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* Home * Who we are * What we do * Whats On * Current Projects * Past Projects * Evidence * Annual Reports * Case studies * Evaluation + Essay * Awards + Reviews * Communications * Media * Blog * Shop * Cart * Join Us * Donate * Impact Investment * Partnerships * Get in Touch * Contact Us * Seek help PAST PROJECTS EXPLORE 28 YEARS Since 1992, Big hART’s layered projects have provided innovative solutions to complex disadvantage in over 52 communities nationwide. * 2010 - 2020 * 2000 - 2009 * 1992 - 1999 Watch Video NAMATJIRA PROJECT 2009 – 2016, Alice Springs, Hermannsburg NT and nationwide Make – a theatre production, sell-out exhibitions of watercolours including London and Parliament House Canberra, audiences with Queen Elizabeth, Prince Phillip and Prince Charles, painting masterclasses, public talks, media stories, community development workshops, a watercolour app, a soundtrack CD, and work in the Hermannsburg School. Build + Drive – intergenerational knowledge sharing, justice for the Namatjira family, capacity for Western Aranda communities and change regarding the chronic under funding of Aboriginal art centres. The Legacy project is ongoing. See Namatjira Documentary / Trust Visit Website YIJALA YALA 2011 – 2015, Roebourne, WA Make – A range of content was created with the Roebourne community across genres such as video, performance, games, interactive comics, and concert. These included highly awarded and well reviewed works such as Hipbone Sticking Out, Neomad, Murru, and Smashed Films. Build + Drive – To builds skills and opportunities for Roebourne that reshape its story, build futures for its young people, and value its cultural heritage. The Legacy project is ongoing. See New Roebourne Watch Video BLUE ANGEL 2013 – 2015, Hobart TAS, Sydney NSW, Melbourne VIC, Adelaide SA, Rotterdam NDL Make – A site-specific performance work, created for Tasmania’s Ten Days on the Island Festival, staged in 9 venues. Involving international artists such as Peter Greenaway, along with Mikelangelo (The Black Sea Gentlemen), Kerry Armstrong, Nate Gilkes and many others. Build +Drive – There are 1.3 million seafarers working on the oceans, around 700,000 are essentially invisible slaves. Blue Angel Project comprised many different strategies to help highlight the hidden story of contemporary slavery at sea. The Legacy project is ongoing. See Blue Angel International Watch Video PROJECT COSMOPOLITANA 2013 – 2015, Cooma, Monaro NSW Make – An album of songs by The Black Sea Gentlemen capturing the stories of the Snowy Mountain Scheme and the alpine region. A theatre performance Ghosts in the Scheme was based on stories by the elderly residents, many of whom arrived in Cooma displaced from Europe after WW2 – to build the Snowy Mountains Scheme. Build + Drive – At a time of national debate regarding refugee policy, this project set out to tell the hidden stories of success that made this country when our doors and borders were open wider. TO A DIFFERENT DRUM 2014, Wynyard TAS Make – A whole-of-school engagement in creativity (pilot project). TADD was a large scale production based on movement and percussion, which involved bringing a professional creative and technical team to work in one of the poorest schools, in the poorest electorate in the country. Build + Drive – Creativity at the centre of engagement in education. Watch Video INVISIBLE STORIES 2014, North West TAS Make – Short films created with people who are isolated from the mainstream community due to disabilty. Build + Drive – Invisible stories piloted the use of narrative as a protective mechanism in the community. By mentoring young people to tell these stories it increased understanding and empathy in the community for the most vulnerable. Watch Video MUSEUM OF THE LONG WEEKEND 2012 – 2013, Canberra, ACT and nationwide Make – A national project created for the Centenary of Canberra. Vintage caravans from across the country converged on Canberra in multiple convoys over a week, stopping and camping, cooking and talking together en route. On arrival they created a pop up museum on the shores of Lake Burley Griffin, celebrating the importance of leisure to the national wellbeing. Build + Drive – artists were paired with caravan owners to bring aspects of their leisure memories to the fore as an installation in their vintage van. They owners then hosted the public in their exhibition, telling their story. WINTER BED VIGIL 2013, Canberra ACT Make – An outdoor bed installation where members of the public sleep and watch films made with homeless people in Canberra. Build + Drive – Awareness and change regarding the issue of homelessness in Canberra’s winter. Created in partnership with community groups effected by bushfires in the Canberra region. Watch Video NGAPARTJI NGAPARTJI 2005 – 2010, Alice Springs NT, Ernabella, SA, National Festival Tour, Rotterdam Make – A layered, 5 year project involving an award winning theatre piece, a national tour, performances in London and Garma festival, an online language and culture teaching site, community workshops and a documentary. Build + Drive – The project pushed for a National Indigenous Language Policy and recognition for Indigenous victims of the Maralinga atomic testing. WE VOTE SOON 2011, Wynyard TAS Make – An online live broadcast by young people, who are close to voting age, putting their concerns to politicians, created with professionals in a high school. Build + Drive – Encouraging young people to value and engage with democracy, and politicians to engage with the next generation of voters. Watch Video NYUNTU NGALI 2009 – 2010, Mimili, Ernabella SA, Alice Springs, NT Make – Cross-cultural theatre work for young people set in a post-apocalyptic world. Co-production with Windmill National Children’s Theatre, and presented by Sydney Theatre Company. Build + Drive – Encouraging inter-cultural dialogue between young people. Increasing visibility and opportunities for Pitjantjatjara performers, and extending community legacies from Ngapartji Ngapartji. TWO STRONG HEARTS 2010, Wynyard TAS Make –A whole of school engagement project, providing the opportunity for disadvantaged rural young people to explore potential careers and involvement in the creative industries. A large scale performance piece for a cast of 80. In a town with a population of 5000, 2300 attended. Build + Drive – With lower than average school retention rates, this project piloted new approaches to engagement in education, with a focus on the creative industries. DRIVE 2007 – 2009, North West TAS An award-winning documentary about autocide and risk-taking by rural young men. Drive also produced teacher’s notes and web episodes and screened in festivals internationally. View the DRIVE documentary here GOLD 2006 – 2009, VIC, NSW, QLD A series of workshops, videos and installations looking at drought, water and depression in the Murray Darling Basin. GOLD worked with urban young people and brought them together with farming families, concluding with a photographic installation at Carriageworks in Sydney. To see some video content from the GOLD Project, go here DRIVE IN HOLIDAY + RADIO HOLIDAY 2005 – 2009, North West TAS, Melbourne VIC These 2 large projects combined caravans with media – radio and video, to tell the hidden story of Tasmania’s fragile shack communities. The team of story-collectors and performers were made up of single teenage mothers. It was presented as part of Tasmania’s Ten Days on the Island Festival, toured statewide twice, and travelled to Federation Square as part of Melbourne International Arts Festival. LUCKY 2005 – 2009, North West TAS An extended project working with at-risk young mothers and their children through a suite of strategies that created new pathways and networks for participants, engaging them in the community. JUNK THEORY 2007 – 2009, Cronulla NSW, Hobart TAS, Adelaide SA A floating video and sound installation on a Chinese junk in Sydney Harbour, created with young people from the Sutherland Shire in response to the Cronulla riots, and promoting community inclusion. Presented as part of Sydney Festival, Adelaide Festival and Tasmania’s Ten Days on the Island Festival. THIS IS LIVING 2007 – 2009, Statewide TAS A project to value the elderly, This is Living combined older people in the community with skateboarders, with workshops running simultaneously in 5 towns across Tasmania. Toured for the Tasmanian Ten Days on the Island Festival. LOVE ZOMBIES 2008 – Wynyard, TAS A creative industries collaboration with Wynyard High School, piloting whole of school approaches to Arts in Education. The approach gained the eye of evaluators and educationalists. In a town of 5000, 2000 attended. NORTHCOTT PROJECT 2004 – 2006, Sydney, NSW A public housing, community development and violence prevention project in a notorious housing commission estate in Surry Hills, Sydney. This partnership with Housing Dept. and the Police resulted in a large site specific, hybrid theatre work for the 2006 Sydney Festival, short films and two award winning documentaries. You can watch the documentary 900 Neighbours here. CHAMBERS CRESCENT THEATRE 2006, Darwin NT A legacy project following on from Nuff Stuff in Darwin, supporting an intercultural theatre program for young people. STREET SURVIVOR MELBOURNE 2001 – 2004, Melbourne, VIC An innovative gaming platform, exploring reasons why young people flee their homes. KNOT@HOME 2001 – 2004, NSW, VIC, WA, TAS A complex, long-term project examining different concepts of being without a home, from refugees to street kids. Resulted in a festival performance piece, an 8 part SBS documentary series, a website and teachers notes. Presented at the Sydney Opera House, and as part of Melbourne International Arts Festival. To see some video content from the kNot@Home Project, go here SLEEP WELL 2003 – 2004, Bourke NSW A project working with young Indigenous mothers – helping to provide support, build connections and new pathways. THE BED VIGIL 2002, Melbourne VIC Linked to kNot@Home, The Bed Vigil invited high profile people and the general public to register with the project and sleep in a bed on the streets, to help raise awareness of rough sleepers. The Bed Vigil opened Federation Square as part of Melbourne International Arts Festival, with people sleeping and watching short films made with people at risk of homelessness, 24 hours a day. RU&I@1 2002 – 2004 Sutherland Shire, NSW A partnership with Hazelhurst Regional Gallery in the Sutherland Shire, working with young people and artists, creating installations, short films and artworks. NUFF STUFF 2001 – 2005, Darwin NT A theatre performance created in the notorious Don Dale Juvenile Justice Centre. In a breakthrough moment, inmates were allowed to perform in the Darwin Entertainment Centre, and the general public were welcomed into the prison to watch the performance. HANDLE WITH CARE 2002 – 2004, Northern NSW Part of the NSW Drug Misuse Prevention Strategy, it involved a wide variety of workshops, engagement strategies and events with young people. STEPPING STONES 2003 – 2004, Bourke NSW A project working with NSW Health, delivering health and social participation outcomes for young mothers. 24HR SHIFT 2001 – 2003, West Coast TAS A series of arts based workshops with isolated young people, resulting in public recognition of the issues they faced. WRONG WAY GO BACK 2000, Darwin NT A workshop program with young offenders in Don Dale Detention Centre, resulting in the performance of Nuff Stuff at the Darwin Entertainment Centre. HEAPS OF ROCKS 2000, West Coast TAS A performative video installation created with isolated young people at risk. HAPPY WATER SAD WATER 1999 – 2000, Manly Beach NSW A performance installation working with Sydney’s Chinese community, in partnership with Manly Gallery, exploring xenophobia and drowning. The performance toured to Adelaide Festival as part of ‘Big hART Works’. HURT 1998 – 1999, NSW, VIC, TAS An AFI award winning fictionalised documentary. This unique film, worked across vast geographies with young people to tell stories of hurt, showing in film festivals internationally. SLR 5000 1998, West Coast TAS A performance piece created in workshops with isolated young people exploring the issue of family violence. SCISSORS, PAPER, ROCK, CEREAL 1997, Illawarra NSW A theatre performance at Theatre South in Wollongong, from a workshop process with young people who had witnessed extreme violence. GUNS TO PENS PROJECT 1996 – 1997 Wagga Wagga NSW, Canberra ACT Working in juvenile justice centres, young offenders learned to turn the wooden rifle butts into pens, live on stage, as part of a performance piece. INKWINGS, THREE MEN WALK INTO A BAR 1994 – 1997, Burnie TAS A performance piece created with single teenage mothers exploring the issue of family violence. Inkwings workshops also taught young mothers good early childhood play approaches. PANDORA SLAMS THE LID 1993-1994, North West TAS Workshops and a touring theatre work for young people exploring HIV and intravenous drug use. GIRL 1992-1994, North West TAS, Canberra ACT A workshop program with young offenders to create a large theatre performance, exploring the inner turmoils and issue that lead too offending behaviour. Performed at the National Festival of Australian Theatre, Canberra. -------------------------------------------------------------------------------- FOR MORE INFORMATION ON PAST PROJECTS Contact: Sam Hawker | National Producer | sam@bighart.org SIGN UP. Keep in touch with our nationwide projects and latest news Along with joining the Big hART National E-news would you like to join another newsletter list? Quarterly Roebourne E-News Quarterly Tasmanian E-News Submit CURRENT PROJECTS * New Roebourne Project * 20+20 * Acoustic Life of Sheds * Project O more IMPACT INVESTMENT Big hART is diversifying it’s funding streams to include impact investment opportunities. Impact Investments are made to generate both a financial, and a measurable social return. more QUICK LINKS. * About us * Media * Resources * Contact * Donate * Site Design Credits * * * * Big hART acknowledges the traditional owners of the many lands on which we work, and pays respect to elders past and present. Always was, always will be, Aboriginal land.