYPICALLY REMAINED STATIC WITHOUT STORY ARCS, AND THE MAIN CHARACTERS AND
PREMISE CHANGED LITTLE.[CITATION NEEDED] IF SOME CHANGE HAPPENED TO THE
CHARACTERS’ LIVES DURING THE EPISODE, IT WAS USUALLY UNDONE BY THE END. BECAUSE
OF THIS, THE EPISODES COULD BE BROADCAST IN ANY ORDER.[CITATION NEEDED] SINCE
THE 1980S, MANY MOVIE FEATURE PROGRESSIVE CHANGE IN THE PLOT, THE CHARACTERS, OR
BOTH. FOR INSTANCE, HILL STREET BLUES AND ST. ELSEWHERE WERE TWO OF THE FIRST
AMERICAN PRIME TIME DRAMA TELEVISION MOVIE TO HAVE THIS KIND OF DRAMATIC
STRUCTURE,[4][BETTER SOURCE NEEDED] WHILE THE LATER MOVIE BABYLON 5 FURTHER
EXEMPLIFIES SUCH STRUCTURE IN THAT IT HAD A PREDETERMINED STORY RUNNING OVER ITS
INTENDED FIVE-SEASON RUN.[CITATION NEEDED] IN “DC1&”, IT WAS REPORTED THAT
TELEVISION WAS GROWING INTO A LARGER COMPONENT OF MAJOR MEDIA COMPANIES’
REVENUES THAN FILM.[5] SOME ALSO NOTED THE INCREASE IN QUALITY OF SOME
TELEVISION PROGRAMS. IN “DC1&”, ACADEMY-AWARD-WINNING FILM DIRECTOR STEVEN
SODERBERGH, COMMENTING ON AMBIGUITY AND COMPLEXITY OF CHARACTER AND NARRATIVE,
STATED: “I THINK THOSE QUALITIES ARE NOW BEING SEEN ON TELEVISION AND THAT
PEOPLE WHO WANT TO SEE STORIES THAT HAVE THOSE KINDS OF QUALITIES ARE WATCHING
TELEVISION.

THANK’S FOR ALL AND HAPPY WATCHING

FIND ALL THE MOVIES THAT YOU CAN STREAM ONLINE, INCLUDING THOSE THAT WERE
SCREENED THIS WEEK. IF YOU ARE WONDERING WHAT YOU CAN WATCH ON THIS WEBSITE,
THEN YOU SHOULD KNOW THAT IT COVERS GENRES THAT INCLUDE CRIME, SCIENCE, FI-FI,
ACTION, ROMANCE, THRILLER, COMEDY, DRAMA AND ANIME MOVIE. THANK YOU VERY MUCH.
WE TELL EVERYONE WHO IS HAPPY TO RECEIVE US AS NEWS OR INFORMATION ABOUT THIS
YEAR’S FILM SCHEDULE AND HOW YOU WATCH YOUR FAVORITE FILMS. HOPEFULLY WE CAN
BECOME THE BEST PARTNER FOR YOU IN FINDING RECOMMENDATIONS FOR YOUR FAVORITE
MOVIES. THAT’S ALL FROM US, GREETINGS! THANKS FOR WATCHING THE VIDEO TODAY. I
HOPE YOU ENJOY THE VIDEOS THAT I SHARE. GIVE A THUMBS UP, LIKE, OR SHARE IF YOU
ENJOY WHAT WE’VE SHARED SO THAT WE MORE EXCITED. SPRINKLE CHEERFUL SMILE SO THAT
THE WORLD BACK IN A VARIETY OF COLORS. THANKS U FOR VISITING, I HOPE U ENJOY
WITH THIS MOVIE HAVE A NICE DAY AND HAPPY WATCHING


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