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RECENT POSTS

 * The 2023 Popjustice Twenty Quid Music Prize: Shortlist
 * Fine, let's do a Substack then.
 * The 2022 Popjustice Twenty Quid Music Prize: shortlist
 * 2021 Popjustice Twenty Quid Music Prize: Laura Mvula wins
 * Sarah Harding

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The Briefing


澳州幸运的10彩开奖历史-结果官网开奖直播记录+直播视频奥洲10官方结果 THE 2023 POPJUSTICE TWENTY QUID MUSIC
PRIZE: SHORTLIST


Filed by Popjustice on July 27, 2023


The good thing about just popping posts on the front page every year or so is
that in doing so I can still make the claim that Popjustice is one of the
world's longest-running music blogs. Incredible!

Anyway the shortlist for this year's Twenty Quid Music Prize has now been
announced. The artworks for the twelve short­l­is­ted singles look like the
pictures above the paragraph above this one.

The titles of the songs and the people who perform those songs, meanwhile, are:

 * Body Better by Maisie Peters
 * Double Denim by SKYLAR
 * Easy Lover  by Ellie Goulding feat Big Sean
 * Escapism. by RAYE and 070 Shake
 * Falling In Love Again by Leif Coffield and Wuh Oh
 * Forget Me by Lewis Capaldi
 * Free Yourself by Jessie Ware
 * Light It Up by Moss Kena and SUPER-Hi
 * Lionheart (Fearless) by Joel Corry and Tom Grennan
 * Nothing Lasts Forever by Dylan
 * Nothing Left To Lose by Everything But The Girl
 * Weightless by Arlo Parks

And finally the playlist sounds like this:



And you can read more about it either here or on Popjustice's stupid Substack.

Filed under: Twenty Quid Music Prize


--------------------------------------------------------------------------------


FINE, LET'S DO A SUBSTACK THEN.


Filed by Popjustice on November 18, 2022


Sign up here:

More on this, and the website in general, quite soon. 



--------------------------------------------------------------------------------


THE 2022 POPJUSTICE TWENTY QUID MUSIC PRIZE: SHORTLIST


Filed by Popjustice on July 26, 2022


It's that time of the year again. Full shortlist over at
www.popjustice.com/twentyquidmusicprize, along with details of how to be on the
judging panel. Hurrah. 



--------------------------------------------------------------------------------


2021 POPJUSTICE TWENTY QUID MUSIC PRIZE: LAURA MVULA WINS


Filed by Peter Robinson on September 9, 2021


Congratulations to Laura Mvula, whose single Got Me has won the 2021 Popjustice
Twenty Quid Music Prize. In fairness, it's a great single. Twenty quid (cash) on
its way to Mvula Towers. More details on the voting tomorrow; for the time
being, here's the best British-and-Irish pop single of the last twelve months. 


Filed under: Laura Mvula Twenty Quid Music Prize


--------------------------------------------------------------------------------


SARAH HARDING


Filed by Popjustice on September 6, 2021


It's not easy getting a decent screen­shot of Sarah Harding's epic 'walking
Primrose' line from The Promise's video. Back in 2008 a 480p pop video seemed
like the height of digital wonder, but at some point between then and now things
moved on. Those small things change slowly. But life, as we know, moves fast.

Nineteen Septembers ago Popstars: The Rivals started its first and only run on
Saturday night telly. I'd been asked to write the show's official book, which
meant I first met Girls Aloud before they were even a band. During the summer
I'd visited the girls' house, tucked away somewhere in Surrey near Cliff
Richard's house, to get some profile questions answered. One question I asked
each future band member was: 'What scares you?' 

Sarah's answer stands out today as the only one that captures the
pre­cari­ous­ness of the pop dream. While future bandmates were mainly concerned
about being murdered (??) and spiders, Sarah was scared, she said, of "having to
go back to really awful jobs". She was twenty at that point, and had recently
been working in debt col­lec­tion. More than some of the other singers entering
Popstars: The Rivals, she knew what was at stake. 

Sarah did not have to go back to an awful job. By Christmas she was one fifth of
a band who'd go on to achieve a record-breaking run of Top 10 singles, hit
platinum sales, pull off multiple arena tours, and redefine pop music. 

Since hearing yesterday about Sarah's death, many of us will have naturally been
reflect­ing on how Sarah's life impacted our own lives over the last decade or
two. With Popjustice having been such a big part of my life for so long, I'm
reminded that writing the Popstars: The Rivals book meant I'd been given early
access to Sound Of The Underground, which in turn meant I'd been able to write
about it on the still-quite-new Popjustice blog. As Girls Aloud got bigger and
better, it felt like the band dragged Popjustice (and the whole of pop music)
along with them. Such was the power of that band's presence that many fans will
feel the same way: those fans in their teens, twenties, thirties and beyond were
all dragged along. To be fair, we didn't put up much of a fight. 

And if, during those years when Girls Aloud ruled pop, any of us had been asked
to identify the spark at the heart of Girls Aloud — one member with the same
chaotic, unpre­dict­able energy that was in so much of the band's music — we'd
surely have said that spark was Sarah. A pig wearing a hat could have had a hit
with Sound Of The Underground. But could Girls Aloud have done everything they
went on to do, and would any of us be the people we are now, without Sarah
Harding? 

 * Michael Cragg in the Guardian
 * Brian Higgins on BBC Radio
 * Grace Medford on One Of Those Faces
 * Hear Me Out on Amazon

Filed under: sarah harding


--------------------------------------------------------------------------------


"YOU ASKED ME NOT TO LEAVE, WELL HERE I AM AGAIN"


Filed by Peter Robinson on September 3, 2021


If there's one thing worth bringing Popjustice out of semi-hiatus for it's the
long-awaited return of an iconic, platinum-selling four-piece pop jug­ger­naut
whose acronymised name alone can reduce grown adults to tears. But enough about
JLS, whose new single is out today, and let's talk ABBA.

Specifically, let's say:

 * Of the two new songs, Don't Shut Me Down is THE ONE. 
 * The best pop songs are often about one thing (eg a rela­tion­ship) and
   another thing (eg a band making a comeback). Don't Shut Me Down is about that
   one thing and that other thing, but it's also about a third thing: a popstar
   returning as a spooky infinite digital pop entity.
 * There was a moment at the end of the launch event last night when Don't Shut
   Me Down had just started playing and Benny and Bjorn were making their way
   from the stage to the back of the room. Benny stopped for a moment and when
   the beat dropped (do beats drop in ABBA songs? Let's go with it) Benny turned
   to the room and mimed the piano swoop. As he did that he smiled, and as he
   smiled, he and I made eye contact. I'm still computing it all to be honest
   but right now it feels like the most mean­ing­ful moment I've exper­i­enced
   in 25 years of loitering around popstars. 
 * Shortly after that I was intro­duced to Ludvig Andersson, the producer of the
   new show (among other things), and I asked him if once the digital ABBAtar
   things had been created, it would be possible to amend them for special
   occasions, for instance chucking Santa hats on the band for Christmas shows.
   "In theory yes," he said, "but…" "But basically no," I offered. "No," he
   agreed. And that was that.
 * Interesting to note following my recent tweet about whether Voyage is
   pro­nounced 'voyage' or 'voyage', it's actually pro­nounced 'voyage'.
 * A few years back, before any of this current stuff was announced, I was
   thinking of doing a website called JUST ONE SONG: a petition, of sorts,
   request­ing just one more ABBA song, and laying out the reasons this should
   happen, and could happen with minimum rigmarole for the band's members. It
   would have included a reas­sur­ance that the band wouldn't need to do any
   press, or touring, or media stuff. Perhaps B and B have made a similar
   reas­sur­ance to A and A. Either way, ten new songs is abso­lutely ideal. 
 * Ten new songs!
 * TEN!
 * Maybe I lack ima­gin­a­tion but when I was con­sid­er­ing what the band's
   first press shot might look like — and there's been plenty of time to
   consider it, given that new music was first announced a few years ago — one
   look I didn't consider was Tron: The Gameshow. Yet here we are. What a time
   to be alive.
 * 'What a time to be alive' is quite a powerful expres­sion in this context
   isn't it? A lot has happened in forty years and I can't be the only one today
   thinking of all the people who loved this band and aren't around today to
   hear these new songs. How lucky we all are, in so many different ways, to
   hear this music.
 * Nobody's making much of the fact that one of the ten new songs is called Keep
   An Eye On Dan. Who is Dan? What's he playing at? Why can he not be trusted?
   If you think you might be Dan, please step forward.





Filed under: ABBA


--------------------------------------------------------------------------------


THE 澳洲正规盘口开奖 幸运10历史结果 开奖官网直播 奥10正规开奖结果直播 开奖历史查询记录 2021 POPJUSTICE TWENTY QUID
MUSIC PRIZE: SHORTLIST ANNOUNCED


Filed by Peter Robinson on July 22, 2021


Breaking radio silence to announce the twelve British and Irish pop singles
shortlist for the 2021 Popjustice Twenty Quid Music Prize.

They are:

 * Black Hole by Griff
 * Got Me by Laura Mvula
 * Hot Hot by Bree Runway
 * I Don’t Mind by Georgia Twinn
 * I Don’t Really Care For You by CMAT
 * Levitating by Dua Lipa and DaBaby UPDATE: Let's just go for the Dua version
   shall we
 * Love Of Your Life by Raye
 * On A Mountain by Danny L Harle
 * Right Now by Sophie & The Giants
 * She’s My Religion by Pale Waves
 * Sweet Melody by Little Mix
 * What’s Your Pleasure? by Jessie Ware 

For more info, playlists, and to register as a Zoom judge on the September 9
prize night, click here.

Filed under: Bree Runway CMAT DaBaby danny l harle Dua Lipa Georgia Twinn Griff
Jessie Ware Laura Mvula Little Mix Pale Waves Raye


--------------------------------------------------------------------------------


NEW MUSIC FRIDAY: GEORGIA TWINN'S DONE A SONG ABOUT A MOTH


Filed by Peter Robinson on May 7, 2021

 * Georgia Twinn continues her fairly robust campaign to become one of Britain's
   best new popstars this week with Moth, which ref­er­ences Nirvana and
   combined with Olivia Rodrido's recent homage to Radiohead makes you wonder if
   we'll be seeing L Devine inter­pol­at­ing Shed Seven by the time the year's
   out.

 * By sounding like a) The Weeknd and/so b) songs like Boys Of Summer the new
   Max Martin-produced Coldplay single sounds like Radio 1 and Radio 2 at the
   same time. Which in-house DSP playlists it sounds like is a different
   question but we seem to be living in an era were Coldplay are releasing
   'bops' so perhaps we should all just embrace the chaos.

 * Zyra's done a new version of the brilliant Closer. (It's still brilliant.)

 * Apparently Joan's new one is the first song from two EPs due out this year —
   one's about falling in love and the other's about breakups. So Good's one of
   the falling-in-love ones. 

 * Warning: Jake Bugg has released an accept­able single. I mentioned the notion
   of embracing chaos and if you thought it felt like a good idea here's the
   ideal oppor­tun­ity to put that all to the test. If you can pass the Jake
   Bugg Acceptable Single test, you're ready for anything. 


Filed under: Bellatrix coldplay Georgia Twinn Hedda Mae Jake Bugg Saweetie Zyra


--------------------------------------------------------------------------------


NEW MUSIC FRIDAY: JULIA MICHAELS HAS PURCHASED, OR HIRED, A CHAINSAW


Filed by Peter Robinson on March 26, 2021


The new Julia Michaels song starts off as one thing and ends up as something a
bit different. Pop songs about rela­tion­ships tend to be vari­ations on a
fairly small number of themes but All Your Exes artic­u­lates anxiety over
former partners in a really unusual way, and there are some com­pletely
excellent lines in the song. "When your friends tell stories about 2017 I know
there's parts that they leave out to be con­sid­er­ate of me" — A LINE. (For
instance.) (I mean that's an actual thing that happens all the time isn't it,
but have you heard it in a song before?) "Wish I could be bliss­fully unaware of
where you used to put your mouth and who you write your fucking songs about" —
ANOTHER LINE. Loads of lines. It's literally a song with lots of words in. (A
very good song.) 

Also!!!

 * Having said all that, "I think I'm ready for your sex" in the Alle
   Farben/Theresa Rex song is probably the best lyric of the week.

 * Moyka is abso­lutely not mucking about on her new one. What a song, what a
   popstar.

 * Another set of KLF reissues means another com­pletely ana­chron­istic NMF
   playlist entry, this time in the form of Jarvis Cocker doing Justified &
   Ancient.

 * I don't think history will judge me kindly for including the Seeb/Kooks remix
   on this week's playlist. Even I'm taking a bit of a dim view of my actions.
   But: it kind of works doesn't it? Like, it's actually quite good? We live in
   strange times. Maybe this is what a year without proper social contact does
   to people. What next? A Pigeon Detectives x R3HAB remix being 'actually not
   that bad'? 


Filed under: Alle Farben Julia Michaels Moyka The KLF Theresa Rex


--------------------------------------------------------------------------------


NEW MUSIC MONDAY: GRIFF'S BLACK HOLE IS SUPER, AND MASSIVE


Filed by Peter Robinson on January 22, 2021


Griff's really done it this time. Heartbreak really shouldn't sound this
spec­tac­u­lar but, well, here we are. What a song. The Black Hole artwork
features a hole with a black border, ie the opposite of a black hole, but on the
upside it does feature Griff ON HORSEBACK. Look at this:

Incredible.

Also:

 * ELIO releases a really brilliant EP today and Charger is a real winner,
   despite being about mobile phones (a topic rapidly rising up the lyrical
   banned list). 
 * Rose Gray, a rave-pop prac­ti­tioner of con­sid­er­able talent, releases her
   Dancing, Drinking, Talking, Thinking EP today and every track's a winner.
   Which is best, do you think, out of dancing, drinking, talking and thinking?
   It would be inter­est­ing to get Rose Gray's thoughts on this matter.
 * Years & Years have covered It's A Sin. Possible something to do with Olly
   being in a TV show of the same name which may or may not be starting on
   Channel 4 tonight; hard to say really as there's been very little publicity
   around it. The cover is ACOUSTIC but PERMITTED. 
 * 220 Kid's done the shanty. 
 * PRETTYMUCH's Stars is included in this week's playlist mainly for the almost
   heroic line "girl you're an angel from every angle": a lyric that surely made
   perfect sense written down but required some severe vocal gym­nastics to
   deliver 'in song'. They really went there didn't they? And to think they say
   pop music can't push boundaries. 


Filed under: ELIO Griff Prettymuch Rose GRay Years & Years


--------------------------------------------------------------------------------

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Welcome to 正规官方澳洲十直播 结果直播开奖记录 Popjustice, a glorified pop blog celebrating 21st
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FURTHER READING 2024官方十10幸运

 * 1
   
   THE 2023 POPJUSTICE TWENTY QUID MUSIC PRIZE: SHORTLIST

 * 2
   
   FINE, LET'S DO A SUBSTACK THEN.

 * 3
   
   THE 2022 POPJUSTICE TWENTY QUID MUSIC PRIZE: SHORTLIST

 * 4
   
   2021 POPJUSTICE TWENTY QUID MUSIC PRIZE: LAURA MVULA WINS

 * 5
   
   SARAH HARDING

 * 6
   
   "YOU ASKED ME NOT TO LEAVE, WELL HERE I AM AGAIN"


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