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e - flux Announcement January 18, 2024
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SculptureCenter
Winter 2024 program
e - flux Announcement January 18, 2024
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FotoFest
Critical Geography
e - flux Announcement January 18, 2024
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Kunstverein München e.V.
Winter program 2024
e - flux Announcement January 18, 2024
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Tokyo Arts and Space
Umeda Tetsuya and Oh haji awarded Tokyo Contemporary Art Award 2024–2026
e - flux Announcement January 18, 2024
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transmediale
you’re doing amazing sweetie
e - flux Announcement January 18, 2024
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Mousse Magazine
Mousse #86—Winter 2024
e - flux January 18, 2024
Agenda
GLEAN
Issue 2
e - flux Architecture January 18, 2024
Architecture
VI PER Gallery
Before the Future
e - flux January 18, 2024
Education
Zurich University of the Arts (ZHdK)
Department of Fine Arts
e - flux January 18, 2024
Education
Forecast
Open call for 2024–25 edition
e - flux January 18, 2024
Education
European Investment Bank Institute
Artists Development Programme 2024: geographic focus residency
e - flux January 18, 2024
Education
CIVIC at Basel Academy of Art and Design FHNW
The so called utopia of CIVIC
e - flux Announcement January 17, 2024
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KW Institute for Contemporary Art
Poetics of Encryption
e - flux Announcement January 17, 2024
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The George Economou Collection
Public programming winter 2024
e - flux Announcement January 17, 2024
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Dia Art Foundation
Winter/spring 2024 public programs
More

Criticism


Shubigi Rao’s “These Petrified Paths”
Katherine C. M. Adams
Rockbund Art Museum

A theme of the exhibition is how a struggle over literature and written culture
has led to a fight over ecology, terrain, and the right to live freely on one’s
Indigenous land. In the film, this process is inflected by the historical
function of Armenian literature as a tool of nation-building, forging claims to
place for a people often on the verge of statelessness. As one featured subject
remarks of the region’s history, the Armenian genocide is also “cultural
genocide.”

“Intimate confession is a project”
Valentin Diaconov
Blaffer Art Museum at the University of Houston

Curated by Houston-born curator Jennifer Teets, “Intimate confession is a
project” looks at what her academic inspirations have called “affective
infrastructures.” Here, the phrase denotes a way of thinking through how
infrastructures, designed to facilitate the movement of goods and people with
maximum efficiency, can produce varied emotional affects. In Houston, perhaps
more than anywhere else in America, infrastructure is the city: the crumbling
roads, the non-existent sidewalks, and the looming if stealthy presence of oil
refinement and finance.

An-My Lê’s “Between Two Rivers/Giữa hai giòng sông/Entre deux rivières”
Jacinda S. Tran
The Museum of Modern Art (MoMA)

An-My Lê’s large-format photographs are known for their staging and depictions
of militarized landscapes. Lê focuses on what the visual reveals and obscures;
how a range of quotidian landscapes may be conceived as “always already
military.” Though Lê left Vietnam as a teenager after the fall of Saigon in
1975, the specter of war and its spectacularization informs her approaches to
representation. 

“Green Snake: women-centred ecologies”
Stephanie Bailey
Tai Kwun Contemporary

In the film from which this show takes its title, the single-minded White Snake
pursues the love of a studious male, while the free-wheeling, shapeshifting
Green Snake tries to understand the desire that drives her centuries-long
companion to her doom. In the end, Green Snake rejects the human world with its
apocalyptically heteronormative devotions and questionably immutable morals,
realizing she had known love as an affirmation of life all along. So she returns
to the water, or rather to nature.

What is Wrong with Us?
R.H. Lossin

Even during the best of times—a category for which the present certainly does
not qualify—writing about art requires a certain suspension of disbelief. Simply
engaging in criticism implies a vague normative claim about the social or
political importance of elaborate and often expensive objects. It is a role that
can be hard to defend even, or perhaps especially, when the objects claim a
political position. But since looking cannot be separated from thinking, Josh
Kline’s recent retrospective at the Whitney Museum of American Art (and its
exuberant critical reception) merits some extra attention.

35th Ljubljana Biennale of Graphic Arts, “from the void came gifts of the
cosmos”
Kate Sutton
Ljubljana Biennale of Graphic Arts

The foundations of the Non-Aligned Movement were laid at the Bandung Conference
in 1955, the same year that the Ljubljana Biennale of Graphic Arts launched.
Fresh from its split and subsequent rapprochement with the USSR, Yugoslavia
offered a meeting ground for representatives from both sides of the Iron Curtain
and the biennial was expressly crafted to strengthen these transnational ties,
using a medium—graphic arts—that was cheap and easy to transport or reproduce.

The God of New Beginnings
The Editors

In his 1939 introduction to The Arcades Project, Walter Benjamin quotes Maxime
du Camp as writing that “history is like Janus; it has two faces.” The
implication is that history should not be understood as the steady accumulation
of facts along a receding timeline—“an inventory, point by point, of humanity’s
life forms and creations”—but as the body through which past and future are
joined. We do not study the past to escape the present but to see where we are
going. 

Pacita Abad
Tausif Noor
San Francisco Museum of Modern Art (SFMOMA)

The retrospective at SFMOMA—arriving from the Walker Art Center before stops at
New York’s MoMA PS1 and the Art Gallery of Ontario in Toronto—follows Abad’s
artistic career as it was shaped by global postwar politics from the aftermath
of national decolonization movements in Asia and Africa in the 1960s, through
the humanitarianism of the 1970s and ’80s, and the heyday of multiculturalism in
the US in the 1990s and early 2000s.

Andrea Bowers’s “Joy is an Act of Resistance”
R.H. Lossin
Andrew Kreps Gallery

Choosing a prom as a site of protest is a far more threatening gesture than it
appears at first glance. This is not simply an evening of enjoyment but the
appropriation of ritual training in the heteronormativity that guarantees the
future of capitalism. Proms, like weddings, are florid sites for denying the
violence and exploitation that structures heterosexual relations. .

Journal


Issue #141
December 2023
Editorial
A Positive Concept of Barbarism: Benjamin and the Consequences Sami Khatib
On Paralysis, Part 1 Evan Calder Williams
Cite, Sight, Site: Notes on Citation as a Gesture of Reproducibility Nkule
Mabaso and Serubiri Moses
Gesture as a Visual Language Amol K Patil
Sightings Xinyue Liu
To Follow the Grain Dorota Jagoda Michalska
Le Nemesiache: Erupting Feminist Cosmologies Sonia D’Alto
The Automation of General Intelligence Matteo Pasquinelli
Precarious Solidarities: Artists for Democracy in Historical Perspective, Part 2
David Morris
Proposal for Documenta 16 Manuel J. Borja-Villel and Vasıf Kortun
Download PDF
Issue #140
November 2023
Editorial
Who Pierced the Eyes of Assum Preto? Thotti
Afro Asia and the Ethics of Friendship Joan Kee in conversation with Serubiri
Moses
The Critique of Form (excerpted from Anteaesthetics) Rizvana Bradley
From Tragic Mulatto to Cinematic Blackout Katherine C. M. Adams
Hija de Perra: Writings from a Poor, Aspirational, Sudaca, Third World
Perspective Julia Eilers Smith
Filthy Interpretations: How “Queer Theory” Colonizes Our Poor, Aspirational,
South American, Third World Context … Hija de Perra
Precarious Solidarities: Artists for Democracy in Historical Perspective, Part 1
David Morris
Critical (Auto) Theory McKenzie Wark
Download PDF
Issue #139
October 2023
Editorial
Geriatric Power Luis Camnitzer
No Order Makes Any Sense: A Conversation on Ilya Kabakov Boris Groys and Anton
Khitrov
Politics at Sunset: Theses on Benjamin Mario Tronti
Hospicing Modernity: A Conversation Vanessa Machado de Oliveira Andreotti and
Lucia Pietroiusti
Anarcho-Ecstasy: Options for an Afri-Queer Becoming KJ Abudu
Racial Fascism Alberto Toscano
Capitalism and Schismogenesis, Part 2 Sven Lütticken
Never Born Shane Greene
Download PDF
Architecture


e - flux Architecture January 18, 2024
VI PER Gallery
Before the Future
e - flux Architecture January 17, 2024
V&A
Tropical Modernism
e - flux Architecture January 17, 2024
Columbia University Graduate School of Architecture, Planning and Preservation
Spring 2024 public programs
e - flux Architecture January 16, 2024
La Casa Invisible
Libia Castro & Ólafur Ólafsson and La Casa Invisible
The Rehabilitation of La Casa Invisible—Chapter I
e - flux Architecture January 16, 2024
University of Colorado Denver College of Architecture and Planning
Spring 2024 lecture and exhibition series
e - flux Architecture January 15, 2024
ETH Zürich
ETH with Ukraine—Exchanging Knowledge for a Sustainable and Resilient Future
e - flux Architecture January 12, 2024
EPFL
Faculty position in Architecture and Sustainable Construction
e - flux Architecture January 11, 2024
Daniels Faculty of Architecture, Landscape, and Design at University of Toronto
Winter 2024 public program
e - flux Architecture January 10, 2024
Rice Architecture
Spring 2024 public program
e - flux Architecture January 8, 2024
Citygroup
Joint book launch
Film

Lithium Lake and Island of Polyphony

Liu Chuang
January 15–21, 2024

nimiia cétiï

Jenna Sutela
January 22–28, 2024

Former East/Former West

Shelly Silver
January 1–31, 2024
Events


e - flux Event
e-flux Film Award Ceremony: Inaugural Edition
January 18, 2024, 7pm
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African Film Institute Film Series: Amelia Umuhire
January 23, 2024, 7pm
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Alice Henry and the Collapse of the Western Plateau with Elizabeth A. Povinelli,
Thomas Bartlett, DM Stith, and Sam Amidon
January 25, 2024, 7pm
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Basim Magdy: Flickers of Utopia
January 30, 2024, 7pm
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Paulo Tavares, “Earth Works (Toward a Reparation Architecture)”
February 6, 2024, 7pm
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A performance by Kevin Beasley
February 15, 2024, 7pm
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Spirit Catchers with Annea Lockwood
March 14, 2024, 7pm
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Live performance by Jad Atoui and Robert Aiki Aubrey Lowe
April 30, 2024, 7pm
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Notes


January 17, 2024
Peace to the World

By Oxana Timofeeva
January 11, 2024
Our Anomaly: On Antonio Negri

By Jason Read
January 8, 2024
Open Letter to the Berlin Senate Cultural Administration and to Joe Chialo,
State Minister for Culture and Social Cohesion

We—Berlin-based cultural producers of various disciplines—protest: For the
preservation of the freedom of art and the freedom of expression. Against the
compulsory commitment to the controversial IHRA definition of antisemitism as a
prerequisite for cultural funding from the federal state of Berlin. Against the
political instrumentalization of antisemitism clauses.

January 2, 2024
In Memoriam: Emma Wolukau-Wanambwa, 1976–2023

December 21, 2023
An Essay on Liberation: Breaking Bad

By Christoph Menke
December 19, 2023
In Conversation with Antonio Negri

By Hans Ulrich Obrist
December 15, 2023
Metaeconomic Desire

By Boris Groys
December 13, 2023
Peace as a Space for the Third

By Zdenka Badovinac
December 7, 2023
Absolute Alienation

By Nathan Brown
December 5, 2023
On Dominique Routhier’s With and Against: The Situationist International in the
Age of Automation

By Jason E. Smith
Education


January 18, 2024
CIVIC at Basel Academy of Art and Design FHNW
The so called utopia of CIVIC
January 18, 2024
European Investment Bank Institute
Artists Development Programme 2024: geographic focus residency
January 18, 2024
Forecast
Open call for 2024–25 edition
January 18, 2024
Zurich University of the Arts (ZHdK)
Department of Fine Arts
January 17, 2024
University of California, Davis
Winter public lectures in Art Studio
January 17, 2024
apexart
Student juror program
January 17, 2024
Listaháskóli Íslands – Iceland University of the Arts
MA Fine Art
January 16, 2024
Columbia University School of the Arts
To Transform: spring 2024 public programs and engagement
January 16, 2024
Dr Martin Luther King Jr School Museum of Contemporary Art (KSMoCA)
KSMoCA artists-in-residence and Art + Social Practice MFA at Portland State
University
Feature
Berlin University of the Arts
“art thinking doing art: Artistic Practices in Educational Contexts from 1900 to
Today”
Sandra Neugärtner
Books


e - flux Book April 15, 2020
Practicing the Good: Desire and Boredom in Soviet Socialism
Keti Chukhrov
e - flux Book January 1, 2018
Superhumanity: Design of the Self
Coming Soon
e - flux Book November 3, 2022
Wonderflux: A Decade of e-flux journal
e - flux Book May 1, 2012
Moscow Symposium: Conceptualism Revisited
Projects
Animism

Animism on e-flux.com is a digital project that could also be a cinematic
lecture, a speculative text performed by voices, images, and sounds, or a guided
tour through an archive with multiple points of entry.

Podcasts
Dena Yago on the "Content Industrial Complex"
00:33:17
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