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* Amps
* Vintage Tweed
* Original Designs
* Reverberato
* Videos
* SWAG
* About Us
* News & Reviews
* Dealers
* Contact
* Amps
* Vintage Tweed
* Original Designs
* Reverberato
* Videos
* SWAG
* About Us
* News & Reviews
* Dealers
* Contact
* Follow
* Follow
THE TONE YOU CRAVE,
THE PERFORMANCE YOU TRUST
Find Your Dealer
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CHERRY BOMB
USA BUILT • LIFETIME WARRANTY
Find Your Dealer
RELATED PRODUCTS
* PULLOVER HOODIE
* 11 OZ. WHITE MUG WITH VICTORIA LOGO
* 11 OZ. BLACK MUG WITH VICTORIA BUG
* 15 OZ. BLACK MUG WITH VICTORIA LOGO
“YOUR AMPS ARE SIMPLE, STRAIGHT FORWARD & PURE”
SEE WHY IT’S “THE AMP ELIMINATOR”
“CAN’T IMAGINE AN AMP SOUNDING BETTER…”
“THE TONE AND BUILD QUALITY ARE AMAZING”
GOLDEN MELODY….THE BEGINNING OF THE APOCALYPSE?
HIS SILVER SONIC HAS “MYSTICAL ABILITIES”
JOHN MAYER LOVES HIS REVERBERATOS
JOE BONAMASSA AND HIS ‘LIVE’ VICTORIA SETUP!
BLACK KEYS – DAN AUERBACH, AMP RIG EXPLAINED!
MODEL 20112….NO QUESTION, JUST PRAISE!!
“BEST SOUNDING & MOST FUN AMP EVER”
SILVER SONIC REVIEW IN VINTAGE GUITAR
DEMO VIDEO FROM OUR GOOD FRIENDS AT CHICAGO MUSIC EXCHANGE
UNDERSTANDING YOUR OUTPUT TRANSFORMER PART ONE BY MARK BAIER
“THE MOST BEAUTIFUL SOUNDING AMP I HAVE EVER PLAYED”
HILLBILLY ROCKSTARZ SCOTT LEWIS WITH HIS VICTORIETTE
VICTORIA AMPLIFIER COVERS AVAILABLE FOR ALL MODELS
STEADY ROLLIN’ BOB MARGOLIN W/ HIS VICTORIA GOLDEN MELODY
DOUG LOVES HIS SILVER SONIC
BOB MARGOLIN TALKS ABOUT HIS VICTORIA AMPLIFIERS
“YOUR AMPS ARE SIMPLE, STRAIGHT FORWARD & PURE”
SEE WHY IT’S “THE AMP ELIMINATOR”
“CAN’T IMAGINE AN AMP SOUNDING BETTER…”
“THE TONE AND BUILD QUALITY ARE AMAZING”
GOLDEN MELODY….THE BEGINNING OF THE APOCALYPSE?
HIS SILVER SONIC HAS “MYSTICAL ABILITIES”
JOHN MAYER LOVES HIS REVERBERATOS
JOE BONAMASSA AND HIS ‘LIVE’ VICTORIA SETUP!
VINTAGE TWEED
MODEL 518
TRIBUTE TO THE FENDER 5F1 CHAMP
LOW-POWER • VINTAGE TWEED
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MODEL 5112
FAITHFUL RECREATION OF LEO FENDER’S 5F1
LOW-POWER • VINTAGE TWEED
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MODEL 20112
SEMINAL TOOL FOR STUDIO & CLUB WORK
LOW-POWER • VINTAGE TWEED
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IVY LEAGUE
LOVING RECREATION OF CLASSIC 5F10 FENDER
LOW-POWER • VINTAGE TWEED
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DOUBLE DELUXE
LIKE TWO DELUXES IN ONE CABINET
HIGH-POWER • VINTAGE TWEED
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MODEL 35210
SMOOTH & AGRESSIVE OVERDRIVEN TONE
HIGH-POWER • VINTAGE TWEED
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MODEL 35310
POPULAR CHOICE W/ OUR GIGGING CUSTOMERS
HIGH-POWER • VINTAGE TWEED
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MODEL 35115
BIG FAVORITE IN THE CITY OF BIG SHOULDERS
HIGH-POWER • VINTAGE TWEED
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MODEL 45410
OUR LOVING RECREATION OF THE ’59 BASSMAN
HIGH-POWER • VINTAGE TWEED
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MODEL 50212
MOST COVETED 50 WATT TONE MONSTER
HIGH-POWER • VINTAGE TWEED
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MODEL 80212
OUR RENDITION OF LATE ’50S 80 WATT TWIN
HIGH-POWER • VINTAGE TWEED
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MODEL 80410
80 WATTS ROARING THROUGH 4-10″ SPEAKERS
HIGH-POWER • VINTAGE TWEED
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ORIGINAL DESIGNS
SILVER SONIC
3D SONIC IMAGINING UNLIKE ANY OTHER AMP.
LOW-POWER • ORIGINAL DESIGN
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CHERRY BOMB
FIRE-BREATHING VERSION OF OUR POPULAR “ELECTRO KING”
HIGH-POWER • ORIGINAL DESIGN
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TREM D’LA TREM
BASED ON VENERABLE FENDER 5E9-A TREMOLUX
LOW-POWER • ORIGINAL DESIGN
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ELECTRO KING
JEFF TWEEDY HAS ONE, DO YOU?
LOW-POWER • ORIGINAL DESIGN
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GOLDEN MELODY
FULL RANGE 50 WATT 2×12 COMBO
HIGH-POWER • ORIGINAL DESIGN
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VICTORILUX
REVERB & TREMOLO – JUST READ THE REVIEWS
HIGH-POWER • ORIGINAL DESIGN
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HIGH POWER VLUX
REVERB & TREMOLO – JUST READ THE REVIEWS
HIGH-POWER • ORIGINAL DESIGN
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VICTORIETTE
PLAYERS INSTANTLY ENAMORED WITH THIS AMP.
LOW-POWER • ORIGINAL DESIGN
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REGAL
PURE, CLASS A DESIGN W/ REVERB & TREMOLO
HIGH-POWER • ORIGINAL DESIGN
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TWO-STROKE
TWO STROKE AMP KIT
LOW-POWER • ORIGINAL DESIGN
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VICKY VERB
MOST SATISFYING SMALL AMP WE’VE EVER MADE
LOW-POWER • ORIGINAL DESIGN
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CLUB DELUXE
20 POWERFUL WATTS THROUGH 1-12″ SPEAKER
LOW-POWER • ORIGINAL DESIGN
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VICTORIA SOVEREIGN
MOST SOULFUL, VERSATILE JTM45 STYLE AMP AVAILABLE.
HIGH-POWER • ORIGINAL DESIGN
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VICTORIA REVERBERATO
YOU’LL NEVER WANT TO TURN THIS THING OFF.
The Victoria Reverberato is our take on a classic Fender-style reverb tank with
vibrato included. The reverb circuit is based on ’65 Blackface Twin reverb,
while the vibrato circuit is derived from a ’63 Brownface Concert.
These things aren’t easy to make, they are easily the most labor-intensive
product in the Victoria line. You’ll immediately see why once you plug one of
these into your signal chain. The reverb can be subtle, filling out your tone or
bringing it to an authentic surf-rock soaked ‘verb with a turn of the dial.
The harmonic vibrato circuit creates greasy, lush tones that will make you never
want to turn this thing off.
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WELCOME TO VICTORIA AMPLIFIER!
Victoria Amplifier company isn’t built on shortcuts, but finding the long path
to the best tones your guitar amp can possibly produce.
This philosophy has led our amps to the hands of some of the world’s most
influential musicians, best guitar shops, and a loyal fanbase of dedicated
users.
We continue to excel past our competitors in terms of tone, build quality, and
reliability.
SUPERIOR PARTS
All components are sourced from the finest manufacturers available. USA made
resistors, capacitors, transformers, wire, switches, jacks to name a few. Even
NOS tubes are used regularly to insure best performance in critical positions.
SUPERIOR CRAFTSMANSHIP
Each Victoria Amp is handcrafted, one at at a time. Thorough “burn in” and
performance testing insure a lifetime of trouble free operation. Every vacuum
tube is hand selected and rigorously tested for defects before the tube shields
go on!
SUPERIOR TONE
A Victoria Amp is an instrument that will compliment your finest guitars. We
simply have the most musical and dimensional tone in the industry. But don’t
take our word for it, just ask a player who owns one.
ARTISTS
Our amplifiers are In the hands of some of the world’s premier musicians, not
because we pay them to use them, because they know our amps have the tone they
crave.
Found in recording studios all over the world, our amps are superior to any
other low-powered recording amp on the market.
BOB DYLAN
KEITH RICHARDS
ERIC CLAPTON
JOHN MAYER
JOE BONAMASSA
BILLY GIBBONS
FIND DEALER
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F A Q ‘S
WHAT KIND OF TUBES CAN I RUN IN THE REGAL AND WHAT POWER WILL THEY PRODUCE?
Auditioning tubes in the Regal is as easy as unplugging one and replacing it
with another. Just BE CAREFUL when orienting the tube in the socket. Using a
tube with a broken or worn key can damage things.
You may use a 6V6 and a 6L6 at the same time. Or a single 6V6. Or a single EL34.
Or a KT66 and a EL-34…you get the idea. The rectifier tube may also be used to
vary the wattage and performance. A 5Y3 (NOS only) will produce the lowest
overall voltage resulting in lower wattage. A GZ34 will produce the highest
operating voltage available and will give you more power and snap. 5V4 and 5U4
will producing intermediate voltages.
lowest power = 1 NOS 5Y3 and a single 6V6 (in either socket, they are identical)
highest power = GZ34 and 2 6L6GC (or EL34)
Any combination in between is a lifetime of tube rolling!
MY AMPLIFIERS SPEAKER SOUNDS LIKE IT IS BREAKING UP, IT SOUNDS MUDDY AND
CRUNCHY, NOT SMOOTH OR CREAMY. CHORDS DO NOT RING HARMONICALLY CLEAR. DO YOU
HAVE ANY SUGGESTIONS ON HOW I CAN IMPROVE THIS?
Tubes and speakers play a critical role in shaping the amps performance. Try a
couple different brands of 12AX7 in the V1 position. Many guys will use an NOS
tube here. The V1 is the most prominent in influencing the amps tone. Power
tubes and speakers are obviously important too. Always use matched tubes in the
power section. Speakers are more of a pain in the rear to swap out, but they
will play a big role too. If you can, try swapping a couple different cabs with
the chassis to see if it makes a difference.
WHAT IS THE DIFFERENCE IN TONE AND FEEL BETWEEN THE 6L6 AND EL84 VICTORIETTE
AMPLIFIER?
The main difference is in the way the amp acts when driven into clipping. The
EL-84 will compress sooner and impart a mid rangy sizzle while the 6L6 will have
a grainier overdrive with more prominent lower mid content. The 6L6 is fuller,
the EL-84 is more aggressive/creamy. The clean tones are very similar; all tubes
will impart their own vibe, each 6L6 and EL-84 type will be individual, but
generally the EL-84 will be brighter, with less headroom.
Having said THAT, we no longer make many 6L6 Victoriettes..we recommend the 6L6
in the bigger (40W) Victorilux, which is the same AB763 circuit as the V-ette
with more gas in the power section. I feel that our Victoriette is best
represented with 6V6’s, which kinda combine the attributes of the 6L6 and the
EL-84. They distort fairly easily, have a rich lower mid response, and also have
a tight singing top end–without the sizzle and buzziness of the EL-84..So they
have the top end extension of the 84 and the low end richness of the 6L6,
without the buzzy compression of the EL-84.
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