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buy this title


2-Disc Edition







The Burning






The People Under the Stairs






Sisu






Ronin






The Covenant






Creepshow







Mist, The

Comparison:

 * Director's Choice (B/W Version)
 * Theatrical Version (Colour)

Release: Jul 22, 2010 - Author: ButtHead88 - Translator: Matar - external link:
IMDB


STORY:

"
A small village in front of Maine's coast is haunted by an strange mist in which
deadly creatures are hidding. A group of survivors manage to barricade in a
mart. The situation grows dangerous because of Mrs. Carmody, a religious
lunatic, who sees the attack as the wrath of god and wants to please him with a
human sacrifice. When more and more people are dying the mood of the remaining
people turns and favors her view..."







MOVIE:


A lot has been written about Darabonts third adaption of Stephen King's novels.
Some people are excited because of a tight atmosphere and one of the most
gruesome endings, others are mocking about the fact that this ending does not
belong to the original novel and because of cheap effects.
Of course, compared to great movies like The Green Mile and The Shawshank
Redemption The Mist looks a bit weak, generally I really like the movie and the
ending, ignoring the lousy CGI effects.

Conclusion:
Rent the movie and if you like it take the "3-Disc Limited Collector's Edition".
It is worth the money.




VERSIONS:


In the German 3-Disc edition with the 3D handprint cover two versions are
contained, beside the theatrical version also the DC version, which is a version
made in black and white. The name Director's Choice is the right expression
because this version is Darabont's favorite (what can be read in his interview).

For the colored original theatrical version the German Label Senator clearly
used the German master. The DC version though is based on the US master and is
suprisingly cut in two takes. This will not make any differences while watching
it and therefore both versions can be strongly recommended.


"Director's Choice" (Black/White) = 120:45 minutes
"Original theatrical version" (Colour) = 121:04 minutes


The DC version is cut in two takes (logo and blackscreens are not taken into
consideration) and this makes the TV run 19 additional seconds. The runtime
remarks are based on the TV.





Before the Cirector's Choice cersion starts, Frank Darabont gives an 3:15 min
interview. He does not go into detail for the two missing scenes but explains
why he prefers the black-white version.

Here you are, the interview:






"Hey, this is Frank Darabont! Welcome to the black and white version of "The
Mist". I always had it in mind actually to wanna do "The Mist" in black and
white. Because there is something about Stephen King's story that is a bit of a
throwback. In fact even he says - in an afterword he once wrote - when he was
writing the story, concieving the story, he was inspired by those old black and
white, Bert I. Gordon-inspired monster movies of his youth. That I think has
planted a seed in my head as well as many of the fans of the story through the
years. Because I've heard that from a lot of people, wouldn't it be cool to do
"The Mist" in black and white? So, I just kinda wanted to do that. But it's a
hard argument to make with the studio, 'cause not many people are into black and
white these days - which I think is a shame. Youngsters especially don't wanna
see anything in black and white. They think it's old-fashioned or out of date or
it doesn't look real - I heard that one! That to me is what makes black and
white so very cool. It doesn't look real! Film itself isn't real. It's a
heightened reality. It's manipulating light through a lense, you know, to create
a heightened recreation of reality. To me black and white takes that even one
step further. It gives you a view of the world that really doesn't exist in
reality and the only place you can see that representation of the world is in a
black and white movie. So, to me this has always been a bit of a throwback to
that mid-sixties, "Night of the living Dead", pre-colour, Ray Harryhausen-era of
film. And I always wanted to do it in black and white. Luckily, nowadays we
don't actually have to make that choice. Nowadays, we can decide that we are
going to put a black and white version on the DVD because we don't really cut a
negative anymore what's called a D-I. Coen brothers did this with "The Man who
wasn't there". They shot the movie in colour, but they actually released it in
black and white - which I think was a fantastic looking film. So, now you can
have both. Now a director can actually have both. That's what the idea is here
of this black and white version of the film. The colour version winds up being
really cool. Winds up feeling very much lika a mid-seventies kind of movie to
me. Another kind of movie I grew up watching - but the black and white version
feels like that mid-sixties era version. The two, I feel, are completly
different viewing experiences. I dig them both. But if there's something on this
disc that someone would consider the director's cut or the director's version of
the movie, it would have to be the black and white. It's my preferred version
for my fellow filmbusting geeks who really dig black and white movies. This
would be the version to watching - in my opinion. I really hope you enjoy the
black and white of "The Mist"."










___________________________________________________________________________________________________________






00:00-00:15
The theatrical version starts with the Senator logo, this is missing in the
black-white version.
[15 Sec]







01:05-01:13
To the right: the coloured version offers the German title Der Nebel.
To the left: The DC shows the original title The Mist.
[no time difference]







26:36-26:39
David tries to grab Norm while a tentacle comes close. In the backgound Ollie
yells to David that there is no chance, in the black-white version one can only
hear that there is no chance, without the name.
[3 Sec]







27:07-27:08
The scene in which David tries to close the door with the boomstick starts
earlier in the coloured version.
[1 Sec]







52:30-52:31
The blackscreen is here...
[+ 1 Sec]


91:48-91:50
... and here longer in the black/white version.
[+ 2 Sec]


121:01-121:04
The final blackscreen is longer in the theatrical version.
[3 Sec]

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