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VINTAGE EVERYDAY


BRING BACK SOME GOOD OR BAD MEMORIES





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OCTOBER 26, 2024


TOAST AND WATER – MRS. BEETON’S EVERY DAY COOKERY, 1861

 October 26, 2024     1800s, footage & video, WTF   

Toast Water? Really? Or more accurately ‘Toast-and-Water’, as Isabella Beeton
put it. Like coddled egg, it’s one of those slightly fragile Victorian recipes
intended, presumably, for invalids and back in the dark days of Queen Victoria’s
reign, there were plenty of those, including, ultimately poor old Mrs. Beeton
herself.



(From Mrs Beeton’s Book of Household Management, 1861)


To MAKE TOAST-AND-WATER


Ingredients: A slice of bread, 1 quart of boiling water.


Mode: Cut a slice from a stale loaf (a piece of hard crust is better than
anything else for the purpose), toast it of a nice brown on every side, but do
not allow it to burn or blacken. Put it into a jug, pour the boiling water over
it, cover it closely and let it remain until cold. When strained, it will be
ready for use. Toast-and-water should always be made a short time before it is
required, to enable it to get cold: if drunk in a tepid or lukewarm state, it is
an exceedingly disagreeable beverage. If, as is sometimes the case, this drink
is wanted in a hurry, put the toasted bread into a jug, and only just cover it
with the boiling water; when this is cool, cold water may be added in proportion
required- the toast-and-water strained; it will then be ready for use, and is
more expeditiously prepared than by the above method.



Isabella Beeton in 1860



Isabella Mary Beeton (1836–1865), known as Mrs Beeton, was an English
journalist, editor and writer. Her name is particularly associated with her
first book, the 1861 work Mrs Beeton’s Book of Household Management. She was
born in London and, after schooling in Islington, north London, and Heidelberg,
Germany, she married Samuel Orchart Beeton, an ambitious publisher and magazine
editor.


In 1857, less than a year after the wedding, Beeton began writing for one of her
husband’s publications, The Englishwoman’s Domestic Magazine. She translated
French fiction and wrote the cookery column, though all the recipes were
plagiarized from other works or sent in by the magazine’s readers. In 1859 the
Beetons launched a series of 48-page monthly supplements to The Englishwoman’s
Domestic Magazine; the 24 instalments were published in one volume as Mrs
Beeton’s Book of Household Management in October 1861, which sold 60,000 copies
in the first year. Beeton was working on an abridged version of her book, which
was to be titled The Dictionary of Every-Day Cookery, when she died of puerperal
fever in February 1865 at the age of 28. She gave birth to four children, two of
whom died in infancy, and had several miscarriages. Two of her biographers,
Nancy Spain and Kathryn Hughes, posit the theory that Samuel had unknowingly
contracted syphilis in a premarital liaison with a prostitute, and had
unwittingly passed the disease on to his wife.



Title page of Mrs Beeton’s Book of Household Management, published in 1861



The Book of Household Management has been edited, revised and enlarged several
times since Beeton’s death and is still in print as at 2016. Food writers have
stated that the subsequent editions of the work were far removed from and
inferior to the original version. Several cookery writers, including Elizabeth
David and Clarissa Dickson Wright, have criticized Beeton’s work, particularly
her use of other people’s recipes. Others, such as the food writer Bee Wilson,
consider the censure overstated, and that Beeton and her work should be thought
extraordinary and admirable. Her name has become associated with knowledge and
authority on Victorian cooking and home management, and the Oxford English
Dictionary states that by 1891 the term Mrs Beeton had become used as a generic
name for a domestic authority. She is also considered a strong influence in the
building or shaping of a middle-class identity of the Victorian era.


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BEAUTIFUL PAINTINGS BY ALFRED WOOLMER IN THE 19TH CENTURY

 October 26, 2024     1800s, illustration, work of art   

Alfred Joseph Woolmer (1805–1892) was an English painter whose subject matter
covered the literary and historical genre. He was exceptionally prolific and, by
age sixty, the number of works he had exhibited had reached 355 at the Society
of British Artists, 45 at the British Institution, and 12 at the Royal Academy.


Woolmer started contributing to exhibitions in 1828. In 1848 he was elected to
the Society of British Artists and in the following decade would exhibit between
ten and sixteen pictures each year with the society. His paintings, often mildly
erotic, portray the concept of “ut pictura poesis”. Marina Warner described his
Lady Godiva, displayed at the Herbert Art Gallery and Museum in Coventry, as
“sumptuous”.


“Lalla Rookh” (1861), is based on the hugely popular 19th-century poem by Irish
poet Thomas Moore, Lalla Rookh (1817). The painting depicts Hinda, daughter of
the Emir of Arabia, in a tower overlooking the Persian Gulf, based on the story
called “The Fire-Worshippers” in the poem. The painting is now housed in the
Leicester Museum & Art Gallery.


Here below is a collection of beautiful paintings by Alfred Woolmer in the 19th
century.



Before the Ball


After the Ball


A Pastoral Scene


At the Well


Cymbeline, Act II Scene III


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AMAZING BEHIND THE SCENES PHOTOS OF RAY HARRYHAUSEN MAKING MYTHICAL CREATURES
FOR “CLASH OF THE TITANS” (1981)

 October 26, 2024     1980s, behind the scenes, celebrity & famous people,
movies   

Clash of the Titans is a 1981 epic fantasy adventure film directed by Desmond
Davis and written by Beverley Cross, loosely based on the Greek myth of Perseus.
Starring Harry Hamlin, Judi Bowker, Burgess Meredith, Maggie Smith and Laurence
Olivier, the film features the final work of stop-motion visual effects artist
Ray Harryhausen.


For Clash of the Titans, Harryhausen poured his creative energy into crafting an
array of mythical creatures, each with unique characteristics and challenges for
animation. His workshop for the film was a hive of creativity, filled with
intricate models of creatures like Medusa, Pegasus, the Kraken, Bubo the
mechanical owl, and more. He would begin with sketches and small sculptures,
giving each character its unique look and feel, with meticulous attention to
textures, expressions, and articulation points to enhance lifelike movement.


“We’ve gone into mythology before with Jason and the Argonauts, and we always
wanted to make a sequel,” said Harryhausen. “Mythology is the ideal subject for
my form of cinema, but Clash of the Titans is more complicated than other films.
We have a greater variety of monsters and creatures, locations spanning four
countries and the technical part is more complicated. We have intimate scenes
between the actors and a character called Calibos and they have to act and react
accordingly as in normal dramatic situations. Calibos is part man, part creature
and he is Dynamated in later sections of the film. It’s the first time we’ve
done something as intricately woven as this.”


Animating these creatures required his ‘Dynamation’ process, allowing him to
combine stop-motion animations with live-action sequences smoothly. One of the
most impressive creations was the Kraken, a towering sea monster summoned by the
gods. Harryhausen carefully planned the Kraken’s scenes to show its scale and
power, with layered details like scales and moving limbs to evoke an
otherworldly menace.


Bubo the owl was a rare blend of Harryhausen’s artistry and comic relief,
requiring precise mechanics to mimic an owl’s movements realistically, but with
a touch of humor and charm. Medusa was perhaps his most intensive work in the
film, with individually animated serpents in her hair, a detailed snake-like
body, and an expression that conveyed both malice and terror.


Harryhausen’s workspace during Clash of the Titans reflected his devotion to
detail: each creature model was surrounded by sketches, lighting rigs, and
miniatures. Animating each frame by hand, he worked tirelessly to bring Greek
mythology’s most iconic creatures to life, making this film a testament to his
legacy in stop-motion animation.













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OCTOBER 25, 2024


JOAN JETT POSING WITH HER FIRST CAR, A JAGUAR XJ-S HE

 October 25, 2024     1980s, celebrity & famous people, music, vehicles   

This was Joan Jett’s first automobile. She purchased the car before she had a
driver’s license and drove it off the lot with only a learner’s permit. She was
recording at Kingdom Sound, where “I Love Rock ‘n’ Roll” was recorded, her first
day with the car. Between recording sessions, she took it for a joy ride with
teenage actor Matt Dillon.





The Jaguar XJ-S (later called XJS) is a luxury grand tourer manufactured and
marketed by British car manufacturer Jaguar Cars from 1975 to 1996, in coupé,
fixed-profile and full convertible bodystyles.


From July 1981, the XJ-S was renamed the XJ-S HE and received the new
High-Efficiency V12 engine for much better fuel economy. A positive side effect
of the more efficient “Fire Ball” combustion chamber designed by Swiss Engineer
Michael May was that power output was increased to 295 hp (220 kW; 299 PS) or
263 hp (196 kW) in North America. At the same time, the XJ-S HE received changes
to its exterior and interior: there was body-colored boot trim in place of the
standard previous black, new five-spoke “Starfish” alloy wheels fitted with
215/70R15 Pirelli Cinturato P5 tyres, chrome inserts on the upper part of the
bumpers, and burled elm inserts on dashboard and door cappings.



Jaguar claimed that this was the fastest automatic transmission car in the world
at that time, capable of 155 miles per hour. Joan Jett’s Jaguar XJS is now on
display at the Rock and Roll Hall of Fame Museum in Cleveland, Ohio.









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KURT COBAIN WRITING DOWN A LIST OF HIS TEN FAVORITE ALBUMS AS OF NOVEMBER 10,
1991

 October 25, 2024     1990s, celebrity & famous people, music   

Ever wonder what Nirvana’s Kurt Cobain was writing in this photo?




Photographer Gilbert Blecken gives the behind the scenes details: “This is one
of very few photos showing Kurt while he was writing, and I’m glad I captured
the moment. Funnily enough, nobody ever seems to have wondered what exactly Kurt
was writing, even though that question could have been answered very easily.
Right after the interview had finished, I asked Kurt to write down a list of his
ten favorite albums and he began right away. When he gave me the list, he
explained that he made a list of eleven because he felt he had to namecheck
Mudhoney.”


Cobain’s complete list is as written:

> “1. Vaselines 1st Pink EP
> 2. 1st Scratch Acid EP
> 3. Breeders - Pod
> 4. Pixies - Surfer Rosa
> 5. Butthole Surfers 1st EP
> 6. Stooges - Raw Power
> 7. Shonen Knife - Burning Farm EP
> 8. Jad Fair - Great Expectations
> 9. Lead Belly’s - Last Sessions
> 10. Sex Pistols Never Mind the Bollocks
> 10 ½. Mudhoney - Superfuzz Bigmuff”

Kurt’s favorite albums as of November 10, 1991.










Gilbert Blecken was born on October 7, 1969. His photos have been published by
magazines such as Alert, Elle, Entertainment Weekly, Kerrang!, Newsweek, Record
Collector, Rolling Stone, Select, Shindig! and Visions.



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30 VINTAGE SNAPSHOTS OF PEOPLE AT BEACHES IN ENGLAND, CA. 1960

 October 25, 2024     1960s, beach, England, life & culture, people   

In the early 1960s, beaches in England were vibrant social hubs, often bustling
with families enjoying their summer holidays. Popular destinations included
places like Brighton, Blackpool, and Margate.


Visitors typically dressed in modest swimsuits, often with matching beach
cover-ups. Deckchairs lined the sands, and traditional seaside activities such
as donkey rides, arcades, and fish and chips were prevalent.


The British seaside experience also reflected the broader societal changes of
the time, including increasing leisure time and the growth of youth culture.


Overall, it was a time of transition and fun, capturing a unique blend of
traditional British seaside charm and the emerging modern influences of the
decade. These wonderful photos were found by MartinJSnelling that show people at
beaches in England around 1960.



Just chilling, England, 1960


Just chilling, Towan Beach, Newquay, England, June 1960


Beach wear, Towan Beach, Newquay, England, June 1960


Beach with ball, England, 1960


Boy on the beach, England, 1960


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45 INTIMATE PHOTOS OF MAYOR KEVIN WHITE’S OFFICE HALLOWEEN PARTY IN 1980

 October 25, 2024     1980s, Halloween, holiday & festival, life & culture,
people   

These photos from the Mayor Kevin White Collection that were taken at a Mayor’s
Office Halloween party on October 30, 1980 at Daisy Buchanan’s, Boston,
Massachusetts.












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