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THE MUSIC MAKERS


THE INHERITANCE


THE SON OF A WORLD DIPLOMAT, NEE QUAISON-SACKEY IS ALSO COMMITTED TO BRINGING
PEOPLE TOGETHER.

By Andrew Gilbert




THE MASONS OF JAZZ

BY MICHELLE SIMONE


DIVERISTY IN FRIENDSHIP

BY ANTONE R.E. PIERUCCI



Nenyi Quaison-Sackey grew up with a front-row seat to the daily drama of
high-stakes diplomacy and international intrigue. As son to Alex Quaison-Sackey,
the Ghanaian politician and former president of the General Assembly of the
United Nations, “Nee,” as he is known, was surrounded by a who’s-who of foreign
dignitaries. In such a heady environment, expectations for him were
understandably high. 

Ultimately, though, he chose not to follow in his father’s footsteps. But
Quaison-Sackey has nevertheless led a life dedicated to bringing people
together. Rather than courts and treaties, he’s relied on two other family
traditions to do so: music and Masonry. 

“Being Ghanaian, you’re expected to be a lawyer, doctor, or engineer, but my dad
always wanted me to do what I wanted,” Quiason-Sackey says from his home in
Ventura, where he co-leads the jazz and world music duo Native Vibe. While his
three brothers followed more traditional paths, the youngest Quaison-Sackey
chose to blaze a trail of his own. 

Quaison-Sackey first experienced the power of music from a young age. Born in
New York City, he returned with his family to Ghana at the age of four. At the
time, his father was rising through the West African nation’s diplomatic ranks,
and in 1964 he became the first Black African elected president of the UN
General Assembly. But as important as international relations were to the
family, so too was music. The young Quaison-Sackey quickly found an essential
role at home as an aide to his paternal grandfather, a composer who’d lost his
eyesight, by reading and notating music for him. 

 


THE MUSIC MAKERS

Three Mason-musicians
honing their craft


NEE QUAISON-SACKEY


RYAN MAGINN


TERENCE TREVOR PANGANIBAN





Quaison-Sackey’s father also had a deep-seated passion for music. In a widely
reported 1960 encounter, he took the stage at Manhattan’s Birdland Jazz Club in
traditional Ghanaian garb to play the kpanlogo barrel drums while cheered on by
jazz legend Buddy Rich. However he didn’t view music as a sensible career
choice. Consequently, Quaison- Sackey hid his career ambitions from him, and did
so until his father died in 1992. 

Most of that career has been spent with Native Vibe, the group Quaison-Sackey
cofounded in 1991 in San Diego with guitarist Bill MacPherson. MacPherson grew
up the child of missionaries in the Democratic Republic of the Congo, and in
Quaison-Sackey he found an artist similarly versed in jazz and various African
musical idioms. Together, they’ve released nine Native Vibe albums, most
recently 2020’s Who Does That?!, and collaborated on numerous solo projects. 

In addition to music, Freemasonry is another part of Quaison-Sackey’s family
heritage. Many of his maternal uncles were Freemasons in Ghana, and his father’s
uncle, Ebenezer Amos Sackey, was grand master of the District Grand Lodge of
Ghana. Rather than let that tradition die out, Quaison-Sackey was initiated into
Masonry in Ghana in 2004 as part of Mfantsipim Lodge No. 7260, which operates
under the United Grand Lodge of England. Only after being raised as a Master
Mason there did he discover that his father had been a Mason and a founding
member of a lodge for foreign service officers in Ghana. 

After living for several years in Sierra Leone, where he was master of a lodge
in Freetown, Quaison-Sackey returned to California in 2010 and settled near
MacPherson so the pair could pursue their music more seriously. Still involved
with the lodges in Africa, he affiliated with Channel Islands Lodge No. 214 in
2012. 

Today, Quaison-Sackey is the lodge’s junior warden, but more than influencing
his music, he says Masonry has shaped the way he relates to others. “It’s very
easy to develop an ego when you become a musician,” he says. “Being a Mason has
taught me that we’re all on the same level. Music is a language each of us
speak. It connects with something we all have in common.” 




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PHOTOGRAPHY CREDIT:
Russ Hennings/Moonbeam Studios

Categories:
Feature, Member Profile
Tags:
Music, Pop Culture


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