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nbmaa56
New year...new on view! As we welcome in the new year, let's take a look at this
Frank Stella print that is new to the NBMAA's permanent collection.

Frank Stella is a leading American painter, sculptor, and printmaker associated
with minimalism and post-painterly abstraction. "Cantahar from Imaginary Places
III" was recently gifted to the NBMAA by Anita Arcuni Ferrante, and it is
currently on view in the McKernan Gallery.

Plan a visit to the NBMAA to see this large, colorful print in person!

Frank Stella, "Cantahar from Imaginary Places III," 1998, Lithograph, screen
print, relief etching, engraving, and aquatint on handmade paper, 52 1/2 x 52
1/2 inches, Gift of Anita Ferrante, 2010.100

#nbmaa #frankstella
Read more
@nbmaa563 days ago

nbmaa56
Wishing you a happy New Year's Eve full of light and joy! ✨

Mundy Hepburn, "Joyous Windows," 2003-2006, Hand-blown glass, phosphor, argon,
helium, krypton, neon, radon, xenon, small static electric charge, Charles F.
Smith Fund, 2006.00

#nbmaa #newyears #newyearseve #glassart @mundymhepburn
Read more
@nbmaa564 days ago

nbmaa56
Thank you to everyone who shared in these wonderful moments with us at the NBMAA
this year.

#nbmaa #2022 #artmuseum #museum #visitct #newbritainct #hartfordct
Read more
@nbmaa565 days ago

nbmaa56
Special exhibition "Ansel Adams and the Legacy of the American Landscape:
Photographs from the NBMAA" opens on January 19.

Among the most revered photographers of the 20th century, Ansel Adams is
celebrated for his majestic black-and-white images of the American West. For
nearly 60 years, Adams explored and recorded the grandeur of nature, initiating
a lyrical way of viewing the world in photographs that convey beauty, awe, and
emotional drama. Advocating "pure" photography favoring sharp focus, Adams
placed great value on technical mastery and elevated photography as an art form
throughout the 20th century.

"Ansel Adams and the Legacy of the American Landscape: Photographs from the
NBMAA" considers Adams’ immeasurable contributions to photography, art, and
environmental advocacy over the past century. The exhibition places iconic
images by Adams in dialogue with works by photographers who practiced during and
after his life to provide deeper perspectives on themes central to his practice,
demonstrate the power of his legacy, and inspire consideration about the state
of the American landscape in the 21st century.

Learn more about the upcoming exhibition at
nbmaa.org/exhibitions/ansel-adams-and-the-legacy-of-the-american-landscape-photographs-from-the-nbmaa

Image: Ansel Adams, "Winter Storm," 1940, Silver gelatin print, 7 3/8 × 9 in.
(18.7 × 22.9 cm), Private Collection, L.2016.8.9LTL

#nbmaa #anseladams #photography
Read more
@nbmaa566 days ago

nbmaa56
These are the final days to see special exhibition "American Realism Today."

Originally an abstract painter, Charles Yoder shifted to figurative art after a
pivotal night when he found himself standing in the shadows of a pine forest in
deep snow under a sparkling full moon. The simple beauty of what he saw led to
an epiphany: all that he had been looking for in painting was there before him.
Struck by that image, his subsequent work became a meditation on that glimpse.
He has worked ever since to share that exhilarating sensation.

Yoder was raised and educated in Europe and the United States, where he finished
his formal education with a BFA from Pratt Institute, Brooklyn. He teaches
printmaking at the School of Visual arts and served as director of Castelli
Graphics and curator to acclaimed artist Robert Rauschenberg.

Learn more about the exhibition and plan a visit before January 1 at
nbmaa.org/exhibitions/american-realism-today

Charles Yoder, "Rhythm in Blues," 2013, Oil on canvas, Collection of the Artist

#nbmaa #realism
Read more
@nbmaa561 week ago

nbmaa56
See this and other photographs from Burtynsky's "Quarries" series in special
exhibition "Edward Burtynsky: Earth Observed."

Burtynsky's "Quarries" series explores the extraction of "dimension
stone"—blocks of granite or marble that are used in architecture or tombstones.
Measuring over 600 feet deep and among the largest "deep-hole" dimension
quarries in the world, the Rock of Ages granite quarry in Barre, Vermont,
immediately captivated Burtynsky and became the source of many of his most
iconic early images. Established in 1885, Rock of Ages now operates ten active
quarries in and beyond Barre; however, Burtynsky was fascinated by its abandoned
and inactive sites in particular, where nature can be seen reclaiming terrain.
Located throughout these quarry sites, stagnate pools of water radiate in deep
teal blue or bright turquoise colors created by algae that feed on the mineral
deposits in the water. Deceptively tranquil, the pools are often hundreds of
feet deep.

"Edward Burtynsky: Earth Observed" is on view at the NBMAA through April 16,
2023.

Learn more about the special exhibition and plan your visit at
nbmaa.org/exhibitions/edward-burtynsky-earth-observed

Edward Burtynsky, "Rock of Ages #8, Abandoned Section, Wells-Lamson Quarry,
Barre, Vermont," 1991, Chromogenic print, 34 x 41 inches (framed), Private
Collection

#nbmaa @edwardburtynsky
Read more
@nbmaa561 week ago

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