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AllFilm & TVPitch & Write Stories for Film & TVAaron Sorkin Teaches
Screenwriting

Teaches Screenwriting

Aaron Sorkin teaches you the craft of film and television screenwriting.

Sign Up

Starting at C$13/month (billed annually) for all classes and sessions

TrailerSampleShare

Teaches Screenwriting

Aaron Sorkin teaches you the craft of film and television screenwriting.

Sign Up

Starting at C$13/month (billed annually) for all classes and sessions

TrailerSampleShare

Teaches Screenwriting

Aaron Sorkin teaches you the craft of film and television screenwriting.

Sign Up

Starting at C$13/month (billed annually) for all classes and sessions

TrailerSampleShare


WHAT YOU'LL LEARN

Refine Scripts for Maximum ImpactCraft Pivotal Story BeatsRefine Dialogue in
Your ScriptsIgnite Dramatic Story ConflictsDial Up Authentic DialogueEngage
Audiences With Storytelling

Class InfoRelatedFAQ


ABOUT THIS CLASS

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BROWSE LESSON PLAN

1. INTRODUCTION

04:52

Meet Aaron. He's an Oscar winner, a TV hitmaker, and the writer of some of the
smartest dramas ever to hit the screen. And now, he's your instructor.

Read More...

2. INTENTION & OBSTACLE

10:13

Every great story is born from intentions and obstacles. Learn how to build the
"drive shaft" that will set your script in motion.

Read More...

3. STORY IDEAS

15:24

How do you know if your idea is good enough to turn into a script? Aaron walks
you through the steps every writer should take to test an idea—and decide
whether it will work best in TV or film.

Read More...

4. DEVELOPING CHARACTERS: PART 1

11:46

Aaron shares some of the decisions he made to develop some of his most
unforgettable characters—like The Social Network's Mark Zuckerberg and The West
Wing's Toby and Leo.

Read More...

5. DEVELOPING CHARACTERS: PART 2

15:21

Your characters don't have to be like you—or even likeable. Drawing on examples
from A Few Good Men and Steve Jobs, Aaron explains why he always empathizes with
his characters even if he disagrees with them.

Read More...

6. RESEARCH

09:45

Good research is the key to a great script. Bad research is a waste of time. How
can you tell the difference? Aaron shares lessons from Malice and The Social
Network to help you gather the information you really need.

Read More...

7. INCORPORATING RESEARCH

09:22

You have pages of research—now what? Avoid clunky exposition and learn how to
seamlessly weave research into your story.

Read More...

8. THE AUDIENCE

10:53

Aaron knows that the audience isn't just watching his work. They're
participating in it, too. Learn how to write stories that will keep them engaged
and entertained.

Read More...

9. RULES OF STORY

08:07

The rules of great drama aren't new. Here, Aaron explains how most of them were
laid out more than 2,000 years ago by Aristotle in his Poetics, and how to use
those lessons to become a diagnostician for your own story ideas.

Read More...

10. FILM STORY ARC

11:33

Page numbers don't sound exciting, but they're a great tool for tracking the
act-structure and pacing of your story.

Read More...

11. WRITING HABITS

15:34

Even Aaron gets writer's block. Learn how he gets unstuck and what writing tools
he uses to make sure he's ready when inspiration strikes.

Read More...

12. GROUP WORKSHOP: UNTITLED BY JJ BRAIDER

14:21

While workshopping J.J.'s script, Aaron shares his tips on writing action scenes
that move as fast on the page as they will on the screen.

Read More...

13. GROUP WORKSHOP: E IS FOR EDIE BY JEANIE BERGEN

29:13

The offbeat characters in Jeanie's script are a hit with Aaron, who warns about
the dangers of getting feedback from close-minded studio execs. (Warning:
explicit content).

Read More...

14. GROUP WORKSHOP: CHRONIC BY ROLAND ZALESKI

20:58

Discussing Roland's script, Aaron reveals a simple trick that writers can use to
justify improbable events in their stories.

Read More...

15. GROUP WORKSHOP: THE MERC BY EVELYN YVES

16:53

Evelyn's TV pilot kicks off a conversation about opening scenes and the
importance of showing your audience something they've never seen before.

Read More...

16. GROUP WORKSHOP: FROM HERE TO ALLI BY COREY WRIGHT

18:21

After workshopping Corey's script and learning about his background, Aaron
discusses the importance of having confidence as a writer, and shares his own
origin story, starting with his days as a struggling New York actor.

Read More...

17. WRITING SCENES: PART 1

09:20

A great story is more than just a collection of great scenes. Learn how to give
your script momentum from one beat to the next.

Read More...

18. WRITING SCENES: PART 2

11:41

Your script only has one opening scene. Make it memorable by introducing your
theme, grabbing the audience, and setting up your characters' intentions and
obstacles.

Read More...

19. SCENE CASE STUDY: STEVE JOBS

08:41

In a study of a scene from Steve Jobs, Aaron explains how high stakes, strong
intentions & obstacles, and competing tactics make for an exciting scene to
write.

Read More...

20. SCENE CASE STUDY: THE WEST WING

16:46

Aaron analyzes a classic scene from The West Wing: the scathing confrontation
between President Bartlet (Martin Sheen) and Governor Robert Ritchie (James
Brolin).

Read More...

21. WRITING CAPTIVATING DIALOGUE

12:48

If you want to write Aaron Sorkin-worthy dialogue, learn from the master himself
on how to make music with your words and put them to the test by performing your
own scenes out loud.

Read More...

22. DIALOGUE CASE STUDY: THE WEST WING

12:08

Aaron does a deep dive into the musical nuances of dialogue in the
Bartlet–Ritchie scene.

Read More...

23. REWRITES: FIRST DRAFT

07:50

Rewrites aren't a sign of a bad script; they're a sign of a good writer. Hear
how Aaron reworks and strengthens his screenplays during the rewriting process.

Read More...

24. REWRITES: NOTES

16:34

Rewrites aren't a sign of a bad script; they're a sign of a good writer. Hear
how Aaron reworks and strengthens his screenplays with help from trusted
advisors.

Read More...

25. THE WEST WING WRITERS' ROOM: PART 1

18:36

Aaron creates a virtual writers’ room to “break” part of the Season 5
premiere—an episode he's never seen.

Read More...

26. THE WEST WING WRITERS' ROOM: PART 2

08:09

Aaron discusses what is needed in the teaser of the show and how to reverse
engineer a plot.

Read More...

27. THE WEST WING WRITERS' ROOM: PART 3

16:32

Aaron and the students continue to work together to break episode 501 of The
West Wing.

Read More...

28. THE WEST WING WRITERS' ROOM: PART 4

19:34

How can research drive the plot forward? Aaron and the students discuss the
limitations of the 25th Amendment as a plot point.

Read More...

29. THE WEST WING WRITERS' ROOM: PART 5

22:26

Take Aaron's advice: When you have great characters, use them. Learn how to keep
your protagonists active.

Read More...

30. THE WEST WING WRITERS' ROOM: PART 6

21:21

Who's got a bad idea? Aaron and the students run through various plot ideas as
the writers' room continues.

Read More...

31. THE WEST WING WRITERS' ROOM: PART 7

13:01

As Aaron says, "You don't have to assault the audience with plot." The writers
discuss the value of pacing—plus the limits of reality within fiction.

Read More...

32. THE WEST WING WRITERS' ROOM: PART 8

04:11

Aaron and the students wrap up the virtual writers' room and discuss lessons
learned.

Read More...

33. GROUP WORKSHOP: PITCH SESSION

13:44

You've got a screenplay—now it's time to pitch. Learn what questions Hollywood's
decision makers will ask you during a pitch and how to effectively answer them.

Read More...

34. GROUP WORKSHOP: AARON PITCHES MISSION TO MARS

10:17

Aaron turns the tables on his writers and pitches them his idea for a brand-new
TV series called Mission to Mars.

Read More...

35. CLOSING THOUGHTS

14:45

In the final lesson, Aaron offers his parting wisdom and leaves you with one
more assignment that will last the rest of your life.

Read More...

Aaron Sorkin wrote his first movie on cocktail napkins. Those napkins turned
into A Few Good Men, starring Jack Nicholson. Now, the Academy Award-winning
writer of The West Wing and The Social Network is teaching screenwriting. In
this class, you’ll learn his rules of storytelling, dialogue, character
development, and what makes a script actually sell. By the end, you’ll write
screenplays that capture your audience’s attention.

Instructor(s): Aaron Sorkin

Class Length: 35 video lessons (8 hours 1 minute)

Category: Film & TV, Writing

Topics Covered:Pitch & Write Stories for Film & TVStudy Journalism &
ReportingEdit Your Work & Get It PublishedDevelop Iconic Cinematic
CharactersRefine Scripts for Maximum ImpactCraft Pivotal Story BeatsRefine
Dialogue in Your ScriptsIgnite Dramatic Story ConflictsDial Up Authentic
DialogueEngage Audiences With Storytelling


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