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THE ECHOING SILENCES
OF METAL AND SKIN

DORUNTINA KASTRATI


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THE ECHOING SILENCES
OF METAL AND SKIN

DORUNTINA KASTRATI



Pavilion of the Republic of Kosovo 
60th International Art Exhibition, La Biennale di Venezia


The Echoing Silences of Metal and Skin 
Doruntina Kastrati


Curated by  
Erëmirë Krasniqi 

The sculptural installation The Echoing Silences of Metal and Skin addresses
feminized labor and workplace inequality. Investigating the joint
deindustrialization of the economy and deregulation of the labor market,
Doruntina Kastrati encounters the (im)material forms of precarious employment in
light industries in the aftermath of the 1999 Kosovo War.

The gendered labor in industries like food production has rendered women
economically vulnerable and pushed them to the political margins. Kastrati’s
project engages with the experiences of twelve female workers of a Turkish
delight factory in Prizren, Kosovo’s second largest city and the artist’s
hometown. In part because the factory’s employees perform their work from a
standing position, nearly one third of them undergo knee replacement surgery.
The metal objects that are implanted in their knees are traces of the long hours
they work for low wages.

Kastrati’s installation consists of metal sculptures modeled after the walnut
shells that are used as ingredients in Turkish delights. Charged with symbolic
meaning while alluding to the estrangement of working-class women, the
pavilion’s constituent parts honor first-person narratives and create incisive
associations.

The Venice Biennale is set to run from April 20 to November 24, 2024. 

Commissioned by Hana Halilaj, 
National Gallery of Kosovo 

Organized by the Ministry of Culture, Youth and Sports of the Republic of Kosovo

 


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Pavilion of the Republic of Kosovo 60th International Art Exhibition, La
Biennale di Venezia
With kind support from: