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Books|How Review-Bombing Can Tank a Book Before It’s Published

https://www.nytimes.com/2023/06/26/books/goodreads-review-bombing.html
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HOW REVIEW-BOMBING CAN TANK A BOOK BEFORE IT’S PUBLISHED

The website Goodreads has become an essential avenue for building readership,
but the same features that help generate excitement can also backfire.

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Cecilia Rabess was floored to see her debut novel, “Everything’s Fine,” flooded
with one-star reviews six months before it was even published.Credit...Jim
Wilson/The New York Times


By Alexandra Alter and Elizabeth A. Harris

June 26, 2023Updated 9:50 a.m. ET

Cecilia Rabess figured her debut novel, “Everything’s Fine,” would spark
criticism: The story centers on a young Black woman working at Goldman Sachs who
falls in love with a conservative white co-worker with bigoted views.

But she didn’t expect a backlash to strike six months before the book was
published.

In January, after a Goodreads user who had received an advanced copy posted a
plot summary that went viral on Twitter, the review site was flooded with
negative comments and one-star reviews, with many calling the book anti-Black
and racist. Some of the comments were left by users who said they had never read
the book, but objected to its premise.

“It may look like a bunch of one-star reviews on Goodreads, but these are
broader campaigns of harassment,” Rabess said. “People were very keen not just
to attack the work, but to attack me as well.”

In an era when reaching readers online has become a near-existential problem for
publishers, Goodreads has become an essential avenue for building an audience.
As a cross between a social media platform and a review site like Yelp, the site
has been a boon for publishers hoping to generate excitement for books.



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But the same features that get users talking about books and authors can also
backfire. Reviews can be weaponized, in some cases derailing a book’s
publication long before its release.

“It can be incredibly hurtful, and it’s frustrating that people are allowed to
review books this way if they haven’t read them,” said Roxane Gay, an author and
editor who also posts reviews on Goodreads. “Worse, they’re allowed to review
books that haven’t even been written. I have books on there being reviewed that
I’m not finished with yet.”

Rabess, who quit her job as a data scientist at Google to focus on writing after
selling her novel to Simon & Schuster, worried that the online ambush might turn
people against her book.

“I was concerned about the risk of contagion and that readers and reviewers
would dismiss the work without ever really engaging with it,’ she said. “I felt
particularly vulnerable as a debut author, but also as a Black woman author.”

Despite some accolades — her novel landed on some “most anticipated” books of
the summer lists and was a Good Morning America “buzz pick” — it had a sluggish
start. After its June 6 release, the book sold 1,000 hardcover copies in its
first 10 days, according to Circana BookScan.



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Established authors have also been subjected to review bombing campaigns.
Earlier this month, Elizabeth Gilbert, the best-selling writer of “Eat, Pray,
Love,” received hundreds of negative ratings on Goodreads for her forthcoming
novel, “The Snow Forest,” which is set in Siberia in the mid-20th century. In
her case, reviewers weren’t attacking the book itself, or even the premise — a
Russian family seeking refuge from Soviet oppression in the wilderness. Critics
objected to the fact that Gilbert had set the book in Russia while Russia is
waging war on Ukraine, and lambasted Gilbert as insensitive to the plight of
Ukrainians.



Gilbert’s response stunned the literary world: She swiftly responded to critics
and announced that she was postponing her book, which was slated for publication
in February from Riverhead. Riverhead hadn’t even printed advance review copies
yet.

Gilbert wasn’t the first author to delay her novel when faced with a tsunami of
criticism. The young adult authors Keira Drake and Amélie Wen Zhao postponed
publication of their novels after facing criticism on Twitter and Goodreads that
their depictions of fantasy worlds were racially insensitive. In 2019, the young
adult novelist Kosoko Jackson canceled his debut novel, a love story between two
teen boys set in the late 1990s during the Kosovo War, after drawing withering
critiques on Goodreads.


Image



In a statement, Goodreads said it “takes the responsibility of maintaining the
authenticity and integrity of ratings and protecting our community of readers
and authors very seriously,” and that it has made it easier for users to flag
suspicious reviews.



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Goodreads also said it has taken steps to improve its ability to detect and
remove content that violates the site’s community guidelines, which forbid
reviews that attack authors personally, reviews that attack other reviewers and
multiple reviews by a single user that abuse the rating system.

On Amazon, book reviews indicate whether or not someone has purchased a title,
and Amazon typically does not allow reviews to be posted for books that haven’t
come out yet, with some exceptions. Rotten Tomatoes, a movie review site, says
that users leaving verified reviews must prove they purchased a ticket. But
Goodreads, which was bought by Amazon in 2013, lets any registered user review
or rate a book.

Even books that are still gestating can be reviewed. George R.R. Martin’s long
awaited “The Winds of Winter,” the next installment in his “A Song of Ice and
Fire” series, doesn’t even have an official release date, but it has amassed
more than 10,800 ratings and some 500 reviews on Goodreads.

It’s unclear how Amazon uses the data generated on Goodreads, which offers
insights into readers’ preferences and consumer behavior. The company said that
Goodreads reviews and ratings do not influence its decisions around which books
and how many copies it buys from publishers.

Given its influence, some authors have come to think of Goodreads as a necessary
evil, and a minefield.



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Lincoln Michel, the author of the sci-fi novel “The Body Scout,” said he fears
his books might get review bombed if he tangles with people online.

“As any author who is moderately in the public eye, you do always worry that if
you get into a fight with someone on Twitter about politics or sports or even a
Marvel movie, some angry fans might go leave one-star reviews in retaliation,”
he said.


Image



The occasional critical pile-on might not be a bad thing for Goodreads itself.
As a social platform, part of what Goodreads is offering is conversation and
user engagement, and controversies and debate can drive more comments and time
spent on the platform.

The vitriol can also fly in the opposite direction. Recently, the author Sarah
Stusek posted a video on TikTok criticizing a Goodreads reviewer for leaving a
four-star review of her forthcoming novel, “Three Rivers.” In the video, which
was later removed because it violated the platform’s community standards, Stusek
berated the reviewer for ruining her five star average. After the Goodreads user
amended her review to note that the author was attacking her, fellow Goodreads
members rose to her defense and flooded “Three Rivers” with around 600 one-star
reviews.



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Stusek’s publisher, Sparkpress, announced on Twitter that it was parting ways
with the author, and the novel, which was going to be published in September,
disappeared from the publisher’s website. Stusek said in an email that her video
was intended to be a joke, and that she is planning to self-publish the novel
this fall.

More often, though, a negative spiral is set off by readers.

When Gretchen Felker-Martin sold her debut novel, “Manhunt,” about trans women
trying to survive in a world where a virus is spreading among people with higher
levels of testosterone, she knew some would find the horror story distasteful.
But she was blindsided by what felt like an organized campaign of review bombing
on Goodreads, she said.

People who objected to the novel’s premise “went ballistic, and bombarded the
thing with hundreds and hundreds of negative reviews before anyone had read it,”
she said. Felker-Martin, who is transgender, said she had asked Goodreads to
remove some of the more personal attacks, and asked friends to report hateful
comments, but never got a response, although a couple of reviews were taken
down.

“I don’t think Goodreads has an economic incentive to be any better,” she said.
“It would be just a gargantuan job to significantly monitor the kinds of abuse
that’s being heaped onto people every single day, but there’s certainly some
middle ground between breaking your back trying to deal with all of it, and
dealing with none of it.”



Alexandra Alter writes about publishing and the literary world. Before joining
The Times in 2014, she covered books and culture for The Wall Street Journal.
Prior to that, she reported on religion, and the occasional hurricane, for The
Miami Herald. @xanalter

Elizabeth A. Harris writes about books and publishing for The Times. 
@Liz_A_Harris

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