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TOP 3 JAZZ PROGRESSIONS FOR PIANO


KEVIN CASTRO  /  CHORD PROGRESSIONS  /  UPDATED JUN 9, 2023

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Want to play jazz piano? Then you need to get familiar with these three
essential jazz progressions! Jazz piano is all about progressions, harmony, and
how we get creative within that space. Start with these basic progressions and
build a foundation of vocabulary you can then use to go further in your jazz
piano journey.

In this lesson:

 1. Rhythm Changes
 2. Descending Minor 9ths
 3. 2-5-1 Cycle
 4. Free Download

To get the most out of this lesson, you should already be familiar with 7th
chords, inversions, diatonic chords, and the number system. If this lesson feels
too advanced for you, check out these related foundational lessons first:

 * How to Play ALL Piano Chords: Major, Minor, 7ths, Extensions
 * Piano Chord Inversions, Explained
 * All About Piano Chord Progressions
 * The 2-5-1 Progression: Beginner’s Guide




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RHYTHM CHANGES

Our first progression is named after George Gershwin’s “I Got Rhythm.” You can
also find it in popular jazz standards like “Rhythm-A-Ning” (Thelonious Monk),
“Anthropology” (Charlie Parker/Dizzy Gillespie), and “Cotton Tail” (Duke
Ellington). 

Now, the original Rhythm Changes is 32 measures long because it has several
repeated parts. Over the years, many variations of this progression have
appeared. But at its core, Rhythm Changes consists of the following A section
and B section progressions:

Section A:
I7 – vi7 – ii7 – V7
In C major: Cmaj7 – Am7 – Dm7 – G7

Section B:
iii7 – V7/ii – ii7 – V7
In C major: Em7 – A7 – Dm7 – G7

In standard notation, the progression looks like this:

Section B is basically the Circle of Fifths progression. If you look carefully,
it’s a pattern of descending fifths.

You may notice that we use A7 instead of Am7 (C major’s diatonic vi chord) in
Section B. This is called a secondary dominant (V7/ii). The A7 is the dominant
7th chord of the next chord (Dm7) and has a stronger pull towards that chord. 

If you want to get a feel of how this sounds, check out our friend and Pianote
Coach Sangah Noona jamming to “I Got Rhythm”:



Ready for to take things to the next level? Try playing this progression in a
syncopated comping pattern with a chromatic walking bass line. Here’s one
example of what you can do:


DESCENDING MINOR 9THS

Next up we have a beautiful minor chord progression. This progression sounds
gorgeous because of two things: 1) a chromatically descending bassline; and 2)
minor 9th voicings.

When we talk about 9ths, 11ths, and 13ths, these are called chord extensions.
You can think of them as extending the chord more than an octave. The 9th
interval sounds so nice because, by being further from the root, it adds just
the right amount of tension without being too dissonant. 

You can hear this progression at a transitional point in the B section of the
jazz standard “Autumn Leaves.” Hear Sangah Noona play it here.


2-5-1 CYCLE

Finally, we have the building block of jazz: the 2-5-1 progression. You’ll find
this little progression everywhere, and not just in jazz. Maroon 5’s “Sunday
Morning” is also a cycle of repeating 2-5-1s!

It’s important to know your 2-5-1s in every key so that you can throw them into
improvisation at will. In the lesson video, I’ll go over a voicing pattern
that’s easy to transition through. Basically, on our right hand, we play a root
position ii7 chord, a second inversion V7 chord, and a root position I7 chord.

For a more in-depth discussion on the 2-5-1, how to practice it, and how to use
it in your jazz improvisations, check out our lesson and Bench episode here.
We’ve also included a cycle of descending 2-5-1s you can practice in the free
resource below. This practice lists 2-5-1s in six keys. To find the 2-5-1s in
the remaining six keys, start the cycle a semitone higher (Ebm7-Ab7-Dbmaj7).


FREE DOWNLOAD

For an easy reference to these chord progressions in C major, download our sheet
music resource for free:

DOWNLOAD SHEET MUSIC RESOURCE


Pianote Members can also use the Practice-Along feature in the Members Area to
loop these progressions. That’s the best way to learn how to play jazz—loop a
progression and solo over it! If you’re not a Member yet, here’s a free trial,
just for you!




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Kevin Castro is a graduate of the prestigious MacEwan University with a degree
in Jazz and Contemporary Popular Music, and is the Musical Director and touring
pianist for JUNO-winning Canadian pop star, JESSIA. As your instructor at
Pianote, Kevin is able to break down seemingly complex and intimidating musical
concepts into understandable and approachable skills that you can not only
learn, but start applying in your own playing. Learn more about Kevin here.




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