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Home / Collections / All / Wandering Rebel (Pre-Order)


WANDERING REBEL (PRE-ORDER)

Juan Wauters

Your pre-order will ship by Jun 02, 2023. Please note that ALL items included in
your order will ship at the same time. If you wish to have a partial order
shipped, you will need to make two separate orders.

Cerulean Vinyl $ 21.00

Digital $ 9.00




 * Limited edition Cerulean Vinyl includes an exclusive poster insert. Limited
   to 500 copies.

There's freedom to be found in consistency. Until recently, Juan Wauters may not
have agreed with this statement. As a touring musician and multinational
citizen, transience had always come naturally to him. Circumstance, however,
recently prompted him to reconsider the benefits of staying in one place:
“During COVID I discovered / that I like stability,” he muses on the title track
of his new album, “but the world still sees me / as a wandering rebel.” His most
introspective work to date, Wauters’ sixth solo album Wandering Rebel finds the
artist taking stock of how he’s changed, how the world sees him, and what he
wants out of life. 

From his early days as a founding member of Queens-based garage act The Beets to
his impressive solo career, Wauters has spent the better part of the last decade
on the road. When he wasn’t touring or recording, he was gathering material,
traversing Latin America to write his 2019 Spanish-language opus La Onda de Juan
Pablo, then heading North to collaborate with friends like Mac DeMarco,
Homeshake, Nick Hakim and more for 2021’s boisterous Real Life Situations. Apart
from intermissions in his home base of Jackson Heights, Queens, Wauters has been
notoriously hard to pin down. 


The lack of touring in the years following the 2020 pandemic lockdown, however,
brought Wauters’ wayfaring lifestyle to a screeching halt. After spending the
majority of the year at home in New York, he relocated to Montevideo, Uruguay at
the end of 2020, prior to the release of Real Life Situations. It would be
another year before he’d be able to tour again, and over the course of that
year, he embarked on voyages to LA and New York, with the aim of recording full
albums in each city. Though many of the songs from these sessions did make it
onto Wandering Rebel, the final product is, like Wauters himself, impossible to
attribute to just one place. And each time he returned to Montevideo from these
sojourns, he realized the unexpected had happened–he’d put down roots. His
short-term stay had become a long-term relocation, and a casual romance had
turned into a serious partnership. “If touring never came back,” Wauters
reflects now, “I would have been at peace [with it]. New York was the place I
always came back to, but I never really had a ‘home.’ My parents left Uruguay,
their home, when I was young. Now, [in Montevideo], I have a place to come home
to, and people that are waiting for me.” 


Written mostly during this extended break from touring, the songs on Wandering
Rebel are candid reflections on subjects like career (“Wandering Rebel”),
romantic commitment (“Amor Amor”), mental health (“Nube Negra”) and the personal
toll of touring (“Let Loose”). Wauters’ lyrics have always had a refreshing
sincerity, but he seems to be at his most open on this record. “I’m looking to
have a family,” he states on “Wandering Rebel,” “so if this music thing not pick
up / we’ll have to make some changes up in here.” 


He extends that same bemused frankness to the world around him as well: on
“Modus Operandi,” he voices his frustration with New York’s fairweather
residents, who fled the city at the onset of the COVID-19 lockdown. “It’s
happened time and time again,” he laments, “when it gets rough out here / People
that have options go back to their suburbs.” Vocal contributions from fellow New
Yorker Greta Kline (Frankie Cosmos) add to the chorus of playful disapproval. On
the singalong-worthy “Millionaire,” he turns his eye to the west coast: “It’s
hard to get around Los Angeles / If you don’t have a car / I’m staying in a
privileged part of town / It’s suspicious for me to be walking.” 


The clarity with which Wauters approaches these subjects lyrically is reflected
in the music as well. His trademark eclecticism is still present (fans of Real
Life Situations’ spirited hip-hop should look to track 6, “Bolero”), but it’s
more refined this time, anchored in his signature Latin-influenced indie folk.
Wandering Rebel is peppered with delicate additions that add depth throughout:
rain sounds and hand drums on “Nube Negra,” a strings section on “Modus
Operandi,” a gentle vibraphone on “Amor, Amor.” Some of these are classic
Wauters touches, but others are owed to outside influences, like production from
Brooklyn-based Carlos Hernandez (Ava Luna, Carlos Truly) and Brazilian indie
artist Sessa, as well as vocal contributions from Kline, Luz Elena Mendoza (Y La
Bamba), Zoe Gotusso, and Super Willy K. 


Throughout Wandering Rebel, Wauters attempts to reconcile the stability he’s
come to enjoy with the nomadic restlessness that’s characterized his life thus
far. In the end, though, it’s the interplay of both of these elements that makes
the album so strong. Though it’s marked by introspectivity, it was recorded in
classic Wauters fashion, with numerous collaborators on trips to New York, LA,
Brazil and Argentina. At the same time, its cohesion is owed to a period of
reflection that’s only possible in repose. Wauters’ moments of honest
self-reflection lend depth to his penchant for playful musical experimentation,
while his ever-growing network of collaborators across the globe add nuance and
fluidity to his songwriting. 


For a brief period during the writing process, Wauters spent a month alone in a
remote Uruguayan beach town, armed with only an iPad (which he charged using a
solar panel) and his thoughts. In the end, only one song from this stint made it
onto Wandering Rebel (“Mensaje Codificado”), but somehow the entire album feels
as if it’s written from this vantage point: an artist, back in his home country,
looking out at the world and considering the life that’s led him there. 





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